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1000 results for “Connect_Dots”
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Still getting this thing where folks are not yet able to connect dots regarding #PhysicalSciences, #NoeticSpectrum and
#CurrentEvents.
Our typical way of viewing the world is crammed full of dichotomy - dead and alive for instance, wherein the actuality is alive and/or alive but the car died. We think we are the car, but we are only the driver. Now multiply this by basically everything. It's very confusing- most folks just give up trying to figure these things out, until the car dies again -
Still getting this thing where folks are not yet able to connect dots regarding #PhysicalSciences, #NoeticSpectrum and
#CurrentEvents.
Our typical way of viewing the world is crammed full of dichotomy - dead and alive for instance, wherein the actuality is alive and/or alive but the car died. We think we are the car, but we are only the driver. Now multiply this by basically everything. It's very confusing- most folks just give up trying to figure these things out, until the car dies again -
Still getting this thing where folks are not yet able to connect dots regarding #PhysicalSciences, #NoeticSpectrum and
#CurrentEvents.
Our typical way of viewing the world is crammed full of dichotomy - dead and alive for instance, wherein the actuality is alive and/or alive but the car died. We think we are the car, but we are only the driver. Now multiply this by basically everything. It's very confusing- most folks just give up trying to figure these things out, until the car dies again -
I do enjoy #TalkTherapy with my #psychologist. As usual I've done most of the thinking, so I also ended up doing most of the talking. And that's okay. To think and connect dots together in your head is one step. To articulate these thoughts to a trusted person in a safe place is another. To bring all these learnings, take them in deeply, and make them one with your being is the hardest bit.
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With #China entering #AI race with #DeepSeek, we're in #DeepShit, but not for reasons many think.
Do we rely on others to breathe, sleep, and eat for us? Then why would we let others #think for us, connect dots for us, draw conclusions for us, except as an expedient that we validate with our OWN thinking?
Even letting someone trustworthy DRIVE our life is problematic enough, but it is even more so letting an opaque, non-sentient, and possibly #hostileAgent (#troll) in charge.
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With #China entering #AI race with #DeepSeek, we're in #DeepShit, but not for reasons many think.
Do we rely on others to breathe, sleep, and eat for us? Then why would we let others #think for us, connect dots for us, draw conclusions for us, except as an expedient that we validate with our OWN thinking?
Even letting someone trustworthy DRIVE our life is problematic enough, but it is even more so letting an opaque, non-sentient, and possibly #hostileAgent (#troll) in charge.
-
With #China entering #AI race with #DeepSeek, we're in #DeepShit, but not for reasons many think.
Do we rely on others to breathe, sleep, and eat for us? Then why would we let others #think for us, connect dots for us, draw conclusions for us, except as an expedient that we validate with our OWN thinking?
Even letting someone trustworthy DRIVE our life is problematic enough, but it is even more so letting an opaque, non-sentient, and possibly #hostileAgent (#troll) in charge.
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How Meta Connected Browsing Activity to Real People on Android
1,747 words, 9 minutes read time.
You think you’re invisible online when you’re in private browsing mode or after clearing cookies, right? I used to think the same thing. But the reality is a little harsher: Meta found ways to keep tabs on Android users even when they were trying to hide. I’m not here to scare you. I’m here to explain exactly how it worked, why it happened, and what you can realistically do about it.
We’ve all had the experience: you browse a few sites, check a couple of things in private, and later see ads that feel almost “too personalized.” You think, How did they know? This Meta case makes it clear that your standard privacy tools — incognito mode, cookie clearing — aren’t always enough. What Meta discovered, and what researchers exposed, is that the ecosystem itself is leaking information, whether you like it or not.
It’s tempting to blame yourself, but you’re not doing anything wrong. In reality, the way apps and browsers interact on Android is complex, and the rules were never designed to make users completely invisible. Meta simply found a way to connect dots that were already there. Understanding how this happened can help you make smarter decisions online — without panicking or quitting your favorite apps.
Tracking Isn’t Just About Cookies
For years, online tracking seemed simple. Websites dropped cookies — little snippets of data that said, “Hello, I recognize you.” Delete them, and the site forgets you. Go incognito, and you think you’re invisible. But modern tracking doesn’t rely solely on cookies. That’s old-school thinking. The industry has gotten smarter, and the methods have evolved to follow you even when you try to hide.
Meta’s approach is a prime example. They didn’t just rely on cookies or logins. Instead, they leveraged patterns of behavior and signals coming from apps and browsers. Think of cookies as leaving a name tag at a party. Take it off, and the host can’t read the name anymore — but they can still notice your face, how you walk, or the drinks you order. Those subtle identifiers are enough for someone skilled to link your behavior back to a real person.
The problem is compounded because these signals are baked into the operating system and how apps communicate. Every tap, every page load, every app interaction produces a tiny “footprint.” When a company like Meta has access to enough footprints, connecting them to accounts becomes almost trivial. In other words, tracking today isn’t about a single cookie — it’s about pattern recognition at scale.
Most people don’t realize how much of this happens behind the scenes. You clear cookies, turn on privacy features, and feel safe. But the ecosystem doesn’t just disappear your digital fingerprints. Understanding that tracking has moved beyond the old tools is the first step toward realistic, practical privacy.
The Android Ecosystem and Its Blind Spots
Android isn’t a sealed system. It’s more like a neighborhood where everyone’s got thin walls, and neighbors sometimes talk over the fences. Apps, browsers, and the operating system constantly exchange small pieces of information — often for legitimate purposes like syncing data or improving app performance. But those same mechanisms can be abused to identify and link users across services.
Think of your apps as apartments in a building. Each apartment is supposed to be private, but thin walls, shared utilities, and building-wide notices mean some information leaks. Meta’s method exploited these subtle leaks — the equivalent of overhearing conversations, noticing repeated patterns, or recognizing footprints in a shared courtyard. These aren’t security flaws in the traditional sense; they’re structural features of how Android is built to allow apps and services to communicate.
Even if you’re careful — you only use trusted apps, you clear cookies, you use incognito mode — the system itself can reveal patterns. Android provides some privacy protections, but they aren’t foolproof. Signals like app activity, device identifiers, and browsing behavior can still combine to form a recognizable profile. Meta’s approach took advantage of these natural “communication channels” between apps and browsers.
The lesson here isn’t to panic or quit Android. It’s to understand that privacy is about controlling what you can, not believing you can erase every trace. The Android ecosystem is complex, and awareness is the best tool you have. Knowing where data flows helps you make smarter choices.
Meta’s New Tracking Method
So, what exactly did Meta do? They didn’t hack your phone. They didn’t exploit a vulnerability that required a patch. Instead, they used existing communication pathways — the way apps and browsers naturally interact — to link browsing activity to real accounts. In plain terms, they stitched together patterns that already existed.
Imagine leaving faint footprints in the sand. On their own, each print is meaningless. But if someone tracks the pattern of steps, the gait, and the direction, they can identify the person walking. Meta’s system worked similarly: it looked at how users moved through apps and web pages and matched those patterns to known accounts. This method bypassed cookie protections and even incognito mode because it didn’t rely on those traditional mechanisms.
It’s also worth noting the scale here. Doing this effectively requires processing millions of data points across users and devices. That’s why most small apps don’t have this capability — but big platforms with massive infrastructure, like Meta, can. This isn’t a single exploit; it’s leveraging the architecture of Android itself to achieve tracking that feels invisible to the user.
For everyday users, the takeaway is clear: your actions, even in “private” modes, can leave a pattern that sophisticated systems can recognize. Understanding this doesn’t make you paranoid; it makes you informed. And informed users make smarter choices.
Why Your Privacy Tools Didn’t Stop It
Let’s address the obvious question: why didn’t incognito mode, cookie clearing, or app sandboxing stop this? The short answer is: because these tools aren’t designed to protect against this type of tracking. They protect specific areas — cookies, stored data, or app isolation — but not the broader patterns of behavior.
Analogy: locking your front door is great, but it doesn’t stop someone from watching the windows. Your privacy tools are doors and locks. Meta found ways to look through the windows, study your movement in the yard, and figure out whose house it was. That’s not a failure on your part; it’s a feature of the system.
Android does have protections against inter-app data sharing, but these are partial and often complicated to configure correctly. Even when you do everything “right,” sophisticated trackers can combine signals to make educated guesses about user identities. It’s frustrating, but it’s also a reminder that privacy isn’t binary.
The realistic takeaway is to understand limitations, not to assume invisibility. Privacy tools reduce exposure, slow down trackers, and add friction to data collection. They are your armor, not a magic shield. Understanding how far that armor stretches helps you make smarter decisions.
What This Means for Everyday Users
Here’s the bottom line: complete invisibility online is nearly impossible if you’re using mainstream apps. Platforms are designed to connect behavior to real users. Meta’s method is a case study in how this works, but it’s not unique. Google, Apple, and other companies also have ways to track activity across services and devices.
That doesn’t mean you’re powerless. The key is being aware. Awareness allows you to make deliberate choices about which apps to use, what permissions to grant, and how to navigate the ecosystem. You don’t need to quit Facebook or Instagram, but understanding their incentives and methods can guide smarter habits.
It also means adjusting expectations. Privacy isn’t a switch you flip; it’s a spectrum you navigate. You can reduce exposure and make tracking harder, but expecting perfect invisibility sets you up for disappointment. Instead, think strategically: what do you want to protect, and which tools realistically help?
Finally, this awareness empowers conversation. When companies expose privacy challenges, informed users can ask better questions, demand better policies, and make more conscious decisions about their digital lives.
Practical Steps You Can Take
Let’s get practical. Here are steps that actually help — no snake oil, no miracle fixes:
- Limit app permissions. Only grant what’s necessary. Many apps ask for access to your contacts, camera, or location unnecessarily. Review and prune these regularly.
- Use privacy-conscious browsers. Browsers like Firefox Focus, DuckDuckGo, or Brave block trackers better than default Chrome or Samsung Internet.
- Restrict inter-app data sharing. Android settings allow you to limit cross-app data access. It won’t stop everything, but it reduces signals available to trackers.
- Think before installing apps. Each new app is another potential tracker. Fewer apps mean fewer signals to stitch together.
- Separate identities when needed. Some users create dedicated profiles or devices for certain types of browsing or app usage to minimize linking patterns.
The goal is realistic protection, not illusionary invisibility. Awareness, restraint, and intentional choices are your best defense.
Bigger Picture Lessons
Meta’s tracking isn’t an isolated incident — it’s representative of how modern tech handles user data. Privacy tools are often playing catch-up with the incentives of platforms that want to link activity to identities.
For users, the lesson is simple: understand the system, don’t assume safety, and act consciously. For the industry, it’s a reminder that structural protections are often more effective than user-facing features alone. Privacy isn’t something you turn on; it’s something you manage.
Knowing this, you can approach the digital world with less anxiety and more strategy. That’s far more effective than panic or avoidance.
Conclusion
Here’s what you need to remember:
- Modern tracking isn’t just about cookies — it’s about behavior patterns and cross-app signals.
- Privacy tools reduce exposure but can’t make you invisible.
- Awareness and informed choices are your best defense.
I’m not telling you to quit your apps or abandon your devices. I’m telling you how the game is played, so you can play smarter. The best armor in today’s ecosystem isn’t fear — it’s knowledge.
Call to Action
If this breakdown helped you think a little clearer about the threats out there, don’t just click away. Subscribe for more no-nonsense security insights, drop a comment with your thoughts or questions, or reach out if there’s a topic you want me to tackle next. Stay sharp out there.
D. Bryan King
Sources
The New York Times – Meta’s Android Tracking Loophole
CNBC – How Meta Tracked Users on Android
CyberScoop – Meta’s Tracking Method on Android
KrebsOnSecurity – Tracking and Privacy Insights
Schneier on Security – Practical Privacy Analysis
Mandiant Threat Intelligence Reports
MITRE ATT&CK Framework
NIST Publications on Security and Privacy
Verizon Data Breach Investigations Report
Black Hat Conference MaterialsDisclaimer:
The views and opinions expressed in this post are solely those of the author. The information provided is based on personal research, experience, and understanding of the subject matter at the time of writing. Readers should consult relevant experts or authorities for specific guidance related to their unique situations.
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AMG’s Unsigned Band Rodeö: Save This Utility – 亡失 Deprivation
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
New year, same ol’ Rodeö! As the inaugural unknown-spankin’ event of 2024, we shall take a moment to recognize the bands who put up the best fight in this unforgiving clown show. Texas doomsters Slumbering Sun may not have snagged first, but they did end up listing, a rare honor in these halls! However, despite that one enthusiastic supporter, Greek proglodytes Conspiracy of Zero stole the show with higher consistency in their Quo Vadis meets Cynic with a regional flair outing Ahthos Arouris. Haven’t checked it yet? Lucky you, now’s as good a time as ever!
But for our main course today, we have something different—something admittedly far more weird and avant-garde leaning. Perhaps if you’re familiar with the brand of brutal prog interwoven with experimental death metal and tasteful lounge jazz passages that unheralded Japanese act 五人一首 [Gonin-ish] pushes, you might feel a little at home with SAVE THIS UTILITY. This fledgling Kyoto-based troupe, though, seems to have their own inspirations, with a bassist whose seven-string prowess explores dutifully the realm of poppy Idol music and a guitarist who moonlights as a pumping rawstyle DJ. You might be wondering what this all adds up to in the context of a website that allegedly reviews metal. Well, read on if you dare. 亡失 Deprivation might just surprise you. – Dolphin Whisperer
SAVE THIS UTILITY // 亡失 Deprivation [February 5th, 2024]
El Cuervo: Save This Utility is about what you would expect from a Japanese band self-describing as avant-garde: weird as fuck. Deprivation pulls together unusual influences into an unexpected and unfamiliar release. While the unpredictable song structures and varying time signatures are pure prog, the guitar leads have a crunch and angularity drawn from mathcore. Likewise, the deathly roars lend things an extremer metal fringe, while the production has a clinical edge that tonally (if not musically) recalls industrial. And plenty of piano and synths paper over the cracks of the frantic song-writing. Inventive musical ideas are scattered throughout but the spectrum of sounds amalgamated is too wide for a cohesive, purposeful release; even for a novelty EP that only runs for a shade over thirty minutes. Similarly, those individual moments are fleeting and not constructed into compelling songs. As inventive and unexpected as everything is, I’m not left with an over-arching sense of the substance of this release. Can I recall a particular track? A particular riff? A particular melody? A particular emotion (other than bafflement)? The answer to each is no. Deprivation prizes style over substance, which leaves little to compel repeated listens. It does a lot, but doesn’t say a lot. 1.5/5.0
GardensTale: I tried, okay? I really, really tried. Iceberg waxed lyrically about this utterly confounding blob of free form jazz death so much, I felt like there had to be something there. I clawed my way through spin after spin of clashing melodies, weird throaty shouting, riffs going the wrong way, piano flourishes in random spots, repetition where you don’t expect it, the repetition stopping when you expect it to go on, a variety of synthy sounds inserted sideways and unlubed, and I can now say at my most confident that this really is not for me. I have an upper limit of jazz, and this is too much jazz. I recognize the talent of the musicians, and there is a certain dissonant allure to the weird bendy noises coming out of my speakers. But I can’t say I enjoy listening to the whole thing in one sitting. This is one you’re going to have to try for yourself; my score and my recommendation are going to be as useless as a review of the taste of grass, and only you can decide whether you’re a herbivore or not. 2.5/5.0
Dolphin Whisperer: Every now and then you stumble upon a piece of music that is as original as it also is a smart integration of various influences. 亡失 Deprivation somewhat mystified me at first but as I continued to dig through its layers of rich piano and synth melodies, understated but hypnotic rhythms, frolicking and popping bass runs, and marathon harmonic resolutions, I started to understand SAVE THIS UTILITY as the music-lovers they likely are. The peaceful yet powerful crescendo builds that these longer-form songs prance toward remind my ears of various Japanese math rock/post rock hybrid groups, like jizue or mouse on the keys. But also the kind of oscillating synth work from resonant patches, that imitate sounds similar to a vibraphone or a Rhodes piano, cross about soaring and searing guitar leads in a big prog Gonin-ish fashion. Even further these qualities intensify as SAVE THIS UTILITY ascends to clashing, warbling vocal harmonies that burst against bright instrumental peaks in an epic, whimsical tryst. On their previous debut full-length, some of these builds arose in a more melodeath-like fashion, with the harsh-clean trades feeling akin to late, experimental Dir en Grey work. And the synth composition felt incidental and circus-y—wacky video game music, perhaps. While this new EP still hosts an ominous growl against tension building chords, that death presence has grown from intrusion to atmosphere, which helps the hard-to-connect dots of each track’s individual pieces come together as a dream-like whole peaking in the fifteen minute closer “網目 Web.” And, as such, SAVE THIS UTILITY not only continues to command the tag ‘interesting’ but also ‘captivating.’ 亡失 Deprivation isn’t perfect by any means, but that wouldn’t be any fun now would it? 3.5/5.0
Iceberg: You remember that scene in the old Willy Wonka (1971) with all the psychedelic visuals where Gene Wilder keeps shouting “the danger must be growing?” SAVE THIS UTILITY’s EP Deprivation takes me right back to that sequence; terror and wonder, all wrapped up in a bad trip. If you can imagine a witches brew of The Mars Volta-flavored mathcore, Schoenbergian atonality, Sketches of Spain-era Miles Davis, and the instrumental noodling of Frank Zappa you might begin to get an idea of the world on display here. This amalgam of genres should be a jumbled mess—and I imagine many will think it is—but if you duck beneath the sound and fury there’s masterful structure and skill to be found. The tension of cluster chords1 and disjointed ostinati given release by crystalline synths in “Hollow,” the end of “Abandonment” draining melodic material into a horrifying black hole of noise and aleatoric rhythms; there’s magic written all over this album. All roads lead to the whopping 15 minute closer “Web,” a tour-de-force in long form writing that leaves me in awe every time I revisit it. This track wields dissonance and consonance like weapons, tearing apart traditional structure and tonality at will, only to piece it back together by it’s close. The only thing that bothers me here is a slightly muddled mix, but it hardly matters with this level of musical material. Fans of challenging and grotesque music should absolutely give SAVE THIS UTILITY a shot: this band is destined for great things. 4.0/5.0
Mystikus Hugebeard: 亡失 Deprivation, the newest album by Japanese avant-garde progressive metal act SAVE THIS UTILITY, is my initiation into the AMG Rodeö, and completely broke my brain the first few listens. At its core, 亡失 Deprivation is an album of complex, gritty textures, a jarring arrangement of music that falls into the “love it or hate it” category. The more transitory passages are the most fascinating to my ears; there are some compelling soundscapes to be found within the tense, dissonant guitars of “廃祀 Abandonment,” or the Glass Hammer-esque keyboard noodling and jazz pianos of “網目 Web.” My enjoyment breaks as the music grows heavier, and exponentially more chaotic. The zig-zag of the guitars is incongruous with the rhythm offered by the drums and the vocals, which alternate between brutal-death gurgles and shrieks. To the album’s credit, the conflicting layers of sound create a curious and novel musical texture that I would liken to sandpaper, but it becomes ear melting during the keyboards’ fire-alarm shrieking above the already cluttered heavy parts of “廃祀 Abandonment.” 亡失 Deprivation does have a nifty puzzle-box quality to it that I imagine some will enjoy picking apart and unraveling, but overall I find it just a little too obtuse to emotionally engage with. 2.5/5.0
#2024 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2024 #ArnoldSchoenberg #AvantGardeMetal #Deprivation #DirEnGrey #Feb24 #FrankZappa #GlassHammer #GoninIsh #JapaneseMetal #JazzFusion #jizue #MathRock #MilesDavis #mouseOnTheKeys #PostRock #ProgressiveMetal #SaveThisUtility #TheMarsVolta #WillyWonka #五人一首
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AMG’s Unsigned Band Rodeö: Save This Utility – 亡失 Deprivation
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
New year, same ol’ Rodeö! As the inaugural unknown-spankin’ event of 2024, we shall take a moment to recognize the bands who put up the best fight in this unforgiving clown show. Texas doomsters Slumbering Sun may not have snagged first, but they did end up listing, a rare honor in these halls! However, despite that one enthusiastic supporter, Greek proglodytes Conspiracy of Zero stole the show with higher consistency in their Quo Vadis meets Cynic with a regional flair outing Ahthos Arouris. Haven’t checked it yet? Lucky you, now’s as good a time as ever!
But for our main course today, we have something different—something admittedly far more weird and avant-garde leaning. Perhaps if you’re familiar with the brand of brutal prog interwoven with experimental death metal and tasteful lounge jazz passages that unheralded Japanese act 五人一首 [Gonin-ish] pushes, you might feel a little at home with SAVE THIS UTILITY. This fledgling Kyoto-based troupe, though, seems to have their own inspirations, with a bassist whose seven-string prowess explores dutifully the realm of poppy Idol music and a guitarist who moonlights as a pumping rawstyle DJ. You might be wondering what this all adds up to in the context of a website that allegedly reviews metal. Well, read on if you dare. 亡失 Deprivation might just surprise you. – Dolphin Whisperer
SAVE THIS UTILITY // 亡失 Deprivation [February 5th, 2024]
El Cuervo: Save This Utility is about what you would expect from a Japanese band self-describing as avant-garde: weird as fuck. Deprivation pulls together unusual influences into an unexpected and unfamiliar release. While the unpredictable song structures and varying time signatures are pure prog, the guitar leads have a crunch and angularity drawn from mathcore. Likewise, the deathly roars lend things an extremer metal fringe, while the production has a clinical edge that tonally (if not musically) recalls industrial. And plenty of piano and synths paper over the cracks of the frantic song-writing. Inventive musical ideas are scattered throughout but the spectrum of sounds amalgamated is too wide for a cohesive, purposeful release; even for a novelty EP that only runs for a shade over thirty minutes. Similarly, those individual moments are fleeting and not constructed into compelling songs. As inventive and unexpected as everything is, I’m not left with an over-arching sense of the substance of this release. Can I recall a particular track? A particular riff? A particular melody? A particular emotion (other than bafflement)? The answer to each is no. Deprivation prizes style over substance, which leaves little to compel repeated listens. It does a lot, but doesn’t say a lot. 1.5/5.0
GardensTale: I tried, okay? I really, really tried. Iceberg waxed lyrically about this utterly confounding blob of free form jazz death so much, I felt like there had to be something there. I clawed my way through spin after spin of clashing melodies, weird throaty shouting, riffs going the wrong way, piano flourishes in random spots, repetition where you don’t expect it, the repetition stopping when you expect it to go on, a variety of synthy sounds inserted sideways and unlubed, and I can now say at my most confident that this really is not for me. I have an upper limit of jazz, and this is too much jazz. I recognize the talent of the musicians, and there is a certain dissonant allure to the weird bendy noises coming out of my speakers. But I can’t say I enjoy listening to the whole thing in one sitting. This is one you’re going to have to try for yourself; my score and my recommendation are going to be as useless as a review of the taste of grass, and only you can decide whether you’re a herbivore or not. 2.5/5.0
Dolphin Whisperer: Every now and then you stumble upon a piece of music that is as original as it also is a smart integration of various influences. 亡失 Deprivation somewhat mystified me at first but as I continued to dig through its layers of rich piano and synth melodies, understated but hypnotic rhythms, frolicking and popping bass runs, and marathon harmonic resolutions, I started to understand SAVE THIS UTILITY as the music-lovers they likely are. The peaceful yet powerful crescendo builds that these longer-form songs prance toward remind my ears of various Japanese math rock/post rock hybrid groups, like jizue or mouse on the keys. But also the kind of oscillating synth work from resonant patches, that imitate sounds similar to a vibraphone or a Rhodes piano, cross about soaring and searing guitar leads in a big prog Gonin-ish fashion. Even further these qualities intensify as SAVE THIS UTILITY ascends to clashing, warbling vocal harmonies that burst against bright instrumental peaks in an epic, whimsical tryst. On their previous debut full-length, some of these builds arose in a more melodeath-like fashion, with the harsh-clean trades feeling akin to late, experimental Dir en Grey work. And the synth composition felt incidental and circus-y—wacky video game music, perhaps. While this new EP still hosts an ominous growl against tension building chords, that death presence has grown from intrusion to atmosphere, which helps the hard-to-connect dots of each track’s individual pieces come together as a dream-like whole peaking in the fifteen minute closer “網目 Web.” And, as such, SAVE THIS UTILITY not only continues to command the tag ‘interesting’ but also ‘captivating.’ 亡失 Deprivation isn’t perfect by any means, but that wouldn’t be any fun now would it? 3.5/5.0
Iceberg: You remember that scene in the old Willy Wonka (1971) with all the psychedelic visuals where Gene Wilder keeps shouting “the danger must be growing?” SAVE THIS UTILITY’s EP Deprivation takes me right back to that sequence; terror and wonder, all wrapped up in a bad trip. If you can imagine a witches brew of The Mars Volta-flavored mathcore, Schoenbergian atonality, Sketches of Spain-era Miles Davis, and the instrumental noodling of Frank Zappa you might begin to get an idea of the world on display here. This amalgam of genres should be a jumbled mess—and I imagine many will think it is—but if you duck beneath the sound and fury there’s masterful structure and skill to be found. The tension of cluster chords1 and disjointed ostinati given release by crystalline synths in “Hollow,” the end of “Abandonment” draining melodic material into a horrifying black hole of noise and aleatoric rhythms; there’s magic written all over this album. All roads lead to the whopping 15 minute closer “Web,” a tour-de-force in long form writing that leaves me in awe every time I revisit it. This track wields dissonance and consonance like weapons, tearing apart traditional structure and tonality at will, only to piece it back together by it’s close. The only thing that bothers me here is a slightly muddled mix, but it hardly matters with this level of musical material. Fans of challenging and grotesque music should absolutely give SAVE THIS UTILITY a shot: this band is destined for great things. 4.0/5.0
Mystikus Hugebeard: 亡失 Deprivation, the newest album by Japanese avant-garde progressive metal act SAVE THIS UTILITY, is my initiation into the AMG Rodeö, and completely broke my brain the first few listens. At its core, 亡失 Deprivation is an album of complex, gritty textures, a jarring arrangement of music that falls into the “love it or hate it” category. The more transitory passages are the most fascinating to my ears; there are some compelling soundscapes to be found within the tense, dissonant guitars of “廃祀 Abandonment,” or the Glass Hammer-esque keyboard noodling and jazz pianos of “網目 Web.” My enjoyment breaks as the music grows heavier, and exponentially more chaotic. The zig-zag of the guitars is incongruous with the rhythm offered by the drums and the vocals, which alternate between brutal-death gurgles and shrieks. To the album’s credit, the conflicting layers of sound create a curious and novel musical texture that I would liken to sandpaper, but it becomes ear melting during the keyboards’ fire-alarm shrieking above the already cluttered heavy parts of “廃祀 Abandonment.” 亡失 Deprivation does have a nifty puzzle-box quality to it that I imagine some will enjoy picking apart and unraveling, but overall I find it just a little too obtuse to emotionally engage with. 2.5/5.0
#2024 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2024 #ArnoldSchoenberg #AvantGardeMetal #Deprivation #DirEnGrey #Feb24 #FrankZappa #GlassHammer #GoninIsh #JapaneseMetal #JazzFusion #jizue #MathRock #MilesDavis #mouseOnTheKeys #PostRock #ProgressiveMetal #SaveThisUtility #TheMarsVolta #WillyWonka #五人一首
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AMG’s Unsigned Band Rodeö: Save This Utility – 亡失 Deprivation
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
New year, same ol’ Rodeö! As the inaugural unknown-spankin’ event of 2024, we shall take a moment to recognize the bands who put up the best fight in this unforgiving clown show. Texas doomsters Slumbering Sun may not have snagged first, but they did end up listing, a rare honor in these halls! However, despite that one enthusiastic supporter, Greek proglodytes Conspiracy of Zero stole the show with higher consistency in their Quo Vadis meets Cynic with a regional flair outing Ahthos Arouris. Haven’t checked it yet? Lucky you, now’s as good a time as ever!
But for our main course today, we have something different—something admittedly far more weird and avant-garde leaning. Perhaps if you’re familiar with the brand of brutal prog interwoven with experimental death metal and tasteful lounge jazz passages that unheralded Japanese act 五人一首 [Gonin-ish] pushes, you might feel a little at home with SAVE THIS UTILITY. This fledgling Kyoto-based troupe, though, seems to have their own inspirations, with a bassist whose seven-string prowess explores dutifully the realm of poppy Idol music and a guitarist who moonlights as a pumping rawstyle DJ. You might be wondering what this all adds up to in the context of a website that allegedly reviews metal. Well, read on if you dare. 亡失 Deprivation might just surprise you. – Dolphin Whisperer
SAVE THIS UTILITY // 亡失 Deprivation [February 5th, 2024]
El Cuervo: Save This Utility is about what you would expect from a Japanese band self-describing as avant-garde: weird as fuck. Deprivation pulls together unusual influences into an unexpected and unfamiliar release. While the unpredictable song structures and varying time signatures are pure prog, the guitar leads have a crunch and angularity drawn from mathcore. Likewise, the deathly roars lend things an extremer metal fringe, while the production has a clinical edge that tonally (if not musically) recalls industrial. And plenty of piano and synths paper over the cracks of the frantic song-writing. Inventive musical ideas are scattered throughout but the spectrum of sounds amalgamated is too wide for a cohesive, purposeful release; even for a novelty EP that only runs for a shade over thirty minutes. Similarly, those individual moments are fleeting and not constructed into compelling songs. As inventive and unexpected as everything is, I’m not left with an over-arching sense of the substance of this release. Can I recall a particular track? A particular riff? A particular melody? A particular emotion (other than bafflement)? The answer to each is no. Deprivation prizes style over substance, which leaves little to compel repeated listens. It does a lot, but doesn’t say a lot. 1.5/5.0
GardensTale: I tried, okay? I really, really tried. Iceberg waxed lyrically about this utterly confounding blob of free form jazz death so much, I felt like there had to be something there. I clawed my way through spin after spin of clashing melodies, weird throaty shouting, riffs going the wrong way, piano flourishes in random spots, repetition where you don’t expect it, the repetition stopping when you expect it to go on, a variety of synthy sounds inserted sideways and unlubed, and I can now say at my most confident that this really is not for me. I have an upper limit of jazz, and this is too much jazz. I recognize the talent of the musicians, and there is a certain dissonant allure to the weird bendy noises coming out of my speakers. But I can’t say I enjoy listening to the whole thing in one sitting. This is one you’re going to have to try for yourself; my score and my recommendation are going to be as useless as a review of the taste of grass, and only you can decide whether you’re a herbivore or not. 2.5/5.0
Dolphin Whisperer: Every now and then you stumble upon a piece of music that is as original as it also is a smart integration of various influences. 亡失 Deprivation somewhat mystified me at first but as I continued to dig through its layers of rich piano and synth melodies, understated but hypnotic rhythms, frolicking and popping bass runs, and marathon harmonic resolutions, I started to understand SAVE THIS UTILITY as the music-lovers they likely are. The peaceful yet powerful crescendo builds that these longer-form songs prance toward remind my ears of various Japanese math rock/post rock hybrid groups, like jizue or mouse on the keys. But also the kind of oscillating synth work from resonant patches, that imitate sounds similar to a vibraphone or a Rhodes piano, cross about soaring and searing guitar leads in a big prog Gonin-ish fashion. Even further these qualities intensify as SAVE THIS UTILITY ascends to clashing, warbling vocal harmonies that burst against bright instrumental peaks in an epic, whimsical tryst. On their previous debut full-length, some of these builds arose in a more melodeath-like fashion, with the harsh-clean trades feeling akin to late, experimental Dir en Grey work. And the synth composition felt incidental and circus-y—wacky video game music, perhaps. While this new EP still hosts an ominous growl against tension building chords, that death presence has grown from intrusion to atmosphere, which helps the hard-to-connect dots of each track’s individual pieces come together as a dream-like whole peaking in the fifteen minute closer “網目 Web.” And, as such, SAVE THIS UTILITY not only continues to command the tag ‘interesting’ but also ‘captivating.’ 亡失 Deprivation isn’t perfect by any means, but that wouldn’t be any fun now would it? 3.5/5.0
Iceberg: You remember that scene in the old Willy Wonka (1971) with all the psychedelic visuals where Gene Wilder keeps shouting “the danger must be growing?” SAVE THIS UTILITY’s EP Deprivation takes me right back to that sequence; terror and wonder, all wrapped up in a bad trip. If you can imagine a witches brew of The Mars Volta-flavored mathcore, Schoenbergian atonality, Sketches of Spain-era Miles Davis, and the instrumental noodling of Frank Zappa you might begin to get an idea of the world on display here. This amalgam of genres should be a jumbled mess—and I imagine many will think it is—but if you duck beneath the sound and fury there’s masterful structure and skill to be found. The tension of cluster chords1 and disjointed ostinati given release by crystalline synths in “Hollow,” the end of “Abandonment” draining melodic material into a horrifying black hole of noise and aleatoric rhythms; there’s magic written all over this album. All roads lead to the whopping 15 minute closer “Web,” a tour-de-force in long form writing that leaves me in awe every time I revisit it. This track wields dissonance and consonance like weapons, tearing apart traditional structure and tonality at will, only to piece it back together by it’s close. The only thing that bothers me here is a slightly muddled mix, but it hardly matters with this level of musical material. Fans of challenging and grotesque music should absolutely give SAVE THIS UTILITY a shot: this band is destined for great things. 4.0/5.0
Mystikus Hugebeard: 亡失 Deprivation, the newest album by Japanese avant-garde progressive metal act SAVE THIS UTILITY, is my initiation into the AMG Rodeö, and completely broke my brain the first few listens. At its core, 亡失 Deprivation is an album of complex, gritty textures, a jarring arrangement of music that falls into the “love it or hate it” category. The more transitory passages are the most fascinating to my ears; there are some compelling soundscapes to be found within the tense, dissonant guitars of “廃祀 Abandonment,” or the Glass Hammer-esque keyboard noodling and jazz pianos of “網目 Web.” My enjoyment breaks as the music grows heavier, and exponentially more chaotic. The zig-zag of the guitars is incongruous with the rhythm offered by the drums and the vocals, which alternate between brutal-death gurgles and shrieks. To the album’s credit, the conflicting layers of sound create a curious and novel musical texture that I would liken to sandpaper, but it becomes ear melting during the keyboards’ fire-alarm shrieking above the already cluttered heavy parts of “廃祀 Abandonment.” 亡失 Deprivation does have a nifty puzzle-box quality to it that I imagine some will enjoy picking apart and unraveling, but overall I find it just a little too obtuse to emotionally engage with. 2.5/5.0
#2024 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2024 #ArnoldSchoenberg #AvantGardeMetal #Deprivation #DirEnGrey #Feb24 #FrankZappa #GlassHammer #GoninIsh #JapaneseMetal #JazzFusion #jizue #MathRock #MilesDavis #mouseOnTheKeys #PostRock #ProgressiveMetal #SaveThisUtility #TheMarsVolta #WillyWonka #五人一首
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Does it matter if people are misinformed about the definition of #Semite or #Semitic, as long as they use the word to define Jewish people?
YES. It should matter. WHY?
Semitic means LANGUAGE spoken as the native languages from ( very briefly )
ARABIA
SYRIA
N Africa
Gallilea
PERSIASpeaking
Arabic
Aramaic
Hebrew
AsyrianEnglish language IS NOT Semitic.
#AntiSemitic = opposed to all people of these languages.
Semitism doesn't mean religion, some Jews speak Hebrew as FIRST language.
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Connect the Dots: Allies Build an Innovation Order Without Washington
For decades, U.S. leadership in science and technology was structural, not asserted. That foundation is now weakening as allies build durable frameworks for research, standards, AI governance, and industrial coordination without Washington at the center. The Canada–Germany Digital Alliance illustrates a broader shift toward diversified, interoperable ecosystems where American participation remains valuable, but no longer indispensable. -
"Connect the Dots – Ladybug Edition" 7 #Dots #AbstractAug #wattiskunst #kleineKunstklasse
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Connect the dots with Metadata! Learn how #metadata matters for discoverability, understanding, and connectivity in our latest blog post. 👇
https://doi.org/10.5438/k81t-zq43@selgebali
#OpenResearch #OpenScience #OpenInfrastructure #Metadata
#ResearchCommunity #ConnectTheDots #WeLoveMetadata #MetadataMatters -
Connect the dots by drawing four connected straight lines. You can't lift your pen from the page or retrace a line.
Can you solve this problem? If not, don't worry - 91% of people can't
But it can teach you a lot about the way you think, write Adi Kumar in this great new article published on Osler
https://osler.app.link/Wohqiv8kjyb
#medicine #doctor #doctors #healthcare #meded #medmastodon #juniordoctors #medstudents #tipsfornewdocs #emergencyphysician #intensivist #anesthesiologist #FOAMed #FOAMcc
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"You can't connect the dots looking forward; you can only connect them looking backward. So you have to trust that the dots will somehow connect in your future...This approach has never let me down, and it has made all the difference in my life."
– Steve Jobs -
ExtraHop helps SOCs connect the dots with identity-driven detection https://www.helpnetsecurity.com/2025/08/05/extrahop-ndr-identity-threat-detection/ #BlackHatUSA2025 #Industrynews #ExtraHop #IDC
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Idea:
Include connect-the-dots exercises in #categorytheoryillustrated e.g. draw all functions between some two sets.Now I know I have to release a paper version!
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Will #ncga ever connect the dots btwn greenhouse gases and extreme weather: Helene, Chantal, etc.? SB 266 allows Duke E to pump more GHG into the air, at our expense.Gov Stein vetoed. We'll see if lawmakers have the sense to sustain. insideclimatenews.org/news/0807202... @insideclimatenews.org
Chantal Wreaks Havoc in North ... -
When you connect the dots, the pros and the cons, and the obvious, it becomes crystal clear that #HillaryClinton is actually running underground #crypto - #fentanyl empires using the price of #eggs in #Biden's flation! How else would you explain why my #coffee tastes different every morning? #humor
RE: https://bsky.app/profile/did:plc:ylniktydmweivveydqegruet/post/3ljqv3vdaak2p -
When you connect the dots, the pros and the cons, and the obvious, it becomes crystal clear that #HillaryClinton is actually running underground #crypto - #fentanyl empires using the price of #eggs in #Biden's flation! How else would you explain why my #coffee tastes different every morning? #humor
RE: https://bsky.app/profile/did:plc:ylniktydmweivveydqegruet/post/3ljqv3vdaak2p -
When you connect the dots, the pros and the cons, and the obvious, it becomes crystal clear that #HillaryClinton is actually running underground #crypto - #fentanyl empires using the price of #eggs in #Biden's flation! How else would you explain why my #coffee tastes different every morning? #humor
RE: https://bsky.app/profile/did:plc:ylniktydmweivveydqegruet/post/3ljqv3vdaak2p -
✅️ Want to connect the dots in Hebrew and boost your clarity and confidence?
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You can start speaking like a local from day one, and today can be that day!
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