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#doro — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #doro, aggregated by home.social.

  1. Gus G. – Steel Burner Review By Baguette of Bodom

    Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

    Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

    The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

    Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

    Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

    Rating: Mixed
    DR: Nope! | Format Reviewed: Alas, poor Stream!
    Label: Metal Department
    Websites: gusgofficial.com | Facebook | Instagram
    Releases Worldwide: April 24th, 2026

    #25 #2026 #Annihilator #AOR #Apr26 #Doro #DreamEvil #Firewind #GreekMetal #GusG #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #Review #Reviews #SteelBurner #Warlock
  2. Gus G. – Steel Burner Review By Baguette of Bodom

    Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

    Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

    The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

    Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

    Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

    Rating: Mixed
    DR: Nope! | Format Reviewed: Alas, poor Stream!
    Label: Metal Department
    Websites: gusgofficial.com | Facebook | Instagram
    Releases Worldwide: April 24th, 2026

    #25 #2026 #Annihilator #AOR #Apr26 #Doro #DreamEvil #Firewind #GreekMetal #GusG #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #Review #Reviews #SteelBurner #Warlock
  3. Gus G. – Steel Burner Review By Baguette of Bodom

    Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

    Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

    The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

    Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

    Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

    Rating: Mixed
    DR: Nope! | Format Reviewed: Alas, poor Stream!
    Label: Metal Department
    Websites: gusgofficial.com | Facebook | Instagram
    Releases Worldwide: April 24th, 2026

    #25 #2026 #Annihilator #AOR #Apr26 #Doro #DreamEvil #Firewind #GreekMetal #GusG #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #Review #Reviews #SteelBurner #Warlock
  4. Gus G. – Steel Burner Review By Baguette of Bodom

    Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

    Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

    The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

    Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

    Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

    Rating: Mixed
    DR: Nope! | Format Reviewed: Alas, poor Stream!
    Label: Metal Department
    Websites: gusgofficial.com | Facebook | Instagram
    Releases Worldwide: April 24th, 2026

    #25 #2026 #Annihilator #AOR #Apr26 #Doro #DreamEvil #Firewind #GreekMetal #GusG #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #Review #Reviews #SteelBurner #Warlock
  5. Gus G. – Steel Burner Review By Baguette of Bodom

    Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

    Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

    The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

    Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

    Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

    Rating: Mixed
    DR: Nope! | Format Reviewed: Alas, poor Stream!
    Label: Metal Department
    Websites: gusgofficial.com | Facebook | Instagram
    Releases Worldwide: April 24th, 2026

    #25 #2026 #Annihilator #AOR #Apr26 #Doro #DreamEvil #Firewind #GreekMetal #GusG #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #Review #Reviews #SteelBurner #Warlock
  6. DOROかわいいから描いた​:doro_aww:​ #doro

  7. Full Metal Mayrhoffen in the Tyrolean Alps

    (photo credit: Full Entertainment GmbH) A fantastic week of snow-covered slopes, blazing riffs, and great vibes is coming to an end: in the Mayrhofen-Hippach holiday region in the Zillertal Valley of Tyrol Full Metal Mayrhofen took place once again from March 23 to 28 – and what a success it was!Monday kicks off with the launch of the Europahaus as a new venue: following an opening set by DJ Markus Babbel and The Biest Jörg Michael, Dragony and Bloodhound get the “Hall of […]

    metalphotos.org/2026/04/01/ful

  8. Full Metal Mayrhoffen in the Tyrolean Alps

    (photo credit: Full Entertainment GmbH) A fantastic week of snow-covered slopes, blazing riffs, and great vibes is coming to an end: in the Mayrhofen-Hippach holiday region in the Zillertal Valley of Tyrol Full Metal Mayrhofen took place once again from March 23 to 28 – and what a success it was!Monday kicks off with the launch of the Europahaus as a new venue: following an opening set by DJ Markus Babbel and The Biest Jörg Michael, Dragony and Bloodhound get the “Hall of […]

    metalphotos.org/2026/04/01/ful

  9. Full Metal Mayrhoffen in the Tyrolean Alps

    (photo credit: Full Entertainment GmbH) A fantastic week of snow-covered slopes, blazing riffs, and great vibes is coming to an end: in the Mayrhofen-Hippach holiday region in the Zillertal Valley of Tyrol Full Metal Mayrhofen took place once again from March 23 to 28 – and what a success it was!Monday kicks off with the launch of the Europahaus as a new venue: following an opening set by DJ Markus Babbel and The Biest Jörg Michael, Dragony and Bloodhound get the “Hall of […]

    metalphotos.org/2026/04/01/ful

  10. Full Metal Mayrhoffen in the Tyrolean Alps

    (photo credit: Full Entertainment GmbH) A fantastic week of snow-covered slopes, blazing riffs, and great vibes is coming to an end: in the Mayrhofen-Hippach holiday region in the Zillertal Valley of Tyrol Full Metal Mayrhofen took place once again from March 23 to 28 – and what a success it was!Monday kicks off with the launch of the Europahaus as a new venue: following an opening set by DJ Markus Babbel and The Biest Jörg Michael, Dragony and Bloodhound get the “Hall of […]

    metalphotos.org/2026/04/01/ful

  11. Full Metal Mayrhoffen in the Tyrolean Alps

    (photo credit: Full Entertainment GmbH) A fantastic week of snow-covered slopes, blazing riffs, and great vibes is coming to an end: in the Mayrhofen-Hippach holiday region in the Zillertal Valley of Tyrol Full Metal Mayrhofen took place once again from March 23 to 28 – and what a success it was!Monday kicks off with the launch of the Europahaus as a new venue: following an opening set by DJ Markus Babbel and The Biest Jörg Michael, Dragony and Bloodhound get the “Hall of […]

    metalphotos.org/2026/04/01/ful

  12. シンdoroラとシンデレラ
    実際シンdoroフィギュアは出てるからこんな感じで持って歩けはするかも知れない
    #イラスト #NIKKE #ニケ #メガニケ #doro #シンデレラ

  13. #AskFedi - anyone got firsthand tips or reviews relating to #Doro phones? Someone I know has been trying an ordinary smartphone and finding it overly baffling. And that seems to be the niche that Doro's aimed at, so I'm checking them out.

  14. Jo kolmas uusi kännykkäoperaattori Suomeen lyhyen ajan sisällä

    Vanhuksille suunnatuista kännyköistään tunnettu Doro ryhtyy myymään omaa Doro Connect -liittymäänsä, joka on sekin suunnattu nimenomaan vanhuksille.

    puhelinvertailu.com/uutiset/20

    #Doro #DoroConnect #MVNO #operaattori #suomi #liittymä #uutiset #teknologia #tekniikka

  15. Jo kolmas uusi kännykkäoperaattori Suomeen lyhyen ajan sisällä

    Vanhuksille suunnatuista kännyköistään tunnettu Doro ryhtyy myymään omaa Doro Connect -liittymäänsä, joka on sekin suunnattu nimenomaan vanhuksille.

    puhelinvertailu.com/uutiset/20

    #Doro #DoroConnect #MVNO #operaattori #suomi #liittymä #uutiset #teknologia #tekniikka

  16. Jo kolmas uusi kännykkäoperaattori Suomeen lyhyen ajan sisällä

    Vanhuksille suunnatuista kännyköistään tunnettu Doro ryhtyy myymään omaa Doro Connect -liittymäänsä, joka on sekin suunnattu nimenomaan vanhuksille.

    puhelinvertailu.com/uutiset/20

    #Doro #DoroConnect #MVNO #operaattori #suomi #liittymä #uutiset #teknologia #tekniikka

  17. Jo kolmas uusi kännykkäoperaattori Suomeen lyhyen ajan sisällä

    Vanhuksille suunnatuista kännyköistään tunnettu Doro ryhtyy myymään omaa Doro Connect -liittymäänsä, joka on sekin suunnattu nimenomaan vanhuksille.

    puhelinvertailu.com/uutiset/20

    #Doro #DoroConnect #MVNO #operaattori #suomi #liittymä #uutiset #teknologia #tekniikka

  18. Jo kolmas uusi kännykkäoperaattori Suomeen lyhyen ajan sisällä

    Vanhuksille suunnatuista kännyköistään tunnettu Doro ryhtyy myymään omaa Doro Connect -liittymäänsä, joka on sekin suunnattu nimenomaan vanhuksille.

    puhelinvertailu.com/uutiset/20

    #Doro #DoroConnect #MVNO #operaattori #suomi #liittymä #uutiset #teknologia #tekniikka

  19. D:キラーワイフ シークレットポリス​:doro_aww:​
    明日からバイオコラボ開始だけどこれは胸元開いてるから嫁の警官コスプレでしょ
    #イラスト #NIKKE #ニケ #メガニケ #D #Doro

  20. Leute, ich glaube wir haben das Gesellschaftsspiel der Bundesrepublik durchgespielt.

    #Doro mit "All er are" im #ZDFFernsehgarten

    Jetzt weiß ich auch nicht mehr weiter.
    Freue mich aber nächste Woche auf Metallica bei Kiwi.

    youtube.com/watch?v=hbPDOnyW8To

  21. Leute, ich glaube wir haben das Gesellschaftsspiel der Bundesrepublik durchgespielt.

    #Doro mit "All er are" im #ZDFFernsehgarten

    Jetzt weiß ich auch nicht mehr weiter.
    Freue mich aber nächste Woche auf Metallica bei Kiwi.

    youtube.com/watch?v=hbPDOnyW8To

  22. Via Süddeutsche Zeitung: Jugendtreffs und andere Freizeiträume helfen nachweislich gegen Rechtsextremismus. Aber sie haben es am schwersten, wo sie am dringendsten gebraucht werden. www.sueddeutsche.de/projekte/art... #rechtsextremismus #afd #jugendtreff #doro #sachsen

  23. Festival Review: Tons of Rock 2024 – Day 2

    After an enjoyable previous day at Tons Of Rock Festival I started the day with a little swim in the hotel pool, which did wonders for my crunchy shoulders and sore lower back. To my fellow photographers - I highly recommend this for keeping the ache

    moshville.co.uk/reviews/gig-re

    #GigReviews #Doro #Igorrr #Katatonia #MrBungle #Opeth #PalayeRoyale #TonsOfRock #Tool #Tsjuder

  24. Festival Review: Tons of Rock 2024 – Day 2

    After an enjoyable previous day at Tons Of Rock Festival I started the day with a little swim in the hotel pool, which did wonders for my crunchy shoulders and sore lower back. To my fellow photographers - I highly recommend this for keeping the ache

    moshville.co.uk/reviews/gig-re

    #GigReviews #Doro #Igorrr #Katatonia #MrBungle #Opeth #PalayeRoyale #TonsOfRock #Tool #Tsjuder

  25. Festival Review: Tons of Rock 2024 – Day 2

    After an enjoyable previous day at Tons Of Rock Festival I started the day with a little swim in the hotel pool, which did wonders for my crunchy shoulders and sore lower back. To my fellow photographers - I highly recommend this for keeping the ache

    moshville.co.uk/reviews/gig-re

    #GigReviews #Doro #Igorrr #Katatonia #MrBungle #Opeth #PalayeRoyale #TonsOfRock #Tool #Tsjuder

  26. #TheMetalDogArticleList
    #BraveWords
    Today In Metal History 🤘 June 3rd, 2024 🤘DORO, SLAYER, BATHORY, HYPOCRISY, DEEP PURPLE, BRUCE DICKINSON
    Talent We Lost R.I.P. Thomas "Ace" Börje Forsberg (Quorthon from BATHORY): 1966 – 2004 R.I.P. Billy Powell (LYNYRD SKYNYRD) - 1952 - 2009 The keyboardist died of a heart attack at the age of 56 at his home in Orange Park...

    bravewords.com/news/today-in-m

    #Slayer #Bathory #Doro #Hypocrisy #DeepPurple #BruceDickinson #KerryKing #FaithNoMore #WhiteWizzard #Loudness

  27. #TheMetalDogArticleList
    #BraveWords
    Today In Metal History 🤘 April 6th, 2024 🤘 U.D.O., PLASMATICS, ANDY JOHNS, DORO, SUFFOCATION, OPETH, THE CULT
    TALENT WE LOST R.I.P. Wendy Orlean Williams (aka Wendy O. Williams) (PLASMATICS) - 1949 – 1998 (aged 48) On 1998, Wendy O. Williams was found in a wooded area near her home, dead of a self-inflicted gunshot wound to the head. She was...

    bravewords.com/news/today-in-m

    #WendyOWilliams #AndyJohns #UDO #DORO #Suffocation #Opeth #ThePlasmatics