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  1. #FriendsVsFriends sale en consolas eeeeee! El mismo lunes 1 de septiembre. Hemos hecho este trailer tan guapo, con temita nuevo y todo.

    youtu.be/dVxCC6STMbo

  2. Heute wollte ich eeeeeigenlich auf die 20 km gehen. Hab mir dafür den #geiseltalsee ausgesucht. Leider ging es quasi nur bergauf, was mich viel Kraft gekostet hat und ich dann "nur" die 12 km voll gemacht habe. Nächstes Mal probiere ich es wohl andersrum 😆
    Das war eventuell der letzte #longrun vor dem Halbmarathon. Die Spannung steigt.

    #run #runs #running #wednesday #morning #morningrun #12km

  3. GLADIATOR II

    Eeee...
    ¿Por qué?

    Y ahora me explayo. Maximus Bazofius.
    Pues un prota de mierda con 0 carisma que tiene que ser hijo o algo de alguien así de forma nada forzada para dar un sentido a un guion sin sentido y nada calcado de la 1ª pero en versión mal.
    (hilo⬇️)

    #lepisma #gladiator #gladiatorII #cine #sinopsis #critica #reseña #peliculas

  4. Heute gab es dann eeeeendlich mal wieder #Brokkoli #iLove

    Habe den im Bambusdämpfer gemacht (etwas zu lange) und das Rührei auch nen Tick zu lange in der Pfanne. War aber trotzdem saulecker.

    Und es waren Bio-Eier von privat. Merkte man erheblich an Farbe, Geschmack und Größe. Echt gut gewesen.

  5. *Woosh
    Sledfox: EGADS
    Marie: EEEEEEEEEEE
    Miss Maned Wolf: AAAAAAAAAAAAAAA
    Ristin: ARRRRRRRRRRRRGH*

    December Sketch from Cervelet. Marie decides to help out the sled fox when it comes to the snow, by building himself out and setting a steam jet engine. Test driving it said reaction as they blast off at full speed over the hills!

    Sledfox of and Art by Cervelet (cervelet.deviantart.com)
    Marie the Scientist Opposum and Miss Maned Wolf of @WilliamSwiftfoot
    Halfcut Ristin of Resten Tanuki

    #Art #ArtShare #DapperCrew #SteamPunk #Sledding #VehicleTaur #Snowsledding #Marie #Opposum #Missmanedwolf #Ristin #Cervelet

  6. BE YOURSELF 🍁🤎🍁🤎

    EEEEE… Non potevamo mancare oggi con i nostri post. Sempre super originali, come i nostri look

    🍁🤎🍁🤎🍁🤎🍁🤎🍁🤎🍁🤎🍁🤎

    #fashion #style #picoftheday #locarno #lasostadagiulia #lugano #bellinzona #reel #foto #sorridere #lovers #behappy #cappotto #gonna #jeans #vestiti

  7. moezine.com/1492908/ 【祝7周年】櫻坂46田村 激ムズ未クリアゲームに大苦戦! 【祝7周年】櫻坂46田村 激ムズ未クリアゲームに大苦戦! 有吉ぃぃeeeee!祝7周年!激ムズ“未クリアゲーム“リベンジSPで奇跡!? 未クリアゲーム全制覇なるか!?田村保乃絶叫!ピコパーク2無限ループ地獄▼ChainedTogetherじいさん長谷川の悪夢 【全て無料!見るなら、こちらから↓】 ネットもテレ東:video.tv-tokyo.co.jp/ariyoshie Tver:tver.jp/lp/series/sr3m8uoz0d お気に入り登録、チャンネル登録宜しくお願いします!🙇 #有吉ぃぃeeeee #有吉 #マリオメーカー2 #nintendo #picopark #ピコパーク #ChainedTogether#keyakizaka #Keyakizaka46 #sakurazaka #sakurazaka46 #櫻坂 #櫻坂46 #欅坂 #欅坂46 #田村保乃

  8. moezine.com/1492908/ 【祝7周年】櫻坂46田村 激ムズ未クリアゲームに大苦戦! 【祝7周年】櫻坂46田村 激ムズ未クリアゲームに大苦戦! 有吉ぃぃeeeee!祝7周年!激ムズ“未クリアゲーム“リベンジSPで奇跡!? 未クリアゲーム全制覇なるか!?田村保乃絶叫!ピコパーク2無限ループ地獄▼ChainedTogetherじいさん長谷川の悪夢 【全て無料!見るなら、こちらから↓】 ネットもテレ東:video.tv-tokyo.co.jp/ariyoshie Tver:tver.jp/lp/series/sr3m8uoz0d お気に入り登録、チャンネル登録宜しくお願いします!🙇 #有吉ぃぃeeeee #有吉 #マリオメーカー2 #nintendo #picopark #ピコパーク #ChainedTogether#keyakizaka #Keyakizaka46 #sakurazaka #sakurazaka46 #櫻坂 #櫻坂46 #欅坂 #欅坂46 #田村保乃

  9. moezine.com/1492908/ 【祝7周年】櫻坂46田村 激ムズ未クリアゲームに大苦戦! 【祝7周年】櫻坂46田村 激ムズ未クリアゲームに大苦戦! 有吉ぃぃeeeee!祝7周年!激ムズ“未クリアゲーム“リベンジSPで奇跡!? 未クリアゲーム全制覇なるか!?田村保乃絶叫!ピコパーク2無限ループ地獄▼ChainedTogetherじいさん長谷川の悪夢 【全て無料!見るなら、こちらから↓】 ネットもテレ東:video.tv-tokyo.co.jp/ariyoshie Tver:tver.jp/lp/series/sr3m8uoz0d お気に入り登録、チャンネル登録宜しくお願いします!🙇 #有吉ぃぃeeeee #有吉 #マリオメーカー2 #nintendo #picopark #ピコパーク #ChainedTogether#keyakizaka #Keyakizaka46 #sakurazaka #sakurazaka46 #櫻坂 #櫻坂46 #欅坂 #欅坂46 #田村保乃

  10. RT by @FF_XIV_JP: FF14回アップされました!
    即タイタンは難しすぎました…。設定に反省
    😥
    数字もいいので次あるかも!?
    次回は「超おどる メイド イン ワリオ」!
    個人戦で、体使って、ガチ勝負!
    #有吉ぃぃeeeee
    ↓TVerで無料配信!ぜひ
    🙇
    https://tver.jp/episodes/eplgpbng8b
    http://twitter.com/ariyoshieeeee/status/1782048937878376895#m

  11. RT by @FF_XIV_JP: ╭━━━━━━━━╮
    今夜22時!FF14回!
    ╰━v━━━━━━╯
    ▼大人気FF14に入門!ゲストは板倉さん・野田クリスタルさん・錦鯉渡辺さん・櫻坂46の中嶋優月さん▼「石になりましたぁ!!!」踊り子有吉ピンチ…経験者の野田が混乱▼品川で焼肉…田中が“焼きハラ”
    #有吉ぃぃeeeee #FF14
    http://twitter.com/ariyoshieeeee/status/1781873111681609855#m

  12. @[email protected] ...eeee... fatto!!! #GNOME45 gira da dio come sempre anche se nel passaggio ho perso qualche estensione (#Pano dove sei?). Per fortuna quasi tutto quello che uso di solito c'è e funziona. Un minuto di silenzio per #popshell. Supererò questo lutto grazie a #forge ma il primo amore è sempre duro da dimenticare!

  13. Das #reisealpaka hat eeeendlich sein Ticket bekommen :alpaka_aktion: . Gleich geht's los bei #jugendhackt #jhmuc22 :alpaka_excited: !

  14. She Is Here—Still Here!

    US: Bookshop.org | Amazon | Barnes and Noble | PM Press
    UK: Amazon | Waterstones | Blackwells | WH Smith

    Tuesday is traditionally book-launch day. Today She Is Here has been out three months but as a small book from a small, independent press known for its anarchist leanings (see two of my favourites from their merch offerings, below) you might not have seen it reviewed in the usual places. (I didn’t go on tour, and did only two book events—one in person right here in Seattle, and one virtual for City Lights in San Francisco.)

    Both events were great, and PM Press are very happy because sales have, by their lights, been unexpectedly strong. (Yay!) But I know there are more people out there who might enjoy the book if only they knew about it.

    Some might enjoy what Gary Wolfe in his Locus review characterises as the four “good short but stabby poems.” Some might prefer the essays—including epistolary criticism such as “TheWomen You Didn’t See,” which is my analysis of how Tiptree’s identity shaped her short fiction. But what I’m really keen on getting readers to discover are the four pieces of my short fiction—particularly the original novella, Many Things in Dumnet. Why should you seek them out? Well, here I’m going to quote Wolfe again to save me the embarrassment of praising myself:

    More than half the book consists of the four fiction selections. The shortest is “Glimmer”… a showpiece for Griffith’s lyrical prose, as a woman (who describes herself as “a cripple”) is transformed as she travels through time and space – “pulsing, lengthening, cooling, a cord stretched past the horizon along which she slides like a bead.” “Down the Path of the Sun”, one of Griffith’s earliest stories, is a grim but powerful postapocalyptic, postplague account of the narrator’s attempts to protect her sister in a violent, desperately diminished world. Both “Cold Wind” and “Many Things in Dumnet” are rare Griffith fantasy stories. “Cold Wind”, which begins in a women’s bar in contemporary Seattle, explores the complex relationships of predator and prey, as both the narrator and the strange woman she meets there both turn out to be not quite what they seem. “Many Things in Dumnet” is set in what appears to be a fantasy version of Griffith’s early medieval Britain, in which a musician, Anya Reine, arrives in Dumnet, “most southwesterly of the kingdoms of Albion,” and quickly lands a gig at a tavern – only to be warned that no one is allowed to perform without the approval of Macalla, who at first appears to be a local crime boss. But Macalla turns out to be far more than that, and so does Anya. Aided by totemic figures such as a silver fox, she eventually finds herself defending the kingdom from the predations of Macalla’s “wodebreath.” Apart from its supernatural fireworks and its convincing portrayal of a haunted medieval setting, the story also serves as a moving paean to the power of music…

    Those who follow me on Patreon know quite a bit about Dumnet—it’s part of an SFnal alt-history set in a ninth-century Dumnonia (Cornwall and Devon) in which, over four hundred years earlier, the Fall of Rome coincided with the Fall of Something Nasty From the Sky and utterly changed the trajectories of every civilisation on earth. (I’m choosing my words carefully here.) But as that novel isn’t actually written yet, this novella is presented as a fantasy—the best way for it to make sense as a standalone. And having now written it and read part of it aloud that way, I remembered just how much enjoy writing fantasy: I can feel myself changing my mind. I think I will turn the novel into a a big-ol’ sword-swangin’ alt-history science-fantasy! Full of all those delicious tropes that writing realism (whether historical fiction, crime fiction, contemporary fiction about fighting ableism, science fiction), doesn’t always allow for: Music can save the world! Sex can save the world! Violence can be a good and useful and even, y’know, kind of cool thing! Lather everything in love and lust and loss and longing! And lesbians. And villains—eeeeeevil villains who can be defeated by lusty lesbians who love to sing! Fighting to save the whole fucking *world*!!! Oh, yep now that sounds exciting…

    Er, anyway, my point is that if you like novels such as Spear, Hild, Menewood, and Ammonite, you will like this novella. So do me and PM Press and perhaps yourself a favour and go read “Many Things in Dumnet”—only to be found in She Is Here.

    To whet your appetite, here are a few nice things people have said about the book:

    • “Beyond having an astute way with words, [Griffith] speaks with an emphatic, take-no-prisoners clarity. Griffith plays brilliantly to this strength in her new collection She Is Here.”— Eric Olson, Seattle Times
    • “Fresh work from [one] of the greats in the queer literary canon! This new book contains essays, poems, art, and stories. Griffith can indeed do it all.” — Autostraddle on She Is Here
    • “Griffith’s sharp and uncompromising voice comes across clearly in the nonfiction and the interview, but the important news for Griffith’s readers lies in the four short fiction pieces, especially an excellent novella, ‘Many Things in Dumnet’, which is original to the volume [and] serves as a moving paean to the power of music … She is Here is a revealing and rewarding self-portrait of one of our most important—and most outspoken—voices.” —Gary Wolfe, Locus
    • “A winning survey of Griffith’s work.” — Reactor on She Is Here
    • “The collection starts with the most shocking piece, Griffith’s ‘A Writer’s Manifesto.’ I was thrilled to hear Griffith read it aloud. ‘I want to write a novel that invades you,’ Griffith said. ‘I want to control what you think and feel, to put you right there, right then, killing and being killed, f—king and being f—ked, cooking and starving, drinking and thinking, barely surviving and absolutely thriving. I want to give you a life you’ve never had and change the one you live.’ From a lesser writer, these few sentences would sound arrogant, even egotistical. As it is, the manifesto is intense and…a little frightening. For Griffith, it’s a distillation of what she wants to do (and what she does) in all of her fiction. She is Here is an excellent and deeply personal introduction to both Griffith’s writing and her perspective on writing.” — Chaitna Deshmukh, The Daily

    US: Bookshop.org | Amazon | Barnes and Noble | PM Press
    UK: Amazon | Waterstones | Blackwells | WH Smith

    #books #fantasy #manyThingsInDumnet #novella #pmPress #queerFiction #shortFiction
  15. She Is Here—Still Here!

    US: Bookshop.org | Amazon | Barnes and Noble | PM Press
    UK: Amazon | Waterstones | Blackwells | WH Smith

    Tuesday is traditionally book-launch day. Today She Is Here has been out three months but as a small book from a small, independent press known for its anarchist leanings (see two of my favourites from their merch offerings, below) you might not have seen it reviewed in the usual places. (I didn’t go on tour, and did only two book events—one in person right here in Seattle, and one virtual for City Lights in San Francisco.)

    Both events were great, and PM Press are very happy because sales have, by their lights, been unexpectedly strong. (Yay!) But I know there are more people out there who might enjoy the book if only they knew about it.

    Some might enjoy what Gary Wolfe in his Locus review characterises as the four “good short but stabby poems.” Some might prefer the essays—including epistolary criticism such as “TheWomen You Didn’t See,” which is my analysis of how Tiptree’s identity shaped her short fiction. But what I’m really keen on getting readers to discover are the four pieces of my short fiction—particularly the original novella, Many Things in Dumnet. Why should you seek them out? Well, here I’m going to quote Wolfe again to save me the embarrassment of praising myself:

    More than half the book consists of the four fiction selections. The shortest is “Glimmer”… a showpiece for Griffith’s lyrical prose, as a woman (who describes herself as “a cripple”) is transformed as she travels through time and space – “pulsing, lengthening, cooling, a cord stretched past the horizon along which she slides like a bead.” “Down the Path of the Sun”, one of Griffith’s earliest stories, is a grim but powerful postapocalyptic, postplague account of the narrator’s attempts to protect her sister in a violent, desperately diminished world. Both “Cold Wind” and “Many Things in Dumnet” are rare Griffith fantasy stories. “Cold Wind”, which begins in a women’s bar in contemporary Seattle, explores the complex relationships of predator and prey, as both the narrator and the strange woman she meets there both turn out to be not quite what they seem. “Many Things in Dumnet” is set in what appears to be a fantasy version of Griffith’s early medieval Britain, in which a musician, Anya Reine, arrives in Dumnet, “most southwesterly of the kingdoms of Albion,” and quickly lands a gig at a tavern – only to be warned that no one is allowed to perform without the approval of Macalla, who at first appears to be a local crime boss. But Macalla turns out to be far more than that, and so does Anya. Aided by totemic figures such as a silver fox, she eventually finds herself defending the kingdom from the predations of Macalla’s “wodebreath.” Apart from its supernatural fireworks and its convincing portrayal of a haunted medieval setting, the story also serves as a moving paean to the power of music…

    Those who follow me on Patreon know quite a bit about Dumnet—it’s part of an SFnal alt-history set in a ninth-century Dumnonia (Cornwall and Devon) in which, over four hundred years earlier, the Fall of Rome coincided with the Fall of Something Nasty From the Sky and utterly changed the trajectories of every civilisation on earth. (I’m choosing my words carefully here.) But as that novel isn’t actually written yet, this novella is presented as a fantasy—the best way for it to make sense as a standalone. And having now written it and read part of it aloud that way, I remembered just how much enjoy writing fantasy: I can feel myself changing my mind. I think I will turn the novel into a a big-ol’ sword-swangin’ alt-history science-fantasy! Full of all those delicious tropes that writing realism (whether historical fiction, crime fiction, contemporary fiction about fighting ableism, science fiction), doesn’t always allow for: Music can save the world! Sex can save the world! Violence can be a good and useful and even, y’know, kind of cool thing! Lather everything in love and lust and loss and longing! And lesbians. And villains—eeeeeevil villains who can be defeated by lusty lesbians who love to sing! Fighting to save the whole fucking *world*!!! Oh, yep now that sounds exciting…

    Er, anyway, my point is that if you like novels such as Spear, Hild, Menewood, and Ammonite, you will like this novella. So do me and PM Press and perhaps yourself a favour and go read “Many Things in Dumnet”—only to be found in She Is Here.

    To whet your appetite, here are a few nice things people have said about the book:

    • “Beyond having an astute way with words, [Griffith] speaks with an emphatic, take-no-prisoners clarity. Griffith plays brilliantly to this strength in her new collection She Is Here.”— Eric Olson, Seattle Times
    • “Fresh work from [one] of the greats in the queer literary canon! This new book contains essays, poems, art, and stories. Griffith can indeed do it all.” — Autostraddle on She Is Here
    • “Griffith’s sharp and uncompromising voice comes across clearly in the nonfiction and the interview, but the important news for Griffith’s readers lies in the four short fiction pieces, especially an excellent novella, ‘Many Things in Dumnet’, which is original to the volume [and] serves as a moving paean to the power of music … She is Here is a revealing and rewarding self-portrait of one of our most important—and most outspoken—voices.” —Gary Wolfe, Locus
    • “A winning survey of Griffith’s work.” — Reactor on She Is Here
    • “The collection starts with the most shocking piece, Griffith’s ‘A Writer’s Manifesto.’ I was thrilled to hear Griffith read it aloud. ‘I want to write a novel that invades you,’ Griffith said. ‘I want to control what you think and feel, to put you right there, right then, killing and being killed, f—king and being f—ked, cooking and starving, drinking and thinking, barely surviving and absolutely thriving. I want to give you a life you’ve never had and change the one you live.’ From a lesser writer, these few sentences would sound arrogant, even egotistical. As it is, the manifesto is intense and…a little frightening. For Griffith, it’s a distillation of what she wants to do (and what she does) in all of her fiction. She is Here is an excellent and deeply personal introduction to both Griffith’s writing and her perspective on writing.” — Chaitna Deshmukh, The Daily

    US: Bookshop.org | Amazon | Barnes and Noble | PM Press
    UK: Amazon | Waterstones | Blackwells | WH Smith

    #books #fantasy #manyThingsInDumnet #novella #pmPress #queerFiction #shortFiction
  16. She Is Here—Still Here!

    US: Bookshop.org | Amazon | Barnes and Noble | PM Press
    UK: Amazon | Waterstones | Blackwells | WH Smith

    Tuesday is traditionally book-launch day. Today She Is Here has been out three months but as a small book from a small, independent press known for its anarchist leanings (see two of my favourites from their merch offerings, below) you might not have seen it reviewed in the usual places. (I didn’t go on tour, and did only two book events—one in person right here in Seattle, and one virtual for City Lights in San Francisco.)

    Both events were great, and PM Press are very happy because sales have, by their lights, been unexpectedly strong. (Yay!) But I know there are more people out there who might enjoy the book if only they knew about it.

    Some might enjoy what Gary Wolfe in his Locus review characterises as the four “good short but stabby poems.” Some might prefer the essays—including epistolary criticism such as “TheWomen You Didn’t See,” which is my analysis of how Tiptree’s identity shaped her short fiction. But what I’m really keen on getting readers to discover are the four pieces of my short fiction—particularly the original novella, Many Things in Dumnet. Why should you seek them out? Well, here I’m going to quote Wolfe again to save me the embarrassment of praising myself:

    More than half the book consists of the four fiction selections. The shortest is “Glimmer”… a showpiece for Griffith’s lyrical prose, as a woman (who describes herself as “a cripple”) is transformed as she travels through time and space – “pulsing, lengthening, cooling, a cord stretched past the horizon along which she slides like a bead.” “Down the Path of the Sun”, one of Griffith’s earliest stories, is a grim but powerful postapocalyptic, postplague account of the narrator’s attempts to protect her sister in a violent, desperately diminished world. Both “Cold Wind” and “Many Things in Dumnet” are rare Griffith fantasy stories. “Cold Wind”, which begins in a women’s bar in contemporary Seattle, explores the complex relationships of predator and prey, as both the narrator and the strange woman she meets there both turn out to be not quite what they seem. “Many Things in Dumnet” is set in what appears to be a fantasy version of Griffith’s early medieval Britain, in which a musician, Anya Reine, arrives in Dumnet, “most southwesterly of the kingdoms of Albion,” and quickly lands a gig at a tavern – only to be warned that no one is allowed to perform without the approval of Macalla, who at first appears to be a local crime boss. But Macalla turns out to be far more than that, and so does Anya. Aided by totemic figures such as a silver fox, she eventually finds herself defending the kingdom from the predations of Macalla’s “wodebreath.” Apart from its supernatural fireworks and its convincing portrayal of a haunted medieval setting, the story also serves as a moving paean to the power of music…

    Those who follow me on Patreon know quite a bit about Dumnet—it’s part of an SFnal alt-history set in a ninth-century Dumnonia (Cornwall and Devon) in which, over four hundred years earlier, the Fall of Rome coincided with the Fall of Something Nasty From the Sky and utterly changed the trajectories of every civilisation on earth. (I’m choosing my words carefully here.) But as that novel isn’t actually written yet, this novella is presented as a fantasy—the best way for it to make sense as a standalone. And having now written it and read part of it aloud that way, I remembered just how much enjoy writing fantasy: I can feel myself changing my mind. I think I will turn the novel into a a big-ol’ sword-swangin’ alt-history science-fantasy! Full of all those delicious tropes that writing realism (whether historical fiction, crime fiction, contemporary fiction about fighting ableism, science fiction), doesn’t always allow for: Music can save the world! Sex can save the world! Violence can be a good and useful and even, y’know, kind of cool thing! Lather everything in love and lust and loss and longing! And lesbians. And villains—eeeeeevil villains who can be defeated by lusty lesbians who love to sing! Fighting to save the whole fucking *world*!!! Oh, yep now that sounds exciting…

    Er, anyway, my point is that if you like novels such as Spear, Hild, Menewood, and Ammonite, you will like this novella. So do me and PM Press and perhaps yourself a favour and go read “Many Things in Dumnet”—only to be found in She Is Here.

    To whet your appetite, here are a few nice things people have said about the book:

    • “Beyond having an astute way with words, [Griffith] speaks with an emphatic, take-no-prisoners clarity. Griffith plays brilliantly to this strength in her new collection She Is Here.”— Eric Olson, Seattle Times
    • “Fresh work from [one] of the greats in the queer literary canon! This new book contains essays, poems, art, and stories. Griffith can indeed do it all.” — Autostraddle on She Is Here
    • “Griffith’s sharp and uncompromising voice comes across clearly in the nonfiction and the interview, but the important news for Griffith’s readers lies in the four short fiction pieces, especially an excellent novella, ‘Many Things in Dumnet’, which is original to the volume [and] serves as a moving paean to the power of music … She is Here is a revealing and rewarding self-portrait of one of our most important—and most outspoken—voices.” —Gary Wolfe, Locus
    • “A winning survey of Griffith’s work.” — Reactor on She Is Here
    • “The collection starts with the most shocking piece, Griffith’s ‘A Writer’s Manifesto.’ I was thrilled to hear Griffith read it aloud. ‘I want to write a novel that invades you,’ Griffith said. ‘I want to control what you think and feel, to put you right there, right then, killing and being killed, f—king and being f—ked, cooking and starving, drinking and thinking, barely surviving and absolutely thriving. I want to give you a life you’ve never had and change the one you live.’ From a lesser writer, these few sentences would sound arrogant, even egotistical. As it is, the manifesto is intense and…a little frightening. For Griffith, it’s a distillation of what she wants to do (and what she does) in all of her fiction. She is Here is an excellent and deeply personal introduction to both Griffith’s writing and her perspective on writing.” — Chaitna Deshmukh, The Daily

    US: Bookshop.org | Amazon | Barnes and Noble | PM Press
    UK: Amazon | Waterstones | Blackwells | WH Smith

    #books #fantasy #manyThingsInDumnet #novella #pmPress #queerFiction #shortFiction