#csound — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #csound, aggregated by home.social.
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8th International Csound Conference (ICSC 2026)
📍 Trapani, Sicily, Italy
📅 20–22 October 2026Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.
Deadline: 30/06/2026
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8th International Csound Conference (ICSC 2026)
📍 Trapani, Sicily, Italy
📅 20–22 October 2026Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.
Deadline: 30/06/2026
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8th International Csound Conference (ICSC 2026)
📍 Trapani, Sicily, Italy
📅 20–22 October 2026Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.
Deadline: 30/06/2026
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8th International Csound Conference (ICSC 2026)
📍 Trapani, Sicily, Italy
📅 20–22 October 2026Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.
Deadline: 30/06/2026
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8th International Csound Conference (ICSC 2026)
📍 Trapani, Sicily, Italy
📅 20–22 October 2026Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.
Deadline: 30/06/2026
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mouse X and Y movement for driving values but clicking at the p-field with ALT held allows one to edit via the keyboard
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mouse X and Y movement for driving values but clicking at the p-field with ALT held allows one to edit via the keyboard
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Starting to swing from #PureData back to #Csound for a large project I'm working on. The #Pd patches get pretty wild pretty quick and while the visual interface is nice to see all the patch cables, it gets exponentially more difficult to wrangle things as the patches grow. I end up spending a lot of time arranging things visually with precision mouse clicks. Csound is plain text code so rearranging it can be done very fast with the keyboard + Vim style model editing.
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Starting to swing from #PureData back to #Csound for a large project I'm working on. The #Pd patches get pretty wild pretty quick and while the visual interface is nice to see all the patch cables, it gets exponentially more difficult to wrangle things as the patches grow. I end up spending a lot of time arranging things visually with precision mouse clicks. Csound is plain text code so rearranging it can be done very fast with the keyboard + Vim style model editing.
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Starting to swing from #PureData back to #Csound for a large project I'm working on. The #Pd patches get pretty wild pretty quick and while the visual interface is nice to see all the patch cables, it gets exponentially more difficult to wrangle things as the patches grow. I end up spending a lot of time arranging things visually with precision mouse clicks. Csound is plain text code so rearranging it can be done very fast with the keyboard + Vim style model editing.
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Starting to swing from #PureData back to #Csound for a large project I'm working on. The #Pd patches get pretty wild pretty quick and while the visual interface is nice to see all the patch cables, it gets exponentially more difficult to wrangle things as the patches grow. I end up spending a lot of time arranging things visually with precision mouse clicks. Csound is plain text code so rearranging it can be done very fast with the keyboard + Vim style model editing.
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Starting to swing from #PureData back to #Csound for a large project I'm working on. The #Pd patches get pretty wild pretty quick and while the visual interface is nice to see all the patch cables, it gets exponentially more difficult to wrangle things as the patches grow. I end up spending a lot of time arranging things visually with precision mouse clicks. Csound is plain text code so rearranging it can be done very fast with the keyboard + Vim style model editing.
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A nice Disquiet Junto project to take my mind off my head cold. A track made using a 1920 recording of "Nina" by Hans Kindler. Lots of layers, mixed and filtered with Csound. Not my usual kind of sound, but I really like it! Cheers! https://soundcloud.com/matthew-m-conroy/nina-disquiet0729
Made as part of Disquiet Junto 0729 https://llllllll.co/t/disquiet-junto-project-0729-community-rework-nina
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A nice Disquiet Junto project to take my mind off my head cold. A track made using a 1920 recording of "Nina" by Hans Kindler. Lots of layers, mixed and filtered with Csound. Not my usual kind of sound, but I really like it! Cheers! https://soundcloud.com/matthew-m-conroy/nina-disquiet0729
Made as part of Disquiet Junto 0729 https://llllllll.co/t/disquiet-junto-project-0729-community-rework-nina
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A nice Disquiet Junto project to take my mind off my head cold. A track made using a 1920 recording of "Nina" by Hans Kindler. Lots of layers, mixed and filtered with Csound. Not my usual kind of sound, but I really like it! Cheers! https://soundcloud.com/matthew-m-conroy/nina-disquiet0729
Made as part of Disquiet Junto 0729 https://llllllll.co/t/disquiet-junto-project-0729-community-rework-nina
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A nice Disquiet Junto project to take my mind off my head cold. A track made using a 1920 recording of "Nina" by Hans Kindler. Lots of layers, mixed and filtered with Csound. Not my usual kind of sound, but I really like it! Cheers! https://soundcloud.com/matthew-m-conroy/nina-disquiet0729
Made as part of Disquiet Junto 0729 https://llllllll.co/t/disquiet-junto-project-0729-community-rework-nina
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A nice Disquiet Junto project to take my mind off my head cold. A track made using a 1920 recording of "Nina" by Hans Kindler. Lots of layers, mixed and filtered with Csound. Not my usual kind of sound, but I really like it! Cheers! https://soundcloud.com/matthew-m-conroy/nina-disquiet0729
Made as part of Disquiet Junto 0729 https://llllllll.co/t/disquiet-junto-project-0729-community-rework-nina
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An amazing algorithmic composition in #CSOUND based on single impulses being sent down a wave guide, which imparts the simple clicks with wonderful microtonalities. I ran CSOUND on my NeXT, and we can do it now in realtime even on our phones... :)
https://csound.com/examples/waveguide.html -
An amazing algorithmic composition in #CSOUND based on single impulses being sent down a wave guide, which imparts the simple clicks with wonderful microtonalities. I ran CSOUND on my NeXT, and we can do it now in realtime even on our phones... :)
https://csound.com/examples/waveguide.html -
An amazing algorithmic composition in #CSOUND based on single impulses being sent down a wave guide, which imparts the simple clicks with wonderful microtonalities. I ran CSOUND on my NeXT, and we can do it now in realtime even on our phones... :)
https://csound.com/examples/waveguide.html -
An amazing algorithmic composition in #CSOUND based on single impulses being sent down a wave guide, which imparts the simple clicks with wonderful microtonalities. I ran CSOUND on my NeXT, and we can do it now in realtime even on our phones... :)
https://csound.com/examples/waveguide.html -
An amazing algorithmic composition in #CSOUND based on single impulses being sent down a wave guide, which imparts the simple clicks with wonderful microtonalities. I ran CSOUND on my NeXT, and we can do it now in realtime even on our phones... :)
https://csound.com/examples/waveguide.html -
My very final track for #Noisevember. I've had a great time churning out noise this month, I hope you've enjoyed listening. This last one is a calming coda of swelling noise, composed using a recursive method I've been playing with for a while. Has a nice long quiet tail. Cheers! https://soundcloud.com/matthew-m-conroy/the-very-last-one
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My very final track for #Noisevember. I've had a great time churning out noise this month, I hope you've enjoyed listening. This last one is a calming coda of swelling noise, composed using a recursive method I've been playing with for a while. Has a nice long quiet tail. Cheers! https://soundcloud.com/matthew-m-conroy/the-very-last-one
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My very final track for #Noisevember. I've had a great time churning out noise this month, I hope you've enjoyed listening. This last one is a calming coda of swelling noise, composed using a recursive method I've been playing with for a while. Has a nice long quiet tail. Cheers! https://soundcloud.com/matthew-m-conroy/the-very-last-one
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My very final track for #Noisevember. I've had a great time churning out noise this month, I hope you've enjoyed listening. This last one is a calming coda of swelling noise, composed using a recursive method I've been playing with for a while. Has a nice long quiet tail. Cheers! https://soundcloud.com/matthew-m-conroy/the-very-last-one
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My very final track for #Noisevember. I've had a great time churning out noise this month, I hope you've enjoyed listening. This last one is a calming coda of swelling noise, composed using a recursive method I've been playing with for a while. Has a nice long quiet tail. Cheers! https://soundcloud.com/matthew-m-conroy/the-very-last-one
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#Noisevember is almost over! Here's another guitar-based thing with live Csound processing, another experiment in getting waveforms to interfere with each other. Using a new method here, but it's a little subtle, but the whole thing came out nice, I think. Enjoy! https://soundcloud.com/matthew-m-conroy/guitarcsound
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#Noisevember is almost over! Here's another guitar-based thing with live Csound processing, another experiment in getting waveforms to interfere with each other. Using a new method here, but it's a little subtle, but the whole thing came out nice, I think. Enjoy! https://soundcloud.com/matthew-m-conroy/guitarcsound
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#Noisevember is almost over! Here's another guitar-based thing with live Csound processing, another experiment in getting waveforms to interfere with each other. Using a new method here, but it's a little subtle, but the whole thing came out nice, I think. Enjoy! https://soundcloud.com/matthew-m-conroy/guitarcsound
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#Noisevember is almost over! Here's another guitar-based thing with live Csound processing, another experiment in getting waveforms to interfere with each other. Using a new method here, but it's a little subtle, but the whole thing came out nice, I think. Enjoy! https://soundcloud.com/matthew-m-conroy/guitarcsound
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#Noisevember is almost over! Here's another guitar-based thing with live Csound processing, another experiment in getting waveforms to interfere with each other. Using a new method here, but it's a little subtle, but the whole thing came out nice, I think. Enjoy! https://soundcloud.com/matthew-m-conroy/guitarcsound
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#Noisevember! This one's not noisy, but we're all friends here, right? I continue to try to understand ways to have two signals "interfere with each other spectrally" and this was an experiment with one way that involves the exponential function. https://soundcloud.com/matthew-m-conroy/something-with-the-exponential-function
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#Noisevember! This one's not noisy, but we're all friends here, right? I continue to try to understand ways to have two signals "interfere with each other spectrally" and this was an experiment with one way that involves the exponential function. https://soundcloud.com/matthew-m-conroy/something-with-the-exponential-function
