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297 results for “TDreher”

  1. Pask, Gordon: Musicolour, Boltons Theatre Club, South Kensington 1954.
    Left: Stage with a projection screen for Musicolour.
    Right: Moon-Music, playbill.
    More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: dreher.netzliteratur.net/4_Med

  2. Chess Pieces: Duchamp, Cage and Fluxchesses (Chess pieces realized by members of Fluxus). Folder for the exhibition "Kunst als Grenzbeschreitung: John Cage und die Moderne", Staatsgalerie moderner Kunst in Neue Pinakothek, Munich 1991. Internet: dreher.netzliteratur.net/2_Flu

  3. Joseph Kosuth: The Second Investigation, 1968-1970. Multipart work in different media. More informations: Dreher, Thomas: Kontextreflexive Kunst: Selbst- und Fremdbezüge in intermedialen Präsentationsformen, p.88-91. PDF: dreher.netzliteratur.net/9_Kon

  4. Joseph Kosuth: The Second Investigation, 1968-1970. Multipart work in different media. More informations: Dreher, Thomas: Kontextreflexive Kunst: Selbst- und Fremdbezüge in intermedialen Präsentationsformen, p.88-91. PDF: dreher.netzliteratur.net/9_Kon #josephkosuth #conceptualart #conceptualartist #conceptualartwork #conceptualartworks #contextart #contextartwork #contextualart #thomasdreher #josephkosuthinvestigation

  5. Joseph Kosuth: The Tenth Investigation, Proposition One,1974. Neue Galerie Kassel. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.281-294 (interpretation of the relations between the parts of the installation). PDF: dreher.netzliteratur.net/3_Kon

  6. Joseph Kosuth: The Tenth Investigation, Proposition One,1974. Neue Galerie Kassel. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.281-294 (interpretation of the relations between the parts of the installation). PDF: dreher.netzliteratur.net/3_Kon #josephkosuth #thomasdreher #ConceptArt #conceptartist #conceptartwork #conceptartworks #conceptualart #conceptualartist #conceptualartists #installationart #installationartwork

  7. Joseph Kosuth: The Tenth Investigation, Proposition One,1974. Neue Galerie Kassel. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.281-294 (interpretation of the relations between the parts of the installation). PDF: dreher.netzliteratur.net/3_Kon #josephkosuth #thomasdreher #ConceptArt #conceptartist #conceptartwork #conceptartworks #conceptualart #conceptualartist #conceptualartists #installationart #installationartwork

  8. Bernhard Johannes Blume: Waldeslust, 1984/1986. Large photo sequence. Photo action with Anna Blume. Five b/w blow-ups. More informations in: Dreher, Thomas: Bernhard Johannes und Anna Maria Blume: Fotosequenzen. In: Artefactum, Nr.26, November/December 1988 - January 1989, p.19f. (German), p.63f. (French). PDF: dreher.netzliteratur.net/8_Kon

  9. Art & Language (Terry Atkinson, Michael Baldwin): Print (2 sections A and B), 1966. A piece of paper for exhibitions asking "Is this piece of paper an art work?" More informations in: Thomas Dreher: Art & Language. Kontextreflexive Kunst im Kunstkontext. Plurifunktionale und mehrschichtige Bild- und Diskursmodelle. In: dreher.netzliteratur.net/3_Kon

  10. Sol LeWitt, solo exhibition at Villa Stuck, Munich 1993. Left: Standing Open Structure, Black, 1964, painted wood. Center: Floor Structure, Black, 1965, painted wood. Right: Wall Structure, 1963, oil on canvas and painted wood.
    Informations in: Dreher, Thomas: Sol LeWitt. Structures 1962-1993. In: Kritik. Zeitgenössische Kunst München. Nr.3/1993, S.26-32. HTML: dreher.netzliteratur.net/3_Kon

  11. Harrison III, Lee: ANIMAC, 1962. A dancer controls the line patterns of a figure by activating sensors mounted on her body. Denver 1962 (photomontage). More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: iasl.uni-muenchen.de/links/GCA

  12. Harrison III, Lee: ANIMAC, 1962. A dancer controls the line patterns of a figure by activating sensors mounted on her body. Denver 1962 (photomontage). More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: iasl.uni-muenchen.de/links/GCA #videosynthesizer #videosynthesizers #leeharrison #leeharrisonIII #animac #animacanimation #videoanimation #videoart #videotools #videotool #AnalogAnimation #thomasdreher

  13. Harrison III, Lee: ANIMAC, 1962. A dancer controls the line patterns of a figure by activating sensors mounted on her body. Denver 1962 (photomontage). More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: iasl.uni-muenchen.de/links/GCA #videosynthesizer #videosynthesizers #leeharrison #leeharrisonIII #animac #animacanimation #videoanimation #videoart #videotools #videotool #AnalogAnimation #thomasdreher

  14. Chronology of the artists' group Fluxus (with European, American and Asian members): Folder for the exhibition "Kunst als Grenzbeschreitung: John Cage und die Moderne", Staatsgalerie moderner Kunst in Neue Pinakothek, Munich 1991. Internet: dreher.netzliteratur.net/2_Flu

  15. Casey Reas: {Software} Structures, 2004. Artport, internet platform of the Whitney Museum of American Art, New York. More informations: Dreher, Thomas: Conceptual Art and Software Art, chapter III.2. Internet: iasl.uni-muenchen.de/links/NAK