#marcelduchamp — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #marcelduchamp, aggregated by home.social.
-
📰 Today's top stories, personally curated for you by Zorz Studios: http://zorz.it/newspaper
- The #CanonEOSR6MarkIII vs. #SonyA7V: real-world performance tested side by side;
- 10 things that go wrong during a #ClientConsultation;
- An intimate one hotel #MiamiBeachWedding;
- #Luxury to #HighStreetJeans: can you tell the difference?
- 8 #artists to follow if you like #MarcelDuchamp, and more -
And yes, the man in “The Witch’s Cradle” is played by Dada/Cubist/conceptual artist Marcel Duchamp
#LaEsoterica #TheWitchsCradle #MarcelDuchamp #MayaDeren -
The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing – The Art Newspaper
CezanneFondation Beyeler, Basel, 25 January…
#NewsBeep #News #Artsanddesign #AnaMendieta #AnishKapoor #anniversary #Arts #ArtsAndDesign #CA #Canada #Cezanne #Design #EdmoniaLewis #Entertainment #Exhibitions #FranciscodeZurbaran #Iranianart #JohnBaldessari #MarcelDuchamp #PaulCezanne #PeggyGuggenheimCollection #preview #Raphael #SidneyNolan #TheYearAhead2026
https://www.newsbeep.com/ca/389810/ -
https://www.europesays.com/uk/675714/ The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing – The Art Newspaper #AnaMendieta #AnishKapoor #anniversary #Arts #ArtsAndDesign #Cezanne #Design #EdmoniaLewis #Entertainment #Exhibitions #FranciscoDeZurbaran #IranianArt #JohnBaldessari #MarcelDuchamp #PaulCezanne #PeggyGuggenheimCollection #preview #Raphael #SidneyNolan #TheYearAhead2026 #UK #UnitedKingdom
-
The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing – The Art Newspaper
CezanneFondation Beyeler, Basel, 25 Janu…
#NewsBeep #News #Artsanddesign #AnaMendieta #anishkapoor #anniversary #Arts #ArtsAndDesign #AU #Australia #Cezanne #Design #EdmoniaLewis #Entertainment #Exhibitions #FranciscodeZurbaran #Iranianart #JohnBaldessari #MarcelDuchamp #PaulCezanne #PeggyGuggenheimCollection #preview #Raphael #SidneyNolan #TheYearAhead2026
https://www.newsbeep.com/au/393385/ -
https://www.europesays.com/ie/268563/ The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing – The Art Newspaper #AnaMendieta #AnishKapoor #Anniversary #Arts #ArtsAndDesign #ArtsAndDesign #ArtsDesign #Cezanne #Design #EdmoniaLewis #Éire #Entertainment #Exhibitions #FranciscoDeZurbaran #IE #IranianArt #Ireland #JohnBaldessari #MarcelDuchamp #PaulCezanne #PeggyGuggenheimCollection #preview #Raphael #SidneyNolan #TheYearAhead2026
-
“Put another way: #contradiction is essential to #Fountain as #art. And if it didn’t embody a contradiction, it wouldn’t be half as interesting; we wouldn’t still be talking about it.” aeon.co/essays/how-c... #MarcelDuchamp
How can Duchamp’s ‘Fountain’ b... -
Idea for a film:
- obtain a cybertruck and leave it in definately the wrong part of the wrong town
- surround it with timelapse cameras
- wait
- digitally subtract all actors (something AI can do quite well)As when #MarcelDuchamp hung a math text outside his window, "to see how it stands up against the harsh realities of Nature" 😅
-
D'ailleurs, c'est toujours les autres qui meurent
-
la fortuna economica della sperimentazione: marcel duchamp
« Je me souviens d’une anecdote racontée par Daniel Spoerri à propos de ses éditions MAT MOT. Un jour, à la fin des années 50, il téléphone à Duchamp et lui demande : « Vous avez encore des Rotoreliefs de votre éditions de 1935 ?- Oui, oui, j’en ai encore. – Combien en avez-vous fait ? – 100 – Et combien en reste t-il ? – 90… » Il n’en avait vendu que 10 ! » Maurizio Nannucci.
Jeff Nimp: https://www.facebook.com/share/p/15JXHZUrXK/#art #éditions #DanielSpoerri #Duchamp #edizioni #JeffNimp #MarcelDuchamp #MATMOT #MaurizioNannucci #Rotoreliefs
-
Je ne peux arbitrer la controverse, mais je note à quel point les admirateurs de Duchamp la détestent, la traitent par le mépris.
Ce qui m’intéresse, c’est le contraste entre la baronne et Duchamp dans leur rapport à la création. La baronne est fantasque, extravertie. Elle crée « comme elle respire ». Elle est fauchée, mais elle n’accorde ni temps ni attention à la valorisation de ses œuvres.
Duchamp, c’est le contraire. Il revendique Fountain très tard, et ça devient alors une répétition obsessionnelle. Le jaillissement subversif c’est un instant. L’obsession de la répétition ? la jubilation est perdue…
-
Dans ce document, beaucoup d’infos. Ça s’appelle « Les nouvelles fables de #Fountain 1917-2017 » par Michaël La Chance
https://www.erudit.org/fr/revues/inter/2017-n127-inter03190/86333ac.pdf
-
Je me rends compte que tout le monde ne connaît pas l’histoire. Une controverse d’attribution, l’invisibilisation de l’œuvre d’une artiste femme après sa mort par Marcel Duchamp, qui ne serait pas vraiment Duchamp si on enlève Fontaine (1917) de la liste de ses œuvres.
La controverse n’est pas close, c’est vrai, il y a des partisans enflammés de chaque côté, mais ça colle tellement bien ! Je n’aime pas Duchamp, j’avoue. En gros je n’aime presque rien de Duchamp. Malevitch, oui ; Duchamp, non. C’est mon histoire de l’art à moi.
Introducing la baronne Elsa von Freytag-Loringhoven, qui est bien plus chouette que Duchamp !
-
Chess players, from orbiting cosmonauts to the Wu-Tang Clan – in pictures https://www.theguardian.com/artanddesign/gallery/2024/sep/06/chess-players-from-orbiting-cosmonauts-to-the-wu-tang-clan-in-pictures #CatherineDeneuve #HumphreyBogart #IngmarBergman #MarcelDuchamp #Artanddesign #LaurenBacall #LeonardNimoy #Photography #Wu-TangClan #FayeDunaway #DonnaSummer #DavidBowie #RayCharles #CheGuevara #JohnWayne #Culture #Chess
-
L'influenza di Marcel Duchamp sull'arte moderna
#MarcelDuchamp #arte #artemoderna
Nel 1917 Marcel Duchamp acquistò un comune orinatoio di porcellana prodotto in serie da un fornitore di idraulica, lo mise sottosopra, lo firmò e poi lo mise in mostra...
https://www.tiziano.caviglia.name/2024/08/30/l-influenza-di-marcel-duchamp-sull-arte-moderna/13055/ -
ooooh i never knew about Duchamp's Rotoreliefs!
-
#Bales2023FilmChallenge December 22: #mathematics on #MathematicsDay in India
Mahagonny (1980) is film maker, artist, musicologist, and alchemist #HarrySmith's mathematical analysis of #MarcelDuchamp's masterpiece The Bride Stripped Bare by Her Bachelors, Even, aka The Large Glass (1923). It is set to #Brecht and #Weill's #opera Rise and Fall of the City of Mahagonny from 1930.
#AllenGinsberg #LotteLenya #JonasMekas #PattiSmith #film #cinema #CineMastodon #ExperimentalFilm @film @art_film
-
Duchamp is one of the most misunderstood artists of his time.
The thing is that he wasn't an artist at all. He was a troll. But as everyone in art circles considered him an artist, he trolled them as much as he could and pretended to be an artist for his whole life. And it worked.I guess he elevated the act of trolling into an art, so in that was he was an artist??? 🤷
#art #ModernArt #ContemporaryArt #MarcelDuchamp #Dada #trolling
-
Maya Deren & Marcel Duchamp ~ Witch's Cradle, 1943.
(Evocative music added by Enric Chalaux)An unfinished, silent experimental short film written and directed by Deren, featuring Duchamp and filmed in Peggy Guggenheim's Art of This Century gallery.
-
Duchamp was here. #urinals #UrinalSign #Art #MarcelDuchamp
-
Marcel Duchamp, Man Ray, Erik Satie, Francis Picabia, René Clair, Jean Börlin, and Inge Frïss in “Entr'acte” (1924)
#SilentFlickerSunday #EntreActe #MarcelDuchamp #ManRay #Dadaism #ErikSatie #ReneClair #FrancisPicabia #IngeFriss #JeanBorlin -
Marcel Duchamp, Man Ray, Erik Satie, Francis Picabia, René Clair, Jean Börlin, and Inge Frïss in “Entr'acte” (1924)
#SilentFlickerSunday #EntreActe #MarcelDuchamp #ManRay #Dadaism #ErikSatie #ReneClair #FrancisPicabia #IngeFriss #JeanBorlin -
Marcel Duchamp, Man Ray, Erik Satie, Francis Picabia, René Clair, Jean Börlin, and Inge Frïss in “Entr'acte” (1924)
#SilentFlickerSunday #EntreActe #MarcelDuchamp #ManRay #Dadaism #ErikSatie #ReneClair #FrancisPicabia #IngeFriss #JeanBorlin -
Marcel Duchamp, Man Ray, Erik Satie, Francis Picabia, René Clair, Jean Börlin, and Inge Frïss in “Entr'acte” (1924)
#SilentFlickerSunday #EntreActe #MarcelDuchamp #ManRay #Dadaism #ErikSatie #ReneClair #FrancisPicabia #IngeFriss #JeanBorlin -
Marcel Duchamp, Man Ray, Erik Satie, Francis Picabia, René Clair, Jean Börlin, and Inge Frïss in “Entr'acte” (1924)
#SilentFlickerSunday #EntreActe #MarcelDuchamp #ManRay #Dadaism #ErikSatie #ReneClair #FrancisPicabia #IngeFriss #JeanBorlin -
nioques, frisbees e altre deviazioni / differx. 2021
un cenno ai frisbees, di Giulia Niccolai, è anche nel microsaggio che ho dedicato a Carlo Bordini nel n. 76 del “verri” (giugno 2021).
in quella sede ma anche altrove cerco — come sempre — di spostare la riflessione nella direzione del post che si vede qui di seguito:
https://slowforward.net/2021/06/22/una-nota-di-jean-marie-gleize-a-margine-di-una-recente-lettura-al-cipm/quando si parla di postpoésie ci si può innanzitutto porre all’esterno del rigido circo dei generi letterari; e inoltre risulta del tutto legittimo parlare di qualcosa che implica e assume non soltanto altri abiti, forme, inflessioni, dimensioni, profili, ma infine identità: altri nomi. e idiomi. (si può e forse si deve dire che la dimensione idiomatica qui sopravanza tutte le altre).
quali sono questi altri nomi? questi oggetti verbali non identificati?
(non dico “nuovi”, dico “altri”). (anche se in Italia tutto sembra voler manifestarsi come nuovo, perché perfino la DC ha fatto in tempo a morire ma le forme dell’assertività letteraria ancora reggono).
epiphanies (James Joyce 1900-1904), tender buttons (Gertrude Stein 1914), tropismes (Nathalie Sarraute 1939), notes (Marcel Duchamp, pubbl. post. 1980), nioques (Francis Ponge 1983, Jean-Marie Gleize), proêmes (Ponge), textes pour rien (Samuel Beckett), antéfixes o dépôts de savoir & de technique (Denis Roche), descrizioni in atto (Roberto Roversi), verbotetture (Arrigo Lora Totino 1966), bricolages (Renato Pedio), domande a risposta multipla (John Ashbery; e cfr. Alejandro Zambra, nel nostro secolo), mobiles o boomerangs (Michel Butor), visas (Vittorio Reta), postkarten (Edoardo Sanguineti 1978), sentences (Robert Grenier 1978), subtotals (Gregory Burnham), films (Corrado Costa), schizografie (Gian Paolo Roffi), drafts (Rachel Blau DuPlessis), esercizi ed epigrammi (Elio Pagliarani), frisbees (Giulia Niccolai), anachronismes (Christophe Tarkos), remarques (Nathalie Quintane), ricognizioni (Riccardo Cavallo), anatre di ghiaccio (Mariano Bàino), lettere nere (Andrea Raos), linee (Florinda Fusco), ossidiane e endoglosse e microtensori e “installances” (Marco Giovenale 2001, 2004, 2010, 2010), tracce (Gherardo Bortolotti 2005), prati (Andrea Inglese), diphasic rumors (Jon Leon 2008), united automations (Roberto Cavallera 2012), paragrafi (Michele Zaffarano 2014), incidents (Luc Bénazet 2018), sentences (Cia Rinne 2019), defixiones (Daniele Poletti), avventure minime (Alessandro Broggi), développements (Jérôme Game), conglomerati (Andrea Zanzotto), saturazioni (Simona Menicocci), nughette (Leonardo Canella), sinapsi (Marilina Ciaco), dottrine (Pasquale Polidori), disordini (Fiammetta Cirilli), spostamenti (Carlo Sperduti), spore (Antonio F. Perozzi). E aggiungerei le frecce di Milli Graffi.
senza contare le infinite modalità (perlopiù elencative) messe su pagina da Perec (le cartoline e le passeggiate raccolte nell’Infra-ordinaire, o le stringhe di Je me souviens). durante una conversazione, tempo fa Luigi Magno ha suggerito di pensare alle stesse cancellature di Isgrò come a dispositivi di questo tipo, oltretutto in forma di ponte fra la scrittura e l’arte. per tacere, in tal senso, delle innumerevoli soluzioni disseminate nel tempo da Emilio Villa: “cause”, “variazioni”, “madrigali”, “attributi”, “phrenodiae”, “méditations courtes”, “videogrammi”, “options”, “letanie”, “sibille”, “trous”, “labirinti”, “tarocchi”, … (tutte forme disperse come, già nel 1949, “i sassi nel Tevere”).
#111 #AlejandroZambra #AlessandroBroggi #anachronismes #anacronismi #anatreDiGhiaccio #AndreaInglese #AndreaRaos #AndreaZanzotto #antéfixes #AntonioFPerozzi #AntonioFrancescoPerozzi #attributi #AvventureMinime #Baino #Beckett #boomerangs #Bortolotti #Bricolages #cambioDiParadigma #cancellature #CarloSperduti #cartoline #cause #ChristopheTarkos #CiaRinne #cognizione #conglomerati #CorradoCosta #Costa #critica #DanielePoletti #dépôtsDeSavoirDeTechnique #développements #defixiones #DenisRoche #descrizioniInAtto #differx #diphasicRumors #Disordini #dispositivi #domandeARispostaMultipla #dopoLaPoesia #Dottrine #Drafts #EdoardoSanguineti #ElioPagliarani #EmilioIsgrò #EmilioVilla #Endoglosse #entitàIdiomatiche #Epifanie #eserciziEdEpigrammi #FiammettaCirilli #films #FlorindaFusco #FrancisPonge #frecce #frisbee #frisbees #GeorgesPerec #GetrudeStein #GherardoBortolotti #GianPaoloRoffi #GiuliaNiccolai #Gleize #GregoryBurnham #ISassiNelTevere #idiomi #incidents #InfraOrdinaire #installance #installances #JamesJoyce #JérômeGame #JeMeSouviens #JeanMarieGleize #JohnAshbery #JonLeon #kritik #labirinti #LeonardoCanella #letanie #LettereNere #linee #LucBénazet #LuigiMagno #madrigali #MarcelDuchamp #MarcoGiovenale #MarianoBaino #MarianoBàino #méditationsCourtes #MG #MichelButor #microtensori #MilliGraffi #mobiles #NathalieQuintane #NathalieSarraute #Niccolai #Nioques #notes #Nughette #Osservazioni #ossidiane #PasqualePolidori #passeggiate #Perec #phrenodiae #Ponge #postPoesia #Postkarten #postpoésie #postpoesia #prati #proêmes #prosa #ProsaInProsa #RachelBlauDuPlessis #Remarques #RenatoPedio #RiccardoCavallo #ricognizioni #RobertoCavallera #RobertoRoversi #SamuelBeckett #SanuelBeckett #saturazioni #schizografie #scritturaDiRicerca #scrittureDiRicerca #scrittureSperimentali #segmentiTestuali #sentences #sibille #SimonaMenicocci #sperimentazione #spore #spostamenti #struttureLeggere #subtotals #Tarocchi #TenderButtons #teoria #textesPourRien #tracce #tropismes #trous #unitedAutomations #variazioni #videogrammi #visas #VittorioReta
