#wolfheart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #wolfheart, aggregated by home.social.
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Quand Moonspell a percé, il y avait beaucoup de jalousie. C’était très choquant pour nous.
#Moonspell #Goth #Metal #Wolfheart
#Portugal #socialmedia #musichttps://moonspell.bandcamp.com/album/sin-pecado
https://moonspell.bandcamp.com/track/eurotica
https://www.youtube.com/watch?v=_DNHEj0S-4E&list=RDTOTciTjR9Uo&index=6
https://www.youtube.com/watch?v=Sqi5QCD04GM&list=RDTOTciTjR9Uo&index=5
https://www.youtube.com/watch?v=fWYWJAFfOVs&list=OLAK5uy_mWsJYAuF9GEazSu-lok57YXvrLINDI9wQ
https://www.youtube.com/watch?v=vy2wmUL6GXk&list=OLAK5uy_mWsJYAuF9GEazSu-lok57YXvrLINDI9wQ&index=6
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https://www.europesays.com/es/403490/ Arcanxo Festival 2026 de Pontevedra muestra su cartel con DARK TRANQUILLITY, DESTRUCTION, VENOM INC. y más grupos #DarkTranquillity #DeathMelodico #destruction #DoomMetal #Entertainment #Entretenimiento #ES #España #HardRock #HeavyMetal #Music #Música #PowerMetal #Spain #SpeedMetal #ThrashMetal #VenomInc #WOLFHEART
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Last Thursday I was at De Helling to capture #FullHouseBrewCrew, #Suotana , #BeforeTheDawn & #Wolfheart. 🖤
The Wolfheart recap reel drops tonight once I’m back in Rotterdam, with the Before The Dawn reel following on Monday.
The full photo set will be online this Tuesday! 📷Tonight I’ll be back at #DeHelling for #Dvne & #NightVerses. 📽️
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Last Thursday I was at De Helling to capture #FullHouseBrewCrew, #Suotana , #BeforeTheDawn & #Wolfheart. 🖤
The Wolfheart recap reel drops tonight once I’m back in Rotterdam, with the Before The Dawn reel following on Monday.
The full photo set will be online this Tuesday! 📷Tonight I’ll be back at #DeHelling for #Dvne & #NightVerses. 📽️
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Last Thursday I was at De Helling to capture #FullHouseBrewCrew, #Suotana , #BeforeTheDawn & #Wolfheart. 🖤
The Wolfheart recap reel drops tonight once I’m back in Rotterdam, with the Before The Dawn reel following on Monday.
The full photo set will be online this Tuesday! 📷Tonight I’ll be back at #DeHelling for #Dvne & #NightVerses. 📽️
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Last Thursday I was at De Helling to capture #FullHouseBrewCrew, #Suotana , #BeforeTheDawn & #Wolfheart. 🖤
The Wolfheart recap reel drops tonight once I’m back in Rotterdam, with the Before The Dawn reel following on Monday.
The full photo set will be online this Tuesday! 📷Tonight I’ll be back at #DeHelling for #Dvne & #NightVerses. 📽️
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WOLFHEART (Finlàndia) presenta nou EP: "Draconian Darkness II" #Wolfheart #MelodicDeathMetal #Setembre2025 #Finlàndia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic
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Fans of #OminiumGatherum, #Belakor, #Wolfheart, #FiresInTheDistance and the like should definitely check out #Nephylim, hailing from the Netherlands. This is pretty good stuff, especially since they aren’t even signed yet. Completely unknown to me but they make it on my #AOTY25 contenders list. #nowplaying
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Fans of #OminiumGatherum, #Belakor, #Wolfheart, #FiresInTheDistance and the like should definitely check out #Nephylim, hailing from the Netherlands. This is pretty good stuff, especially since they aren’t even signed yet. Completely unknown to me but they make it on my #AOTY25 contenders list. #nowplaying
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Fans of #OminiumGatherum, #Belakor, #Wolfheart, #FiresInTheDistance and the like should definitely check out #Nephylim, hailing from the Netherlands. This is pretty good stuff, especially since they aren’t even signed yet. Completely unknown to me but they make it on my #AOTY25 contenders list. #nowplaying
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Fans of #OminiumGatherum, #Belakor, #Wolfheart, #FiresInTheDistance and the like should definitely check out #Nephylim, hailing from the Netherlands. This is pretty good stuff, especially since they aren’t even signed yet. Completely unknown to me but they make it on my #AOTY25 contenders list. #nowplaying
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Fans of #OminiumGatherum, #Belakor, #Wolfheart, #FiresInTheDistance and the like should definitely check out #Nephylim, hailing from the Netherlands. This is pretty good stuff, especially since they aren’t even signed yet. Completely unknown to me but they make it on my #AOTY25 contenders list. #nowplaying
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https://www.europesays.com/uk/7106/ AMG’s Unsigned Band Rodeö: Nephylim – Circuition #2025 #AngryMetalGuy'sUnsignedBandRodeo #AngryMetalGuy’sUnsignedBandRodeo2025 #ÆtherRealm #Be'lakor #Circuition #CountlessSkies #DarkTranquillity #DutchMetal #EdgeOfSanity #Enshine #Entertainment #FiresInTheDistance #InFlames #IndependentRelease #Insomnium #Mar25 #MelodicDeathMetal #Moontower #music #Nephylim #OmniumGatherum #ProgressiveDeathMetal #SelfRelease #TheDrowning #UK #UnitedKingdom #Wolfheart
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AMG’s Unsigned Band Rodeö: Nephylim – Circuition
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
Oranjeboom, a low-frills lager, holds little love in its home country of the Netherlands, so much so that its production there was discontinued until only recently.1 Why does that matter? It really doesn’t, but it is a fun fact about the Netherlands and a beer synonymous with their lineage. Nephylim hails from the Netherlands too, and, with any luck, their brand of big scope, big sad melodeath will stake a claim that lands with bolder flavor. Over the past ten years, this five-some has cut an EP and a full-length through their own determination. And now, with this sophomore follow-up Circuition, Nephylim may just be hitting their stride. Or, at least, our Rodeö crew seems to think so. Crack open a cold one and sip on riffy sadness. – Dolphin Whisperer
Nephylim // Circuition [March 7th, 2025]
Steel Druhm: Sometimes when you press play on a Rodeö candidate, you wonder why they aren’t signed because they sound so polished and professional. Such is the case with Dutch melodeathsters, Nephylim, and their sophomore opus, Circulation. Taking cues from Ominium Gatherum, Be’Lakor, Enshine, and the more progressive works of Edge of Sanity, Nephylim voyage across various styles of melodeath but always keep things anchored firmly in the Wheelhouse of Steel. After a beautifully regal instrumental opener, Circulation heats up on “Travail Pt. 2 – Animus,” which is like a glowing distillation of Wolfheart and Be’lakor with a seriously epic vibe coursing through it. The guitars riff, trill, and shimmer with a Tuomos Saukkonen-esque flair as grand orchestrations amplify the sound to herculean proportions. It’s the beast of death metal with the beauty of melancholic music, and this style has a proven appeal. I love the majesty of “Grand Denial” and the hints of Dark Tranquillity woven throughout, and the title track bears traces of Dan Swanö’s Moontower and Tomi Joutsen-era Amorphis as it seamlessly melds heavy and sadboi moments. Unfortunately, not every cut hits with the same soul-searing slash of wintery pathos. “Amaranth” is a bit too generic and pedestrian, and though “Withered” does some things very well, the writing is a touch less compelling. Elsewhere, closer “Inner Paradigm” feels like something from the later eras of In Flames, not bad, but less impactful. At thirty-eight minutes, there are bits of bloat scattered around, but nothing that’s fatal if swallowed. There’s a lot to like about Circulation, and I’m left still wondering why Nephylim aren’t signed. With this much potential, they should be! 3.0/5.0
GardensTale: From two live shows, I already knew Nephylim were good. I could not have anticipated what a masterclass Circuition would turn out to be, though. Combining the maudlin symphonic details of Fires in the Distance with the melancholy hope and impeccable composition of Countless Skies is no easy feat, but the songwriting has taken a giant leap forward. Circuition is absolutely packed with beautiful melodies, addictive hooks and enticing cascades. The flow is downright brilliant, such that even after a dozen spins, I find myself glued to the speaker in anticipation of the next stanza, the next riff, the next solo. These are linked together with transitions that are set up and knocked down perfectly, helping every track rush past in spiraling eddies like white water rapids after heavy rain. “Circuition” yanks the heart-strings the hardest; follow-up “Withered” has a more basic structure, but the amazing harmonies and powerful solo make it a standout anyway. Cherry on the cake is the top-shelf production, with meticulous mastering and a balanced mix. The sparse clean vocals aren’t great, just okay, and a few tracks end a little more abruptly than I’d like, but these are small bumps on an engaging journey that begs to be spun again and again. 4.0/5.0
Kenstrosity: Dutch sadboi melodeath quintet Nephylim graced my Bandcamp feed a few months back. I was intrigued, but did not bite. At least, not until our Kermity GardensTale recced it for Rodeö duty, at which point I dove straight in. Embodying a wondrous merging between Countless Skies, Fires in the Distance, and a light touch of The Drowning, sophomore effort Circuition garnered instant adoration from this sponge. A rarer feat, Nephylim’s latest only deepened its hold on my heart, as the opening “Travail” suite enamored with epic soars of melody, crushing riffs that ground the piece in deathly gravity, and emotive roars that shake the roots underfoot. “Amaranth” doubles down on that palpable momentum, bringing forward a fun factor that belies Circuition’s introspective character. Beautiful synths and keys dot the landscape just above that metallic verve and swinging rhythm, evoking something inherently mystical while still operating within the bounds of the human spirit (“Circuition”). As the potent pull of songs like “Grand Denial,” “Withered,” and immense closer “Inner Paradigm” continually challenge my perception of what constitutes a highlight, I find myself universally immersed, committed, and compelled by Circuition. Experiencing this, as much as I pine for new material from those great acts that Nephylim remind me of, I know in my soul that Circuition is one of 2025’s foremost contenders. Great!
Maddog: When Fenrir finally closes the curtain on 2025, Nephylim’s Circuition will be one of my few fond memories of this disastrous year. This hidden melodeath gem triumphs by embracing simplicity without stagnation. No one would argue that Nephylim’s guitarists stretch the limits of human dexterity. And yet, as Circuition buried my ears in riffs upon riffs, it dragged me into its orbit. Blending the classic stylings of Dark Tranquillity with the modern touch of Æther Realm, Nephylim won me over through its irresistible energy. While I initially fell in love with merely a couple of its songs, Circuition’s consistency unveiled itself over time. Indeed, while the closer “Inner Paradigm” was initially my least favorite song, its Shadows of the Dying Sun riffs and its somber ending have made it a highlight. Despite its consistency, Circuition’s mood changes keep it fresh. The fantastic midsection of the album progresses from gargantuan riffs (“Grand Denial”) to tear-jerking Enshine melodies (“Circuition”) to explosive choruses (“Withered”). Circuition is textbook, but it’s both a thrilling spectacle and an emotive powerhouse. Every piece is essential, and every piece is distinctive. 4.0/5.0
Killjoy: The term “Nephilim” in the Hebrew Bible is often translated as “giants” in English. Accordingly, melodic death metal band Nephylim does everything big. Riffs? Big. Rumbling death roars? Big. Thunderous rhythm section? Big. Circuition feels like a highlight reel of the serious and somber side of melodeath, with each individual song bringing something unique to the table. “Travail Pt. II – Animus” embellishes the somber intensity of Insomnium with delicate piano keys reminiscent of Fires in the Distance and heaps of symphonic bombast. The suspenseful drum beats which introduce “Amaranth” organically build excitement by layering on bass and then guitar lines before releasing the pent-up energy with a furious snarl and fiery riffs. But there’s also a tender side to Nephylim; “Circuition” adopts a melancholic and folk-tinted mood laced with deep, beautiful croons, all of which I associate with Vorna. Circuition is considerably more ambitious than Nephylim’s debut, but they never let their ambitions spiral out of control. If anything, I’d like to see them continue to develop their symphonic side that they teased in the first two tracks. Although I find the last third of the record ever so slightly less engaging, I can endorse all thirty-eight minutes of Circuition as worthy of your time. 3.5/5.0
#2025 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2025 #ÆtherRealm #BeLakor #Circuition #CountlessSkies #DarkTranquillity #DutchMetal #EdgeOfSanity #Enshine #FiresInTheDistance #InFlames #IndependentRelease #Insomnium #Mar25 #MelodicDeathMetal #Moontower #Nephylim #OmniumGatherum #ProgressiveDeathMetal #SelfRelease #TheDrowning #Wolfheart
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AMG’s Unsigned Band Rodeö: Nephylim – Circuition
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
Oranjeboom, a low-frills lager, holds little love in its home country of the Netherlands, so much so that its production there was discontinued until only recently.1 Why does that matter? It really doesn’t, but it is a fun fact about the Netherlands and a beer synonymous with their lineage. Nephylim hails from the Netherlands too, and, with any luck, their brand of big scope, big sad melodeath will stake a claim that lands with bolder flavor. Over the past ten years, this five-some has cut an EP and a full-length through their own determination. And now, with this sophomore follow-up Circuition, Nephylim may just be hitting their stride. Or, at least, our Rodeö crew seems to think so. Crack open a cold one and sip on riffy sadness. – Dolphin Whisperer
Nephylim // Circuition [March 7th, 2025]
Steel Druhm: Sometimes when you press play on a Rodeö candidate, you wonder why they aren’t signed because they sound so polished and professional. Such is the case with Dutch melodeathsters, Nephylim, and their sophomore opus, Circulation. Taking cues from Ominium Gatherum, Be’Lakor, Enshine, and the more progressive works of Edge of Sanity, Nephylim voyage across various styles of melodeath but always keep things anchored firmly in the Wheelhouse of Steel. After a beautifully regal instrumental opener, Circulation heats up on “Travail Pt. 2 – Animus,” which is like a glowing distillation of Wolfheart and Be’lakor with a seriously epic vibe coursing through it. The guitars riff, trill, and shimmer with a Tuomos Saukkonen-esque flair as grand orchestrations amplify the sound to herculean proportions. It’s the beast of death metal with the beauty of melancholic music, and this style has a proven appeal. I love the majesty of “Grand Denial” and the hints of Dark Tranquillity woven throughout, and the title track bears traces of Dan Swanö’s Moontower and Tomi Joutsen-era Amorphis as it seamlessly melds heavy and sadboi moments. Unfortunately, not every cut hits with the same soul-searing slash of wintery pathos. “Amaranth” is a bit too generic and pedestrian, and though “Withered” does some things very well, the writing is a touch less compelling. Elsewhere, closer “Inner Paradigm” feels like something from the later eras of In Flames, not bad, but less impactful. At thirty-eight minutes, there are bits of bloat scattered around, but nothing that’s fatal if swallowed. There’s a lot to like about Circulation, and I’m left still wondering why Nephylim aren’t signed. With this much potential, they should be! 3.0/5.0
GardensTale: From two live shows, I already knew Nephylim were good. I could not have anticipated what a masterclass Circuition would turn out to be, though. Combining the maudlin symphonic details of Fires in the Distance with the melancholy hope and impeccable composition of Countless Skies is no easy feat, but the songwriting has taken a giant leap forward. Circuition is absolutely packed with beautiful melodies, addictive hooks and enticing cascades. The flow is downright brilliant, such that even after a dozen spins, I find myself glued to the speaker in anticipation of the next stanza, the next riff, the next solo. These are linked together with transitions that are set up and knocked down perfectly, helping every track rush past in spiraling eddies like white water rapids after heavy rain. “Circuition” yanks the heart-strings the hardest; follow-up “Withered” has a more basic structure, but the amazing harmonies and powerful solo make it a standout anyway. Cherry on the cake is the top-shelf production, with meticulous mastering and a balanced mix. The sparse clean vocals aren’t great, just okay, and a few tracks end a little more abruptly than I’d like, but these are small bumps on an engaging journey that begs to be spun again and again. 4.0/5.0
Kenstrosity: Dutch sadboi melodeath quintet Nephylim graced my Bandcamp feed a few months back. I was intrigued, but did not bite. At least, not until our Kermity GardensTale recced it for Rodeö duty, at which point I dove straight in. Embodying a wondrous merging between Countless Skies, Fires in the Distance, and a light touch of The Drowning, sophomore effort Circuition garnered instant adoration from this sponge. A rarer feat, Nephylim’s latest only deepened its hold on my heart, as the opening “Travail” suite enamored with epic soars of melody, crushing riffs that ground the piece in deathly gravity, and emotive roars that shake the roots underfoot. “Amaranth” doubles down on that palpable momentum, bringing forward a fun factor that belies Circuition’s introspective character. Beautiful synths and keys dot the landscape just above that metallic verve and swinging rhythm, evoking something inherently mystical while still operating within the bounds of the human spirit (“Circuition”). As the potent pull of songs like “Grand Denial,” “Withered,” and immense closer “Inner Paradigm” continually challenge my perception of what constitutes a highlight, I find myself universally immersed, committed, and compelled by Circuition. Experiencing this, as much as I pine for new material from those great acts that Nephylim remind me of, I know in my soul that Circuition is one of 2025’s foremost contenders. Great!
Maddog: When Fenrir finally closes the curtain on 2025, Nephylim’s Circuition will be one of my few fond memories of this disastrous year. This hidden melodeath gem triumphs by embracing simplicity without stagnation. No one would argue that Nephylim’s guitarists stretch the limits of human dexterity. And yet, as Circuition buried my ears in riffs upon riffs, it dragged me into its orbit. Blending the classic stylings of Dark Tranquillity with the modern touch of Æther Realm, Nephylim won me over through its irresistible energy. While I initially fell in love with merely a couple of its songs, Circuition’s consistency unveiled itself over time. Indeed, while the closer “Inner Paradigm” was initially my least favorite song, its Shadows of the Dying Sun riffs and its somber ending have made it a highlight. Despite its consistency, Circuition’s mood changes keep it fresh. The fantastic midsection of the album progresses from gargantuan riffs (“Grand Denial”) to tear-jerking Enshine melodies (“Circuition”) to explosive choruses (“Withered”). Circuition is textbook, but it’s both a thrilling spectacle and an emotive powerhouse. Every piece is essential, and every piece is distinctive. 4.0/5.0
Killjoy: The term “Nephilim” in the Hebrew Bible is often translated as “giants” in English. Accordingly, melodic death metal band Nephylim does everything big. Riffs? Big. Rumbling death roars? Big. Thunderous rhythm section? Big. Circuition feels like a highlight reel of the serious and somber side of melodeath, with each individual song bringing something unique to the table. “Travail Pt. II – Animus” embellishes the somber intensity of Insomnium with delicate piano keys reminiscent of Fires in the Distance and heaps of symphonic bombast. The suspenseful drum beats which introduce “Amaranth” organically build excitement by layering on bass and then guitar lines before releasing the pent-up energy with a furious snarl and fiery riffs. But there’s also a tender side to Nephylim; “Circuition” adopts a melancholic and folk-tinted mood laced with deep, beautiful croons, all of which I associate with Vorna. Circuition is considerably more ambitious than Nephylim’s debut, but they never let their ambitions spiral out of control. If anything, I’d like to see them continue to develop their symphonic side that they teased in the first two tracks. Although I find the last third of the record ever so slightly less engaging, I can endorse all thirty-eight minutes of Circuition as worthy of your time. 3.5/5.0
#2025 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2025 #ÆtherRealm #BeLakor #Circuition #CountlessSkies #DarkTranquillity #DutchMetal #EdgeOfSanity #Enshine #FiresInTheDistance #InFlames #IndependentRelease #Insomnium #Mar25 #MelodicDeathMetal #Moontower #Nephylim #OmniumGatherum #ProgressiveDeathMetal #SelfRelease #TheDrowning #Wolfheart
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AMG’s Unsigned Band Rodeö: Nephylim – Circuition
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
Oranjeboom, a low-frills lager, holds little love in its home country of the Netherlands, so much so that its production there was discontinued until only recently.1 Why does that matter? It really doesn’t, but it is a fun fact about the Netherlands and a beer synonymous with their lineage. Nephylim hails from the Netherlands too, and, with any luck, their brand of big scope, big sad melodeath will stake a claim that lands with bolder flavor. Over the past ten years, this five-some has cut an EP and a full-length through their own determination. And now, with this sophomore follow-up Circuition, Nephylim may just be hitting their stride. Or, at least, our Rodeö crew seems to think so. Crack open a cold one and sip on riffy sadness. – Dolphin Whisperer
Nephylim // Circuition [March 7th, 2025]
Steel Druhm: Sometimes when you press play on a Rodeö candidate, you wonder why they aren’t signed because they sound so polished and professional. Such is the case with Dutch melodeathsters, Nephylim, and their sophomore opus, Circulation. Taking cues from Ominium Gatherum, Be’Lakor, Enshine, and the more progressive works of Edge of Sanity, Nephylim voyage across various styles of melodeath but always keep things anchored firmly in the Wheelhouse of Steel. After a beautifully regal instrumental opener, Circulation heats up on “Travail Pt. 2 – Animus,” which is like a glowing distillation of Wolfheart and Be’lakor with a seriously epic vibe coursing through it. The guitars riff, trill, and shimmer with a Tuomos Saukkonen-esque flair as grand orchestrations amplify the sound to herculean proportions. It’s the beast of death metal with the beauty of melancholic music, and this style has a proven appeal. I love the majesty of “Grand Denial” and the hints of Dark Tranquillity woven throughout, and the title track bears traces of Dan Swanö’s Moontower and Tomi Joutsen-era Amorphis as it seamlessly melds heavy and sadboi moments. Unfortunately, not every cut hits with the same soul-searing slash of wintery pathos. “Amaranth” is a bit too generic and pedestrian, and though “Withered” does some things very well, the writing is a touch less compelling. Elsewhere, closer “Inner Paradigm” feels like something from the later eras of In Flames, not bad, but less impactful. At thirty-eight minutes, there are bits of bloat scattered around, but nothing that’s fatal if swallowed. There’s a lot to like about Circulation, and I’m left still wondering why Nephylim aren’t signed. With this much potential, they should be! 3.0/5.0
GardensTale: From two live shows, I already knew Nephylim were good. I could not have anticipated what a masterclass Circuition would turn out to be, though. Combining the maudlin symphonic details of Fires in the Distance with the melancholy hope and impeccable composition of Countless Skies is no easy feat, but the songwriting has taken a giant leap forward. Circuition is absolutely packed with beautiful melodies, addictive hooks and enticing cascades. The flow is downright brilliant, such that even after a dozen spins, I find myself glued to the speaker in anticipation of the next stanza, the next riff, the next solo. These are linked together with transitions that are set up and knocked down perfectly, helping every track rush past in spiraling eddies like white water rapids after heavy rain. “Circuition” yanks the heart-strings the hardest; follow-up “Withered” has a more basic structure, but the amazing harmonies and powerful solo make it a standout anyway. Cherry on the cake is the top-shelf production, with meticulous mastering and a balanced mix. The sparse clean vocals aren’t great, just okay, and a few tracks end a little more abruptly than I’d like, but these are small bumps on an engaging journey that begs to be spun again and again. 4.0/5.0
Kenstrosity: Dutch sadboi melodeath quintet Nephylim graced my Bandcamp feed a few months back. I was intrigued, but did not bite. At least, not until our Kermity GardensTale recced it for Rodeö duty, at which point I dove straight in. Embodying a wondrous merging between Countless Skies, Fires in the Distance, and a light touch of The Drowning, sophomore effort Circuition garnered instant adoration from this sponge. A rarer feat, Nephylim’s latest only deepened its hold on my heart, as the opening “Travail” suite enamored with epic soars of melody, crushing riffs that ground the piece in deathly gravity, and emotive roars that shake the roots underfoot. “Amaranth” doubles down on that palpable momentum, bringing forward a fun factor that belies Circuition’s introspective character. Beautiful synths and keys dot the landscape just above that metallic verve and swinging rhythm, evoking something inherently mystical while still operating within the bounds of the human spirit (“Circuition”). As the potent pull of songs like “Grand Denial,” “Withered,” and immense closer “Inner Paradigm” continually challenge my perception of what constitutes a highlight, I find myself universally immersed, committed, and compelled by Circuition. Experiencing this, as much as I pine for new material from those great acts that Nephylim remind me of, I know in my soul that Circuition is one of 2025’s foremost contenders. Great!
Maddog: When Fenrir finally closes the curtain on 2025, Nephylim’s Circuition will be one of my few fond memories of this disastrous year. This hidden melodeath gem triumphs by embracing simplicity without stagnation. No one would argue that Nephylim’s guitarists stretch the limits of human dexterity. And yet, as Circuition buried my ears in riffs upon riffs, it dragged me into its orbit. Blending the classic stylings of Dark Tranquillity with the modern touch of Æther Realm, Nephylim won me over through its irresistible energy. While I initially fell in love with merely a couple of its songs, Circuition’s consistency unveiled itself over time. Indeed, while the closer “Inner Paradigm” was initially my least favorite song, its Shadows of the Dying Sun riffs and its somber ending have made it a highlight. Despite its consistency, Circuition’s mood changes keep it fresh. The fantastic midsection of the album progresses from gargantuan riffs (“Grand Denial”) to tear-jerking Enshine melodies (“Circuition”) to explosive choruses (“Withered”). Circuition is textbook, but it’s both a thrilling spectacle and an emotive powerhouse. Every piece is essential, and every piece is distinctive. 4.0/5.0
Killjoy: The term “Nephilim” in the Hebrew Bible is often translated as “giants” in English. Accordingly, melodic death metal band Nephylim does everything big. Riffs? Big. Rumbling death roars? Big. Thunderous rhythm section? Big. Circuition feels like a highlight reel of the serious and somber side of melodeath, with each individual song bringing something unique to the table. “Travail Pt. II – Animus” embellishes the somber intensity of Insomnium with delicate piano keys reminiscent of Fires in the Distance and heaps of symphonic bombast. The suspenseful drum beats which introduce “Amaranth” organically build excitement by layering on bass and then guitar lines before releasing the pent-up energy with a furious snarl and fiery riffs. But there’s also a tender side to Nephylim; “Circuition” adopts a melancholic and folk-tinted mood laced with deep, beautiful croons, all of which I associate with Vorna. Circuition is considerably more ambitious than Nephylim’s debut, but they never let their ambitions spiral out of control. If anything, I’d like to see them continue to develop their symphonic side that they teased in the first two tracks. Although I find the last third of the record ever so slightly less engaging, I can endorse all thirty-eight minutes of Circuition as worthy of your time. 3.5/5.0
#2025 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2025 #ÆtherRealm #BeLakor #Circuition #CountlessSkies #DarkTranquillity #DutchMetal #EdgeOfSanity #Enshine #FiresInTheDistance #InFlames #IndependentRelease #Insomnium #Mar25 #MelodicDeathMetal #Moontower #Nephylim #OmniumGatherum #ProgressiveDeathMetal #SelfRelease #TheDrowning #Wolfheart
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AMG’s Unsigned Band Rodeö: Nephylim – Circuition
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
Oranjeboom, a low-frills lager, holds little love in its home country of the Netherlands, so much so that its production there was discontinued until only recently.1 Why does that matter? It really doesn’t, but it is a fun fact about the Netherlands and a beer synonymous with their lineage. Nephylim hails from the Netherlands too, and, with any luck, their brand of big scope, big sad melodeath will stake a claim that lands with bolder flavor. Over the past ten years, this five-some has cut an EP and a full-length through their own determination. And now, with this sophomore follow-up Circuition, Nephylim may just be hitting their stride. Or, at least, our Rodeö crew seems to think so. Crack open a cold one and sip on riffy sadness. – Dolphin Whisperer
Nephylim // Circuition [March 7th, 2025]
Steel Druhm: Sometimes when you press play on a Rodeö candidate, you wonder why they aren’t signed because they sound so polished and professional. Such is the case with Dutch melodeathsters, Nephylim, and their sophomore opus, Circulation. Taking cues from Ominium Gatherum, Be’Lakor, Enshine, and the more progressive works of Edge of Sanity, Nephylim voyage across various styles of melodeath but always keep things anchored firmly in the Wheelhouse of Steel. After a beautifully regal instrumental opener, Circulation heats up on “Travail Pt. 2 – Animus,” which is like a glowing distillation of Wolfheart and Be’lakor with a seriously epic vibe coursing through it. The guitars riff, trill, and shimmer with a Tuomos Saukkonen-esque flair as grand orchestrations amplify the sound to herculean proportions. It’s the beast of death metal with the beauty of melancholic music, and this style has a proven appeal. I love the majesty of “Grand Denial” and the hints of Dark Tranquillity woven throughout, and the title track bears traces of Dan Swanö’s Moontower and Tomi Joutsen-era Amorphis as it seamlessly melds heavy and sadboi moments. Unfortunately, not every cut hits with the same soul-searing slash of wintery pathos. “Amaranth” is a bit too generic and pedestrian, and though “Withered” does some things very well, the writing is a touch less compelling. Elsewhere, closer “Inner Paradigm” feels like something from the later eras of In Flames, not bad, but less impactful. At thirty-eight minutes, there are bits of bloat scattered around, but nothing that’s fatal if swallowed. There’s a lot to like about Circulation, and I’m left still wondering why Nephylim aren’t signed. With this much potential, they should be! 3.0/5.0
GardensTale: From two live shows, I already knew Nephylim were good. I could not have anticipated what a masterclass Circuition would turn out to be, though. Combining the maudlin symphonic details of Fires in the Distance with the melancholy hope and impeccable composition of Countless Skies is no easy feat, but the songwriting has taken a giant leap forward. Circuition is absolutely packed with beautiful melodies, addictive hooks and enticing cascades. The flow is downright brilliant, such that even after a dozen spins, I find myself glued to the speaker in anticipation of the next stanza, the next riff, the next solo. These are linked together with transitions that are set up and knocked down perfectly, helping every track rush past in spiraling eddies like white water rapids after heavy rain. “Circuition” yanks the heart-strings the hardest; follow-up “Withered” has a more basic structure, but the amazing harmonies and powerful solo make it a standout anyway. Cherry on the cake is the top-shelf production, with meticulous mastering and a balanced mix. The sparse clean vocals aren’t great, just okay, and a few tracks end a little more abruptly than I’d like, but these are small bumps on an engaging journey that begs to be spun again and again. 4.0/5.0
Kenstrosity: Dutch sadboi melodeath quintet Nephylim graced my Bandcamp feed a few months back. I was intrigued, but did not bite. At least, not until our Kermity GardensTale recced it for Rodeö duty, at which point I dove straight in. Embodying a wondrous merging between Countless Skies, Fires in the Distance, and a light touch of The Drowning, sophomore effort Circuition garnered instant adoration from this sponge. A rarer feat, Nephylim’s latest only deepened its hold on my heart, as the opening “Travail” suite enamored with epic soars of melody, crushing riffs that ground the piece in deathly gravity, and emotive roars that shake the roots underfoot. “Amaranth” doubles down on that palpable momentum, bringing forward a fun factor that belies Circuition’s introspective character. Beautiful synths and keys dot the landscape just above that metallic verve and swinging rhythm, evoking something inherently mystical while still operating within the bounds of the human spirit (“Circuition”). As the potent pull of songs like “Grand Denial,” “Withered,” and immense closer “Inner Paradigm” continually challenge my perception of what constitutes a highlight, I find myself universally immersed, committed, and compelled by Circuition. Experiencing this, as much as I pine for new material from those great acts that Nephylim remind me of, I know in my soul that Circuition is one of 2025’s foremost contenders. Great!
Maddog: When Fenrir finally closes the curtain on 2025, Nephylim’s Circuition will be one of my few fond memories of this disastrous year. This hidden melodeath gem triumphs by embracing simplicity without stagnation. No one would argue that Nephylim’s guitarists stretch the limits of human dexterity. And yet, as Circuition buried my ears in riffs upon riffs, it dragged me into its orbit. Blending the classic stylings of Dark Tranquillity with the modern touch of Æther Realm, Nephylim won me over through its irresistible energy. While I initially fell in love with merely a couple of its songs, Circuition’s consistency unveiled itself over time. Indeed, while the closer “Inner Paradigm” was initially my least favorite song, its Shadows of the Dying Sun riffs and its somber ending have made it a highlight. Despite its consistency, Circuition’s mood changes keep it fresh. The fantastic midsection of the album progresses from gargantuan riffs (“Grand Denial”) to tear-jerking Enshine melodies (“Circuition”) to explosive choruses (“Withered”). Circuition is textbook, but it’s both a thrilling spectacle and an emotive powerhouse. Every piece is essential, and every piece is distinctive. 4.0/5.0
Killjoy: The term “Nephilim” in the Hebrew Bible is often translated as “giants” in English. Accordingly, melodic death metal band Nephylim does everything big. Riffs? Big. Rumbling death roars? Big. Thunderous rhythm section? Big. Circuition feels like a highlight reel of the serious and somber side of melodeath, with each individual song bringing something unique to the table. “Travail Pt. II – Animus” embellishes the somber intensity of Insomnium with delicate piano keys reminiscent of Fires in the Distance and heaps of symphonic bombast. The suspenseful drum beats which introduce “Amaranth” organically build excitement by layering on bass and then guitar lines before releasing the pent-up energy with a furious snarl and fiery riffs. But there’s also a tender side to Nephylim; “Circuition” adopts a melancholic and folk-tinted mood laced with deep, beautiful croons, all of which I associate with Vorna. Circuition is considerably more ambitious than Nephylim’s debut, but they never let their ambitions spiral out of control. If anything, I’d like to see them continue to develop their symphonic side that they teased in the first two tracks. Although I find the last third of the record ever so slightly less engaging, I can endorse all thirty-eight minutes of Circuition as worthy of your time. 3.5/5.0
#2025 #AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2025 #ÆtherRealm #BeLakor #Circuition #CountlessSkies #DarkTranquillity #DutchMetal #EdgeOfSanity #Enshine #FiresInTheDistance #InFlames #IndependentRelease #Insomnium #Mar25 #MelodicDeathMetal #Moontower #Nephylim #OmniumGatherum #ProgressiveDeathMetal #SelfRelease #TheDrowning #Wolfheart
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Dawn of Solace – Affliction Vortex Review
By Steel Druhm
When Tuomas Saukkonen of Wolfheart, Before the Dawn, and Black Sun Aeon fame resurrected his Dawn of Solace project with the help of mighty Goth vocalist Mikko Heikkilä (ex-Sinamore) for 2020s Waves, big things happened. The duo’s experience working on Black Sun Aeon paid dividends and together they created a rich, engrossing, highly memorable slab of melancholic doom/death dripping with Finnish sadboi glory. Waves ended up my Record o’ the Year for 2020 and I still break it out when winter winds begin to blow. 2022s Flames of Perdition was a worthy follow-up though it couldn’t quite reach the same lofty heights as its predecessor. Affliction Vortex is the third collaboration between Toumas and Mikko under the Dawn of Solace banner and wisely, they haven’t tweaked the formula much. It’s still uber-glum melo-doom designed for a cold winter’s night introspection and all the key elements are in place. But can it hope to rival the maudlin majesty of Waves?
Not a chance, but it’s hard to resist what Tuomas and Mikko brew up nonetheless. Toumas has proven himself a master craftsman when it comes to weepy, despondent guitar work and sullen writing, and he’s lost none of his edge. When paired with Mikko’s smooth but pained vocals, good things are bound to happen. First proper track “Murder” is a classic Dawn of Solace composition, weighed down with forlorn guitar lines and carried expertly by Mikko’s despondent crooning. It’s exactly the kind of song you expect and desire from the duo and it doesn’t disappoint. This would have sat well on Waves, and no further compliments need be paid. “Fortress” begins life sounding like something off Katatonia’s Viva Emptiness with tense, angular riffs, before Toumas comes in with weighty death bellows and trilling harmonies that take things back to Finnish environs. “Into the Light” sounds like an old Black Sun Aeon song dug up and reworked, and I’m predestined to like it due to the downcast riffs and Finnish graveyard aesthetic. Tuomas delivers icy black rasps for extra chills and all is well.
The album crests with “Rival” – one of the best songs to come out of the Tuomas/Mikko collaboration, which is saying something. Mikko stretches himself vocally, providing an emotive journey that climaxes with a stellar chorus that hits just right. It’s sullen but vibrant and I can’t get enough of it. “Dream” is another stone-cold killer, leveraging Mikko’s vocal talents for maximum payoff as Tuomas roars in the background. Shades of Rapture live large in this one, but it’s undeniably a Tuomas joint. Some songs like “Invitation” recycle the sounds of Before the Dawn and Black Sun Aeon more than others, but it’s done toward good ends. “Perennial” is an interesting cut, slower, heavier and more dependent on Tuomas’ death grunts while Mikko alters his delivery toward something more rock-based. It stands out and almost feels out of place, but it works. At a tight 39 minutes, there’s no unsightly padding and only one track breaks the 4-minute barrier. This makes for a brisk, engaging spin with a solid replay factor.
What more can be said of the talents of this duo? Tuomas has proven his worth on countless albums spanning multiple genres and he continues to find inspiration in the darker side of life and the human psyche. He excels at crafting depressive doom and his riffcraft is always high quality. There are many of his cold, fragile, and morose leads here and plenty of his Gothy trilling and harmonizing too. His death roars and blackened rasps are good as always, injecting extremity into the melancholy while adding an effective counterpoint to Mikko’s disconsolate singing. Speaking of which, Mikko is always a slam dunk when it comes to this kind of music. He’s the prototype of a Goth metal singer and his voice is perfectly suited to the dejected songcraft. This is one of those pairings you can count on to deliver, and they do it again here.
I doubt Dawn of Solace will ever top what they accomplished on Waves, but three albums into the Mikko era, they’ve done nothing but deliver high quality output. Affliction Vortex is more or less the equal to Flames of Perdition with major highs and no duds. They’ve found a sweet spot in the sadboi doom genre and I hope they continue to mine it for more gems. I’ll keep buying until they hit the unruly Balrog.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Noble Demon
Websites: dawnofsolace.bandcamp.com | facebook.com/dawnofsolace |
Releases Worldwide: February 14th, 2025#2025 #35 #AfflictionVortex #BeforeTheDawn #BlackSunAeon #DawnOfSolace #DoomMetal #FinnishMetal #FlamesOfPerdition #Insomnium #Katatonia #NobleDemon #Rapture #Review #Reviews #Waves #Wolfheart
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Dawn of Solace – Affliction Vortex Review
By Steel Druhm
When Tuomas Saukkonen of Wolfheart, Before the Dawn, and Black Sun Aeon fame resurrected his Dawn of Solace project with the help of mighty Goth vocalist Mikko Heikkilä (ex-Sinamore) for 2020s Waves, big things happened. The duo’s experience working on Black Sun Aeon paid dividends and together they created a rich, engrossing, highly memorable slab of melancholic doom/death dripping with Finnish sadboi glory. Waves ended up my Record o’ the Year for 2020 and I still break it out when winter winds begin to blow. 2022s Flames of Perdition was a worthy follow-up though it couldn’t quite reach the same lofty heights as its predecessor. Affliction Vortex is the third collaboration between Toumas and Mikko under the Dawn of Solace banner and wisely, they haven’t tweaked the formula much. It’s still uber-glum melo-doom designed for a cold winter’s night introspection and all the key elements are in place. But can it hope to rival the maudlin majesty of Waves?
Not a chance, but it’s hard to resist what Tuomas and Mikko brew up nonetheless. Toumas has proven himself a master craftsman when it comes to weepy, despondent guitar work and sullen writing, and he’s lost none of his edge. When paired with Mikko’s smooth but pained vocals, good things are bound to happen. First proper track “Murder” is a classic Dawn of Solace composition, weighed down with forlorn guitar lines and carried expertly by Mikko’s despondent crooning. It’s exactly the kind of song you expect and desire from the duo and it doesn’t disappoint. This would have sat well on Waves, and no further compliments need be paid. “Fortress” begins life sounding like something off Katatonia’s Viva Emptiness with tense, angular riffs, before Toumas comes in with weighty death bellows and trilling harmonies that take things back to Finnish environs. “Into the Light” sounds like an old Black Sun Aeon song dug up and reworked, and I’m predestined to like it due to the downcast riffs and Finnish graveyard aesthetic. Tuomas delivers icy black rasps for extra chills and all is well.
The album crests with “Rival” – one of the best songs to come out of the Tuomas/Mikko collaboration, which is saying something. Mikko stretches himself vocally, providing an emotive journey that climaxes with a stellar chorus that hits just right. It’s sullen but vibrant and I can’t get enough of it. “Dream” is another stone-cold killer, leveraging Mikko’s vocal talents for maximum payoff as Tuomas roars in the background. Shades of Rapture live large in this one, but it’s undeniably a Tuomas joint. Some songs like “Invitation” recycle the sounds of Before the Dawn and Black Sun Aeon more than others, but it’s done toward good ends. “Perennial” is an interesting cut, slower, heavier and more dependent on Tuomas’ death grunts while Mikko alters his delivery toward something more rock-based. It stands out and almost feels out of place, but it works. At a tight 39 minutes, there’s no unsightly padding and only one track breaks the 4-minute barrier. This makes for a brisk, engaging spin with a solid replay factor.
What more can be said of the talents of this duo? Tuomas has proven his worth on countless albums spanning multiple genres and he continues to find inspiration in the darker side of life and the human psyche. He excels at crafting depressive doom and his riffcraft is always high quality. There are many of his cold, fragile, and morose leads here and plenty of his Gothy trilling and harmonizing too. His death roars and blackened rasps are good as always, injecting extremity into the melancholy while adding an effective counterpoint to Mikko’s disconsolate singing. Speaking of which, Mikko is always a slam dunk when it comes to this kind of music. He’s the prototype of a Goth metal singer and his voice is perfectly suited to the dejected songcraft. This is one of those pairings you can count on to deliver, and they do it again here.
I doubt Dawn of Solace will ever top what they accomplished on Waves, but three albums into the Mikko era, they’ve done nothing but deliver high quality output. Affliction Vortex is more or less the equal to Flames of Perdition with major highs and no duds. They’ve found a sweet spot in the sadboi doom genre and I hope they continue to mine it for more gems. I’ll keep buying until they hit the unruly Balrog.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Noble Demon
Websites: dawnofsolace.bandcamp.com | facebook.com/dawnofsolace |
Releases Worldwide: February 14th, 2025#2025 #35 #AfflictionVortex #BeforeTheDawn #BlackSunAeon #DawnOfSolace #DoomMetal #FinnishMetal #FlamesOfPerdition #Insomnium #Katatonia #NobleDemon #Rapture #Review #Reviews #Waves #Wolfheart
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Dawn of Solace – Affliction Vortex Review
By Steel Druhm
When Tuomas Saukkonen of Wolfheart, Before the Dawn, and Black Sun Aeon fame resurrected his Dawn of Solace project with the help of mighty Goth vocalist Mikko Heikkilä (ex-Sinamore) for 2020s Waves, big things happened. The duo’s experience working on Black Sun Aeon paid dividends and together they created a rich, engrossing, highly memorable slab of melancholic doom/death dripping with Finnish sadboi glory. Waves ended up my Record o’ the Year for 2020 and I still break it out when winter winds begin to blow. 2022s Flames of Perdition was a worthy follow-up though it couldn’t quite reach the same lofty heights as its predecessor. Affliction Vortex is the third collaboration between Toumas and Mikko under the Dawn of Solace banner and wisely, they haven’t tweaked the formula much. It’s still uber-glum melo-doom designed for a cold winter’s night introspection and all the key elements are in place. But can it hope to rival the maudlin majesty of Waves?
Not a chance, but it’s hard to resist what Tuomas and Mikko brew up nonetheless. Toumas has proven himself a master craftsman when it comes to weepy, despondent guitar work and sullen writing, and he’s lost none of his edge. When paired with Mikko’s smooth but pained vocals, good things are bound to happen. First proper track “Murder” is a classic Dawn of Solace composition, weighed down with forlorn guitar lines and carried expertly by Mikko’s despondent crooning. It’s exactly the kind of song you expect and desire from the duo and it doesn’t disappoint. This would have sat well on Waves, and no further compliments need be paid. “Fortress” begins life sounding like something off Katatonia’s Viva Emptiness with tense, angular riffs, before Toumas comes in with weighty death bellows and trilling harmonies that take things back to Finnish environs. “Into the Light” sounds like an old Black Sun Aeon song dug up and reworked, and I’m predestined to like it due to the downcast riffs and Finnish graveyard aesthetic. Tuomas delivers icy black rasps for extra chills and all is well.
The album crests with “Rival” – one of the best songs to come out of the Tuomas/Mikko collaboration, which is saying something. Mikko stretches himself vocally, providing an emotive journey that climaxes with a stellar chorus that hits just right. It’s sullen but vibrant and I can’t get enough of it. “Dream” is another stone-cold killer, leveraging Mikko’s vocal talents for maximum payoff as Tuomas roars in the background. Shades of Rapture live large in this one, but it’s undeniably a Tuomas joint. Some songs like “Invitation” recycle the sounds of Before the Dawn and Black Sun Aeon more than others, but it’s done toward good ends. “Perennial” is an interesting cut, slower, heavier and more dependent on Tuomas’ death grunts while Mikko alters his delivery toward something more rock-based. It stands out and almost feels out of place, but it works. At a tight 39 minutes, there’s no unsightly padding and only one track breaks the 4-minute barrier. This makes for a brisk, engaging spin with a solid replay factor.
What more can be said of the talents of this duo? Tuomas has proven his worth on countless albums spanning multiple genres and he continues to find inspiration in the darker side of life and the human psyche. He excels at crafting depressive doom and his riffcraft is always high quality. There are many of his cold, fragile, and morose leads here and plenty of his Gothy trilling and harmonizing too. His death roars and blackened rasps are good as always, injecting extremity into the melancholy while adding an effective counterpoint to Mikko’s disconsolate singing. Speaking of which, Mikko is always a slam dunk when it comes to this kind of music. He’s the prototype of a Goth metal singer and his voice is perfectly suited to the dejected songcraft. This is one of those pairings you can count on to deliver, and they do it again here.
I doubt Dawn of Solace will ever top what they accomplished on Waves, but three albums into the Mikko era, they’ve done nothing but deliver high quality output. Affliction Vortex is more or less the equal to Flames of Perdition with major highs and no duds. They’ve found a sweet spot in the sadboi doom genre and I hope they continue to mine it for more gems. I’ll keep buying until they hit the unruly Balrog.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Noble Demon
Websites: dawnofsolace.bandcamp.com | facebook.com/dawnofsolace |
Releases Worldwide: February 14th, 2025#2025 #35 #AfflictionVortex #BeforeTheDawn #BlackSunAeon #DawnOfSolace #DoomMetal #FinnishMetal #FlamesOfPerdition #Insomnium #Katatonia #NobleDemon #Rapture #Review #Reviews #Waves #Wolfheart
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Video Roundup: Arch Enemy / Kreator / Luponero / The Menstrual Cramps / Four Year Strong / Wolfheart
A semi-regular roundup from our mailbox, a little delayed from release day due to all the work around our Rocktoberfest yesterday!
Arch Enemy - "Liars and Thieves"
#Videos #ArchEnemy #FourYearStrong #Kreator #Luponero #TheMenstrualCramps #Wolfheart
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#TheMetalDogArticleList
#BraveWords
WOLFHEART Debut "Ancient Cold" Music Videohttps://bravewords.com/news/wolfheart-debut-ancient-cold-music-video
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#TheMetalDogArticleList
#BLABBERMOUTH
WOLFHEART Shares 'Trial By Fire' Music Videohttps://blabbermouth.net/news/wolfheart-shares-trial-by-fire-music-video
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Wolfheart release new single “Evenfall”
Finnish winter metal monolith Wolfheart has released a ferocious new single, "Evenfall", off their highly-anticipated album Draconian Darkness, to be released on September 6th, 2024 via Reigning Phoenix Music. Hard-charging, memorable riffs lead into a soaring, strikingly melodic chorus, with clean vocals layered under roaring harshes. The
https://www.moshville.co.uk/video/2024/07/wolfheart-release-new-single-evenfall/
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2/2
🇫🇷WOLFHEART FRANCE
www.lionsmetalfestival.com
02.06. Lions Metal Fest FR
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.
.
.
📷: by me :) #sethpicturesmusic #sethabrikoos
#metalband #metalhead #wolfheart #melodicmetal #melodicmetalband #effenaad #oktoberpromo #oktoberpromotion
*collab🤘✌️
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2/2
🇫🇷WOLFHEART FRANCE
www.lionsmetalfestival.com
02.06. Lions Metal Fest FR
.
.
.
.
📷: by me :) #sethpicturesmusic #sethabrikoos
#metalband #metalhead #wolfheart #melodicmetal #melodicmetalband #effenaad #oktoberpromo #oktoberpromotion
*collab🤘✌️
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2/2
🇫🇷WOLFHEART FRANCE
www.lionsmetalfestival.com
02.06. Lions Metal Fest FR
.
.
.
.
📷: by me :) #sethpicturesmusic #sethabrikoos
#metalband #metalhead #wolfheart #melodicmetal #melodicmetalband #effenaad #oktoberpromo #oktoberpromotion
*collab🤘✌️
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2/2
🇫🇷WOLFHEART FRANCE
www.lionsmetalfestival.com
02.06. Lions Metal Fest FR
.
.
.
.
📷: by me :) #sethpicturesmusic #sethabrikoos
#metalband #metalhead #wolfheart #melodicmetal #melodicmetalband #effenaad #oktoberpromo #oktoberpromotion
*collab🤘✌️
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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Dark Tranquility to Tour Europe Later This Year with Moonspell, Wolfheart, and Hiraes https://www.metalsucks.net/2024/03/14/dark-tranquility-to-tour-europe-later-this-year-with-moonspell-wolfheart-and-hiraes/ #tourannouncement #DarkTranquility #TourdeForce #moonspell #wolfheart #Hiraes #News
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#DarkTranquillity + #Moonspell + #Wolfheart + #Hiraes on tour! Check the tour dates & get your tickets: https://linktr.ee/endtimesignalstour
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#DarkTranquillity + #Moonspell + #Wolfheart + #Hiraes on tour! Check the tour dates & get your tickets: https://linktr.ee/endtimesignalstour
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#DarkTranquillity + #Moonspell + #Wolfheart + #Hiraes on tour! Check the tour dates & get your tickets: https://linktr.ee/endtimesignalstour
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#DarkTranquillity + #Moonspell + #Wolfheart + #Hiraes on tour! Check the tour dates & get your tickets: https://linktr.ee/endtimesignalstour
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It’s always good to see my favourite band #Wolfheart on tour. Even better when they recognise you and say “hey, so good to see you back 💪🤘”
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#TheMetalDogArticleList
#BraveWords
WOLFHEART Unleash Official Video For "Fires Of The Fallen"
Wolfheart have unleashed their latest and greatest creation with the official video for their explosive single, "Fires Of The Fallen", taken from the recently-released full-length album, King Of The North, now available via Napalm Records. "Fires ...https://bravewords.com/news/wolfheart-unleash-official-video-for-fires-of-the-fallen
#Wolfheart #FiresOfTheFallen #OfficialVideo #DoomMetal #HeavyMetal #SymbolicVisualRepresentation #FinnishSymphonic #PowerMetal