home.social

#nvm — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #nvm, aggregated by home.social.

  1. Estuve probando #fishshell pero no me reconocía el #nvm, al final decidí volver a #zsh, el objetivo era simplificar las cosas pero se estaban complicando más que antes.

  2. Estuve probando #fishshell pero no me reconocía el #nvm, al final decidí volver a #zsh, el objetivo era simplificar las cosas pero se estaban complicando más que antes.

  3. Lees tip -> NVM: "Uitponden vergroot kloof onder starters" | NVM: uitponden vergroot koopaanbod, maar vergroot tegelijk de ongelijkheid onder starters op de woningmarkt. | #huizenprijzen #huurmarkt #huurwoningen #koopwoningen #NVM #starters #uitponden #woningmarkt #woningnood |

    hbpmedia.nl/nvm-uitponden-verg

  4. Lees tip -> NVM: "Uitponden vergroot kloof onder starters" | NVM: uitponden vergroot koopaanbod, maar vergroot tegelijk de ongelijkheid onder starters op de woningmarkt. | #huizenprijzen #huurmarkt #huurwoningen #koopwoningen #NVM #starters #uitponden #woningmarkt #woningnood |

    hbpmedia.nl/nvm-uitponden-verg

  5. Learn how to manage multiple Node.js versions on macOS using NVM. This guide covers installation, switching between versions, best practices, and production considerations for consistent development workflows.

    #Node.js #NVM #macOS #version management #development workflow

    dasroot.net/posts/2026/02/use-

  6. Updating npm via nvm while keeping your global packages

    💡 --reinstall-packages-from=default

    Don't forget to update Node and your global packages regularly!

    How are you doing this? Using topgrade?
    Are there smart ways to automate it?

    github.com/topgrade-rs/topgrade

    #npm #nvm #topgrade

  7. Der Vertrag ist unterzeichnet – das Kombiticket für den #Katholikentag steht fest! 🚍🚆
    Die guten Nachrichten bedeuten für euch:

    🎟 Sowohl Dauer- als auch Tageskarten des Katholikentags beinhalten #Tickets für alle #Busse, #Straßenbahnen & #Bahnen im gesamten NVM-Gebiet* (außer Fernverkehr)

    📅Gültig vom 13.–17. Mai 2026 (bzw. bei Tageskarten am jeweiligen Gültigkeitstag)

    📍 Das #NVM-Gebiet umfasst:
    Städte: #Würzburg & #Schweinfurt
    Landkreise: #Bad Kissingen, #Haßberge, #Kitzingen, #Main-Spessart, #Rhön-Grabfeld, #Schweinfurt, #Würzburg & und in Teilen des Landkreises #Neustadt a.d. Aisch-Bad Windsheim

    Mit dem Ticket könnt ihr also bequem überall hinkommen und den Katholikentag voll genießen! Toll, oder? ✨

    Wir danken #NVM, dass wir diese großartige, umweltfreundliche Vereinbarung treffen konnten!

    *Nahverkehr Mainfranken
    #katholikentag2026 #würzburg #kombiticket #nvm

  8. Der Vertrag ist unterzeichnet – das Kombiticket für den #Katholikentag steht fest! 🚍🚆
    Die guten Nachrichten bedeuten für euch:

    🎟 Sowohl Dauer- als auch Tageskarten des Katholikentags beinhalten #Tickets für alle #Busse, #Straßenbahnen & #Bahnen im gesamten NVM-Gebiet* (außer Fernverkehr)

    📅Gültig vom 13.–17. Mai 2026 (bzw. bei Tageskarten am jeweiligen Gültigkeitstag)

    📍 Das #NVM-Gebiet umfasst:
    Städte: #Würzburg & #Schweinfurt
    Landkreise: #Bad Kissingen, #Haßberge, #Kitzingen, #Main-Spessart, #Rhön-Grabfeld, #Schweinfurt, #Würzburg & und in Teilen des Landkreises #Neustadt a.d. Aisch-Bad Windsheim

    Mit dem Ticket könnt ihr also bequem überall hinkommen und den Katholikentag voll genießen! Toll, oder? ✨

    Wir danken #NVM, dass wir diese großartige, umweltfreundliche Vereinbarung treffen konnten!

    *Nahverkehr Mainfranken
    #katholikentag2026 #würzburg #kombiticket #nvm

  9. More Than a Game: On Joining the British Games Institute

    Last week, I was formally onboarded as a new trustee of the British Games Institute (BGI), the incredible organisation that runs the National Videogames Museum. After taking part in my first board meeting, I’ve been reflecting on why this work is so important – and why it cuts to the very heart of the challenges and opportunities facing our entire industry.

    For years, we’ve all heard the same statistics. We know the games industry is commercially massive, dwarfing film and music combined. We are, by any financial metric, a spectacular success story.

    But for all our commercial confidence, we have been shamefully quiet when it comes to our cultural confidence. As an industry, we are incredibly adept at talking about what we make and how much it sells for, but we are often silent, or even dismissive, on the subject of why it matters.

    We lack cultural leadership. We have very few public-facing institutions that look beyond that huge financial bottom line and champion the deeper, transformative potential of play.

    The Role of The British Games Institute

    This is precisely why the BGI and the National Videogames Museum are so vital. They are one of the very few organisations in the UK dedicated to preserving, cataloguing, and interrogating games as a cultural form. They are the epitome of the ‘More Than Games’ philosophy – a permanent, physical declaration that games are more than just ‘digital toys’ suitable only for children, or financially lucrative products; they are artistic expressions, social platforms, and powerful tools for learning and connection.

    In an industry defined by rapid technological change and relentless forward momentum, we need an institution that has the mandate to look back, to hold onto our history, and to ask critical questions about our impact.

    But for me, this new role isn’t just about preservation. That work is essential, but it is the foundation, not the final structure. The true opportunity is to help build upon that foundation. It’s about looking beyond just cataloguing the past and helping to position Britain as a global leader in thinking about games differently.

    This is a platform to champion the role of games in our wider cultural and social life. It’s about moving from simply preserving our history to actively using our medium’s power to shape the future – in education, in healthcare, in public policy, and in our national discourse.

    I am incredibly proud and excited to join the BGI board and to contribute to this mission. It is work that aligns perfectly with everything we are trying to build here in Scotland – a mature, confident, and culturally-aware games ecosystem that understands its own value far beyond the balance sheet.

    #bgi #britishGamesInstitute #games #nationalVideogameMuseum #nvm #sheffield #uk

  10. More Than a Game: On Joining the British Games Institute

    Last week, I was formally onboarded as a new trustee of the British Games Institute (BGI), the incredible organisation that runs the National Videogames Museum. After taking part in my first board meeting, I’ve been reflecting on why this work is so important – and why it cuts to the very heart of the challenges and opportunities facing our entire industry.

    For years, we’ve all heard the same statistics. We know the games industry is commercially massive, dwarfing film and music combined. We are, by any financial metric, a spectacular success story.

    But for all our commercial confidence, we have been shamefully quiet when it comes to our cultural confidence. As an industry, we are incredibly adept at talking about what we make and how much it sells for, but we are often silent, or even dismissive, on the subject of why it matters.

    We lack cultural leadership. We have very few public-facing institutions that look beyond that huge financial bottom line and champion the deeper, transformative potential of play.

    The Role of The British Games Institute

    This is precisely why the BGI and the National Videogames Museum are so vital. They are one of the very few organisations in the UK dedicated to preserving, cataloguing, and interrogating games as a cultural form. They are the epitome of the ‘More Than Games’ philosophy – a permanent, physical declaration that games are more than just ‘digital toys’ suitable only for children, or financially lucrative products; they are artistic expressions, social platforms, and powerful tools for learning and connection.

    In an industry defined by rapid technological change and relentless forward momentum, we need an institution that has the mandate to look back, to hold onto our history, and to ask critical questions about our impact.

    But for me, this new role isn’t just about preservation. That work is essential, but it is the foundation, not the final structure. The true opportunity is to help build upon that foundation. It’s about looking beyond just cataloguing the past and helping to position Britain as a global leader in thinking about games differently.

    This is a platform to champion the role of games in our wider cultural and social life. It’s about moving from simply preserving our history to actively using our medium’s power to shape the future – in education, in healthcare, in public policy, and in our national discourse.

    I am incredibly proud and excited to join the BGI board and to contribute to this mission. It is work that aligns perfectly with everything we are trying to build here in Scotland – a mature, confident, and culturally-aware games ecosystem that understands its own value far beyond the balance sheet.

    #bgi #britishGamesInstitute #games #nationalVideogameMuseum #nvm #sheffield #uk

  11. More Than a Game: On Joining the British Games Institute

    Last week, I was formally onboarded as a new trustee of the British Games Institute (BGI), the incredible organisation that runs the National Videogames Museum. After taking part in my first board meeting, I’ve been reflecting on why this work is so important – and why it cuts to the very heart of the challenges and opportunities facing our entire industry.

    For years, we’ve all heard the same statistics. We know the games industry is commercially massive, dwarfing film and music combined. We are, by any financial metric, a spectacular success story.

    But for all our commercial confidence, we have been shamefully quiet when it comes to our cultural confidence. As an industry, we are incredibly adept at talking about what we make and how much it sells for, but we are often silent, or even dismissive, on the subject of why it matters.

    We lack cultural leadership. We have very few public-facing institutions that look beyond that huge financial bottom line and champion the deeper, transformative potential of play.

    The Role of The British Games Institute

    This is precisely why the BGI and the National Videogames Museum are so vital. They are one of the very few organisations in the UK dedicated to preserving, cataloguing, and interrogating games as a cultural form. They are the epitome of the ‘More Than Games’ philosophy – a permanent, physical declaration that games are more than just ‘digital toys’ suitable only for children, or financially lucrative products; they are artistic expressions, social platforms, and powerful tools for learning and connection.

    In an industry defined by rapid technological change and relentless forward momentum, we need an institution that has the mandate to look back, to hold onto our history, and to ask critical questions about our impact.

    But for me, this new role isn’t just about preservation. That work is essential, but it is the foundation, not the final structure. The true opportunity is to help build upon that foundation. It’s about looking beyond just cataloguing the past and helping to position Britain as a global leader in thinking about games differently.

    This is a platform to champion the role of games in our wider cultural and social life. It’s about moving from simply preserving our history to actively using our medium’s power to shape the future – in education, in healthcare, in public policy, and in our national discourse.

    I am incredibly proud and excited to join the BGI board and to contribute to this mission. It is work that aligns perfectly with everything we are trying to build here in Scotland – a mature, confident, and culturally-aware games ecosystem that understands its own value far beyond the balance sheet.

    #bgi #britishGamesInstitute #games #nationalVideogameMuseum #nvm #sheffield #uk

  12. More Than a Game: On Joining the British Games Institute

    Last week, I was formally onboarded as a new trustee of the British Games Institute (BGI), the incredible organisation that runs the National Videogames Museum. After taking part in my first board meeting, I’ve been reflecting on why this work is so important – and why it cuts to the very heart of the challenges and opportunities facing our entire industry.

    For years, we’ve all heard the same statistics. We know the games industry is commercially massive, dwarfing film and music combined. We are, by any financial metric, a spectacular success story.

    But for all our commercial confidence, we have been shamefully quiet when it comes to our cultural confidence. As an industry, we are incredibly adept at talking about what we make and how much it sells for, but we are often silent, or even dismissive, on the subject of why it matters.

    We lack cultural leadership. We have very few public-facing institutions that look beyond that huge financial bottom line and champion the deeper, transformative potential of play.

    The Role of The British Games Institute

    This is precisely why the BGI and the National Videogames Museum are so vital. They are one of the very few organisations in the UK dedicated to preserving, cataloguing, and interrogating games as a cultural form. They are the epitome of the ‘More Than Games’ philosophy – a permanent, physical declaration that games are more than just ‘digital toys’ suitable only for children, or financially lucrative products; they are artistic expressions, social platforms, and powerful tools for learning and connection.

    In an industry defined by rapid technological change and relentless forward momentum, we need an institution that has the mandate to look back, to hold onto our history, and to ask critical questions about our impact.

    But for me, this new role isn’t just about preservation. That work is essential, but it is the foundation, not the final structure. The true opportunity is to help build upon that foundation. It’s about looking beyond just cataloguing the past and helping to position Britain as a global leader in thinking about games differently.

    This is a platform to champion the role of games in our wider cultural and social life. It’s about moving from simply preserving our history to actively using our medium’s power to shape the future – in education, in healthcare, in public policy, and in our national discourse.

    I am incredibly proud and excited to join the BGI board and to contribute to this mission. It is work that aligns perfectly with everything we are trying to build here in Scotland – a mature, confident, and culturally-aware games ecosystem that understands its own value far beyond the balance sheet.

    #bgi #britishGamesInstitute #games #nationalVideogameMuseum #nvm #sheffield #uk

  13. More Than a Game: On Joining the British Games Institute

    Last week, I was formally onboarded as a new trustee of the British Games Institute (BGI), the incredible organisation that runs the National Videogames Museum. After taking part in my first board meeting, I’ve been reflecting on why this work is so important – and why it cuts to the very heart of the challenges and opportunities facing our entire industry.

    For years, we’ve all heard the same statistics. We know the games industry is commercially massive, dwarfing film and music combined. We are, by any financial metric, a spectacular success story.

    But for all our commercial confidence, we have been shamefully quiet when it comes to our cultural confidence. As an industry, we are incredibly adept at talking about what we make and how much it sells for, but we are often silent, or even dismissive, on the subject of why it matters.

    We lack cultural leadership. We have very few public-facing institutions that look beyond that huge financial bottom line and champion the deeper, transformative potential of play.

    The Role of The British Games Institute

    This is precisely why the BGI and the National Videogames Museum are so vital. They are one of the very few organisations in the UK dedicated to preserving, cataloguing, and interrogating games as a cultural form. They are the epitome of the ‘More Than Games’ philosophy – a permanent, physical declaration that games are more than just ‘digital toys’ suitable only for children, or financially lucrative products; they are artistic expressions, social platforms, and powerful tools for learning and connection.

    In an industry defined by rapid technological change and relentless forward momentum, we need an institution that has the mandate to look back, to hold onto our history, and to ask critical questions about our impact.

    But for me, this new role isn’t just about preservation. That work is essential, but it is the foundation, not the final structure. The true opportunity is to help build upon that foundation. It’s about looking beyond just cataloguing the past and helping to position Britain as a global leader in thinking about games differently.

    This is a platform to champion the role of games in our wider cultural and social life. It’s about moving from simply preserving our history to actively using our medium’s power to shape the future – in education, in healthcare, in public policy, and in our national discourse.

    I am incredibly proud and excited to join the BGI board and to contribute to this mission. It is work that aligns perfectly with everything we are trying to build here in Scotland – a mature, confident, and culturally-aware games ecosystem that understands its own value far beyond the balance sheet.

    #bgi #britishGamesInstitute #games #nationalVideogameMuseum #nvm #sheffield #uk

  14. Last week, I had the pleasure of working with Children’s Capital of Culture in Rotherham for an amazing project — the 8-Bit Jam!

    We introduced children to the magic of making music using vintage 8-bit video game machines, transforming classic technology into creative musical instruments. It was inspiring to see how curiosity and play can come together to create something truly unique.

    A huge thank you to Rotherham and the entire team for letting me be part of this incredible initiative! 💡✨

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming #commodore64 #vintagecomputing

  15. Last week, I had the pleasure of working with Children’s Capital of Culture in Rotherham for an amazing project — the 8-Bit Jam!

    We introduced children to the magic of making music using vintage 8-bit video game machines, transforming classic technology into creative musical instruments. It was inspiring to see how curiosity and play can come together to create something truly unique.

    A huge thank you to Rotherham and the entire team for letting me be part of this incredible initiative! 💡✨

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming #commodore64 #vintagecomputing

  16. Last week, I had the pleasure of working with Children’s Capital of Culture in Rotherham for an amazing project — the 8-Bit Jam!

    We introduced children to the magic of making music using vintage 8-bit video game machines, transforming classic technology into creative musical instruments. It was inspiring to see how curiosity and play can come together to create something truly unique.

    A huge thank you to Rotherham and the entire team for letting me be part of this incredible initiative! 💡✨

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming #commodore64 #vintagecomputing

  17. Last week, I had the pleasure of working with Children’s Capital of Culture in Rotherham for an amazing project — the 8-Bit Jam!

    We introduced children to the magic of making music using vintage 8-bit video game machines, transforming classic technology into creative musical instruments. It was inspiring to see how curiosity and play can come together to create something truly unique.

    A huge thank you to Rotherham and the entire team for letting me be part of this incredible initiative! 💡✨

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming #commodore64 #vintagecomputing

  18. Last week, I had the pleasure of working with Children’s Capital of Culture in Rotherham for an amazing project — the 8-Bit Jam!

    We introduced children to the magic of making music using vintage 8-bit video game machines, transforming classic technology into creative musical instruments. It was inspiring to see how curiosity and play can come together to create something truly unique.

    A huge thank you to Rotherham and the entire team for letting me be part of this incredible initiative! 💡✨

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming #commodore64 #vintagecomputing

  19. Step into a retro-futuristic playground where video game consoles and home computers from the 1980s are turned into real-time instruments! ⌨🎶

    In this unique jam session, take control of Commodore 64s, Amiga 1200s, Game Boys, Famicoms, NES consoles and more… 🤯

    Part performance, part workshop, this is a chance to discover how the bleeps and bloops of early gaming can become beats, melodies and rhythms.

    No musical training required — just curiosity, creativity and a love of play!

    📍 All Saints Square
    📅 Friday 31st October
    ⏰ 10am - 4pm
    🎟 FREE

    To find out more and to sign up, please head to Children's Capital of Culture's website: www.childrenscapitalofculture.co.uk/homepage/70/plug-in-and-play

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming

  20. Step into a retro-futuristic playground where video game consoles and home computers from the 1980s are turned into real-time instruments! ⌨🎶

    In this unique jam session, take control of Commodore 64s, Amiga 1200s, Game Boys, Famicoms, NES consoles and more… 🤯

    Part performance, part workshop, this is a chance to discover how the bleeps and bloops of early gaming can become beats, melodies and rhythms.

    No musical training required — just curiosity, creativity and a love of play!

    📍 All Saints Square
    📅 Friday 31st October
    ⏰ 10am - 4pm
    🎟 FREE

    To find out more and to sign up, please head to Children's Capital of Culture's website: www.childrenscapitalofculture.co.uk/homepage/70/plug-in-and-play

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming

  21. Step into a retro-futuristic playground where video game consoles and home computers from the 1980s are turned into real-time instruments! ⌨🎶

    In this unique jam session, take control of Commodore 64s, Amiga 1200s, Game Boys, Famicoms, NES consoles and more… 🤯

    Part performance, part workshop, this is a chance to discover how the bleeps and bloops of early gaming can become beats, melodies and rhythms.

    No musical training required — just curiosity, creativity and a love of play!

    📍 All Saints Square
    📅 Friday 31st October
    ⏰ 10am - 4pm
    🎟 FREE

    To find out more and to sign up, please head to Children's Capital of Culture's website: www.childrenscapitalofculture.co.uk/homepage/70/plug-in-and-play

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming

  22. Step into a retro-futuristic playground where video game consoles and home computers from the 1980s are turned into real-time instruments! ⌨🎶

    In this unique jam session, take control of Commodore 64s, Amiga 1200s, Game Boys, Famicoms, NES consoles and more… 🤯

    Part performance, part workshop, this is a chance to discover how the bleeps and bloops of early gaming can become beats, melodies and rhythms.

    No musical training required — just curiosity, creativity and a love of play!

    📍 All Saints Square
    📅 Friday 31st October
    ⏰ 10am - 4pm
    🎟 FREE

    To find out more and to sign up, please head to Children's Capital of Culture's website: www.childrenscapitalofculture.co.uk/homepage/70/plug-in-and-play

    #ccoc #childrenscapitalofculture #ccocfestivalyear #nationalvideogamemuseum #nvm #pluginandplay #PIAP #pluginandplay2025 #rotherham #rotherhamgames #rotherhamgaming #8bitjam #retrogaming

  23. 𝗡𝗩𝗠: 𝘄𝗼𝗻𝗶𝗻𝗴𝗺𝗮𝗿𝗸𝘁 𝗸𝗼𝗺𝘁 𝘁𝗼𝘁 𝗿𝘂𝘀𝘁 𝗱𝗼𝗼𝗿 𝗿𝘂𝗶𝗺𝗲𝗿 𝗮𝗮𝗻𝗯𝗼𝗱 𝗸𝗼𝗼𝗽𝗵𝘂𝗶𝘇𝗲𝗻

    De woningmarkt breekt opnieuw records, maar dan wel iets meer in het voordeel van mensen die op zoek zijn naar een woning. Het aantal te koop staande huizen is gegroeid naar 52.000. Sinds 2008 stonden er niet zoveel woningen te koop. Dat zorgt, eindelijk, voor neerwaartse druk op de prijzen.

    rtl.nl/nieuws/economie/artikel

    #NVM #woningmarkt #ruimeraanbod

  24. Scottish Games Network Founder Joins National Videogame Museum As New Trustee

    The National Videogame Museum (NVM) has announced a roster of new Trustees joining the Board of its governing charity, The British Games Institute (BGI), including Brian Baglow – the founder of the Scottish Games Network and Scottish Games Week.

    With a dynamic blend of cross-sector expertise, the appointments come at a pivotal moment for the charity as it accelerates its evolution as a museum and shifts focus towards greater national impact.

    The new appointments represent experts from culture, visitor attractions, videogames, fundraising, and marketing. The influx of new Trustees will join the Board in two phases as previous tenures end. These strategic additions will bolster the Museum’s governance while helping the NVM meet its ambitious goals for the future.

    Under the leadership of Co-CEOs Cat Powell and John O’Shea since 2022, the NVM has done significant work consolidating the collection, developing exhibitions and enriching experience for audiences and researchers and, this spring, the Charity is on track to submit for Arts Council England’s National Museum Accreditation.

    As the UK’s only museum dedicated to the history, social and cultural impact of videogames, the NVM is positioned at the forefront of preserving the Nation’s videogames heritage. With a mission statement asserting that videogames are for everyone, the Museum continues to evolve, ensuring gaming culture and its preservation is relevant and accessible to all.

    New Trustees Announced:

    Beginning in March 2025, the NVM will welcome the first phase of new trustees:

    With extensive experience in game development, cultural institutions, brand management and technological innovation, these trustees will play a key role in guiding the Museum as it expands its National profile and strengthens how its mission to highlight videogames culture, interfaces with audiences and the wider sector.

    The next phase of appointments will follow in November 2025:

    Their expertise from leading and working with companies in the games industry and sector across the UK and Europe will ensure the Museum’s continued relevance and its ability to build strategic plans that shape the future of videogames preservation and education.

    The new Board of the National Videogame Museum, based in Sheffield, will celebrate the Museum’s presence in the North and enhance the understanding of its communities and their needs while bringing a national profile to the Charity’s innovative work.

    Claire Boissiere, Chair of the Board of Trustees at the NVM, said:

    We are honoured to welcome our new Trustees to the Board. Their extensive experience will be invaluable as we embark on an exciting new chapter in the National Videogame Museum’s journey, expanding our national presence and advancing our mission. We are excited to see how their ideas and insights will help shape our future.

    We also want to share our heartfelt thanks to the Trustees stepping down at this time. Their dedication, guidance, and leadership have played a huge role in shaping the Museum’s success. Their impact will continue to inspire us, and we are deeply grateful for the time, energy, and passion they have given to the Museum.

    Brian Baglow, said:

    I am delighted and honoured to become a trustee of the British Games Institute and the National Videogame museum alongside such an incredible range of experts, leaders and innovators.

    The NVM is a phenomenal asset in the UK’s cultural appreciation of games. Its work in preserving and providing access to games is invaluable and I believe it can play an even greater role in the the appreciation of the growing cultural and social impact of games beyond the consumer market.

    I’m looking forward to helping the organisation grow, thrive and play a major role in the ongoing evolution of the games ecosystem across the whole of the United Kingdom.”

    #BGI #BritishGameInstitute #games #NationalVideogameMuseum #NVM #Sheffield #Trustees #uk

  25. Anyway, this was somehow due to #Node.js being upgraded or something like that - which taught me to pin/recommend a specific node version on my projects. Not really the type of thing I've encountered with #Python before to think about it too much.

    This also taught me, perhaps the importance of installing an LTS version of Node. This also led me to discover
    #nvm, which is a super neat way of managing multiple Node.js versions on a single system.

    I've documented in my Wiki how I set nvm up.

    🔗 https://github.com/irfanhakim-as/linux-wiki/blob/master/topics/nodejs.md

    RE:
    https://sakurajima.social/notes/a47ygtfrtd

  26. People joke about installing Python environments (xkcd.com/1987/), but I'm looking at #Typescript and... am I misunderstanding, but `sudo apt install npm` (on #Ubuntu2204) gives me a #node version (12.22) that isn't compatible with installing the typescript package (EBADENGINE required: node >=14.17). So I should install latest node using #nvm, which installs via curl of a script which git clones its own repo to my ~/.npm, does this sounds right so far? #newb #seekingAdvice

  27. People joke about installing Python environments (xkcd.com/1987/), but I'm looking at and... am I misunderstanding, but `sudo apt install npm` (on ) gives me a version (12.22) that isn't compatible with installing the typescript package (EBADENGINE required: node >=14.17). So I should install latest node using , which installs via curl of a script which git clones its own repo to my ~/.npm, does this sounds right so far?

  28. People joke about installing Python environments (xkcd.com/1987/), but I'm looking at #Typescript and... am I misunderstanding, but `sudo apt install npm` (on #Ubuntu2204) gives me a #node version (12.22) that isn't compatible with installing the typescript package (EBADENGINE required: node >=14.17). So I should install latest node using #nvm, which installs via curl of a script which git clones its own repo to my ~/.npm, does this sounds right so far? #newb #seekingAdvice

  29. People joke about installing Python environments (xkcd.com/1987/), but I'm looking at #Typescript and... am I misunderstanding, but `sudo apt install npm` (on #Ubuntu2204) gives me a #node version (12.22) that isn't compatible with installing the typescript package (EBADENGINE required: node >=14.17). So I should install latest node using #nvm, which installs via curl of a script which git clones its own repo to my ~/.npm, does this sounds right so far? #newb #seekingAdvice

  30. People joke about installing Python environments (xkcd.com/1987/), but I'm looking at #Typescript and... am I misunderstanding, but `sudo apt install npm` (on #Ubuntu2204) gives me a #node version (12.22) that isn't compatible with installing the typescript package (EBADENGINE required: node >=14.17). So I should install latest node using #nvm, which installs via curl of a script which git clones its own repo to my ~/.npm, does this sounds right so far? #newb #seekingAdvice

  31. After programming a good 2 months in #python finally found the tool #poetry which is quite similar to how #nodejs bundles libraries into a directory either locally or globally in the cache directory.

    I have tried the other tools from #pyenv to #venv and/or #virtualenv. Where I thought they were used to deal with library dependency management only to realize that they are more like #nvm.

    I did use #conda for some time, though preferred a python only solution. I do realize that poetry won't resolve all issues and might need to look into to containerization later on, though for the time period it looks like a good solution.

  32. Soso, zur Einführung hat der neue Verkehrsverbund in Unterfranken (#NVM) nun ein bis September befristetes verbundweites Tagesticket im Angebot. Für 9€ ein ziemlich guter Deal.

    Vorschlag: Nehmt den Preis mal zwei, verstetigt das für den gesamten Verbund und reduziert eure ~470 Tarifzonen auf sieben: eine pro Landkreis.

    Führt dann noch ein Tagesticket für 8€ innerhalb der jeweiligen Zone ein und es bestünde die Gefahr eines verständlichen Tarifsystems, das die Leute auch nutzen wollen.

  33. Sehe ich das richtig, dass der zum ersten Januar gestartete Verkehrsvehrsbund #NVM#Nahverkehr Mainfranken – mit rund 470 (VIERHUNDERTSIEBZIG!!!) einzelnen Tarifzonen daher kommt?!?

    Habt ihr sie nicht mehr alle?!? Das ist rund das Dreifache der Zonen die z.B. der HVV hat und auch das ist viel zu viel!

    Nur die Städte Schweinfurt und Würzburg machen es richtig: 1 Zone + Kurzstreckentickets! #öpnv

  34. Using to manage versions for your projects? With Flox you can manage Node.js version along with all of your other dependencies (PostreSQL, Python, Rust, etc) with one tool.

    🛠️ Learn more: flox.dev/docs/tutorials/migrat

  35. It's been a while since I hated something as much as I hate the whole mess of #nvm, #node, #yarn and all the crap that comes with it.
  36. Usando o Mastodon com a versão mais recente do NVM
    @[email protected]

    Se você usa o NVM para gerenciar a versão do NodeJS em sua instalação do Mastodon (não-Docker), deve achar um saco ficar editando arquivo de serviço a cada versão nova.

    Mas há uma solução mais prática e automática:

    1) Edite seu arquivo `[email protected]`
    2) Inclua a seguinte linha:

    `Environment="NODE_VERSION=node"`

    3) Substitua a linha `ExecStart` por:

    `ExecStart=/home/mastodon/.nvm/nvm-exec node ./streaming`

    4) Salve, execute `systemctl daemon-reload` e reinicie o serviço `mastodon-streaming@*`

    Deixando `node` em `NODE_VERSION` vai usar a versão configurada como padrão na sua instalação do NVM.

    Sempre que atualizar a versão do NodeJS pelo NVM, basta reiniciar o serviço `mastodon-streaming@*` para começar a usá-la.

    PS.: o Lemmy adicionou uma barra invertida onde não devia, como antes de underline e asterisco. Veja o post original para não quebrar sua instalação.

    @[email protected]

    #MastoAdmin #MastoDicas #NVM #NodeJS #Mastodon #FediAdminBR

  37. Usando o Mastodon com a versão mais recente do NVM
    @[email protected]

    Se você usa o NVM para gerenciar a versão do NodeJS em sua instalação do Mastodon (não-Docker), deve achar um saco ficar editando arquivo de serviço a cada versão nova.

    Mas há uma solução mais prática e automática:

    1) Edite seu arquivo `[email protected]`
    2) Inclua a seguinte linha:

    `Environment="NODE_VERSION=node"`

    3) Substitua a linha `ExecStart` por:

    `ExecStart=/home/mastodon/.nvm/nvm-exec node ./streaming`

    4) Salve, execute `systemctl daemon-reload` e reinicie o serviço `mastodon-streaming@*`

    Deixando `node` em `NODE_VERSION` vai usar a versão configurada como padrão na sua instalação do NVM.

    Sempre que atualizar a versão do NodeJS pelo NVM, basta reiniciar o serviço `mastodon-streaming@*` para começar a usá-la.

    PS.: o Lemmy adicionou uma barra invertida onde não devia, como antes de underline e asterisco. Veja o post original para não quebrar sua instalação.

    @[email protected]

    #MastoAdmin #MastoDicas #NVM #NodeJS #Mastodon #FediAdminBR

  38. Usando o Mastodon com a versão mais recente do NVM
    @[email protected]

    Se você usa o NVM para gerenciar a versão do NodeJS em sua instalação do Mastodon (não-Docker), deve achar um saco ficar editando arquivo de serviço a cada versão nova.

    Mas há uma solução mais prática e automática:

    1) Edite seu arquivo `[email protected]`
    2) Inclua a seguinte linha:

    `Environment="NODE_VERSION=node"`

    3) Substitua a linha `ExecStart` por:

    `ExecStart=/home/mastodon/.nvm/nvm-exec node ./streaming`

    4) Salve, execute `systemctl daemon-reload` e reinicie o serviço `mastodon-streaming@*`

    Deixando `node` em `NODE_VERSION` vai usar a versão configurada como padrão na sua instalação do NVM.

    Sempre que atualizar a versão do NodeJS pelo NVM, basta reiniciar o serviço `mastodon-streaming@*` para começar a usá-la.

    PS.: o Lemmy adicionou uma barra invertida onde não devia, como antes de underline e asterisco. Veja o post original para não quebrar sua instalação.

    @[email protected]

    #MastoAdmin #MastoDicas #NVM #NodeJS #Mastodon #FediAdminBR

  39. Usando o Mastodon com a versão mais recente do NVM
    @[email protected]

    Se você usa o NVM para gerenciar a versão do NodeJS em sua instalação do Mastodon (não-Docker), deve achar um saco ficar editando arquivo de serviço a cada versão nova.

    Mas há uma solução mais prática e automática:

    1) Edite seu arquivo `[email protected]`
    2) Inclua a seguinte linha:

    `Environment="NODE_VERSION=node"`

    3) Substitua a linha `ExecStart` por:

    `ExecStart=/home/mastodon/.nvm/nvm-exec node ./streaming`

    4) Salve, execute `systemctl daemon-reload` e reinicie o serviço `mastodon-streaming@*`

    Deixando `node` em `NODE_VERSION` vai usar a versão configurada como padrão na sua instalação do NVM.

    Sempre que atualizar a versão do NodeJS pelo NVM, basta reiniciar o serviço `mastodon-streaming@*` para começar a usá-la.

    PS.: o Lemmy adicionou uma barra invertida onde não devia, como antes de underline e asterisco. Veja o post original para não quebrar sua instalação.

    @[email protected]

    #MastoAdmin #MastoDicas #NVM #NodeJS #Mastodon #FediAdminBR

  40. Usando o Mastodon com a versão mais recente do NVM
    @[email protected]

    Se você usa o NVM para gerenciar a versão do NodeJS em sua instalação do Mastodon (não-Docker), deve achar um saco ficar editando arquivo de serviço a cada versão nova.

    Mas há uma solução mais prática e automática:

    1) Edite seu arquivo `[email protected]`
    2) Inclua a seguinte linha:

    `Environment="NODE_VERSION=node"`

    3) Substitua a linha `ExecStart` por:

    `ExecStart=/home/mastodon/.nvm/nvm-exec node ./streaming`

    4) Salve, execute `systemctl daemon-reload` e reinicie o serviço `mastodon-streaming@*`

    Deixando `node` em `NODE_VERSION` vai usar a versão configurada como padrão na sua instalação do NVM.

    Sempre que atualizar a versão do NodeJS pelo NVM, basta reiniciar o serviço `mastodon-streaming@*` para começar a usá-la.

    PS.: o Lemmy adicionou uma barra invertida onde não devia, como antes de underline e asterisco. Veja o post original para não quebrar sua instalação.

    @[email protected]

    #MastoAdmin #MastoDicas #NVM #NodeJS #Mastodon #FediAdminBR