#claudemonet — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #claudemonet, aggregated by home.social.
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https://www.europesays.com/ie/585763/ Impressionism’s legacy reconsidered in blockbuster exhibitions at AGSA and Geelong Gallery #agsa #Arts #ArtsAndDesign #ArtsAndDesign #ArtsDesign #ClaudeMonet #Design #DiscoveringTheImpressionists #Éire #Entertainment #GeelongGallery #IE #impressionism #Ireland #MonetAdelaide #MonetExhibition #MonetMatisse #MonetToMatisse #PaulDurandRuel
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https://www.europesays.com/es/652540/ Un diario visual inspirado en el jardín de la casa donde vivió Monet | EL PAÍS Semanal #arte #ArteYDiseño #Artistas #Arts #ArtsAndDesign #belleza #ClaudeMonet #Cultura #Design #Diseño #Entertainment #Entretenimiento #ES #España #flores #Fotografía #Impresionismo #Spain
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"Rocks at Belle-Isle, Port-Domois," Claude Monet, 1888.
Y'all know Monet.
He painted this during a visit to the island of Belle-Isle-en-Mer off the northern coast of France. Near the village of Kervilahouen, he found these dramatic rocks and had a tough time painting them.
Monet was used to painting calm water, and the sea at Belle-Isle was rough and turbulent. Even here, he doesn't really communicate a rough sea; it looks fairly calm. The foreground rocks in shadow, and the background rocks being touched with light, give an impression of being painted at sunrise or sunset; the pearly sky in the background supports that.
Keep thinking cool thoughts in this summer heat!
From the Cincinnati Art Museum.
#Art #ClaudeMonet #Impressionism #Seascape #Brittany #Rocks #Drama
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"Rocks at Belle-Isle, Port-Domois," Claude Monet, 1888.
Y'all know Monet.
He painted this during a visit to the island of Belle-Isle-en-Mer off the northern coast of France. Near the village of Kervilahouen, he found these dramatic rocks and had a tough time painting them.
Monet was used to painting calm water, and the sea at Belle-Isle was rough and turbulent. Even here, he doesn't really communicate a rough sea; it looks fairly calm. The foreground rocks in shadow, and the background rocks being touched with light, give an impression of being painted at sunrise or sunset; the pearly sky in the background supports that.
Keep thinking cool thoughts in this summer heat!
From the Cincinnati Art Museum.
#Art #ClaudeMonet #Impressionism #Seascape #Brittany #Rocks #Drama
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"Rocks at Belle-Isle, Port-Domois," Claude Monet, 1888.
Y'all know Monet.
He painted this during a visit to the island of Belle-Isle-en-Mer off the northern coast of France. Near the village of Kervilahouen, he found these dramatic rocks and had a tough time painting them.
Monet was used to painting calm water, and the sea at Belle-Isle was rough and turbulent. Even here, he doesn't really communicate a rough sea; it looks fairly calm. The foreground rocks in shadow, and the background rocks being touched with light, give an impression of being painted at sunrise or sunset; the pearly sky in the background supports that.
Keep thinking cool thoughts in this summer heat!
From the Cincinnati Art Museum.
#Art #ClaudeMonet #Impressionism #Seascape #Brittany #Rocks #Drama
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"Rocks at Belle-Isle, Port-Domois," Claude Monet, 1888.
Y'all know Monet.
He painted this during a visit to the island of Belle-Isle-en-Mer off the northern coast of France. Near the village of Kervilahouen, he found these dramatic rocks and had a tough time painting them.
Monet was used to painting calm water, and the sea at Belle-Isle was rough and turbulent. Even here, he doesn't really communicate a rough sea; it looks fairly calm. The foreground rocks in shadow, and the background rocks being touched with light, give an impression of being painted at sunrise or sunset; the pearly sky in the background supports that.
Keep thinking cool thoughts in this summer heat!
From the Cincinnati Art Museum.
#Art #ClaudeMonet #Impressionism #Seascape #Brittany #Rocks #Drama
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"Rocks at Belle-Isle, Port-Domois," Claude Monet, 1888.
Y'all know Monet.
He painted this during a visit to the island of Belle-Isle-en-Mer off the northern coast of France. Near the village of Kervilahouen, he found these dramatic rocks and had a tough time painting them.
Monet was used to painting calm water, and the sea at Belle-Isle was rough and turbulent. Even here, he doesn't really communicate a rough sea; it looks fairly calm. The foreground rocks in shadow, and the background rocks being touched with light, give an impression of being painted at sunrise or sunset; the pearly sky in the background supports that.
Keep thinking cool thoughts in this summer heat!
From the Cincinnati Art Museum.
#Art #ClaudeMonet #Impressionism #Seascape #Brittany #Rocks #Drama
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The Wildflower To Plant In July For A Color-Packed Summer Garden https://www.allforgardening.com/1848390/the-wildflower-to-plant-in-july-for-a-color-packed-summer-garden/ #ClaudeMonet #CommonPoppy #FlowerBeds #garden #gardening #PoppyFlowers
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The Wildflower To Plant In July For A Color-Packed Summer Garden https://www.allforgardening.com/1848390/the-wildflower-to-plant-in-july-for-a-color-packed-summer-garden/ #ClaudeMonet #CommonPoppy #FlowerBeds #garden #gardening #PoppyFlowers
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https://www.europesays.com/ch-fr/193130/ Giverny : David Gallienne rend hommage à Monet avec des repas gastronomiques suspendus à 40 mètres #ArtsAndDesign #ArtsEtDesign #ClaudeMonet #DavidGallienne #Divertissement #Entertainment #Giverny #Suisse
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https://www.europesays.com/be-fr/155099/ Giverny : David Gallienne rend hommage à Monet avec des repas gastronomiques suspendus à 40 mètres #Arts #ArtsAndDesign #ArtsEtDesign #BE #BEFr #Belgique #Belgium #ClaudeMonet #DavidGallienne #Design #Divertissement #Entertainment #Giverny
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"St. Germain l'Auxerrois," Claude Monet, 1867.
Y'all know Monet.
In 1867, Impressionism was still becoming A Thing and its styles and codes were still being worked out. Although he was displaying work in some prestigious shows, it wasn't selling (and I'm sure some of them kicked themselves later).
But he persisted, and he and his friend Renoir got permission from the Louvre to set up their easels by the windows to paint cityscapes. Here we have Monet's impression of the Gothic church of St. Germain l'Auxerrois on a warm spring day. The sky is clear, the chestnuts are in blossom, and stylish Parisians are promenading under the trees. It became a popular painting later and often reproduced.
Although he captures the building in some detail, the trees and people are just skillful dabs of paint, thus fulfilling Impressionism's philosophy, of presenting an impression of what the eye sees.
From the Alte Nationalgalerie, Berlin.
#Art #ClaudeMonet #Impressionism #Cityscape #ChestnutsInBlossom
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"St. Germain l'Auxerrois," Claude Monet, 1867.
Y'all know Monet.
In 1867, Impressionism was still becoming A Thing and its styles and codes were still being worked out. Although he was displaying work in some prestigious shows, it wasn't selling (and I'm sure some of them kicked themselves later).
But he persisted, and he and his friend Renoir got permission from the Louvre to set up their easels by the windows to paint cityscapes. Here we have Monet's impression of the Gothic church of St. Germain l'Auxerrois on a warm spring day. The sky is clear, the chestnuts are in blossom, and stylish Parisians are promenading under the trees. It became a popular painting later and often reproduced.
Although he captures the building in some detail, the trees and people are just skillful dabs of paint, thus fulfilling Impressionism's philosophy, of presenting an impression of what the eye sees.
From the Alte Nationalgalerie, Berlin.
#Art #ClaudeMonet #Impressionism #Cityscape #ChestnutsInBlossom
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"St. Germain l'Auxerrois," Claude Monet, 1867.
Y'all know Monet.
In 1867, Impressionism was still becoming A Thing and its styles and codes were still being worked out. Although he was displaying work in some prestigious shows, it wasn't selling (and I'm sure some of them kicked themselves later).
But he persisted, and he and his friend Renoir got permission from the Louvre to set up their easels by the windows to paint cityscapes. Here we have Monet's impression of the Gothic church of St. Germain l'Auxerrois on a warm spring day. The sky is clear, the chestnuts are in blossom, and stylish Parisians are promenading under the trees. It became a popular painting later and often reproduced.
Although he captures the building in some detail, the trees and people are just skillful dabs of paint, thus fulfilling Impressionism's philosophy, of presenting an impression of what the eye sees.
From the Alte Nationalgalerie, Berlin.
#Art #ClaudeMonet #Impressionism #Cityscape #ChestnutsInBlossom
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"St. Germain l'Auxerrois," Claude Monet, 1867.
Y'all know Monet.
In 1867, Impressionism was still becoming A Thing and its styles and codes were still being worked out. Although he was displaying work in some prestigious shows, it wasn't selling (and I'm sure some of them kicked themselves later).
But he persisted, and he and his friend Renoir got permission from the Louvre to set up their easels by the windows to paint cityscapes. Here we have Monet's impression of the Gothic church of St. Germain l'Auxerrois on a warm spring day. The sky is clear, the chestnuts are in blossom, and stylish Parisians are promenading under the trees. It became a popular painting later and often reproduced.
Although he captures the building in some detail, the trees and people are just skillful dabs of paint, thus fulfilling Impressionism's philosophy, of presenting an impression of what the eye sees.
From the Alte Nationalgalerie, Berlin.
#Art #ClaudeMonet #Impressionism #Cityscape #ChestnutsInBlossom
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"St. Germain l'Auxerrois," Claude Monet, 1867.
Y'all know Monet.
In 1867, Impressionism was still becoming A Thing and its styles and codes were still being worked out. Although he was displaying work in some prestigious shows, it wasn't selling (and I'm sure some of them kicked themselves later).
But he persisted, and he and his friend Renoir got permission from the Louvre to set up their easels by the windows to paint cityscapes. Here we have Monet's impression of the Gothic church of St. Germain l'Auxerrois on a warm spring day. The sky is clear, the chestnuts are in blossom, and stylish Parisians are promenading under the trees. It became a popular painting later and often reproduced.
Although he captures the building in some detail, the trees and people are just skillful dabs of paint, thus fulfilling Impressionism's philosophy, of presenting an impression of what the eye sees.
From the Alte Nationalgalerie, Berlin.
#Art #ClaudeMonet #Impressionism #Cityscape #ChestnutsInBlossom
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On 23 June 2014: #ClaudeMonet's Water Lilies is sold at auction for US$54 million.
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The Cliffs at Étretat by Claude Monet (1885)
Cliffs at Étretat is a series of about fifty oil paintings by Claude Monet. The series depicts the chalk cliffs of Étretat, a commune along the northern coast of France. The works depict the seaside town’s limestone cliffs and sea arches under varying times of day and weather conditions, reflecting Monet’s growing interest in serial views of a single motif.The Étretat paintings are regarded by art historians as a pivotal stage in Monet’s career, marking the transition from his earlier Impressionist practice to the sustained observation of light and atmosphere that defined his later work.
Monet was inspired by Etretat in the Caux region of Normandy, which he visited every year between 1883 and 1886. He had first come across the area in 1868 and was particularly drawn by how picturesque it was - so much so that it resulted in more than 50 paintings. However, he only painted the Manneporte - the largest of three arches known as the “Gates,” twice. When this work was created in c. 1885, Monet regularly met with Guy de Maupassant, a popular 19th-century French writer - often considered one of the “fathers” of the modern short story. Etretat, where Maupassant was living at the time, was the selling chosen for a number of his own works. His thoughts and feelings were mirrored in the works created by Monet of these monumental cliffs and his love of the Normandy coast. Known as the “Elephant and the Needle,” due to the rock formations, these famous cliffs are painted by Monet in a typical Impressionist style, with its atmospheric conditions and the effect of the light. The illusion of movement on the sea is carefully created using separate brushstrokes, combined with vibrant colors. Monet was renowned for applying one color over another while the first was still wet - this is evident in this painting through the setting sun.
The work was painted during the winter months, presenting the artist with a number of obstacles, not least the weather, the difficult terrain, and the changing tides.
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The Cliffs at Étretat by Claude Monet (1885)
https://piefed.social/c/traditional_art/p/2155287/the-cliffs-at-etretat-by-claude-monet-1885
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The Cliffs at Étretat by Claude Monet (1885)
https://piefed.social/c/traditional_art/p/2155287/the-cliffs-at-etretat-by-claude-monet-1885
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The Cliffs at Étretat by Claude Monet (1885)
https://piefed.social/c/traditional_art/p/2155287/the-cliffs-at-etretat-by-claude-monet-1885
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The Cliffs at Étretat by Claude Monet (1885)
https://piefed.social/c/traditional_art/p/2155287/the-cliffs-at-etretat-by-claude-monet-1885
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Record-breaking Monet in London: Sotheby’s brings Europe’s most expensive Monet ever estimated to auction
by Redazione , published on 14/06/2026 Categories: Market / Disclaimer Two masterpieces by Claude Monet will be among…
#Europe #EU #ClaudeMonet #Impressionismo #Sotheby
https://www.europesays.com/europe/69090/ -
https://www.europesays.com/hu/135542/ Index – Kultúr – „Megalázó, ahogy rászedtek minket!” – iszonyat nagy svindli rázta meg a műkincsvilágot #BíróságiPer #CeFemina #CeNapi #ClaudeMonet #Entertainment #festmény #HU #Hungarian #Hungary #képzőművészet #kultúr #Magyar #Magyarország #Szórakozás
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Water Lilies and Japanese Bridge by Claude Monet (1899)
Artist: Claude Monet
Year: 1899
Medium: Oil on canvas
Water Lilies and Japanese Bridge represents two of Monet’s greatest achievements: his gardens at Giverny and the paintings they inspired. Monet moved to Giverny in 1883 and immediately began to develop the property. For him, the gardens were both a passion and a second artistic medium. His Asian garden was not part of the original estate; it was located on an adjacent property with a small brook, which he purchased and enlarged into a pond for a water garden in 1893. He transformed the site into an inspired vision of cool greens and calm, reflective waters, enhanced by exotic plants such as bamboo, ginkgo, and Japanese fruit trees and a Japanese footbridge. It was not until 1899, however, that he began a series of views of the site, of which this is one. A careful craftsman who reworked his canvases multiple times, Monet was committed to painting directly from nature as much as possible and for as long as he had the correct conditions; thus, he could work on as many as eight or more canvases a day, devoting as little as an hour or less to each. In this case, he set up his easel at the edge of the water-lily pond and worked on several paintings of the subject as part of a single process. Monet’s gardens and paintings show the same fascination with the effects of time and weather on the landscape. Both are brilliant expressions of his unique visual sensitivity and emotional response to nature. At Giverny, he literally shaped nature for his brush, cultivating vistas to paint.
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Water Lilies and Japanese Bridge by Claude Monet (1899)
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https://www.europesays.com/uk/1022889/ When Hockney told AFP about his lockdown ‘blessing’ in France #ClaudeMonet #EU #Europe #France #Hockney #MuseeDeL'Orangerie #WelcomeOpportunity
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When Hockney told AFP about his lockdown ‘blessing’ in France
British artist David Hockney, who has died at the age of 88, spoke to AFP in 2021 about…
#France #FR #Europe #EU #ClaudeMonet #Hockney #Museedel'Orangerie #welcomeopportunity
https://www.europesays.com/france/35002/ -
When Hockney told AFP about his lockdown ‘blessing’ in France
British artist David Hockney, who has died at the age of 88, spoke to AFP in 2021 about…
#France #FR #Europe #EU #ClaudeMonet #Hockney #Museedel'Orangerie #welcomeopportunity
https://www.europesays.com/france/34965/ -
https://www.europesays.com/fr/979904/ « Monet tombe sous le charme extraordinaire de ce pays en hiver » : la Creuse, autre berceau du père de l’impressionnisme #arts #ArtsAndDesign #ArtsEtDesign #ClaudeMonet #Creuse #Design #Divertissement #Entertainment #FR #France
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https://www.europesays.com/ch-fr/162199/ « Monet tombe sous le charme extraordinaire de ce pays en hiver » : la Creuse, autre berceau du père de l’impressionnisme #ArtsAndDesign #ArtsEtDesign #ClaudeMonet #Creuse #Divertissement #Entertainment #Suisse
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https://www.europesays.com/be-fr/130826/ « Monet tombe sous le charme extraordinaire de ce pays en hiver » : la Creuse, autre berceau du père de l’impressionnisme #Arts #ArtsAndDesign #ArtsEtDesign #BE #BEFr #Belgique #Belgium #ClaudeMonet #Creuse #Design #Divertissement #Entertainment
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Claude Monet - Dans le Parc, c.1920 - Alfred Noyer Photo CPA
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Claude Monet - Dans le Parc, c.1920 - Alfred Noyer Photo CPA
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Claude Monet - Dans le Parc, c.1920 - Alfred Noyer Photo CPA
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Claude Monet - Dans le Parc, c.1920 - Alfred Noyer Photo CPA
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Claude Monet - Dans le Parc, c.1920 - Alfred Noyer Photo CPA
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Fair Warning Bets Big on a Banksy That Could Realize $18 Million
A landmark Banksy is hitting the auction block via Fair Warning, carrying one of the artist’s loftiest estimates…
#France #FR #Europe #EU #Tiffany&Co. #AndyWarhol #artnet-news #auctions #Banksy #Christie’s #ClaudeMonet #fairwarning #jean-michelbasquiat #loicgouzer #lvmh #Sotheby's
https://www.europesays.com/france/22434/ -
Monet’s Garden Reimagined in Embroidery by Textile Artist
https://mymodernmet.com/kathrin-marchenko-nympheas-beyond/#Katherinmarchenko #embroidery #art #monet #claudemonet #textile #painting #impressionnism
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Monet’s Garden Reimagined in Embroidery by Textile Artist
https://mymodernmet.com/kathrin-marchenko-nympheas-beyond/#Katherinmarchenko #embroidery #art #monet #claudemonet #textile #painting #impressionnism
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Monet’s Garden Reimagined in Embroidery by Textile Artist
https://mymodernmet.com/kathrin-marchenko-nympheas-beyond/#Katherinmarchenko #embroidery #art #monet #claudemonet #textile #painting #impressionnism
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Monet’s Garden Reimagined in Embroidery by Textile Artist
https://mymodernmet.com/kathrin-marchenko-nympheas-beyond/#Katherinmarchenko #embroidery #art #monet #claudemonet #textile #painting #impressionnism
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Monet’s Garden Reimagined in Embroidery by Textile Artist
https://mymodernmet.com/kathrin-marchenko-nympheas-beyond/#Katherinmarchenko #embroidery #art #monet #claudemonet #textile #painting #impressionnism
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Claude Monet💫
#art #claudemonet #impressionism #mastoart
