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#minimalartist — Public Fediverse posts

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  1. Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 28, Munich 1994, p.6. PDF with new illustrations: URL: dreher.netzliteratur.net/6_Lan
    #landart #landartist #Robertsmithson #minimalart #minimalartist #earthworks #nonsite

  2. Robert Morris: Continuous Project Altered Daily, 1969. Installation Leo Castelli Gallery, New York. Documentation as leporello, Multiples, Inc., New York 1970. In: Dreher, Thomas: Anamorphosen. Todesreflexe in Zerrspiegeln. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue19, Munich 1994, p.6. As PDF with new illustrations: URL: dreher.netzliteratur.net/6_Lan
    #RobertMorris #antiform #earthart #earthartist #minimalart #minimalartist #landart #landartist #installationart #LeoCastelli

  3. Sol LeWitt: Serial Project No.1 (ABCD), 1966. Various realizations in different sizes and materials. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.263-274, ill.15. PDF: dreher.netzliteratur.net/3_Kon #sollewitt #thomasdreher #sollewittsculpture #sollewittsculptures #conceptualart #conceptualartist #conceptualartists #conceptart #conceptartists #conceptualartworks #minimalart #minimalartist #minimalartists

  4. LeWitt: Left: Horizontal Serial Piece (Open Geometric Structre) # III, 1990. Painted wood. Right (and the two following illustrations): Complex Form #8, 1988. Painted wood. Exhibited at Museum Villa Stuck, Munich 1993. More informations: Dreher, Thomas: Sol LeWitt: Structures 1962-1993. In: Kritik. Contemporary Art Munich. Nr.3/1993, p.26-32. Internet: dreher.netzliteratur.net/3_Kon #sollewitt #minimalart #minimalartist #conceptart #conceptualart #postmodernsculpture #villastuck #thomasdreher

  5. Robert Morris: Untitled, 1968-1969, installation. 200 pieces, felt, copper, rubber, zinc, nickel, aluminum, corten and stainless steel.
    More informations in: Dreher, Thomas:
    Allan Kaprow versus Robert Morris:
    Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: dreher.netzliteratur.net/1_Kap
    #installationart #installationartist #installationartists #mimimalart #minimalartist #minimalartists #antiform #robertmorris #environmentart #environmentartist #environmentartists

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