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#dragmetohell — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #dragmetohell, aggregated by home.social.

  1. Movie TV Tech Geeks #MovieNews #DragMetoHell #SamRaimi #SendHelp Sam Raimi’s 113-Minute Hit Is Just $3 Million Shy of Overtaking His Most Devilishly Entertaining Horror Movie dlvr.it/TRGy3q

  2. Now watching:

    'Drag Me To Hell'

    - directed by Sam Raimi!
    - written by Sam Raimi, Ivan Raimi
    _
    - with Alison Lohman, Justin Long, Lorna Raver, Dileep Rao, David Paymer, Adriana Barraza, Chelcie Ross, Reggie Lee, Molly Cheek, Bojana Novakovic, Kevin Foster, Ruth Livier.....

    #dragmetohell #samraimi - #nowwatching #firstwatch - #cinema #cinemastodon #film #filmastodon #movies #moviesmastodon - #letterboxd #trakt

  3. Drag Me To Hell | Collector’s Edition | UHD | BUY NOW

    #horror#Trailers#horrormovies#DragMeToHell – @ScreamboxTV – Christine Brown (Alison Lohman, Matchstick Men) is on her way to having it all: a devoted boyfriend (Justin Long, Barbarian), a hard-earned job promotion, and a bright future. But when she has to make a tough decision that evicts an elderly woman from her house, […] …

    #ad #DragMeToHell #horror #Trailers

    horrornerdonline.com/2025/01/d

  4. Drag Me to Hell delivers on the promise of its title, but it would be a much better film if it didn’t. This brisk, tight, lean horror flick would easily rank among Sam Raimi’s best work were it not for a cruel final scene that needlessly ruins absolutely everything that has gone on before.
    #DragMetoHell #MovieReview #Horror #Film
    ninetypercentcrapmoviereviews.

  5. #31daysofhalloween Day 4 and #dragmetohell serves up a fantastic blend of scares, grotesquery and slapstick comedy. Suffers from a little bit of 2000s "let's CGI everything" but man I wish Sam Rami would make another horror film.

    4 pumpkins

    #31nightsofhorror #film #movies #shocktober #horror

  6. Drag Me to Hell (2009) (Collector’s Edition 4K Ultra HD) Available October 29

    #horror#horrormovies#DragMetoHell#ScreamFactory – @Scream_Factory – Christine Brown (Alison Lohman, Big Fish, Beowulf) is on her way to having it all: a devoted boyfriend (Justin Long, Barbarian, Jeepers Creepers), a hard-earned job promotion, and a bright future. But when she has to make a tough decision t…

    #horror #ad #Releases #DragMeToHell

    horrornerdonline.com/2024/09/d

  7. Buckle up for a wild ride with Sam Raimi's "Drag Me to Hell"! 🎢 This horror-comedy masterpiece is a deliciously twisted thrill ride, blending chilling scares with outrageous dark humor. 👺 Prepare to be possessed by its devilishly good time! 👻 #DragMeToHell #SamRaimi #HorrorComedy

    🍅 : rottentomatoes.com/m/drag_me_t

    ⭐ :imdb.com/title/tt1127180/

    🍿 : redirect.invidious.io/watch?v=

    #movierecommendation

  8. Tariot – Drag Me to Hell Review

    By Dear Hollow

    Look, I’m one of like three metalcore apologists at Angry Metal Guy HQ,1 and I’ve had it up to here. No more sticky noted car, printer wrapped in festive holiday paper, or the squirting flower trick, okay guys? Plus the rubber rat with “BREAKDOWNS” scrawled with Sharpie was going too far. I already get my seven daily lashes from the Most Holy Gorilla when the punishment of metalcore promos seemed insufficient. As we approach the holidays, the last thing I want to do at the office Christmas party is to open my bonus addressed to “sellout.” Don’t even fucking think about it. And Jesus, Tariot sure ain’t helping my reputation.

    As such, I’m writing this review hunched over the keyboard like a monk in deep meditation to prove to the higher-ups that I’m working on some doom record or blackened prog album. As you may have guessed, Singapore five-piece Tariot is metalcore, featuring frantic fry vocals, noodly guitar fills, and breakdowns. Shit, hi Holdeneye, just working on that latest dissodeath review haha. No, no delays, and no -core influence. Of course all my reviews are always on time! Anyway, Drag Me to Hell is tough-guy metalcore through and through with some touches of post-hardcore, electronic, and nu-metal – like if August Burns Red, Cane Hill, and Our Last Night had a child. Look, I don’t like it any more than you do, would you quit that dry heaving? Go to the bathroom if you need to. Drag Me to Hell is an album with its moments but thanks to its confused structure, weak pieces, and excessive length, I’m comfortable keeping Tariot on the down-low.

    Hey Maddog! No, I’m not trying to find the good in metalcore – ’tis foolhardy! Oh hi Doom_et_Al, found a new melodic black metal album to give 4.0? Nice. Anyway, Tariot actually features a few moments of excitement across its forty-two-minute runtime, even if the best feels like a knockoff Crystal Lake. While graced with wild guitar licks throughout, the best tracks balance the typical nimble riffs with densely crushing punishment. “Obsidian,” “Hell Hole,” and the previously released single “The Devil Inside Me” bring bottom-scraping heavy breakdowns to the song climaxes, which balance neatly with the fretboard wizardry and more urgent and aggressive tempos. Former Novelists vocalist Tobias Rische brings a much-needed grounding to “Alas,” while the vocals of Fairuz Ramlan add heat alongside one of the best riffs of the album in “Grave Future.” Used sparingly, nu-metal adds a tasteful intensity that nearly flies off the rails in tracks like “Alas” and “Hell Hole,” recalling acts like recent MouthBreather and early Darke Complex. The second half is the clear winner, with more infectious energy coursing through it. Oh hey Thus Spoke, haha, yeah metalcore sucks haha.2

    The problem with Tariot’s Drag Me to Hell is twofold: there are weak songs present and those that are solid sound too much like previously established metalcore fare. Most damningly, the cleans that pervade always waver on the edge of out-of-tune, most painfully present in the aptly titled “Rain On My Parade,” “Eternal War,” and “Life of Nothing” which derail any energy with either post-hardcore- or grunge-influenced mediocrity that teeters into bad territory often. While not entirely detrimental, it leaves a bitter taste in solid tracks like “The Devil Inside Me” or “Lament,” which come unnervingly close to ruin. The nu-metal effect gets too much, especially in tracks like “Metamorph,” whose awkward gang vocals and mismatched climaxes worsen it, and “Hell Hole,” whose rap-influenced closing portions do not fit. Even some less problematic tracks like intro “Death by Seven” and “Eve” pale in comparison to their surrounding highlights (or nadirs) by sheer lack of memorability. However, even Tariot’s best still conjures the spirit of Crystal Lake’s “Prometheus” but missing the necessary charisma.

    Ultimately, while the second half of Drag Me to Hell amps the intensity after a painful first half derailed by haphazard cleans and awkward nu-metal influence, but it feels largely like Tariot’s touchdowns in garbage time throughout a deceptively long forty-two-minute runtime; by the time “The Devil Inside Me” hits, the attention span would understandably be run thin. Tariot’s highlights are already mimicry at best with speedy riffs, thuggish breakdowns, and barked vocals, but given a horrendously inconsistent tracklist, it is difficult to recommend Drag Me to Hell for even most metalcore fans. So I guess maybe the sticky noted car was deserved.3

    Rating: 1.5/5.0
    DR: 6 | Format Reviewed: 160 kbps mp3
    Label: Out of Line Music
    Websites: tariot.bandcamp.com | facebook.com/tariotsg
    Releases Worldwide: November 24th, 2023

    #15 #2023 #AugustBurnsRed #CaneHill #CrystalLake #DarkeComplex #DragMeToHell #Electronic #MemphisMayFire #Metalcore #Mouthbreather #Nov23 #Novelists #NuMetal #OurLastNight #OutOfLineMusic #PostHardcore #Review #Reviews #SingaporeanMetal #Tariot

  9. Tariot – Drag Me to Hell Review

    By Dear Hollow

    Look, I’m one of like three metalcore apologists at Angry Metal Guy HQ,1 and I’ve had it up to here. No more sticky noted car, printer wrapped in festive holiday paper, or the squirting flower trick, okay guys? Plus the rubber rat with “BREAKDOWNS” scrawled with Sharpie was going too far. I already get my seven daily lashes from the Most Holy Gorilla when the punishment of metalcore promos seemed insufficient. As we approach the holidays, the last thing I want to do at the office Christmas party is to open my bonus addressed to “sellout.” Don’t even fucking think about it. And Jesus, Tariot sure ain’t helping my reputation.

    As such, I’m writing this review hunched over the keyboard like a monk in deep meditation to prove to the higher-ups that I’m working on some doom record or blackened prog album. As you may have guessed, Singapore five-piece Tariot is metalcore, featuring frantic fry vocals, noodly guitar fills, and breakdowns. Shit, hi Holdeneye, just working on that latest dissodeath review haha. No, no delays, and no -core influence. Of course all my reviews are always on time! Anyway, Drag Me to Hell is tough-guy metalcore through and through with some touches of post-hardcore, electronic, and nu-metal – like if August Burns Red, Cane Hill, and Our Last Night had a child. Look, I don’t like it any more than you do, would you quit that dry heaving? Go to the bathroom if you need to. Drag Me to Hell is an album with its moments but thanks to its confused structure, weak pieces, and excessive length, I’m comfortable keeping Tariot on the down-low.

    Hey Maddog! No, I’m not trying to find the good in metalcore – ’tis foolhardy! Oh hi Doom_et_Al, found a new melodic black metal album to give 4.0? Nice. Anyway, Tariot actually features a few moments of excitement across its forty-two-minute runtime, even if the best feels like a knockoff Crystal Lake. While graced with wild guitar licks throughout, the best tracks balance the typical nimble riffs with densely crushing punishment. “Obsidian,” “Hell Hole,” and the previously released single “The Devil Inside Me” bring bottom-scraping heavy breakdowns to the song climaxes, which balance neatly with the fretboard wizardry and more urgent and aggressive tempos. Former Novelists vocalist Tobias Rische brings a much-needed grounding to “Alas,” while the vocals of Fairuz Ramlan add heat alongside one of the best riffs of the album in “Grave Future.” Used sparingly, nu-metal adds a tasteful intensity that nearly flies off the rails in tracks like “Alas” and “Hell Hole,” recalling acts like recent MouthBreather and early Darke Complex. The second half is the clear winner, with more infectious energy coursing through it. Oh hey Thus Spoke, haha, yeah metalcore sucks haha.2

    The problem with Tariot’s Drag Me to Hell is twofold: there are weak songs present and those that are solid sound too much like previously established metalcore fare. Most damningly, the cleans that pervade always waver on the edge of out-of-tune, most painfully present in the aptly titled “Rain On My Parade,” “Eternal War,” and “Life of Nothing” which derail any energy with either post-hardcore- or grunge-influenced mediocrity that teeters into bad territory often. While not entirely detrimental, it leaves a bitter taste in solid tracks like “The Devil Inside Me” or “Lament,” which come unnervingly close to ruin. The nu-metal effect gets too much, especially in tracks like “Metamorph,” whose awkward gang vocals and mismatched climaxes worsen it, and “Hell Hole,” whose rap-influenced closing portions do not fit. Even some less problematic tracks like intro “Death by Seven” and “Eve” pale in comparison to their surrounding highlights (or nadirs) by sheer lack of memorability. However, even Tariot’s best still conjures the spirit of Crystal Lake’s “Prometheus” but missing the necessary charisma.

    Ultimately, while the second half of Drag Me to Hell amps the intensity after a painful first half derailed by haphazard cleans and awkward nu-metal influence, but it feels largely like Tariot’s touchdowns in garbage time throughout a deceptively long forty-two-minute runtime; by the time “The Devil Inside Me” hits, the attention span would understandably be run thin. Tariot’s highlights are already mimicry at best with speedy riffs, thuggish breakdowns, and barked vocals, but given a horrendously inconsistent tracklist, it is difficult to recommend Drag Me to Hell for even most metalcore fans. So I guess maybe the sticky noted car was deserved.3

    Rating: 1.5/5.0
    DR: 6 | Format Reviewed: 160 kbps mp3
    Label: Out of Line Music
    Websites: tariot.bandcamp.com | facebook.com/tariotsg
    Releases Worldwide: November 24th, 2023

    #15 #2023 #AugustBurnsRed #CaneHill #CrystalLake #DarkeComplex #DragMeToHell #Electronic #MemphisMayFire #Metalcore #Mouthbreather #Nov23 #Novelists #NuMetal #OurLastNight #OutOfLineMusic #PostHardcore #Review #Reviews #SingaporeanMetal #Tariot

  10. Today, February 20, loan officer Christine Brown tries to get rid of a curse put upon her after she denies Sylvia Ganush a mortgage extension. Two days after Sylvia dies, Christine attends a seance and learns that she can pass the curse on to someone else (Drag Me To Hell, 2009)

    #Film #Movies #Cinemastodon #Letterboxd #DragMeToHell #SamRaimi #Horror

  11. #QuickMovieNote:

    There's Raimi's #DragMeToHell on TV right now and oh, I love that uncompromising movie and all its slime, filth, vomit and vicious little handkerchiefs...

  12. #QuickMovieNote:

    There's Raimi's #DragMeToHell on TV right now and oh, I love that uncompromising movie and all its slime, filth, vomit and vicious little handkerchiefs...

  13. #QuickMovieNote:

    There's Raimi's #DragMeToHell on TV right now and oh, I love that uncompromising movie and all its slime, filth, vomit and vicious little handkerchiefs...

  14. #QuickMovieNote:

    There's Raimi's #DragMeToHell on TV right now and oh, I love that uncompromising movie and all its slime, filth, vomit and vicious little handkerchiefs...

  15. #QuickMovieNote:

    There's Raimi's #DragMeToHell on TV right now and oh, I love that uncompromising movie and all its slime, filth, vomit and vicious little handkerchiefs...

  16. Recensione “Drag Me To Hell” (2009)

    Bentornato Sam Raimi! Diciassette anni dopo L’Armata delle Tenebre (fantasy horror divenuto un cult), il regista americano torna al suo genere prediletto, l’horror, di cui ha segnato l’immaginario grazie soprattutto alla trilogia de La Casa, di cui l’armata è appunto il terzo episodio. Fortunatamente il successo dovuto alla sopravvalutata saga di Spiderman non ha fatto dimenticare a Raimi le proprie origini, omaggiate e riassaporate attraverso l’ultimo terrificante e spassoso lavoro, presentato fuori concorso al Festival di Cannes 2009.

    Christine, funzionaria di banca in odore di promozione, per far colpo sul suo capo decide di non concedere ad una anziana signora una proroga per il pagamento del mutuo, togliendole di fatto il tetto sotto il quale dorme. Umiliata, la donna lancerà sulla bella Christine una maledizione: tre giorni di paura che culmineranno con la discesa all’inferno della ragazza. Ora dopo ora, le ansie di Christine si trasformeranno in terrore puro, la bionda protagonista tenterà così ogni strada pur di salvare la propria anima.

    “Buffe case horror, spaventi, sequenze piene di suspense e qualche risata qua e là”, così concepisce l’horror Sam Raimi e i fan ringraziano: sono già un cult la scena al cimitero, la colluttazione in macchina, la cena a casa dei genitori del ragazzo di Christine, la consegna della busta maledetta per non parlare della seduta spiritica con tanto di capra parlante e un gattino vomitato. Un horror in pieno stile Raimi, con tanta ironia spruzzata di sangue e terrore. Bentornato Sam!

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    #dragMeToHell #film #horror #recensione #samRaimi