#gypsyjazz — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #gypsyjazz, aggregated by home.social.
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Today's music:
Baba Yaga - Oy Mame
#folk #GypsyJazz #klezmer #austria #music #np #NowPlaying #MastoMusic
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#TuneTuesday
#GuitarsAndStrings 🎻 🎸 🎶Django Reinhardt & Stéphane GRAPPELLI - Minor Swing
#music #jazz #jazzmanouche #GypsyJazz #Swing #DjangoReinhardt
https://www.youtube.com/watch?v=gcE1avXFJb4&list=RDgcE1avXFJb4&start_radio=1
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Quand j’ai écouté Pastorius pour la première fois, en 82, chez un disquaire londonien, j’ai pris une claque dans la figure. Je jouais un peu de basse, mais là je me suis dit : « Aïe, aïe, aïe ! » Alors j’ai acheté une Fender, mais il aurait fallu que je recommence mon apprentissage depuis le début… c’était un peu trop tard.
#JazzManouche
#Guitar #JazzGuitar #GypsyJazz
#JazzFusion #socialmedia #musichttps://www.youtube.com/watch?v=o63YZk3d26Y
https://www.youtube.com/watch?v=vRXr9Ru1KFE&list=RDjPzE-lymPcw&index=12
https://www.youtube.com/watch?v=FmzQw5277bc&list=RDjPzE-lymPcw&index=15
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#DjangoReinhardt (1910-1953)
Un gagnant est un rêveur qui n'abandonne jamais.
#StéphaneGrappelli #JazzManouche #GypsyJazz
#SwingManouche #HotClubDeFrance
#Guitar #GypsySwing #Jazz #Music #Socialmediahttps://www.youtube.com/watch?v=rG9vbKcWDE0&list=RDrG9vbKcWDE0&start_radio=1
https://www.youtube.com/watch?v=dk1J3H9he9s
https://www.youtube.com/watch?v=45A3oa-PWW4
https://www.youtube.com/watch?v=E_sshOaBqnM&list=RD45A3oa-PWW4&index=15
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Django Reinhardt - Minor Swing ☺️
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FiddleBop's new lineup plays “Gypsy jazz plus” at the Foundry (8 Bell Lane, Brecon, Powys LD3 9EE, Wales, UK) from 7.30 pm on Weds 17 Sep 2025). That's on violin, Spanish guitar, fretless bass, and percussion, with four voices in harmony. And it's free entry 😃
Expect Gypsy-flavoured jazz drawn from all of the genre’s century-long history, plus jazz-flavoured classic pop, folk-jazz, and the band’s own creations.
See you there?
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FiddleBop's new lineup plays “Gypsy jazz plus” at the Foundry (8 Bell Lane, Brecon, Powys LD3 9EE, Wales, UK) from 7.30 pm on Weds 17 Sep 2025). That's on violin, Spanish guitar, fretless bass, and percussion, with four voices in harmony. And it's free entry 😃
Expect Gypsy-flavoured jazz drawn from all of the genre’s century-long history, plus jazz-flavoured classic pop, folk-jazz, and the band’s own creations.
See you there?
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FiddleBop's new lineup plays “Gypsy jazz plus” at the Foundry (8 Bell Lane, Brecon, Powys LD3 9EE, Wales, UK) from 7.30 pm on Weds 17 Sep 2025). That's on violin, Spanish guitar, fretless bass, and percussion, with four voices in harmony. And it's free entry 😃
Expect Gypsy-flavoured jazz drawn from all of the genre’s century-long history, plus jazz-flavoured classic pop, folk-jazz, and the band’s own creations.
See you there?
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FiddleBop's new lineup plays “Gypsy jazz plus” at the Foundry (8 Bell Lane, Brecon, Powys LD3 9EE, Wales, UK) from 7.30 pm on Weds 17 Sep 2025). That's on violin, Spanish guitar, fretless bass, and percussion, with four voices in harmony. And it's free entry 😃
Expect Gypsy-flavoured jazz drawn from all of the genre’s century-long history, plus jazz-flavoured classic pop, folk-jazz, and the band’s own creations.
See you there?
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FiddleBop's new lineup plays “Gypsy jazz plus” at the Foundry (8 Bell Lane, Brecon, Powys LD3 9EE, Wales, UK) from 7.30 pm on Weds 17 Sep 2025). That's on violin, Spanish guitar, fretless bass, and percussion, with four voices in harmony. And it's free entry 😃
Expect Gypsy-flavoured jazz drawn from all of the genre’s century-long history, plus jazz-flavoured classic pop, folk-jazz, and the band’s own creations.
See you there?
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FiddleBop play "Gypsy Jazz plus" at HowTheLightGetsIn Festival, Hay-on-Wye, Hereford HR3 5BZ, UK) from 7 pm on Sun 25 May 2025! On violin, Spanish guitar, keyboard, fretless bass, and with four voices in harmony 😃 https://howthelightgetsin.org/festivals/hay/festival-passes #fiddlebop #howthelightgetsin #gypsyjazz #jazz
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FiddleBop play "Gypsy Jazz plus" at the Apple Tree (Onibury, Shropshire SY7 9AW, UK) from 7 pm on Fri 23 May 2025! That's on violin, Spanish guitar, keyboard, fretless bass, and with four voices in harmony. And it's free admission 😃 #fiddlebop #appletreeonibury #gypsyjazz #jazz #livemusic
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FiddleBop play "Gypsy Jazz plus" at Geshmak Bistro (6 Clive Street, Caerphilly CF83 1GE, Wales, UK) from 7.30 pm on Sat 10 May 2025! That's on violin, Spanish guitar, keyboard, fretless bass, and with four voices in harmony. Only £10 admission 😃 #fiddlebop #geshmakbistro #gypsyjazz #jazz #livemusic
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FiddleBop play "Gypsy Jazz plus" at the Foundry (8 Bell Lane, Brecon, Powys LD3 9EE, Wales, UK) from 7.30 pm Weds 23 Apr 2025 on violin, Spanish guitar, keyboard, and fretless bass; we sing too. And it's free entry! #fiddlebop #thefoundrybrecon #gypsyjazz #jazz #livemusic
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FiddleBop play "Gypsy Jazz plus" at the Old Street Tavern (4 Old Street, Ludlow, Shropshire SY8 1NP, UK) from 8 pm Fri 11 Apr 2025 on violin, Spanish guitar, keyboard, and fretless bass; we sing too. And it's free entry! #fiddlebop #thegeorgeatbrailes #gypsyjazz #jazz #livemusic
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FiddleBop play "Gypsy Jazz plus" at the George Inn, Brailes (1 High Street, Lower Brailes, Warwicks OX15 5HN, UK) from 7 pm Sat 15 Mar 2025 on violin, Spanish guitar, keyboard and fretless bass; we sing too. And it's free entry! #fiddlebop #thegeorgeatbrailes #gypsyjazz #jazz #livemusic
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My research on the German #Gypsies sent me back to #Django Reinhardt, the Three Fingered Lightning, who lost two fingers on his left hand, but was able to play his guitar at lightning speed.
I first listened to his #GypsyJazz back in the 80s when I was subscribed to the Columbia House. My favorite was Minor Swing.
It is a shame I who have five fingers suck at playing #guitar. I eventually switch to #ukulele which is much easier. But I still suck at it. 😂
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#NowPlaying: #AlineHomzy's Étoile Magique - Éclipse Sometimes like a modern take on #GypsyJazz #JazzViolin but then you get a little quote from #MahavishnuOrchestra! #jazz https://alinehomzy.bandcamp.com/album/clipse-elastic-recordings
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Listening for Cultural Clues in Jazz Manouche
Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.
https://link.springer.com/chapter/10.1007/978-3-031-09659-4_40
#Jazz #Manouche #pedagogy #Culturalmarker
#jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment -
Listening for Cultural Clues in Jazz Manouche
Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.
https://link.springer.com/chapter/10.1007/978-3-031-09659-4_40
#Jazz #Manouche #pedagogy #Culturalmarker
#jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment -
Listening for Cultural Clues in Jazz Manouche
Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.
https://link.springer.com/chapter/10.1007/978-3-031-09659-4_40
#Jazz #Manouche #pedagogy #Culturalmarker
#jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment -
Listening for Cultural Clues in Jazz Manouche
Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.
https://link.springer.com/chapter/10.1007/978-3-031-09659-4_40
#Jazz #Manouche #pedagogy #Culturalmarker
#jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment -
Listening for Cultural Clues in Jazz Manouche
Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.
https://link.springer.com/chapter/10.1007/978-3-031-09659-4_40
#Jazz #Manouche #pedagogy #Culturalmarker
#jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment -
#DjangoReinhardt - Cavalerie (1937, recorded 1943)
#Jazz #GypsyJazz #Bebop #RomaniMusic #Romani #French
#WeAreTheRadio #TootRadio #PouetRadio #Music #Musik #Musique #Musica
