#nukem — Public Fediverse posts

Since opining on thrash metal’s 2026 resurgence in Nukem’s The Grave Remains review, a steady stream of thrash clans have continued to trickle into the promo sump. Next up is Vancouver power trio W.M.D.,1 short for When Minds Develop. Formed in 2015, W.M.D. unleashed debut Lethal Revenge in 2018 before losing all but one of their founding members—guitarist and vocalist Skyler Mills. After recruiting bassist Jon Power and drummer Ryan Idris in 2023, this wrecking crew set to write and record their sophomore opus Against All Warnings. Eight years is a long time between albums, and turning over nearly the entire band can radically shift its dynamics. Has W.M.D. cleared these hurdles and incubated weapons of thrash destruction, or do they deliver a new album Against All Warnings?

W.M.D. plays thrash the way the old school intended—breakneck and direct. Against All Warnings mostly reminds me of East Coast acts, specifically Overkill and Anthrax, due to the in-your-face attitude, low-frills precision, and spirited bass spunk. Although these benchmarks are most immediate, subtler influences surface by way of Megadethian technicality and razor-sharp riffing à la classic Exodus. I’d also be remiss not to mention Hyperia, which currently features Mills and Power while hosting Idris as their live drummer. Regardless, W.M.D. absorbs the thrash that came before and forges it into a sound all their own—and it rips.

Taking crossover’s blistering speeds and supercharging them with riveting performances, Against All Warnings rams oodles of riffs, grooves, and rolls into forty engrossing minutes. I’m a sucker for bass presence, and W.M.D. packs enough beef to induce a weeklong case of the meat sweats. Jon Power discharges his burly low-end throughout Against All Warnings, bouncing and clanging with the vim and vigor of Verni or DiGiorgio (“Kleptomania,” “The Thin Red Line”). Idris rounds out the rhythm section, nimbly whipsawing across the kit as he maneuvers through full-throttle barrages (“Against All Warnings,” “Painful Vengeance”), half-time chugs (“The Thin Red Line,” “Already Dead”), and herky-jerky stutter stops (“Post Human Predator”). Mills takes on the rest, laying down barbed hooks (“The Black Expanse”) and snotty vocals that recall Lich King and Havok. As the cherry on top, guests Casey Trask (“Post Human Predator,” “Painful Vengeance”) and Kai Sakaguchi (“Against All Warnings”) contribute scorching solos, ensuring there’s never a dearth of pyrotechnics. In all, there’s no weak link in the chain, and Against All Warnings bristles with thrashy vitality.

Nearly as impressive as W.M.D.’s onslaught is their elusion of critical flaws. Against All Warnings sidesteps major pitfalls as W.M.D. navigates the treacherous channels of thrash, dancing along the knife’s edge between the genre’s primary criticisms: unoriginal and retreaded compositions and unserious stylings. Rather, the trio plays infectiously vibrant metal with utter conviction, and I’m here for every second of it. This doesn’t mean the album is perfect, however, and some fine-tuning would elevate Against All Warnings even higher. First, penultimate track “Already Dead” lingers at the end, which would be more palatable if it were the finale. Instead, after a slightly prolonged fade of thunder, we’re given “Painful Vengeance.” Switching the order of these tracks or pushing “Painful Vengeance” even earlier would work better. Also, while the production is warm and organic, the album plays a little too quietly. It’s not an issue if I’m only listening to Against All Warnings, but its songs are noticeably muted when thrown into a playlist with other material. Still, these complaints prove minor quibbles compared to the indisputable boom W.M.D. unleashes.

Thrash detractors may not be convinced by Against All Warnings, but they should be. It’s impossible to deny the energy and conviction coursing through W.M.D.’s balls-out blitz, where relentless speeds, head-banging hooks, and rousing choruses embody W.M.D.’s full-tilt bonanza. Against All Warnings ensconces itself as the best thrash album I’ve heard so far in 2026,2 and sets a high bar for the rest of the year. Somebody ought to sign these Canucks, because they’re peddling a potent brew that’s guaranteed to please, Warnings be damned.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: Bandcamp | Facebook
Releases Worldwide: June 5th, 2026

Thrash—my first love. Before I worshipped at the altars of black and death, my masters cloaked themselves in denim and set my soul on fire with aggressive speed, snotty rebellion, and fist-pumping anthems. Like 2016, the godfathers of thrash have already made the last twelve months a resurgence of the old school, with varying degrees of success.1 Newer acts have also made a splash, with Cryptic Shift and Zerre wickedly pummeling our poor score counter into requesting early retirement.2 2026 at large betrays no signs of relenting, and thankfully, neither does thrash. Ten years after dropping their 2016 debut, The Unholy Trinity, California’s Nukem reemerges with sophomore effort The Grave Remains. After such a long incubation period, does Nukem prove that they have what it takes to claw out from the grave?

Despite forming in 2012, Nukem oozes classic thrash spunk by blurring Bay Area melody with East Coast attitude and gang vocals. Death Angel, Nuclear Assault, and Overkill3 influences punctuate The Grave Remains’ twelve tracks, although flashes of a dozen other bands course through Nukem’s veins. Guitarist/vocalist Steve Brogden’s snarls remind me of Warbringer’s John Kevill mixed with a more pissed-off Mark Osegueda, delivering serrated crossover barks with conviction. Rob Cavestany even makes a guest appearance on “Into the Kill Zone,” cementing the Death Angel frame of reference. Exodus staples Gary Holt and Lee Altus also sling some riffs on “Empress of Evil” and “Don’t Believe a Word” respectively, the latter of which is a Thin Lizzy cover. In total, Nukem blends a multitude of inspirations into a confluence of so many thrash wellsprings that they precipitate a voice at once familiar and distinct.

The Grave Remains by Nukem

Nukem plays infectiously fun thrash that overflows with shout-along choruses and a bass tone so plump and meaty that it quickly became my favorite aspect of The Grave Remains. Brogden’s guitars flit, chug, and cajole throughout the forty-nine minutes, yet bassist Don Lauder steals the spotlight time and again. From the slinky rumble in “Unconditional Surrender” to the coquettish interplay in “Empress of Evil,” Lauder’s bass bounces and parades with low-end jubilance. “Torture, Murder, Mutilate!” and “Random Acts of Violence” further emphasize the bass while showcasing Nukem’s six-string attack, with Xander Gambini augmenting Brogden’s core. Additionally, ex-Nukem axe-wielder (and current Dark Angel guitarist) Laura Christine joins her former bandmates and Gary Holt on “Empress of Evil,” while “Random Acts of Violence” includes an appearance from Russ Tippins (Satan and Tanith). Drummer Norm Leggio rounds out the rhythm section, ably pounding out rolls, fills, and tight rhythms in support of Nukem’s well-crafted performances.

Nukem executes thrash with the eager verve of a hungry up-and-comer, but a couple of missteps limit The Grave Remains’ ceiling. While the riffs are fine when experienced in isolation, as a whole, they often lack the hooks or memorability to distinguish themselves from one another. The Grave Remains shines brightest during bass performances and rousing choruses, but those two alone can’t support an entire thrash album. This issue wouldn’t be as glaring if the track lengths were shaved down, but as-is, only two songs (besides needless instrumentals) stay under the four-minute mark, and one of those is a cover. Repeat spins reinforce the opportunity to trim thirty to sixty seconds off several tracks, which would help punch up The Grave Remains and leave listeners craving MOAR. On a positive note, the production glows with a well-balanced mix that supplies ample room for each instrument, and Nukem’s earnest embrace of head-banging gusto guarantees I’m never having a bad time.

Ultimately, Nukem offers a classic thrash platter with a few blemishes I can see, yet easily look past. The Grave Remains won’t change the landscape of the genre, but fans will find plenty to enjoy, and despite the melting pot of references, Nukem manages to claim their spot within thrash’s wing of the metalsphere. Songs like “Unconditional Surrender” and “Curse of the Devil’s Bible” are welcome earworms that have found homes in my playlists, and I look forward to the next time Nukem asks us to come get some.

Rating: Good
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: April 10th, 2026

Aus Gründen möchte ich erinnern:

Die Grünen hatten in Hessen den ersten „Atom-Minister“ (ein gewisser Joseph Fischer, die älteren erinnern sich😉) und waren für die AKW-Abschaltung lange bevor sie kam.

War das „Mittragen von Atomkraft“?

Die KOA zerbrach an der #Nukem-Krise; Grüns ließen sie platzen.

CDU-„Kärcher“-Wallmann kam.

Ob das den Atomausstieg befördert hat oder verlangsamt, wird sich diskutieren lassen.

Bundesarchiv, B 145 Bild-F065084-0014 / Schaack, Lothar / CC-BY-SA 3.0

Was die #AfD verschweigt: Der Dienstleister ist #NUKEM. Der war mal im Besitz von #RWE, gehörte aber einige Zeit #ROSATOM und damit dem russischen Staat. So schließt sich wieder der Kreis von der AfD nach #Moskau und #Putin. Alle Betreiber sagen nein! #noAfD #AfDnee

#Atomkraft-Revival? Wie mit Desinformation versucht wird, ein totes Pferd weiterzureiten - russische Propaganda - BILD und die #Atomlobby - Politiker von #Union und #AfD machen sich lächerlich - https://www.cleanthinking.de/atomkraft-revival-desinformation-totes-pferd/ #atomausstieg #nukem #atomenergie #energiewende

Wer ist Nukem?

#Nukem kümmert sich um das Management von radioaktiven Abfällen und abgebrannten Brennelementen sowie um die Stilllegung von nuklearen Einrichtungen. Das Unternehmen war lange eine Tochter der russischen Atomenergiebehörde Rosatom, im Juli 2024 übernahm die Firma ein japanischer IT-Dienstleister.

Der Nuklear-Dienstleister #Nukem sieht realistische Chancen, einige der abgeschalteten deutschen #Kernkraftwerke wieder in Betrieb zu nehmen.
Der Geschäftsführer des Unternehmens, Seipolt, sagte der „Bild"-Zeitung, die sechs #Atomkraftwerke, die zuletzt vom Netz gegangen seien, könnten bis 2030 wieder hochgefahren werden.

https://www.deutschlandfunk.de/nuklear-dienstleister-nukem-deutsche-atomkraftwerke-koennten-2030-wieder-strom-liefern-100.html

DUKE NUKEM: PLANET OF THE BABES
3D Realms Entertainment
Playstation
2000
#PlayStation #3drealms #Sony #Duke #Nukem #gaming #00s #retro #retrogames #retrogaming

#DukeNukem as an #1980s #Action #BMovie

Duke Quotes:
"Your ass is grass, and I've got the weed whacker."

"My boot, your face; the perfect couple."

"I’m an equal opportunity ass kicker."

https://www.youtube.com/watch?v=X0jw19vEGOc&ab_channel=Brogio__

#ActionMovie #Movie #Nukem #Retro #RetroGaming #Gaming #RetroComputing #ComputerGame #ComputerGames #HomeComputer #HomeComputers #HomeComputing #DOS #DOSGames #DOSGaming

#TheMetalDogArticleList
#MetalInjection
#DEATHTOALL Announces North American Tour With #SUFFOCATION & #NUKEM
Chuck's music rides again!

https://metalinjection.net/tour-dates/death-to-all-announces-north-american-tour-with-suffocation-nukem

#Death tribute
#GeneHoglan #SteveDiGiorgio #BobbyKoelble #MaxPhelps

↕️Jetzt noch mal für alle:
🇷🇺#Russland
🇷🇺#Rosatom
🇷🇺🇩🇪#NUKEM
🇷🇺🇩🇪#KernD #Lobby
🇩🇪#Laufzeitverlängerung
🇩🇪Altmeiler wiederanfahren
#Brennstäbe kaufen
#Atomsanktionen aussitzen

In Bayern, Alzenau, sitzt die 🇷🇺#Rosatom-Tochter #NUKEM mit dem Geschäftsführer-Duo 🇩🇪T. Seipolt & 🇷🇺S.Molodtsov.
Seipolt ist zudem Vorstandschef vom #Lobby-Verband 'Kerntechnik Deutschland e.V.', der sich für #Laufzeitverlängerung starkmacht.
https://www.klimareporter.de/advertorials/russische-atomlobby-mit-direktem-draht-zur-deutschen

#CDU/#CSU machen sich die Forderungen der #Atomkraft-Lobby zu eigen: Wiederanfahren stillgelegter #AKW, neue Brennstäbe kaufen

Das ist umso bemerkenswerter, da der Cheflobbyist von #KernD e.V. - vormals 🇩🇪#Atomforum-
zugleich 🇩🇪Geschäftsführer der🇷🇺#ROSATOM-Tochter #NUKEM ist

https://www.rnd.de/politik/atomkraft-union-fordert-rueckkehr-in-zehn-punkte-plan-AXSIZR3OOZBMLDLTL5NNRAS4VU.html Union fordert Rückkehr zur Atomkraft

Gnukem: 1Game/1Week on OpenBSD

https://videos.pair2jeux.tube/w/mpcRYG7LaJAomaA59XdvPx