#doro — Public Fediverse posts

https://www.europesays.com/ie/466814/ Gus G. – Steel Burner Review #25 #2026 #Annihilator #AOR #Apr26 #Doro #DreamEvil #Éire #Entertainment #Firewind #GreekMetal #GusG #HardRock #HeavyMetal #IcedEarth #IE #Ireland #MetalDepartment #Music #MysticProphecy #Pyramaze #rainbow #Review #Reviews #SteelBurner #Warlock

Gus G. – Steel Burner Review

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #Annihilator #aor #Apr26 #Doro #DreamEvil #Entertainment #Firewind #GreekMetal #GusG. #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #review #reviews #SteelBurner #Warlock
https://www.newsbeep.com/us/621508/

Gus G. – Steel Burner Review

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #Annihilator #aor #Apr26 #Doro #DreamEvil #Entertainment #Firewind #GreekMetal #GusG. #HardRock #HeavyMetal #IcedEarth #MetalDepartment #MysticProphecy #Pyramaze #Rainbow #review #reviews #SteelBurner #Warlock
https://www.newsbeep.com/us/621508/

Gus G. – Steel Burner Review

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not…
#NewsBeep #News #Music #2.5 #2026 #Annihilator #AOR #Apr26 #AU #Australia #Doro #DreamEvil #Entertainment #Firewind #GreekMetal #GusG. #HardRock #HeavyMetal #icedearth #MetalDepartment #MysticProphecy #Pyramaze #rainbow #review #reviews #SteelBurner #Warlock
https://www.newsbeep.com/au/647274/

Gus G. – Steel Burner Review

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not…
#NewsBeep #News #Music #2.5 #2026 #Annihilator #AOR #Apr26 #AU #Australia #Doro #DreamEvil #Entertainment #Firewind #GreekMetal #GusG. #HardRock #HeavyMetal #icedearth #MetalDepartment #MysticProphecy #Pyramaze #rainbow #review #reviews #SteelBurner #Warlock
https://www.newsbeep.com/au/647274/

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

Rating: Mixed
DR: Nope! | Format Reviewed: Alas, poor Stream!
Label: Metal Department
Websites: gusgofficial.com | Facebook | Instagram
Releases Worldwide: April 24th, 2026

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

Rating: Mixed
DR: Nope! | Format Reviewed: Alas, poor Stream!
Label: Metal Department
Websites: gusgofficial.com | Facebook | Instagram
Releases Worldwide: April 24th, 2026

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

Rating: Mixed
DR: Nope! | Format Reviewed: Alas, poor Stream!
Label: Metal Department
Websites: gusgofficial.com | Facebook | Instagram
Releases Worldwide: April 24th, 2026

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

Rating: Mixed
DR: Nope! | Format Reviewed: Alas, poor Stream!
Label: Metal Department
Websites: gusgofficial.com | Facebook | Instagram
Releases Worldwide: April 24th, 2026

Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not only been running his own band Firewind but also contributed to many notable heavy/power metal acts’ beginnings, such as early Mystic Prophecy and Dream Evil. And somehow on top of that, he’s even managed to fit in five solo albums during that time! Steel Burner becomes the sixth album under the Gus G. moniker, the first since 2021’s very fun Quantum Leap. I was a big fan of Firewind’s energetic 2020 comeback and enjoyed 2024’s anthemic rock-oriented Stand United plenty as well. How does Steel Burner compare to his other recent works, and were any Steel Druhm’s harmed in the making?1

Gus has proven himself to be a very potent guitarist since the early ’00s, and Steel Burner’s strand of heavy metal offers a good general gist of the instrumental and solo craft he’s known for. The album doesn’t steer too far off Quantum Leap’s core in this regard. Gus’s natural bend towards ’80s rock and metal shows up in full force once again, containing Yngwie and Blackmore-esque guitar hero cheese (“What If,” “Closure”) in terms of both shred and soulful play. A surprising highlight is “Advent” with its interesting djent-ish influences by way of downtuned 2010s rhythm guitar work. It pans out much better than one might think and makes for a refreshing listen in an album full of otherwise expected source material.

The other side of Steel Burner is the record’s confusing flow and identity, the guest vocalist tracks being at odds with the instrumental songs. Whereas Quantum Leap was fully instrumental, Steel Burner contains a theoretically balanced set of five tracks with vocals and five instrumentals. This intentional variety quickly ends up working against itself. Doro (Doro, ex-Warlock) and Matt Barlow (ex-Iced Earth, ex-Pyramaze) are both starting to show their age, delivering some good lines but flat choruses (“Nothing Can Break Me,” “Dancing with Death”). The suddenly enervated instrumentation exacerbates the quality contrast between Steel Burner’s different aspects. Fortunately, the back half fares better. Vocal mercenaries Ronnie Romero (ex-Rainbow) and Dino Jelusić lend stronger performances on better, more AOR-adjacent tracks (“My Premonition,” “No One Has to Know”), and I wouldn’t mind Gus working with Ronnie more often based on “My Premonition.” Aside from the vocal-instrumental clash, the drums are a sticking point. Gus’s drum programming on the aforementioned tracks is solid, but Quantum Leap’s guest drumming proves that more varied and potent percussion would have helped make these songs much more lively.

Much like Jeff Waters (Annihilator), Gus G. is an excellent guitarist who is usually better when sharing vocals-forward songwriting reins with other people. Steel Burner tends to repeat some of his early-career hiccups with Mystic Prophecy, where the rhythm guitar tends to be underdeveloped and the songs oddly stripped-down without the choruses compensating for it. Gus is very good at crafting colorful instrumental compositions (“Advent,” “Confession”) or even standard power metal tracks at higher BPMs (“Kill the Pain” on Firewind’s self-titled, “Escape from Tomorrow” all the way back on Forged by Fire), but making a ‘normal’ mid-paced track with vocals often requires some extra hands alongside him. Firewind’s two most recent records are proof of this, and the positive effect of a consistent powerhouse vocalist like Herbie Langhans is undeniably lacking here.

Steel Burner has its bright spots, but ends up feeling like two EPs in a bar fight. It mashes together parts of Quantum Leap and Stand United, and both halves unfortunately suffer as a result. While nothing on the record is strictly off-putting, the instrumental side is clearly the better and more inspired one, containing the usual guitar goodness you would expect from Gus. Even so, one listen to Quantum Leap’s title track exposes Steel Burner’s general lack of urgency compared to prior works. Grab most of the instrumental tracks and “My Premonition,” and you’ve got a solid EP! Despite the overall experience being hit-and-miss, I still respect Gus’s work ethic, and I’ll be gladly waiting to see what he comes up with next.

Rating: Mixed
DR: Nope! | Format Reviewed: Alas, poor Stream!
Label: Metal Department
Websites: gusgofficial.com | Facebook | Instagram
Releases Worldwide: April 24th, 2026

DOROかわいいから描いた​:doro_aww:​ #doro

Full Metal Mayrhoffen in the Tyrolean Alps

https://metalphotos.org/2026/04/01/full-metal-mayrhoffen-in-the-tyrolean-alps/

Full Metal Mayrhoffen in the Tyrolean Alps

https://metalphotos.org/2026/04/01/full-metal-mayrhoffen-in-the-tyrolean-alps/

Full Metal Mayrhoffen in the Tyrolean Alps

https://metalphotos.org/2026/04/01/full-metal-mayrhoffen-in-the-tyrolean-alps/

Full Metal Mayrhoffen in the Tyrolean Alps

https://metalphotos.org/2026/04/01/full-metal-mayrhoffen-in-the-tyrolean-alps/

Full Metal Mayrhoffen in the Tyrolean Alps

https://metalphotos.org/2026/04/01/full-metal-mayrhoffen-in-the-tyrolean-alps/

シンdoroラとシンデレラ
実際シンdoroフィギュアは出てるからこんな感じで持って歩けはするかも知れない
#イラスト #NIKKE #ニケ #メガニケ #doro #シンデレラ

#AskFedi - anyone got firsthand tips or reviews relating to #Doro phones? Someone I know has been trying an ordinary smartphone and finding it overly baffling. And that seems to be the niche that Doro's aimed at, so I'm checking them out.

https://www.wacoca.com/games/1318031/ 『勝利の女神：NIKKE』電動で走るDOROのトレーディングフィギュアが登場！全6種がそろうBOXがあみあみで予約受付中！ – 電撃ホビーウェブ ##GAMING #DORO #Game #GameNews #games #GamingNews #アクションホビーコレクション #あみあみ #ゲーミング #ゲーム #ゲーム攻略 #ゲーム最新情報 #トイ #ニュース #フィギュア #メガニケ #ユラユラ森 #勝利の女神：NIKKE

ちしかんの脳内に直接話しかけるdoroリバーレリオ
ねむそう
#イラスト #NIKKE #ニケ #メガニケ #doro #リバーレリオ

美しいものを見るdoroシンデレラ
美しいものに一家言ありそう
#イラスト #NIKKE #ニケ #メガニケ #doro #シンデレラ

うにょあにdoro
これがゴッデスちゃんですか
#うにょあに
https://unyo-anime.com/
#アニメ #NIKKE #ニケ #メガニケ #ドロシー #doro
#misskeyshare

Jo kolmas uusi kännykkäoperaattori Suomeen lyhyen ajan sisällä

Vanhuksille suunnatuista kännyköistään tunnettu Doro ryhtyy myymään omaa Doro Connect -liittymäänsä, joka on sekin suunnattu nimenomaan vanhuksille.

https://www.puhelinvertailu.com/uutiset/2025/11/05/uusi-operaattori-suomeen-doro-connect

#Doro #DoroConnect #MVNO #operaattori #suomi #liittymä #uutiset #teknologia #tekniikka

DORO (Alemanya) presenta nou recopilatori: "Warriors of the Sea" #Doro #HeavyMetal #Octubre2025 #Alemanya #NouRecopilatori #Metall #Metal #MúsicaMetal #MetalMusic

D：キラーワイフ シークレットポリス​:doro_aww:​
明日からバイオコラボ開始だけどこれは胸元開いてるから嫁の警官コスプレでしょ
#イラスト #NIKKE #ニケ #メガニケ #D #Doro

Interessiert sich hier jemensch für Aachener Karnevalsverein?
#doro #dorodoof #aachen #karneval

Via Süddeutsche Zeitung: Jugendtreffs und andere Freizeiträume helfen nachweislich gegen Rechtsextremismus. Aber sie haben es am schwersten, wo sie am dringendsten gebraucht werden. www.sueddeutsche.de/projekte/art... #rechtsextremismus #afd #jugendtreff #doro #sachsen

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 June 3rd, 2024 🤘DORO, SLAYER, BATHORY, HYPOCRISY, DEEP PURPLE, BRUCE DICKINSON
Talent We Lost R.I.P. Thomas "Ace" Börje Forsberg (Quorthon from BATHORY): 1966 – 2004 R.I.P. Billy Powell (LYNYRD SKYNYRD) - 1952 - 2009 The keyboardist died of a heart attack at the age of 56 at his home in Orange Park...

https://bravewords.com/news/today-in-metal-history-june-3rd-2024-doro-slayer-bathory-hypocrisy-deep-purple-bruce-dickinson

#Slayer #Bathory #Doro #Hypocrisy #DeepPurple #BruceDickinson #KerryKing #FaithNoMore #WhiteWizzard #Loudness

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 April 6th, 2024 🤘 U.D.O., PLASMATICS, ANDY JOHNS, DORO, SUFFOCATION, OPETH, THE CULT
TALENT WE LOST R.I.P. Wendy Orlean Williams (aka Wendy O. Williams) (PLASMATICS) - 1949 – 1998 (aged 48) On 1998, Wendy O. Williams was found in a wooded area near her home, dead of a self-inflicted gunshot wound to the head. She was...

https://bravewords.com/news/today-in-metal-history-april-6th-2024-u-d-o-plasmatics-andy-johns-doro-suffocation-opeth-the-cult

#WendyOWilliams #AndyJohns #UDO #DORO #Suffocation #Opeth #ThePlasmatics

Doro Pesch
Vor etwa zwanzig Jahren hat #Doro damit begonnen, ihre Bühnenkleidung aus echtem Leder sukzessive gegen veganes #Leder einzutauschen, weil ihr zuvor nicht bewusst gewesen sei, dass sie mit ihrem Konsum #Tierleid verursacht. „Aber dann habe ich diese Lektion gelernt“, betont sie. „Ich dachte: ‚Ich möchte niemandem Schaden zufügen – weder #Menschen noch #Tieren.‘ […] Vor zwanzig Jahren war es sehr schwierig, gutes veganes Leder zu finden. Aber so hat es begonnen. Und anschließend habe ich zehn oder 15 Jahre vegetarisch gelebt. Und vor sieben Jahren bin ich #Veganerin geworden, nur der Tiere wegen....
#vegan
ZACK kommen Verschwörungswichtel aus ihren Löchern gekrochen.
#DoroPesch Ist nicht meine Musik, aber fand immer: Coole Frau

#TheMetalDogArticleList
#BLABBERMOUTH
ROB HALFORD Joins DORO For Cover Of 'Total Eclipse Of The Heart'; Official Music Video Released
"Conqueress Forever Strong And Proud", the new album from German metal queen Doro Pesch, includes two separate duets with JUDAS PRIEST singer Rob Halford...

https://blabbermouth.net/news/rob-halford-joins-doro-for-cover-of-total-eclipse-of-the-heart-official-music-video-released

#RobHalford
#Doro
#TotalEclipseoftheHeart
#OfficialMusicVideo
#NewCollaboration
#HeavyMetalForTheWin

#TheMetalDogArticleList
#BLABBERMOUTH
DORO Teams Up With BROILERS' SAMMY AMARA For New Song 'Bond Unending'

https://blabbermouth.net/news/doro-teams-up-with-broilers-sammy-amara-for-new-song-bond-unending

#Doro
#Broilers
#SammyAmara
#BondUnending
#HeavyMetal
#WomenSupportingWomen
#FemaleFrontedMusic
#MusicCollaboration

Bin ich der einzige, für den sich Deutsche Lieder von #doro Pesch anhören wie ganz schlimmer Schlager? Halt nur begleitet von ner Hand voll langhaariger Typen?

#doropesch #wacken2023 #wacken #woa #WOA2023

#TheMetalDogArticleList
#BLABBERMOUTH
DORO's New Album 'Conqueress Forever Strong And Proud' To Include Duet With ROB HALFORD: 'It Is A Dream Come True'
German metal queen Doro Pesch has set "Conqueress Forever Strong And Proud" as the title of her new album, due on October 27, one day before her 40th-anniversary concert at the Mitsubishi Electric Halle in...

https://blabbermouth.net/news/doros-new-album-conqueress-forever-strong-and-proud-to-include-duet-with-rob-halford-it-is-a-dream-come-true

#Doro #Conqueress #ForeverStrongAndProud #RobHalford #DreamComeTrue #HeavyMetal #NewAlbum #DoroPesch #MetalQueen

Doro Pesch - Hoffnung