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#manouche — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #manouche, aggregated by home.social.

  1. #Sanseverino qui attrape un trombone pendant les solos pour jouer n'importe quoi et n'importe comment et qui termine sur La Danse des canards au milieu d'un concert filmé 😭

    La Maison sur le port
    youtube.com/watch?v=0XxZX_AJvk

    #Clown #Musique #Manouche #Fado

  2. #Sanseverino qui attrape un trombone pendant les solos pour jouer n'importe quoi et n'importe comment et qui termine sur La Danse des canards au milieu d'un concert filmé 😭

    La Maison sur le port
    youtube.com/watch?v=0XxZX_AJvk

    #Clown #Musique #Manouche #Fado

  3. #Sanseverino qui attrape un trombone pendant les solos pour jouer n'importe quoi et n'importe comment et qui termine sur La Danse des canards au milieu d'un concert filmé 😭

    La Maison sur le port
    youtube.com/watch?v=0XxZX_AJvk

    #Clown #Musique #Manouche #Fado

  4. #Sanseverino qui attrape un trombone pendant les solos pour jouer n'importe quoi et n'importe comment et qui termine sur La Danse des canards au milieu d'un concert filmé 😭

    La Maison sur le port
    youtube.com/watch?v=0XxZX_AJvk

    #Clown #Musique #Manouche #Fado

  5. #Sanseverino qui attrape un trombone pendant les solos pour jouer n'importe quoi et n'importe comment et qui termine sur La Danse des canards au milieu d'un concert filmé 😭

    La Maison sur le port
    youtube.com/watch?v=0XxZX_AJvk

    #Clown #Musique #Manouche #Fado

  6. 🎤 Je garde un souvenir ému de ce long entretien avec Anna Lagréné-Ferret sur l'aire d'accueil des #gensduvoyage à #guipavas
    Avec l'anthropologue #lisefoisneau , elle a pris la plume pour raconter son histoire et celle de sa famille, des camps de concentration aux petits boulots pour vivre, la peur au ventre d'être de nouveau chassé à cause d'une vie nomade pas toujours comprise par la société.
    Le #podcast pour #radio #rcf est sur ce lien :
    christophepluchon.com/anna-lag
    #manouche #bretagne #brest

  7. 🎤 Je garde un souvenir ému de ce long entretien avec Anna Lagréné-Ferret sur l'aire d'accueil des #gensduvoyage à #guipavas
    Avec l'anthropologue #lisefoisneau , elle a pris la plume pour raconter son histoire et celle de sa famille, des camps de concentration aux petits boulots pour vivre, la peur au ventre d'être de nouveau chassé à cause d'une vie nomade pas toujours comprise par la société.
    Le #podcast pour #radio #rcf est sur ce lien :
    christophepluchon.com/anna-lag
    #manouche #bretagne #brest

  8. 🎤 Je garde un souvenir ému de ce long entretien avec Anna Lagréné-Ferret sur l'aire d'accueil des #gensduvoyage à #guipavas
    Avec l'anthropologue #lisefoisneau , elle a pris la plume pour raconter son histoire et celle de sa famille, des camps de concentration aux petits boulots pour vivre, la peur au ventre d'être de nouveau chassé à cause d'une vie nomade pas toujours comprise par la société.
    Le #podcast pour #radio #rcf est sur ce lien :
    christophepluchon.com/anna-lag
    #manouche #bretagne #brest

  9. 🎤 Je garde un souvenir ému de ce long entretien avec Anna Lagréné-Ferret sur l'aire d'accueil des #gensduvoyage à #guipavas
    Avec l'anthropologue #lisefoisneau , elle a pris la plume pour raconter son histoire et celle de sa famille, des camps de concentration aux petits boulots pour vivre, la peur au ventre d'être de nouveau chassé à cause d'une vie nomade pas toujours comprise par la société.
    Le #podcast pour #radio #rcf est sur ce lien :
    rcf.fr/economie-et-societe/vis
    #manouche #bretagne #brest

  10. Stage de musique, chant et danse #trad les 11 et 12 novembre prochains à Massembre.
    17 ateliers :
    - Danses premiers pas
    wallonnes pour le bal
    israéliennes
    grecques
    contredanses anglaises
    techniques du bon danseur
    - #Diato
    #épinette
    #cornemuse
    ensemble #klezmer
    ensemble #folk
    bœuf #manouche
    - Cabaret #musette
    #chant #rom.
    - Eveil Musical et Chant 3-6 ans
    jeu d'ensemble 7-14 ans
    Infos et inscription : wefolk.be
    Concert puis #BalFolk le samedi soir.
    #BalTrad

  11. Con los vídeos en #ARTE pasa como con la vida en general: van volando. Uno de mis conciertos más escuchados en #ARTEConcert pasó a la sección "Últimos días" hace poco. He pasado muchas horas cocinando con Paquito y Sandro #Lorier Gypsy Trio en Nancy Jazz Pulsations como banda sonora y pienso escucharles al menos unas horas más hasta el 6 de octubre.

    #música #music #jazz #manouche

    arte.tv/es/videos/111285-003-A

  12. Con los vídeos en #ARTE pasa como con la vida en general: van volando. Uno de mis conciertos más escuchados en #ARTEConcert pasó a la sección "Últimos días" hace poco. He pasado muchas horas cocinando con Paquito y Sandro #Lorier Gypsy Trio en Nancy Jazz Pulsations como banda sonora y pienso escucharles al menos unas horas más hasta el 6 de octubre.

    #música #music #jazz #manouche

    arte.tv/es/videos/111285-003-A

  13. Nostalgia canaglia degli anni 80 e allegria #manouche in unico album dell'#Orchestracoco che riprende, rielabora e reinterpreta dei classici del pop statunitense.

    Prendete e ascoltatene tutti, per ritrovare le canzoni della vostra giovinezza come non le avete mai sentite finora.

    Passate parola, perché la buona musica possa raggiungere i suoi estimatori. E se volete organizzare un concerto con loro, chiamateli e parlatene!

    open.spotify.com/album/7wExIWL

  14. Nostalgia canaglia degli anni 80 e allegria #manouche in unico album dell'#Orchestracoco che riprende, rielabora e reinterpreta dei classici del pop statunitense.

    Prendete e ascoltatene tutti, per ritrovare le canzoni della vostra giovinezza come non le avete mai sentite finora.

    Passate parola, perché la buona musica possa raggiungere i suoi estimatori. E se volete organizzare un concerto con loro, chiamateli e parlatene!

    open.spotify.com/album/7wExIWL

  15. Nostalgia canaglia degli anni 80 e allegria #manouche in unico album dell'#Orchestracoco che riprende, rielabora e reinterpreta dei classici del pop statunitense.

    Prendete e ascoltatene tutti, per ritrovare le canzoni della vostra giovinezza come non le avete mai sentite finora.

    Passate parola, perché la buona musica possa raggiungere i suoi estimatori. E se volete organizzare un concerto con loro, chiamateli e parlatene!

    open.spotify.com/album/7wExIWL

  16. Nostalgia canaglia degli anni 80 e allegria #manouche in unico album dell'#Orchestracoco che riprende, rielabora e reinterpreta dei classici del pop statunitense.

    Prendete e ascoltatene tutti, per ritrovare le canzoni della vostra giovinezza come non le avete mai sentite finora.

    Passate parola, perché la buona musica possa raggiungere i suoi estimatori. E se volete organizzare un concerto con loro, chiamateli e parlatene!

    open.spotify.com/album/7wExIWL

  17. Nostalgia canaglia degli anni 80 e allegria #manouche in unico album dell'#Orchestracoco che riprende, rielabora e reinterpreta dei classici del pop statunitense.

    Prendete e ascoltatene tutti, per ritrovare le canzoni della vostra giovinezza come non le avete mai sentite finora.

    Passate parola, perché la buona musica possa raggiungere i suoi estimatori. E se volete organizzare un concerto con loro, chiamateli e parlatene!

    open.spotify.com/album/7wExIWL

  18. So whatcha listenin' to now? Here, working for the man and streaming my #manouche #jazz #guitar station on Pandora. Stuff like this ... hard #swing youtube.com/watch?v=7XJVovAj2g

  19. Listening for Cultural Clues in Jazz Manouche

    Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.

    link.springer.com/chapter/10.1

    #Jazz #Manouche #pedagogy #Culturalmarker
    #jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment

  20. Listening for Cultural Clues in Jazz Manouche

    Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.

    link.springer.com/chapter/10.1

    #Jazz #Manouche #pedagogy #Culturalmarker
    #jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment

  21. Listening for Cultural Clues in Jazz Manouche

    Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.

    link.springer.com/chapter/10.1

    #Jazz #Manouche #pedagogy #Culturalmarker
    #jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment

  22. Listening for Cultural Clues in Jazz Manouche

    Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.

    link.springer.com/chapter/10.1

    #Jazz #Manouche #pedagogy #Culturalmarker
    #jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment

  23. Listening for Cultural Clues in Jazz Manouche

    Django Reinhardt was a virtuoso guitarist and composer of Manouche (Gypsy) origin who lived between 1910 and 1953, achieving stardom in the 1930s. Being mostly associated with the jazz of his time, one may argue that his Gypsy origin was embedded into his music. After Django’s death, his music has been reappropriated by the Manouches and gradually became a community practice as well as a musical genre, nowadays known as Gypsy jazz or jazz Manouche. In this paper, we explore the existence and relevance of cultural markers associated with this musical genre, and attempt to relate musical and cultural features present in Manouche communities. The present work is based on questionnaires and interviews with both Manouche and Gadjé (non-Gypsy) musicians, includes listening tests proposed to musicians and instrument makers and accounts personal experiences of one of the authors (L.B.) as a Gadjo guitar apprentice. Our results confirm the importance of some cultural features for sound recognition that include the role of the music pedagogy within the Manouche community as well as the relevance of the guitar accompaniment.

    link.springer.com/chapter/10.1

    #Jazz #Manouche #pedagogy #Culturalmarker
    #jazz #manouche #djangoreinhardt #gypsyjazz #guitar #musicalgenre #culturalmarkers #questionnaires #interviews #listeningtests #musicians #instrumentmakers #gadjé #guitarapprenticeship #soundrecognition #musicpedagogy #guitaraccompaniment

  24. Getting into the Tuesday groove with #jazz #manouche. Apologies for the title of the song; please know this genre was started by Romani guitarist Django Reinhardt, who did not view it as a slur, though of course times are different now. #music
    youtu.be/VBM7zCArLLU

  25. Getting into the Tuesday groove with #jazz #manouche. Apologies for the title of the song; please know this genre was started by Romani guitarist Django Reinhardt, who did not view it as a slur, though of course times are different now. #music
    youtu.be/VBM7zCArLLU