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1000 results for “ruska_em”
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Toivottavasti Hammarin sarjakuvat ymmärrettäisiin tämän myötä myös suomentaa (niin kuin olisi jo, kiitos.)
#sarjakuvat #sarjakuvataiteilijat #queersarjakuva #edithhammar #queerlit https://social.ahlroos.me/@yle_fi_bot/114000730611867132
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Toivottavasti Hammarin sarjakuvat ymmärrettäisiin tämän myötä myös suomentaa (niin kuin olisi jo, kiitos.)
#sarjakuvat #sarjakuvataiteilijat #queersarjakuva #edithhammar #queerlit https://social.ahlroos.me/@yle_fi_bot/114000730611867132
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Tutkimus ei-binäärisyydestä suomen kielen kannalta. Jännästi ilman asiaankuuluvia tunnisteita, joiden kautta minäkin olisin löytänyt tämän ilman boostausta...
#eibinäärinen #nonbinary #genderqueer #muunsukupuolisuus #enby #gendernonconforming #genderfluid
https://ihan.outo.la/@manna/113946190884973997 -
https://www.europesays.com/cz/81564/ Evropa loví partnery v hájemství Ruska. Paradoxně to otevírá staré rány mezi Británií a Francií #Arménie #Diplomacie #EmmanuelMacron #Europa #Europe #Evropa #EvropskáUnie #Francie #Jerevan #KeirStarmer #MezinárodníVztahy #migrace #politika #Rusko #VelkáBritánie #vláda #Volby
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Meanwhile, Polish football fans in front of the Ruzzian embassy in Berlin. "Ruska Kurwa!"
How I love thee, Poland 😍
😼🥁 🇵🇱
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Ballerina Review: This John Wick Spin-Off Blows Expecations
Set between the events of John Wick: Chapter 3 – Parabellum and John Wick: Chapter 4, Ballerina follows Rooney, a trained assassin raised in the Ruska Roma crime syndicate. After witnessing her family’s murder, she embarks on a relentless mission to find the people responsible and make them pay....
#AnaDeArmas #BallerinaMovie #johnwick
https://www.themovieblog.com/2025/06/from-the-world-of-john-wick-ballerina-review/
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[CINEMA] 🎞️ Les sorties du 4 juin
🎬 Fabienne Godet réunit Denis Podalydès et Salif Cissé dans "Le Répondeur" — une adaptation du roman éponyme de Luc Blanvillain — et remporte le Prix du Public au Festival international du film de comédie de l’Alpe d’Huez.
🎬 C’est un documentaire émouvant et frais que nous propose Chloé Barreau avec ces "Fragments d’un parcours amoureux "témoignant de l’évolution de ses histoires d’amour.
🎬 Si vous aimez l’univers de John Wick, laissez-vous tenter par Ballerina, un film de Len Wiseman. Ana de Armas y incarne une danseuse formée par les Ruska Roma.
#cinema #sortiescine #films
https://www.relikto.com/category/sur-les-ecrans/ -
🤡 "BREAKING NEWS" 3:
🌍 „Americká zahraniční politika se přesouvá směrem k Asii – na úkor Evropy,“ poznamenává Henri Ménudier, odborník na poválečné Německo. Trumpovo poselství evropským metropolím podle něj zní: „Braňte se sami. Úplně vás neopustíme, ale budete muset nést větší část zátěže, abychom se mohli soustředit na Asii.“ Celý článek zde:
💬 "Evropa jako vedlejší efekt americké geopolitiky. Kdo to mohl čekat."
🔗 https://www.epochtimes.cz/2026/05/12/stazeni-americkych-vojaku-z-nemecka-odrazi-dlouhodoby-obrat-usa-smerem-k-asii-rikaji-experti/🌍 Evropská unie se připravuje aktualizovat pravidla, která určují, kolik bezplatných emisních povolenek budou těžká průmyslová odvětví dostávat do roku 2030. Brusel se tím snaží udržet svou klíčovou klimatickou iniciativu v chodu v době rostoucího tlaku na konkurenceschopnost průmyslu. Celý článek zde:
💬 "EU aktualizuje pravidla o povoleních. Průmysl si mezitím spočítá lobbying."
🔗 https://www.epochtimes.cz/2026/05/12/eu-zvazuje-pravidla-pro-bezplatne-pridelovani-emisnich-povolenek-tezkemu-prumyslu-do-roku-2030/📸 „Bylo by strašně špatně, kdybychom to jako společnost přehlédli a omlouvali to tím, že někomu jen ruply nervy. Také zakřičím, ale neumím si představit, že bych dítěti sprostě nadávala,” říká herečka a influencerka Veronika Arichteva k videu, v němž… 📺
💬 "Nervy rupnou, omluvy přijdou, příště se nic nezmění. Zaručeno."
🔗 https://www.youtube.com/watch?v=3MPcsjBuqJU📸 🧵 Spotlight News 👉 👈 🔴 Ruská invaze na Ukrajinu přiměla evropské státy masivně zbrojit. Jak se Evropa a hlavně její východní křídlo připravuje na možnou válku? Jaké jsou hlavní problémy této přípravy a kdo dokáže na krize reagovat nejrychleji?
💬 "Evropa zbrojí. Kdyby tak zbrojila dřív, zbrojit by nemusela."
🔗 https://aktln.cz/5DdD9d📈 V Praze, 12. května 2026: V anketě Randstad Award 2026, která hodnotí nejatraktivnější zaměstnavatele v České republice, se na prvním místě umístila společnost Microsoft. …
💬 "ČEZ nejatraktivnější zaměstnavatel. Elektřina zdražuje, bonusy taky."
🔗 https://partner.ekonom.cz/c1-67876050-microsoft-zvitezil-v-ankete-randstad-award-2026-a-vratil-se-na-vrchol-spolecnost-lego-vstoupila-do-sine-slavyA toto je jen dnešní výběr z nekonečné zásoby 🎪
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Ancap Val měl špatnou náladu, tak sepsal svou kritiku celého byznysu kolem AI a stojí to za to. 😈
#^https://x.com/VxalCZ/status/2056305456180564443
Křemíkové letadlo: AI uroboros, jaderná panika a účetní magie, která třeba upeče Wall Street
Podívejte se na ta čísla. Během posledních dvou let se z technologického pokroku stala učebnicová ukázka finančního masomlejnku. Všichni mluví o tom, jak umělá inteligence změní svět, vyléčí rakovinu a napíše za vás maily, ale pod touhle naleštěnou PR slupkou se v roce 2026 odehrává něco úplně jiného. Hraje se tu ruská ruleta s globální ekonomikou.
Zatímco vy řešíte, jestli vám nový Claude ušetří hodinu práce, pět největších technologických gigantů letos utratí 700 miliard dolarů za infrastrukturu. To není byznys. To je zbrojení. A tahle gigantická hromada křemíku, betonu a mědi je financována koktejlem účetních podvodů, zoufalé sázky na jadernou fúzi a peněz z vašeho vlastního důchodového spoření. Nalejme si čistého vína: americká AI scéna už neřeší inteligenci. Řeší, jak oddálit chvíli, kdy fyzika a matematika těmhle korporátním hrátkám definitivně zlomí vaz.
AI uroboros: Jak si legálně nafouknout tržby z ničeho
Když se podíváte na rozvahy Microsoftu, Amazonu nebo Googlu, vypadá to jako zázrak. Jejich cloudové divize hlásí rekordní růsty. Realita je ale taková, že jsme se obloukem vrátili do dob dot-com bubliny na přelomu tisíciletí. Tehdy si telekomunikační firmy prodávaly nevyužitou kapacitu kabelů navzájem, aby to v účetnictví vypadalo, že mají obrat. Dnes se tomu říká "AI uroboros" a je to naprosto geniální systém legálního podvodu.
Funguje to takhle: Microsoft napumpuje miliardy do prodělečného startupu (třeba OpenAI). Ale nepošle jim hotovost v kufříku. Pošle jim to v "cloudových kreditech". OpenAI pak tyto kredity "utratí" na serverech Microsoftu, aby vytrénovalo svůj model. A Microsoft? Ten si to s úsměvem zaúčtuje jako fantastickou tržbu své cloudové divize. Uměle nafouknuté tržby vystřelí cenu akcií Microsoftu do nebes, což mu umožní absorbovat další ztráty a nalít další peníze do startupu. Je to perpetuum mobile na peníze, dokud se do toho nezačne vrtat americká Komise pro cenné papíry (SEC). Celá ta poptávka po výpočetním výkonu je z velké části jen finančně vykonstruovaná iluze, která s reálným koncovým trhem nemá nic společného.
Zásuvka, která zhasla svět: Fyziku neokecáš
Můžete mít v cloudu ty nejchytřejší algoritmy, ale jakmile přejdete od generování básniček k pokročilému uvažování (Agentic AI), zjistíte, že tyhle modely potřebují žrát. A to doslova. Průměrný inferenční cluster běží 24 hodin denně, 365 dní v roce a pálí stovky megawattů.
Všechny ty ESG reporty a řeči o zelené budoucnosti vyletěly oknem. Obnovitelné zdroje jsou vám u 5GW datacentra k ničemu. Když zajde slunce nebo přestane foukat vítr, ekonomická návratnost miliardových investic do čipů jde okamžitě ke dnu. Výsledek? Korporátní Amerika zpanikařila a zjistila, že potřebuje elektrárny. Skutečné elektrárny. Zuckerberg a Meta nakupují jaderné reaktory a podepisují smlouvy na gigawatty nukleární kapacity, Microsoft investuje do obnovy odstavených bloků. Kapacitní omezení už není o tom, kolik čipů zvládne TSMC vyrobit. Je o tom, že ty čipy nemáme kam zapojit. Big Tech de facto začal skupovat celou americkou energetickou síť, což nakonec v cenách elektřiny zaplatí běžný spotřebitel.
Dluhová gilotina a Paradigma Rubin
A teď se dostáváme k tomu nejhoršímu. Stavět gigawattová datacentra stojí šílené peníze (zhruba 38 miliard dolarů počátečních nákladů podle Epoch AI). Hyperscaleři nechtějí zničit vlastní cash flow, takže to financují bokem přes takzvaný Private Credit. Zakládají účelové firmy (SPV), do kterých nahází nakoupené čipy od Nvidie jako zástavu (kolaterál) a Wall Street jim na to půjčí miliardy.
Celý tenhle dluhový domeček z karet stojí na jedné fundamentální matematické rovnici: předpokladu, že ty čipy vydrží pět let. Jenže pak přijde Nvidia s architekturou Vera Rubin. Rubin deklasuje starou generaci Blackwell – dělá inference desetkrát levněji. Najednou se ukazuje, že hardwarové generace jsou morálně i ekonomicky mrtvé už za necelé tři roky.
To je katastrofa pro odpisy. Jakmile se životnost čipu zkrátí z pěti let na tři, hodnota vaší zástavy se vypaří rychleji než pára nad reaktorem. Dluhové fondy najednou drží v rukou úvěry za miliardy, které jsou kryté čipy, jež už nikdo nechce, protože jsou příliš pomalé a žerou moc proudu. Křivka zůstatkové hodnoty padá kolmo dolů. Hrozí nám tu kaskádovitý margin call, který upeče stínové bankovnictví na Wall Street zaživa.
Neviditelný donátoři z ETF
Kdo tenhle večírek na Titaniku platí? Vy. Respektive každý, kdo si posílá peníze do pasivních indexových fondů. "Magnificent 7" (Apple, Microsoft, Nvidia, Meta atd.) dnes tvoří téměř 38 % amerického indexu S&P 500. Každý dolar, který pasivní investor pošle na svůj důchodový účet, se automaticky přelije rovnou do těhle sedmi firem.
Tahle hloupá, algoritmická síla neustále stlačuje náklady na kapitál pro Big Tech. Mají k dispozici skoro nekonečný přísun levných peněz na své AI experimenty, aniž by museli vykazovat okamžitý zisk. Jenže volné cash flow těchto firem letí do záporu. Pokud se tenhle tok pasivních peněz kvůli strachu z inflace zastaví nebo nedejbože otočí, Magnificent 7 přijde o svůj polštář levného kapitálu.
Past na jednorožce: Syndrom "Too big to IPO"
Tohle je přesně ta část, o které se na večírcích v Palo Alto nemluví nahlas. Když se podíváte na trh rizikového kapitálu (VC), uvidíte fondy jako Sequoia nebo a16z, jak pořád zběsile pumpují desítky miliard do firem, které nemají vyřešený základní byznys model. OpenAI se na začátku roku 2026 dostala na valuaci 852 miliard dolarů. Zastavte se a přečtěte si to číslo ještě jednou.
Tady už dávno nejde o klasický VC model – trefit slibný startup, trochu ho nafouknout a se ziskem ho dovést na burzu (IPO). Jsme v patové situaci, které se říká "Too big to IPO“ (Příliš velcí na vstup na burzu). Žádný veřejný trh, žádný normální retailový investor s funkčním mozkem na Wall Street by si nekoupil akcie firmy, která pálí 14 miliard dolarů ročně na provozních nákladech na servery a nedokáže to pokrýt z předplatného.
Takže co uděláte? Uděláte z toho uzavřené letadlo pro superbohaté. Peníze ve vlastním kapitálu jsou v podstatě uvězněné. Venture kapitálové fondy si jen přehazují horký brambor a uměle si navyšují papírovou hodnotu podílů v dalších a dalších masivních investičních kolech (Series E, F, G...). Nemohou to prodat veřejnosti, nemohou to zavřít. Čekají na zázrak. Na spásu z nebes. A ta spása má na sobě dišdašu a sedí na ropném vrtu.
Ropný bailout a Projekt Stargate: Účet platí poušť
Spojené státy sice rády mluví o své technologické suverenitě a o tom, jak vyhrávají AI závod nad Čínou, ale pohled na architektoniku kapitálu ukazuje krutou pravdu: účet za americkou infrastrukturu platí Perský záliv. Zapomeňte na petrodolary. Rok 2026 je rokem "Compute-dolarů“.
Suverénní státní fondy ze Saúdské Arábie (PIF) a Spojených arabských emirátů (MGX) si spočítaly, že pokud chtějí přežít post-ropnou éru, musí vlastnit budoucí globální infrastrukturu (koncept Sovereign AI). Když Sam Altman a OpenAI sháněli to astronomické historické kolo financování v hodnotě 122 miliard dolarů, kdo myslíte, že to z velké části pokryl? Byl to fond MGX, kterému předsedá šejch Tahnún bin Zajd Ál Nahján (poradce pro národní bezpečnost SAE). Americký technologický zázrak je dnes de facto zachraňován peněženkou Blízkého východu.
Je to brutální geopolitický handl. Emiráty souhlasily s tím, že ze svých datových center vytrhají čínský hardware, a výměnou za to jim USA udělily VIP exportní licence na nákup desítek tisíc superpočítačových systémů s nejpokročilejšími čipy.
A pak je tu mamutí Projekt Stargate. Půl bilionu dolarů (500 miliard USD), které mají do roku 2029 postavit síť AI datacenter s kapacitou až 10 GW přímo v USA. Konsorcium, kde vedle americké vlády, Sama Altmana, Oraclu a japonské SoftBank sedí jako centrální hybatelé právě arabské fondy. Arabské peníze staví na texaských pozemcích (vlajkový kampus v Abilene) největší výpočetní farmy v historii lidstva. Amerika si tak možná myslí, že buduje svou nezávislou Skynet infrastrukturu, ale reálně odevzdala klíče od míchačky na křemíkový beton do rukou několika málo státních entit z pouště. Monopol už neleží v Silicon Valley, leží tam, kde je volný kapitál ochotný ignorovat okamžitou návratnost.
Digitální nemoc šílených krav: Datová zeď a syntetický incest
Zatímco Wall Street řeší, jestli bude dost vody pro chlazení datových center, inženýři v laboratořích potichu panikaří nad úplně jiným fyzikálním limitem. Došli nám lidi. Přesněji řečeno, došla nám kvalitní lidská data. Během let 2023 a 2024 modely sežraly celý internet. Zkonzumovaly Wikipedii, GitHub, Reddit, archivy knih i každý zapadlý blogpost. A dál už není nic. Narazili jsme na "Data Wall".
Aby modely mohly dál růst a obhajovat svou přepálenou valuaci, musí se krmit dál. A protože lidé neprodukují text a kód dostatečně rychle, AI společnosti přešly na syntetická data. AI začala trénovat na výstupech jiné AI. Je to digitální ekvivalent krmení krav masokostní moučkou z jiných krav.
V teorii se tomuto fenoménu říká Model Autophagy Disorder (MAD). Jakmile model trénujete na syntetickém odpadu, začne ztrácet kontakt s realitou (ground truth). Zapomíná okrajové případy (edge cases), zplošťuje jazyk do sterilního průměru a generuje matematické halucinace. Snažíme se postavit digitálního boha, ale místo toho mu způsobujeme sémantického Alzheimera. A tahle zdegenerovaná data se teď v reálném čase propisují zpět na web, takže další generace modelů už se bude trénovat na čisté, toxické vatě.
Masakr B2B wrapperů a konec předplatného
Kde se vlastně měly vzít ty peníze, které by ospravedlnily miliardové CapEx výdaje za hardware? Pohádka pro investory zněla, že to zaplatí B2B sektor. Zrodila se armáda AI startupů, které slibovaly revoluci v právu, medicíně nebo účetnictví. Realita jara 2026? Je to hřbitov "wrapperů".
Drtivá většina těchto takzvaných AI firem nebyly nic jiného než tenká uživatelská slupka (UI) nalepená nad APIčkem od OpenAI nebo Anthropicu. Jakmile vyšel nový Claude nebo GPT s nativní podporou práce s určitými dokumenty a lepší pamětí, vymazal byznys modely tisíců startupů přes noc jediným updatem.
Navíc se naprosto zhroutil tradiční byznys model softwaru (SaaS). Prodávat fixní měsíční licence ("za sedadlo") fungovalo, když jste prodávali přístup k databázi. Ale v éře Agentic AI, kde agent samostatně řeší komplexní úlohy a pálí u toho stovky tisíc tokenů na pozadí, jsou marže poskytovatelů softwaru drceny na prach. Přešlo se na transakční model prodeje tokenů. Kdo nevlastní infrastrukturu (compute), je jen glorifikovaný překupník, který žije v neustálém strachu z toho, že mu dodavatel zítra zdraží API volání a pošle ho do insolvence.
Vzestup Neocloudů: Pirátské lodě na úvěr
Vedle starých zkostnatělých hyperscalerů (Amazon, Microsoft) se nám tu zrodila specifická a extrémně riziková vrstva poskytovatelů: Neocloudy. Hráči jako CoreWeave nebo evropský Nebius. Byznys, který zní jako z kyberpunkového románu. Vezměte si CoreWeave – firma, která původně začínala tak, že pálila levnou elektřinu při těžbě Etherea na starých grafických kartách, a když krypto splasklo, chytře přepnuli čipy na pronájem pro AI trénink (GPU-as-a-Service).
Dnes tyhle neocloudy operují se stovkami tisíc čipů a agresivně útočí na trh s tvrzením, že jsou flexibilnější než AWS. Háček je v tom, že jedou nadoraz na steroidech soukromého dluhu. Například Nebius letos pálí miliardy dolarů čtvrtletně na nákup hardwaru, aby postavil 2,5 GW kapacity, přičemž jeho reálné tržby jsou zlomkem této částky. Jsou to pirátské lodě, které se snaží přestřílet španělskou armádu z půjčených děl. Musí neustále přesvědčovat tradiční korporace, aby k nim přesunuly svá data z bezpečných náručí Microsoftu. Pokud tahle důvěra opadne, nebo zpoždění dodávek nových čipů nabourá jejich cashflow, tyhle firmy budou první na ráně a spustí domino efekt na celém dluhovém trhu.
Konec jednoho náboženství
Zapomeňte na dystopické scénáře, kde nás umělá inteligence vyhladí. To, k čemu tenhle křemíkový mejdan směřuje, je mnohem nudnější a tragičtější. Až zástavy v private credit fondech spadnou na nulu, infrastruktura zastará a AI firmám dojde hotovost na placení faktur za elektřinu z těch znovuzrozených jaderných reaktorů, nenastane technologický konec světa. Nastane klasický, učebnicový bailout.
Tím, že do toho Big Tech namočil penzijní fondy, arabský státní kapitál a americkou energetickou síť, si vyrobil ultimátní štít. Udělali ze sebe subjekty "Too Big to Fail“. Účet za halucinující chatboty a prázdná datacentra nezaplatí venture kapitalisté. Zaplatí ho centrální banky a daňoví poplatníci, protože stát jednoduše nedovolí, aby se zhroutila kritická infrastruktura, na které už mezitím běží půlka ekonomiky. Vytvořili jsme tu nejdražší technologickou bublinu v dějinách lidstva jen proto, abychom zopakovali starý dobrý trik z roku 2008: potichu zprivatizovat zisky a s úsměvem znárodnit ztráty.
#AI #LLM -
Stuck in the Filter: February 2025’s Angry Misses
By Kenstrosity
February comes down the pipe about two or three months after February. A perfectly normal thing to experience here at AMG HQ, this Filter’s tardiness is brought to you in part by my body getting stuck in one of the tighter conduits that lines the concrete interior of this confounded bunker. My minions are elsewhere, trudging through similar environs, and report their findings to me via eldritch beast telepathy. Since I obviously don’t speak eldritch tongue, I have to use my Codex of Enspongification to decipher these antediluvian transmissions. I’m sure you can imagine, that takes no small measure of time, especially when you’re stuck in this galvanized prison of rusting sheetmetal.
Until my ungrateful minions can find me and rescue me—something I don’t expect to happen anytime soon considering I give them no workers benefits or pay of any kind—you’ll have to make do with the selections of rough-hewn and sharp, but valuable, ore provided below. OBSERVE AT YOUR OWN RISK!
Kenstrosity’s Crusty Grab
Metaphobic // Deranged Excruciations [February 28th, 2025 – Everlasting Spew Records]
When Atlantan death metal quintet Metaphobic caught my attention with the megalithic riffs opening their debut LP Deranged Excruciations, I thought the stank face it brought out of me might be permanent. Nothing new and nothing sophisticated awaits here. Just brutalizing riffs delivered in a relentless sequence of destruction. Lead guitars squeal and scrape against the swampy ground underfoot, leaving a noxious slime trail behind “Mental Deconstruction” and “Execration” that tastes of Tomb Mold, Incantation, and Demilich to varying degrees. Guttural utterances and cacophonic—but accessibly structured—riffs offer the same infernal ferocity of the olden ways. However, in a similar manner to Noxis, their application here feels modern and fresh-ish (“Execration,” “Veiled Horizons,” “Hypnosis Engram”). Not nearly as nuanced as that comparison might suggest, Metaphobic are more than satisfied to use their brutish death metal as a cudgel for blunt force trauma. Nods to death doom in long-form wanderings like “Disciples of Vengeance” and “Insatiable Abyss” provide an appreciable variation in pace, though it doesn’t always work in Metaphobic’s favor. While those songs tend to meander too long on ideas unfit to support such mass for so long, livid outbursts like “Veiled Horizons” and “Reconstituted Grey Matter” more than make up for it. In short Deranged Excruciations commands my attention enough to earn my recommendation here, and my attention going forward.
Tyme’s Missing Minutes
Caustic Phlegm // Purulent Apocalypse [February 28, 2025 – Hells Headbangers]
Caustic Phlegm is the filth project helmed solely by Chestcrush main man Evan Vasilakos, who joyously employed his HM-2 and RAT pedals to create the utter disgustingness that is Purulent Apocalypse. A far cry from the angsty, I’d-rather-see-humanity-dead blackened death metal of his main outfit, Caustic Phlegm is a throwback to the days when Carnage walked the streets of Sweden and Impetigo was melting faces and killing brain cells. Purulent Apocalypse is a platter of pestiferous riffs (“Fouled, Infected & Infested,” “Soft Bones,” “Blister Bliss”), so many it’s like sitting on a death metal toilet puking and shitting riffs ad nauseam. Evan’s drum work, replete with the occasional but very satisfying St. Anger snare tone, drives the mindless fun forward, and the 80’s zombie giallo synth work would have Lucio Fulci himself clawing out of his grave to eat your face. Vasilakos’ vocals are a fine litany of belches, squelches, and gurgles that sound like a colony of maggots cleaning the putrid flesh from a corpulent corpse. Caustic Phlegm is the foul stench of death and will have you reaching for the soap and steel wool as you try to rid yourself of the Purulent Apocalypse infection.
Vermilia // Karsikko [February 14, 2025 – Self Release]
Had the incomparable Darkher not released The Buried Storm in 2022, Vermilia‘s Ruska would have garnered my top spot that year, which put her on my radar for the first time. When I saw Vermilia‘s follow-up, Karsikko had dropped in February—sadly we didn’t receive a promo—I jumped at the chance to filter it. While Karsikko is a bit more straightforward than Ruska, it’s full of liltingly beautiful pianos (“Karsikko”) that give way to icy black metal riffs (“Kansojen Kaipuu”) and gorgeously rendered folk metal melodies (“Koti,” “Veresi”). Comparisons with Myrkur and Suldusk would be appropriate, but Vermilia continues to carve out her own space in the folk black metal scene, marrying beatific melody with beastly aggression. Performing all of the music on Karsikko, as is her one-woman calling card, renders her finished products even more impressive. The highlight has always been the voice, though, as Vermilia deftly transitions between angelic cleans (“Suruhymni”) and frosty rasps (“Vakat”), completing a circle that makes each of her releases a joy to listen to. It’s confounding that another of Vermilia‘s albums is an independent release, which might be artistically intentional or the result of bone-headed label execs. Either way, don’t miss out on Karsikko, as Vermilia shouldn’t stay unsigned for long.
Killjoy’s Drowsy Discovery
Noctambulist // Noctambulist II: De Droom [February 7th, 2025 – These Hands Melt]
Although I love blackgaze, I must admit that it can be challenging to find artists who stand out in the genre, whether through quality songwriting or unexpected twists. It turns out that the Dutch band Noctambulist1 offers both. Noctambulist II: De Droom is a fun and fresh blend of Deafheaven-adjacent blackgaze with a Molotov cocktail of post-punk energy. The power chord-driven guitar lines prove to be an unexpectedly compatible fuel source to propel the shimmering, gazey tremolos and blackened rasps to new heights. Many songs (particularly “Aderlater” and “Lichteter”) start with neat intro melodies that catch the listener’s attention, then build and ride that momentum throughout the remainder. A faint sense of loss—stemming from the achingly relatable theme of homeownership drifting further out of many people’s reach—pervades the record, but there is also an infectious cheerfulness. Despite their name, Noctambulist are hardly sleepwalking as they tread along a well-worn genre.
Thus Spoke’s Disregarded Diamonds
Sacred Noose // Vanishing Spires [February 2nd, 2025 – Breath Sun Bone Blood]
My experience with Irish extreme metal has been that it is all incredibly dark, twisted, and supremely, gorgeously dissonant.2 Belfast3 duo Sacred Noose make absolutely no exception to this rule. Vanishing Spires’ ruthlessly brief 31 minutes are defined by stomach-tightening twisted blackened death designed to cut to the heart of misery and fear. The lurching sensation brought about by rapid tremolo descents and sudden accelerations of ever more dissonant chords, impenetrable drums, and pitch-shifting feedback is nauseating (“Entranced by Concrete Lathe,” “True Emancipation”). The pure horror of the inhuman, high-pitched shrieks answering the already fearsome bellows is anxiety-inducing (“”Black Tempests of Promise,” “Moribund”). The near-constant buzzing of noise is oppressive (“Terminal Prologue,” “True Emancipation”); the creeping, malevolent scales unnerving. And Sacred Noose play with their victim, luring them into a trap of deceptively familiar cavern-core (“Sacred Noose”) before throwing a hood over their head and yanking them backwards into more horrifying mania; or perhaps they’ll start with the assault (“True Emancipation”). This more ‘straightforward’ edge to Sacred Noose is most akin to a faster Sparagmos, while their dominant, demonic personality I can compare most faithfully to Thantifaxath, if Thantifaxath were more death-metal-inclined. Vanishing Spires is the first time since the latter’s 2023 Hive Mind Narcosis that a record has genuinely made me feel afraid.
Crown of Madness // Memories Fragmented [February 28th, 2025 – Transcending Obscurity Records]
Life unfortunately got in the way of me giving this a proper review, but Crown of Madness deserve better than to slip by unmentioned. Memories Fragmented is the duo’s debut, but Crown of Madness is one of several projects both are already in.4. The ominous yet colourful sci-fi/fantasy cover art and spiky logo scream ‘tech-death’ and that is indeed what Crown of Madness deliver. At base, there is some damn fine technical death metal here that’s impressive and acrobatic (), but snappy, not outstaying its welcome—the entire record barely stretches beyond 35 minutes. But there is more to Memories Fragmented, and as a result, it is memorable.5 A drawl to certain refrains (), the tendency to gently sway to a slow, near-pensiveness (), the atmospheric hanging of some tremolos over a warm, dense bass (). There is depth. And it reminded me quite starkly of early Ulcerate. In this vein, the record leans towards the more meandering side of the subgenre, gripping not with hooky riffs and heart-pumping tempos, but an intricate kind of intensity. Memories Fragmented arguably goes too far in the indistinct direction, and as a result, loses immediacy. But the churning, introspective compositions presage the potential for true brilliance on future releases.
Vacuous // In His Blood [February 28th, 2025 – Relapse Records]
Full of youthful vigour, London’s Vacuous demonstrate their willing ability to evolve with their sophomore, In His Blood. While debut Dreams of Dysphoria, which I covered back in 2022, played more or less by the disso-death book, here they are already experimenting. Strange, almost post-metal atmosphere now haunts the boundaries (“Hunger,” “Public Humiliation,” “No Longer Human”), combining brilliantly with the band’s already cavernous death metal sound, and amplifying its fearsomeness. Crowning example of this is the gem Vacuous save for the record’s final act in closer “No Longer Human.” In His Blood also sees them flirt with a punkier energy that borrows more than a little bit of malice from the blackened handbook (“In His Blood,” “Flesh Parade”), backed up by d-beats, and contrasting well with their now less frequent crawls. At its most explosive, In His Blood feels downright unhinged, in the best way (“Stress Positions,” “Immersion”), but it never feels messy, and there’s potential in here for Vacuous to evolve into yet another, incredibly potent form of unique, modern hybrid extreme metal. I wish there were more than 30 minutes of this.
Dolphin Whisperer’s Bottom o’ the Barrel Boons
Pissgrave // Malignant Worthlessness [February 21st, 2025 – Profound Lore Records]
Though it may appear, at a glance, that I have gold-colored glasses for bands of rank and urological reference, I’d call it more of a chance happening that such miscreant acts have created intriguing works. And, truthfully, PISSGRAVE has leaned closer to filth first, function second with the war-leaning crackle (and brazenly offensive cover art) that relegates their lineage to corners of listening ears who need therapy with a high tolerance for guts and grime. Malignant Worthlessness, of course, is not accessible by any means, though, despite these Philly boys packing these nine ode to a failed society in a package that doesn’t cause immediate squirm. But with grooves trapped in an endless skronk and blast, and vocals shifted and layered to reflect the sound of a swarm of Daffy Ducks with a serious disdain for life, PISSGRAVE still embodies an endless swirl of unleashed aggression rendered in riffed and regurgitated form. Malignant Worthlessness lives on the dry and crispy side with most of its tones, which allows copious hits of quick delay and reverb on OUGHs and EEEEEEEUGHs to land with an extra psychedelic knocking when you least expect it. Little slows down the pain train here, with tracks like “Heaping Pile of Electrified Gore” and “Internment Orgy” taking brief detours into chunky guitar builds that feel within grasp of normalcy just before dropping back into an intensified flaying. Elsewhere, a martial urgency that reminds of Paracletus-era Deathspell Omega or the industrial-tinged pummel of Concrete Winds, stirs a twitching movement response, all while retaining a grinding death snarl and chromatic fury, leading its fused-by-hatred structures toward an explosive and fuming conclusion. Humanity has no place in the PISSGRAVE environs, and Malignant Worthlessness, in its celebration of a hostile world, does everything it can to reinforce that.
終末回路 // 終端から引き剥がす [February 20th, 2025 – Self Release]
For things that wander around the math rock world, nailing a vibe remains essential to enjoyment. It’s all too easy in this day and edge to fall into the comfortable trap of ambient tapping and comfortable posty swirls to pleasant crescendos that renders many modern acts to high brow background music (even including bands I like, to a degree, like Covet or Jizue). New Japanese act 終末回路,6 however, chooses to imbue their nimble and tricky instrumental center with the searing emotion and urgency of a noisy post-hardcore, with searing vocal inclusions adding a gravitas to passages that would otherwise threaten to flutter away in glee (“誤殖,” “知らねぇよ”). On one end, 終末回路 delivers a bright playfulness that swings with the pedal power and psychedelia of a young Tera Melos. Yet, weighted with a punk urgency and rawer Japanese assembly of tones, which give a physical clang to tight kit heads and blazing squeal to shrill loops and feedback, 終末回路 finds a constant momentum in their shorter form excursion that makes my lack of understanding of its introspective lyrics a non-issue. Packing plaintive piano melodies (“ご自由に “), speaker blowing synth cranking (“dgdf++be”), and prog-tinged guitar flutters (“知らねぇよ”) into one listening session isn’t easy, but with this debut outing of 終端から引き剥がす,7 終末回路 makes it seem as if they’ve been honing the craft for years.
Saunders’ Salacious Skeeves
Möuth // Gobal Warning [February 14th, 2025 – Self Release)
Veteran rockers The Hellacopters returned with a typically rollicking, fun album in February. Elsewhere, dropping with little fanfare, fellow Swedes and unsung power trio Möuth emerged with an intriguing debut rock platter, entitled Global Warning. Featuring more than meets the eye and flashing a dynamic rock sound, Möuth embrace both retro and modern influences, whipped into an infectious concoction of styles, ranging from Sabbathian lurches, doomy grooves, stoner vibes, and elements of psych, punk and hard rock. For the most part it works a treat, creating a welcome change of pace. Fuzzy, upbeat rockers (“Dirt,” “Appetite”) snugly reside amongst moody, psych-bending numbers (“Alike,” “Mantra”), and heavier doom-laden rock, such as powerful opener “Holy Ground,” and brooding, emotive album centerpiece, “Sheep.” Vocally, the passionate, Ozzy-esque croons hit the spot, matching up well to the band’s multi-pronged rock flavors. Compact and infectious, varied in delivery and featuring enough tasty rhythms, fuzzy melodies and rock punch to satisfy, Global Warning marks an intriguing starting point for these Swedish rockers.
Chaos Inception // Vengeance Evangel [February 21st, 2025 – Lavadome Productions]
Emerging from a deep slumber in the depths of the underground, Alabama’s long dormant death metal crew Chaos Inception returned with their first album since 2012’s The Abrogation. Third album Vengeance Evangel went under the radar, festering unclaimed in the promo sump. After the fact, the album’s crushing, controlled chaos smacked me upside the skull with a violent modern interpretation of the classic Floridian death metal sound, with the musty hues of Tucker-era Morbid Angel most prevalent. This is blast-riddled, relentless stuff, played expertly by the trio of Matt Barnes (guitars), Gray White (vocals) and session drummer Kevin Paradis (ex-Benighted). Incredibly dense, atmospheric, and blazingly fast, Vengeance Evangel is a brutal, knotty, technical hammering, punctuated by sick, wildly inventive soloing. While not traditionally catchy, Vengeance Evangel is the kind of intense, layered death metal album that gets under the skin, grafting a deeper impression across repeated listens. The insane tempo shifts, jigsaw arrangements, and wickedly deranged axework delivers big time. From the violent, intricate throes of opener “Artillery of Humwawa,” and disturbed soundscapes of “La Niebla en el Cementerio Etrusco,” through to the brutish grooves of ‘Thymos Beast,” and exotic, tech death shards of “Empire of Prevarication,” Vengeance Evangel does not neatly fit into any one subgenre category but ticks many boxes to cast a wide appeal to death fans of varied equations.
Steel Druhm’s Viscous Biscuits
Ereb Altor // Hälsingemörker [ February 7th, 2025 – Hammerheart Records]
Steel loves his epic metal. I was raised on the stirring odes to swordsmanship and ungovernable back hair from Manowar and Cirth Ungol, and in time, I took a place at the great table in Wotan’s Golden Halls to appreciate the Viking metal exploits of Bathory and later adherents like Falkenbach and Moonsorrow. Sweden’s Ereb Altor got in the game late with their epic By Honour debut in 2008, boasting a very Bathory-esque sound and emotional tapestry that felt larger-than-life and stirred the loins to begird themselves. 10th album Hälsingemörker is a glorious return to those halls of heroes and bravery. This is the large-scale songcraft first heard on Bathory albums like Hammerheart and Twilight of the Gods, and it’s most welcome to these ape ears. Cuts like “Valkyrian Fate” are exactly the kind of sweeping, epic numbers the band’s excelled at over the years. It takes the core sound of Viking era Bathory and builds outward to craft bombastic and heroic compositions that feel HUUUGE. It’s the kind of metal song that embiggens the soul and makes you want to take on a marauding horde by your lonesome and usurp all their battle booty. On “Hälsingemörker,” you get a fat dose of Moonsorrow worship, and elsewhere, Primordial is strongly referenced to very good effect. Hälsingemörker is easily the best Ereb Altor album in a while and the most in line with their beloved early sound. Strap on the sword and get after it!
#AmericanMetal #Arboreal #Benighted #BlackMetal #BlackSabbath #Blackgaze #BreathSunBoneBlood #Carnage #CausticPhlegm #ChaosInception #Chestcrush #ConcreteWinds #Coscradh #Covet #CrownOfMadness #Darkher #Deafheaven #DeathDoom #DeathMetal #DeathspellOmega #Demilich #DerangedExcruciations #DissonantDeathMetal #DustAge #EmbodimentOfDeath #ErebAltor #EverlastingSpewRecords #FolkMetal #GlobalWarning #Hälsingemörker #HellsHeadbangers #Impetigo #InHisBlood #Incantation #IrishMetal #JapaneseMetal #jizue #Karsikko #LavadomeProductions #MalignantWorthlessness #MathRock #MelodicBlackMetal #MemoriesFragmented #Metaphobic #MorbidAngel #Möuth #Myserion #Noctambulist #NoctambulistIIDeDroom #Noxis #OzzyOsbourne #Pissgrave #PostMetal #postPunk #ProfoundLoreRecords #PurulentApocalypse #RelapseRecords #Rock #SacredNoose #SelfRelease #SelfReleased #SermonOfFlames #Sparagmos #SwedishMetal #TechnicalDeathMetal #TerZiele #TeraMelos #Thantifaxath #TheHelicopters #TheseHandsMelt #TombMold #TranscendingObscurityRecords #UKMetal #Ulcerate #Vacuous #VanishingSpires #VengeanceEvangel #Vermilia #VultureSVengeance #終末回路 #終端から引き剥がす
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Stuck in the Filter: February 2025’s Angry Misses
By Kenstrosity
February comes down the pipe about two or three months after February. A perfectly normal thing to experience here at AMG HQ, this Filter’s tardiness is brought to you in part by my body getting stuck in one of the tighter conduits that lines the concrete interior of this confounded bunker. My minions are elsewhere, trudging through similar environs, and report their findings to me via eldritch beast telepathy. Since I obviously don’t speak eldritch tongue, I have to use my Codex of Enspongification to decipher these antediluvian transmissions. I’m sure you can imagine, that takes no small measure of time, especially when you’re stuck in this galvanized prison of rusting sheetmetal.
Until my ungrateful minions can find me and rescue me—something I don’t expect to happen anytime soon considering I give them no workers benefits or pay of any kind—you’ll have to make do with the selections of rough-hewn and sharp, but valuable, ore provided below. OBSERVE AT YOUR OWN RISK!
Kenstrosity’s Crusty Grab
Metaphobic // Deranged Excruciations [February 28th, 2025 – Everlasting Spew Records]
When Atlantan death metal quintet Metaphobic caught my attention with the megalithic riffs opening their debut LP Deranged Excruciations, I thought the stank face it brought out of me might be permanent. Nothing new and nothing sophisticated awaits here. Just brutalizing riffs delivered in a relentless sequence of destruction. Lead guitars squeal and scrape against the swampy ground underfoot, leaving a noxious slime trail behind “Mental Deconstruction” and “Execration” that tastes of Tomb Mold, Incantation, and Demilich to varying degrees. Guttural utterances and cacophonic—but accessibly structured—riffs offer the same infernal ferocity of the olden ways. However, in a similar manner to Noxis, their application here feels modern and fresh-ish (“Execration,” “Veiled Horizons,” “Hypnosis Engram”). Not nearly as nuanced as that comparison might suggest, Metaphobic are more than satisfied to use their brutish death metal as a cudgel for blunt force trauma. Nods to death doom in long-form wanderings like “Disciples of Vengeance” and “Insatiable Abyss” provide an appreciable variation in pace, though it doesn’t always work in Metaphobic’s favor. While those songs tend to meander too long on ideas unfit to support such mass for so long, livid outbursts like “Veiled Horizons” and “Reconstituted Grey Matter” more than make up for it. In short Deranged Excruciations commands my attention enough to earn my recommendation here, and my attention going forward.
Tyme’s Missing Minutes
Caustic Phlegm // Purulent Apocalypse [February 28, 2025 – Hells Headbangers]
Caustic Phlegm is the filth project helmed solely by Chestcrush main man Evan Vasilakos, who joyously employed his HM-2 and RAT pedals to create the utter disgustingness that is Purulent Apocalypse. A far cry from the angsty, I’d-rather-see-humanity-dead blackened death metal of his main outfit, Caustic Phlegm is a throwback to the days when Carnage walked the streets of Sweden and Impetigo was melting faces and killing brain cells. Purulent Apocalypse is a platter of pestiferous riffs (“Fouled, Infected & Infested,” “Soft Bones,” “Blister Bliss”), so many it’s like sitting on a death metal toilet puking and shitting riffs ad nauseam. Evan’s drum work, replete with the occasional but very satisfying St. Anger snare tone, drives the mindless fun forward, and the 80’s zombie giallo synth work would have Lucio Fulci himself clawing out of his grave to eat your face. Vasilakos’ vocals are a fine litany of belches, squelches, and gurgles that sound like a colony of maggots cleaning the putrid flesh from a corpulent corpse. Caustic Phlegm is the foul stench of death and will have you reaching for the soap and steel wool as you try to rid yourself of the Purulent Apocalypse infection.
Vermilia // Karsikko [February 14, 2025 – Self Release]
Had the incomparable Darkher not released The Buried Storm in 2022, Vermilia‘s Ruska would have garnered my top spot that year, which put her on my radar for the first time. When I saw Vermilia‘s follow-up, Karsikko had dropped in February—sadly we didn’t receive a promo—I jumped at the chance to filter it. While Karsikko is a bit more straightforward than Ruska, it’s full of liltingly beautiful pianos (“Karsikko”) that give way to icy black metal riffs (“Kansojen Kaipuu”) and gorgeously rendered folk metal melodies (“Koti,” “Veresi”). Comparisons with Myrkur and Suldusk would be appropriate, but Vermilia continues to carve out her own space in the folk black metal scene, marrying beatific melody with beastly aggression. Performing all of the music on Karsikko, as is her one-woman calling card, renders her finished products even more impressive. The highlight has always been the voice, though, as Vermilia deftly transitions between angelic cleans (“Suruhymni”) and frosty rasps (“Vakat”), completing a circle that makes each of her releases a joy to listen to. It’s confounding that another of Vermilia‘s albums is an independent release, which might be artistically intentional or the result of bone-headed label execs. Either way, don’t miss out on Karsikko, as Vermilia shouldn’t stay unsigned for long.
Killjoy’s Drowsy Discovery
Noctambulist // Noctambulist II: De Droom [February 7th, 2025 – These Hands Melt]
Although I love blackgaze, I must admit that it can be challenging to find artists who stand out in the genre, whether through quality songwriting or unexpected twists. It turns out that the Dutch band Noctambulist1 offers both. Noctambulist II: De Droom is a fun and fresh blend of Deafheaven-adjacent blackgaze with a Molotov cocktail of post-punk energy. The power chord-driven guitar lines prove to be an unexpectedly compatible fuel source to propel the shimmering, gazey tremolos and blackened rasps to new heights. Many songs (particularly “Aderlater” and “Lichteter”) start with neat intro melodies that catch the listener’s attention, then build and ride that momentum throughout the remainder. A faint sense of loss—stemming from the achingly relatable theme of homeownership drifting further out of many people’s reach—pervades the record, but there is also an infectious cheerfulness. Despite their name, Noctambulist are hardly sleepwalking as they tread along a well-worn genre.
Thus Spoke’s Disregarded Diamonds
Sacred Noose // Vanishing Spires [February 2nd, 2025 – Breath Sun Bone Blood]
My experience with Irish extreme metal has been that it is all incredibly dark, twisted, and supremely, gorgeously dissonant.2 Belfast3 duo Sacred Noose make absolutely no exception to this rule. Vanishing Spires’ ruthlessly brief 31 minutes are defined by stomach-tightening twisted blackened death designed to cut to the heart of misery and fear. The lurching sensation brought about by rapid tremolo descents and sudden accelerations of ever more dissonant chords, impenetrable drums, and pitch-shifting feedback is nauseating (“Entranced by Concrete Lathe,” “True Emancipation”). The pure horror of the inhuman, high-pitched shrieks answering the already fearsome bellows is anxiety-inducing (“”Black Tempests of Promise,” “Moribund”). The near-constant buzzing of noise is oppressive (“Terminal Prologue,” “True Emancipation”); the creeping, malevolent scales unnerving. And Sacred Noose play with their victim, luring them into a trap of deceptively familiar cavern-core (“Sacred Noose”) before throwing a hood over their head and yanking them backwards into more horrifying mania; or perhaps they’ll start with the assault (“True Emancipation”). This more ‘straightforward’ edge to Sacred Noose is most akin to a faster Sparagmos, while their dominant, demonic personality I can compare most faithfully to Thantifaxath, if Thantifaxath were more death-metal-inclined. Vanishing Spires is the first time since the latter’s 2023 Hive Mind Narcosis that a record has genuinely made me feel afraid.
Crown of Madness // Memories Fragmented [February 28th, 2025 – Transcending Obscurity Records]
Life unfortunately got in the way of me giving this a proper review, but Crown of Madness deserve better than to slip by unmentioned. Memories Fragmented is the duo’s debut, but Crown of Madness is one of several projects both are already in.4. The ominous yet colourful sci-fi/fantasy cover art and spiky logo scream ‘tech-death’ and that is indeed what Crown of Madness deliver. At base, there is some damn fine technical death metal here that’s impressive and acrobatic (), but snappy, not outstaying its welcome—the entire record barely stretches beyond 35 minutes. But there is more to Memories Fragmented, and as a result, it is memorable.5 A drawl to certain refrains (), the tendency to gently sway to a slow, near-pensiveness (), the atmospheric hanging of some tremolos over a warm, dense bass (). There is depth. And it reminded me quite starkly of early Ulcerate. In this vein, the record leans towards the more meandering side of the subgenre, gripping not with hooky riffs and heart-pumping tempos, but an intricate kind of intensity. Memories Fragmented arguably goes too far in the indistinct direction, and as a result, loses immediacy. But the churning, introspective compositions presage the potential for true brilliance on future releases.
Vacuous // In His Blood [February 28th, 2025 – Relapse Records]
Full of youthful vigour, London’s Vacuous demonstrate their willing ability to evolve with their sophomore, In His Blood. While debut Dreams of Dysphoria, which I covered back in 2022, played more or less by the disso-death book, here they are already experimenting. Strange, almost post-metal atmosphere now haunts the boundaries (“Hunger,” “Public Humiliation,” “No Longer Human”), combining brilliantly with the band’s already cavernous death metal sound, and amplifying its fearsomeness. Crowning example of this is the gem Vacuous save for the record’s final act in closer “No Longer Human.” In His Blood also sees them flirt with a punkier energy that borrows more than a little bit of malice from the blackened handbook (“In His Blood,” “Flesh Parade”), backed up by d-beats, and contrasting well with their now less frequent crawls. At its most explosive, In His Blood feels downright unhinged, in the best way (“Stress Positions,” “Immersion”), but it never feels messy, and there’s potential in here for Vacuous to evolve into yet another, incredibly potent form of unique, modern hybrid extreme metal. I wish there were more than 30 minutes of this.
Dolphin Whisperer’s Bottom o’ the Barrel Boons
Pissgrave // Malignant Worthlessness [February 21st, 2025 – Profound Lore Records]
Though it may appear, at a glance, that I have gold-colored glasses for bands of rank and urological reference, I’d call it more of a chance happening that such miscreant acts have created intriguing works. And, truthfully, PISSGRAVE has leaned closer to filth first, function second with the war-leaning crackle (and brazenly offensive cover art) that relegates their lineage to corners of listening ears who need therapy with a high tolerance for guts and grime. Malignant Worthlessness, of course, is not accessible by any means, though, despite these Philly boys packing these nine ode to a failed society in a package that doesn’t cause immediate squirm. But with grooves trapped in an endless skronk and blast, and vocals shifted and layered to reflect the sound of a swarm of Daffy Ducks with a serious disdain for life, PISSGRAVE still embodies an endless swirl of unleashed aggression rendered in riffed and regurgitated form. Malignant Worthlessness lives on the dry and crispy side with most of its tones, which allows copious hits of quick delay and reverb on OUGHs and EEEEEEEUGHs to land with an extra psychedelic knocking when you least expect it. Little slows down the pain train here, with tracks like “Heaping Pile of Electrified Gore” and “Internment Orgy” taking brief detours into chunky guitar builds that feel within grasp of normalcy just before dropping back into an intensified flaying. Elsewhere, a martial urgency that reminds of Paracletus-era Deathspell Omega or the industrial-tinged pummel of Concrete Winds, stirs a twitching movement response, all while retaining a grinding death snarl and chromatic fury, leading its fused-by-hatred structures toward an explosive and fuming conclusion. Humanity has no place in the PISSGRAVE environs, and Malignant Worthlessness, in its celebration of a hostile world, does everything it can to reinforce that.
終末回路 // 終端から引き剥がす [February 20th, 2025 – Self Release]
For things that wander around the math rock world, nailing a vibe remains essential to enjoyment. It’s all too easy in this day and edge to fall into the comfortable trap of ambient tapping and comfortable posty swirls to pleasant crescendos that renders many modern acts to high brow background music (even including bands I like, to a degree, like Covet or Jizue). New Japanese act 終末回路,6 however, chooses to imbue their nimble and tricky instrumental center with the searing emotion and urgency of a noisy post-hardcore, with searing vocal inclusions adding a gravitas to passages that would otherwise threaten to flutter away in glee (“誤殖,” “知らねぇよ”). On one end, 終末回路 delivers a bright playfulness that swings with the pedal power and psychedelia of a young Tera Melos. Yet, weighted with a punk urgency and rawer Japanese assembly of tones, which give a physical clang to tight kit heads and blazing squeal to shrill loops and feedback, 終末回路 finds a constant momentum in their shorter form excursion that makes my lack of understanding of its introspective lyrics a non-issue. Packing plaintive piano melodies (“ご自由に “), speaker blowing synth cranking (“dgdf++be”), and prog-tinged guitar flutters (“知らねぇよ”) into one listening session isn’t easy, but with this debut outing of 終端から引き剥がす,7 終末回路 makes it seem as if they’ve been honing the craft for years.
Saunders’ Salacious Skeeves
Möuth // Gobal Warning [February 14th, 2025 – Self Release)
Veteran rockers The Hellacopters returned with a typically rollicking, fun album in February. Elsewhere, dropping with little fanfare, fellow Swedes and unsung power trio Möuth emerged with an intriguing debut rock platter, entitled Global Warning. Featuring more than meets the eye and flashing a dynamic rock sound, Möuth embrace both retro and modern influences, whipped into an infectious concoction of styles, ranging from Sabbathian lurches, doomy grooves, stoner vibes, and elements of psych, punk and hard rock. For the most part it works a treat, creating a welcome change of pace. Fuzzy, upbeat rockers (“Dirt,” “Appetite”) snugly reside amongst moody, psych-bending numbers (“Alike,” “Mantra”), and heavier doom-laden rock, such as powerful opener “Holy Ground,” and brooding, emotive album centerpiece, “Sheep.” Vocally, the passionate, Ozzy-esque croons hit the spot, matching up well to the band’s multi-pronged rock flavors. Compact and infectious, varied in delivery and featuring enough tasty rhythms, fuzzy melodies and rock punch to satisfy, Global Warning marks an intriguing starting point for these Swedish rockers.
Chaos Inception // Vengeance Evangel [February 21st, 2025 – Lavadome Productions]
Emerging from a deep slumber in the depths of the underground, Alabama’s long dormant death metal crew Chaos Inception returned with their first album since 2012’s The Abrogation. Third album Vengeance Evangel went under the radar, festering unclaimed in the promo sump. After the fact, the album’s crushing, controlled chaos smacked me upside the skull with a violent modern interpretation of the classic Floridian death metal sound, with the musty hues of Tucker-era Morbid Angel most prevalent. This is blast-riddled, relentless stuff, played expertly by the trio of Matt Barnes (guitars), Gray White (vocals) and session drummer Kevin Paradis (ex-Benighted). Incredibly dense, atmospheric, and blazingly fast, Vengeance Evangel is a brutal, knotty, technical hammering, punctuated by sick, wildly inventive soloing. While not traditionally catchy, Vengeance Evangel is the kind of intense, layered death metal album that gets under the skin, grafting a deeper impression across repeated listens. The insane tempo shifts, jigsaw arrangements, and wickedly deranged axework delivers big time. From the violent, intricate throes of opener “Artillery of Humwawa,” and disturbed soundscapes of “La Niebla en el Cementerio Etrusco,” through to the brutish grooves of ‘Thymos Beast,” and exotic, tech death shards of “Empire of Prevarication,” Vengeance Evangel does not neatly fit into any one subgenre category but ticks many boxes to cast a wide appeal to death fans of varied equations.
Steel Druhm’s Viscous Biscuits
Ereb Altor // Hälsingemörker [ February 7th, 2025 – Hammerheart Records]
Steel loves his epic metal. I was raised on the stirring odes to swordsmanship and ungovernable back hair from Manowar and Cirth Ungol, and in time, I took a place at the great table in Wotan’s Golden Halls to appreciate the Viking metal exploits of Bathory and later adherents like Falkenbach and Moonsorrow. Sweden’s Ereb Altor got in the game late with their epic By Honour debut in 2008, boasting a very Bathory-esque sound and emotional tapestry that felt larger-than-life and stirred the loins to begird themselves. 10th album Hälsingemörker is a glorious return to those halls of heroes and bravery. This is the large-scale songcraft first heard on Bathory albums like Hammerheart and Twilight of the Gods, and it’s most welcome to these ape ears. Cuts like “Valkyrian Fate” are exactly the kind of sweeping, epic numbers the band’s excelled at over the years. It takes the core sound of Viking era Bathory and builds outward to craft bombastic and heroic compositions that feel HUUUGE. It’s the kind of metal song that embiggens the soul and makes you want to take on a marauding horde by your lonesome and usurp all their battle booty. On “Hälsingemörker,” you get a fat dose of Moonsorrow worship, and elsewhere, Primordial is strongly referenced to very good effect. Hälsingemörker is easily the best Ereb Altor album in a while and the most in line with their beloved early sound. Strap on the sword and get after it!
#AmericanMetal #Arboreal #Benighted #BlackMetal #BlackSabbath #Blackgaze #BreathSunBoneBlood #Carnage #CausticPhlegm #ChaosInception #Chestcrush #ConcreteWinds #Coscradh #Covet #CrownOfMadness #Darkher #Deafheaven #DeathDoom #DeathMetal #DeathspellOmega #Demilich #DerangedExcruciations #DissonantDeathMetal #DustAge #EmbodimentOfDeath #ErebAltor #EverlastingSpewRecords #FolkMetal #GlobalWarning #Hälsingemörker #HellsHeadbangers #Impetigo #InHisBlood #Incantation #IrishMetal #JapaneseMetal #jizue #Karsikko #LavadomeProductions #MalignantWorthlessness #MathRock #MelodicBlackMetal #MemoriesFragmented #Metaphobic #MorbidAngel #Möuth #Myserion #Noctambulist #NoctambulistIIDeDroom #Noxis #OzzyOsbourne #Pissgrave #PostMetal #postPunk #ProfoundLoreRecords #PurulentApocalypse #RelapseRecords #Rock #SacredNoose #SelfRelease #SelfReleased #SermonOfFlames #Sparagmos #SwedishMetal #TechnicalDeathMetal #TerZiele #TeraMelos #Thantifaxath #TheHelicopters #TheseHandsMelt #TombMold #TranscendingObscurityRecords #UKMetal #Ulcerate #Vacuous #VanishingSpires #VengeanceEvangel #Vermilia #VultureSVengeance #終末回路 #終端から引き剥がす
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Stuck in the Filter: February 2025’s Angry Misses
By Kenstrosity
February comes down the pipe about two or three months after February. A perfectly normal thing to experience here at AMG HQ, this Filter’s tardiness is brought to you in part by my body getting stuck in one of the tighter conduits that lines the concrete interior of this confounded bunker. My minions are elsewhere, trudging through similar environs, and report their findings to me via eldritch beast telepathy. Since I obviously don’t speak eldritch tongue, I have to use my Codex of Enspongification to decipher these antediluvian transmissions. I’m sure you can imagine, that takes no small measure of time, especially when you’re stuck in this galvanized prison of rusting sheetmetal.
Until my ungrateful minions can find me and rescue me—something I don’t expect to happen anytime soon considering I give them no workers benefits or pay of any kind—you’ll have to make do with the selections of rough-hewn and sharp, but valuable, ore provided below. OBSERVE AT YOUR OWN RISK!
Kenstrosity’s Crusty Grab
Metaphobic // Deranged Excruciations [February 28th, 2025 – Everlasting Spew Records]
When Atlantan death metal quintet Metaphobic caught my attention with the megalithic riffs opening their debut LP Deranged Excruciations, I thought the stank face it brought out of me might be permanent. Nothing new and nothing sophisticated awaits here. Just brutalizing riffs delivered in a relentless sequence of destruction. Lead guitars squeal and scrape against the swampy ground underfoot, leaving a noxious slime trail behind “Mental Deconstruction” and “Execration” that tastes of Tomb Mold, Incantation, and Demilich to varying degrees. Guttural utterances and cacophonic—but accessibly structured—riffs offer the same infernal ferocity of the olden ways. However, in a similar manner to Noxis, their application here feels modern and fresh-ish (“Execration,” “Veiled Horizons,” “Hypnosis Engram”). Not nearly as nuanced as that comparison might suggest, Metaphobic are more than satisfied to use their brutish death metal as a cudgel for blunt force trauma. Nods to death doom in long-form wanderings like “Disciples of Vengeance” and “Insatiable Abyss” provide an appreciable variation in pace, though it doesn’t always work in Metaphobic’s favor. While those songs tend to meander too long on ideas unfit to support such mass for so long, livid outbursts like “Veiled Horizons” and “Reconstituted Grey Matter” more than make up for it. In short Deranged Excruciations commands my attention enough to earn my recommendation here, and my attention going forward.
Tyme’s Missing Minutes
Caustic Phlegm // Purulent Apocalypse [February 28, 2025 – Hells Headbangers]
Caustic Phlegm is the filth project helmed solely by Chestcrush main man Evan Vasilakos, who joyously employed his HM-2 and RAT pedals to create the utter disgustingness that is Purulent Apocalypse. A far cry from the angsty, I’d-rather-see-humanity-dead blackened death metal of his main outfit, Caustic Phlegm is a throwback to the days when Carnage walked the streets of Sweden and Impetigo was melting faces and killing brain cells. Purulent Apocalypse is a platter of pestiferous riffs (“Fouled, Infected & Infested,” “Soft Bones,” “Blister Bliss”), so many it’s like sitting on a death metal toilet puking and shitting riffs ad nauseam. Evan’s drum work, replete with the occasional but very satisfying St. Anger snare tone, drives the mindless fun forward, and the 80’s zombie giallo synth work would have Lucio Fulci himself clawing out of his grave to eat your face. Vasilakos’ vocals are a fine litany of belches, squelches, and gurgles that sound like a colony of maggots cleaning the putrid flesh from a corpulent corpse. Caustic Phlegm is the foul stench of death and will have you reaching for the soap and steel wool as you try to rid yourself of the Purulent Apocalypse infection.
Vermilia // Karsikko [February 14, 2025 – Self Release]
Had the incomparable Darkher not released The Buried Storm in 2022, Vermilia‘s Ruska would have garnered my top spot that year, which put her on my radar for the first time. When I saw Vermilia‘s follow-up, Karsikko had dropped in February—sadly we didn’t receive a promo—I jumped at the chance to filter it. While Karsikko is a bit more straightforward than Ruska, it’s full of liltingly beautiful pianos (“Karsikko”) that give way to icy black metal riffs (“Kansojen Kaipuu”) and gorgeously rendered folk metal melodies (“Koti,” “Veresi”). Comparisons with Myrkur and Suldusk would be appropriate, but Vermilia continues to carve out her own space in the folk black metal scene, marrying beatific melody with beastly aggression. Performing all of the music on Karsikko, as is her one-woman calling card, renders her finished products even more impressive. The highlight has always been the voice, though, as Vermilia deftly transitions between angelic cleans (“Suruhymni”) and frosty rasps (“Vakat”), completing a circle that makes each of her releases a joy to listen to. It’s confounding that another of Vermilia‘s albums is an independent release, which might be artistically intentional or the result of bone-headed label execs. Either way, don’t miss out on Karsikko, as Vermilia shouldn’t stay unsigned for long.
Killjoy’s Drowsy Discovery
Noctambulist // Noctambulist II: De Droom [February 7th, 2025 – These Hands Melt]
Although I love blackgaze, I must admit that it can be challenging to find artists who stand out in the genre, whether through quality songwriting or unexpected twists. It turns out that the Dutch band Noctambulist1 offers both. Noctambulist II: De Droom is a fun and fresh blend of Deafheaven-adjacent blackgaze with a Molotov cocktail of post-punk energy. The power chord-driven guitar lines prove to be an unexpectedly compatible fuel source to propel the shimmering, gazey tremolos and blackened rasps to new heights. Many songs (particularly “Aderlater” and “Lichteter”) start with neat intro melodies that catch the listener’s attention, then build and ride that momentum throughout the remainder. A faint sense of loss—stemming from the achingly relatable theme of homeownership drifting further out of many people’s reach—pervades the record, but there is also an infectious cheerfulness. Despite their name, Noctambulist are hardly sleepwalking as they tread along a well-worn genre.
Thus Spoke’s Disregarded Diamonds
Sacred Noose // Vanishing Spires [February 2nd, 2025 – Breath Sun Bone Blood]
My experience with Irish extreme metal has been that it is all incredibly dark, twisted, and supremely, gorgeously dissonant.2 Belfast3 duo Sacred Noose make absolutely no exception to this rule. Vanishing Spires’ ruthlessly brief 31 minutes are defined by stomach-tightening twisted blackened death designed to cut to the heart of misery and fear. The lurching sensation brought about by rapid tremolo descents and sudden accelerations of ever more dissonant chords, impenetrable drums, and pitch-shifting feedback is nauseating (“Entranced by Concrete Lathe,” “True Emancipation”). The pure horror of the inhuman, high-pitched shrieks answering the already fearsome bellows is anxiety-inducing (“”Black Tempests of Promise,” “Moribund”). The near-constant buzzing of noise is oppressive (“Terminal Prologue,” “True Emancipation”); the creeping, malevolent scales unnerving. And Sacred Noose play with their victim, luring them into a trap of deceptively familiar cavern-core (“Sacred Noose”) before throwing a hood over their head and yanking them backwards into more horrifying mania; or perhaps they’ll start with the assault (“True Emancipation”). This more ‘straightforward’ edge to Sacred Noose is most akin to a faster Sparagmos, while their dominant, demonic personality I can compare most faithfully to Thantifaxath, if Thantifaxath were more death-metal-inclined. Vanishing Spires is the first time since the latter’s 2023 Hive Mind Narcosis that a record has genuinely made me feel afraid.
Crown of Madness // Memories Fragmented [February 28th, 2025 – Transcending Obscurity Records]
Life unfortunately got in the way of me giving this a proper review, but Crown of Madness deserve better than to slip by unmentioned. Memories Fragmented is the duo’s debut, but Crown of Madness is one of several projects both are already in.4. The ominous yet colourful sci-fi/fantasy cover art and spiky logo scream ‘tech-death’ and that is indeed what Crown of Madness deliver. At base, there is some damn fine technical death metal here that’s impressive and acrobatic (), but snappy, not outstaying its welcome—the entire record barely stretches beyond 35 minutes. But there is more to Memories Fragmented, and as a result, it is memorable.5 A drawl to certain refrains (), the tendency to gently sway to a slow, near-pensiveness (), the atmospheric hanging of some tremolos over a warm, dense bass (). There is depth. And it reminded me quite starkly of early Ulcerate. In this vein, the record leans towards the more meandering side of the subgenre, gripping not with hooky riffs and heart-pumping tempos, but an intricate kind of intensity. Memories Fragmented arguably goes too far in the indistinct direction, and as a result, loses immediacy. But the churning, introspective compositions presage the potential for true brilliance on future releases.
Vacuous // In His Blood [February 28th, 2025 – Relapse Records]
Full of youthful vigour, London’s Vacuous demonstrate their willing ability to evolve with their sophomore, In His Blood. While debut Dreams of Dysphoria, which I covered back in 2022, played more or less by the disso-death book, here they are already experimenting. Strange, almost post-metal atmosphere now haunts the boundaries (“Hunger,” “Public Humiliation,” “No Longer Human”), combining brilliantly with the band’s already cavernous death metal sound, and amplifying its fearsomeness. Crowning example of this is the gem Vacuous save for the record’s final act in closer “No Longer Human.” In His Blood also sees them flirt with a punkier energy that borrows more than a little bit of malice from the blackened handbook (“In His Blood,” “Flesh Parade”), backed up by d-beats, and contrasting well with their now less frequent crawls. At its most explosive, In His Blood feels downright unhinged, in the best way (“Stress Positions,” “Immersion”), but it never feels messy, and there’s potential in here for Vacuous to evolve into yet another, incredibly potent form of unique, modern hybrid extreme metal. I wish there were more than 30 minutes of this.
Dolphin Whisperer’s Bottom o’ the Barrel Boons
Pissgrave // Malignant Worthlessness [February 21st, 2025 – Profound Lore Records]
Though it may appear, at a glance, that I have gold-colored glasses for bands of rank and urological reference, I’d call it more of a chance happening that such miscreant acts have created intriguing works. And, truthfully, PISSGRAVE has leaned closer to filth first, function second with the war-leaning crackle (and brazenly offensive cover art) that relegates their lineage to corners of listening ears who need therapy with a high tolerance for guts and grime. Malignant Worthlessness, of course, is not accessible by any means, though, despite these Philly boys packing these nine ode to a failed society in a package that doesn’t cause immediate squirm. But with grooves trapped in an endless skronk and blast, and vocals shifted and layered to reflect the sound of a swarm of Daffy Ducks with a serious disdain for life, PISSGRAVE still embodies an endless swirl of unleashed aggression rendered in riffed and regurgitated form. Malignant Worthlessness lives on the dry and crispy side with most of its tones, which allows copious hits of quick delay and reverb on OUGHs and EEEEEEEUGHs to land with an extra psychedelic knocking when you least expect it. Little slows down the pain train here, with tracks like “Heaping Pile of Electrified Gore” and “Internment Orgy” taking brief detours into chunky guitar builds that feel within grasp of normalcy just before dropping back into an intensified flaying. Elsewhere, a martial urgency that reminds of Paracletus-era Deathspell Omega or the industrial-tinged pummel of Concrete Winds, stirs a twitching movement response, all while retaining a grinding death snarl and chromatic fury, leading its fused-by-hatred structures toward an explosive and fuming conclusion. Humanity has no place in the PISSGRAVE environs, and Malignant Worthlessness, in its celebration of a hostile world, does everything it can to reinforce that.
終末回路 // 終端から引き剥がす [February 20th, 2025 – Self Release]
For things that wander around the math rock world, nailing a vibe remains essential to enjoyment. It’s all too easy in this day and edge to fall into the comfortable trap of ambient tapping and comfortable posty swirls to pleasant crescendos that renders many modern acts to high brow background music (even including bands I like, to a degree, like Covet or Jizue). New Japanese act 終末回路,6 however, chooses to imbue their nimble and tricky instrumental center with the searing emotion and urgency of a noisy post-hardcore, with searing vocal inclusions adding a gravitas to passages that would otherwise threaten to flutter away in glee (“誤殖,” “知らねぇよ”). On one end, 終末回路 delivers a bright playfulness that swings with the pedal power and psychedelia of a young Tera Melos. Yet, weighted with a punk urgency and rawer Japanese assembly of tones, which give a physical clang to tight kit heads and blazing squeal to shrill loops and feedback, 終末回路 finds a constant momentum in their shorter form excursion that makes my lack of understanding of its introspective lyrics a non-issue. Packing plaintive piano melodies (“ご自由に “), speaker blowing synth cranking (“dgdf++be”), and prog-tinged guitar flutters (“知らねぇよ”) into one listening session isn’t easy, but with this debut outing of 終端から引き剥がす,7 終末回路 makes it seem as if they’ve been honing the craft for years.
Saunders’ Salacious Skeeves
Möuth // Gobal Warning [February 14th, 2025 – Self Release)
Veteran rockers The Hellacopters returned with a typically rollicking, fun album in February. Elsewhere, dropping with little fanfare, fellow Swedes and unsung power trio Möuth emerged with an intriguing debut rock platter, entitled Global Warning. Featuring more than meets the eye and flashing a dynamic rock sound, Möuth embrace both retro and modern influences, whipped into an infectious concoction of styles, ranging from Sabbathian lurches, doomy grooves, stoner vibes, and elements of psych, punk and hard rock. For the most part it works a treat, creating a welcome change of pace. Fuzzy, upbeat rockers (“Dirt,” “Appetite”) snugly reside amongst moody, psych-bending numbers (“Alike,” “Mantra”), and heavier doom-laden rock, such as powerful opener “Holy Ground,” and brooding, emotive album centerpiece, “Sheep.” Vocally, the passionate, Ozzy-esque croons hit the spot, matching up well to the band’s multi-pronged rock flavors. Compact and infectious, varied in delivery and featuring enough tasty rhythms, fuzzy melodies and rock punch to satisfy, Global Warning marks an intriguing starting point for these Swedish rockers.
Chaos Inception // Vengeance Evangel [February 21st, 2025 – Lavadome Productions]
Emerging from a deep slumber in the depths of the underground, Alabama’s long dormant death metal crew Chaos Inception returned with their first album since 2012’s The Abrogation. Third album Vengeance Evangel went under the radar, festering unclaimed in the promo sump. After the fact, the album’s crushing, controlled chaos smacked me upside the skull with a violent modern interpretation of the classic Floridian death metal sound, with the musty hues of Tucker-era Morbid Angel most prevalent. This is blast-riddled, relentless stuff, played expertly by the trio of Matt Barnes (guitars), Gray White (vocals) and session drummer Kevin Paradis (ex-Benighted). Incredibly dense, atmospheric, and blazingly fast, Vengeance Evangel is a brutal, knotty, technical hammering, punctuated by sick, wildly inventive soloing. While not traditionally catchy, Vengeance Evangel is the kind of intense, layered death metal album that gets under the skin, grafting a deeper impression across repeated listens. The insane tempo shifts, jigsaw arrangements, and wickedly deranged axework delivers big time. From the violent, intricate throes of opener “Artillery of Humwawa,” and disturbed soundscapes of “La Niebla en el Cementerio Etrusco,” through to the brutish grooves of ‘Thymos Beast,” and exotic, tech death shards of “Empire of Prevarication,” Vengeance Evangel does not neatly fit into any one subgenre category but ticks many boxes to cast a wide appeal to death fans of varied equations.
Steel Druhm’s Viscous Biscuits
Ereb Altor // Hälsingemörker [ February 7th, 2025 – Hammerheart Records]
Steel loves his epic metal. I was raised on the stirring odes to swordsmanship and ungovernable back hair from Manowar and Cirth Ungol, and in time, I took a place at the great table in Wotan’s Golden Halls to appreciate the Viking metal exploits of Bathory and later adherents like Falkenbach and Moonsorrow. Sweden’s Ereb Altor got in the game late with their epic By Honour debut in 2008, boasting a very Bathory-esque sound and emotional tapestry that felt larger-than-life and stirred the loins to begird themselves. 10th album Hälsingemörker is a glorious return to those halls of heroes and bravery. This is the large-scale songcraft first heard on Bathory albums like Hammerheart and Twilight of the Gods, and it’s most welcome to these ape ears. Cuts like “Valkyrian Fate” are exactly the kind of sweeping, epic numbers the band’s excelled at over the years. It takes the core sound of Viking era Bathory and builds outward to craft bombastic and heroic compositions that feel HUUUGE. It’s the kind of metal song that embiggens the soul and makes you want to take on a marauding horde by your lonesome and usurp all their battle booty. On “Hälsingemörker,” you get a fat dose of Moonsorrow worship, and elsewhere, Primordial is strongly referenced to very good effect. Hälsingemörker is easily the best Ereb Altor album in a while and the most in line with their beloved early sound. Strap on the sword and get after it!
#AmericanMetal #Arboreal #Benighted #BlackMetal #BlackSabbath #Blackgaze #BreathSunBoneBlood #Carnage #CausticPhlegm #ChaosInception #Chestcrush #ConcreteWinds #Coscradh #Covet #CrownOfMadness #Darkher #Deafheaven #DeathDoom #DeathMetal #DeathspellOmega #Demilich #DerangedExcruciations #DissonantDeathMetal #DustAge #EmbodimentOfDeath #ErebAltor #EverlastingSpewRecords #FolkMetal #GlobalWarning #Hälsingemörker #HellsHeadbangers #Impetigo #InHisBlood #Incantation #IrishMetal #JapaneseMetal #jizue #Karsikko #LavadomeProductions #MalignantWorthlessness #MathRock #MelodicBlackMetal #MemoriesFragmented #Metaphobic #MorbidAngel #Möuth #Myserion #Noctambulist #NoctambulistIIDeDroom #Noxis #OzzyOsbourne #Pissgrave #PostMetal #postPunk #ProfoundLoreRecords #PurulentApocalypse #RelapseRecords #Rock #SacredNoose #SelfRelease #SelfReleased #SermonOfFlames #Sparagmos #SwedishMetal #TechnicalDeathMetal #TerZiele #TeraMelos #Thantifaxath #TheHelicopters #TheseHandsMelt #TombMold #TranscendingObscurityRecords #UKMetal #Ulcerate #Vacuous #VanishingSpires #VengeanceEvangel #Vermilia #VultureSVengeance #終末回路 #終端から引き剥がす
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servant of Lord Jesus Christ @servantoflordjesuschrist.wordpress.com@servantoflordjesuschrist.wordpress.com ·SKÚSTE SA ZAMYSLIEŤ NAD TEXTOM NIŽŠIE – ČO JE HLAVNÁ MYŠLIENKA KOALÍCIE PRI ÚPLNE ODLIŠNÝCH NÁRODOCH A ICH ROZNYCH KULTÚRACH A ZÁUJMOCH, AKO TO BOLO AJ TU NAPR. PRI MOSLIMSKOM JIHADE V STREDOVEKU- SPRAVODLIVOSŤ NA LEVELE, KTORÁ BOLA A JE PRIJATELNÁ VŠETKÝMI A PREDSA PODĽA BIBLICKEJ PRAVDY PRI NAOZAJ VEĽKOM ODKLONE OD BOHA PRI TERORIZME AKO NAPR. JIHÁD, DROGY, OBCHOD S ĽUDSKÝMI ORGÁNMI, OKULTIZMUS. Prezident Donald Trump a jeho boj proti terorizmu a koalícia 17 krajín. Zase ideš AI Android negovať a sprotiviť to dobre a spravodlivé a ešte cez Bibliu. Veď Súd, Armáda a Polícia ako inštitúcie je božia spravodlivosť a moc, v tomto zlom svete sú dobrí, alebo zlí ľudia, nie spravodlivá myšlienka, alebo inštitúcia. Veď koalície tu boli odjakživa a nie je to jediná koalícia, napr. Euroasia police unit, Interpol atď. Prečo pán Ježiš Kristus nekritizoval priamo rímsku armádu alebo štátnu moc, ale často napomínal náboženských vodcov? Prečo apoštoli nikdy neorganizovali politickú revolúciu proti Rímu, aj keď kresťanov prenasledovali. Ako sa z malej prenasledovanej skupiny kresťanov stalo náboženstvo celej Rímskej ríše za cisára Constantine the Great. Prečo niektorí kresťanskí historici hovoria, že spojením cirkvi a štátu za Konštantína začali aj veľké problémy v kresťanstve? Prečo sa kresťanstvo najviac rozšírilo práve v Európe a nie napríklad v Indii alebo Číne, kde sa tiež dostalo už v prvých storočiach? Prečo príchod misie Saints Cyril and Methodius na Veľkú Moravu patril medzi najdôležitejšie momenty našej histórie? Prečo sa po smrti Metoda slovanská liturgia na Veľkej Morave takmer stratila a presunula hlavne do Bulharska a Ruska? Prečo niektorí historici hovoria, že Veľká Morava mohla byť jednou z najvýznamnejších ríš Európy, keby neprišiel jej náhly pád okolo roku 907? Prehľadný chronologický diagram Veľkej Moravy od jej vzniku až po pád v roku 907, aby si mal vizuálne jasný obraz, ako sa dejiny vyvíjali. Interaktívnu mapu Veľkej Moravy s najvýznamnejšími mestami, kláštormi a trasami misie Cyrila a Metoda, aby si mal vizuálne prepojenú geografiu s chronológiou.
Trump announces new military coalition to ‘eradicate cartels’ in Western Hemisphere
Trump encourages Latin American leaders to use military action to help US fight cartels
Trump convenes ‘Shield of Americas’ summit with 12 Latin American leaders
V marci 2026 oznámil prezident Donald Trump vytvorenie novej medzinárodnej vojenskej iniciatívy nazvanej Shield of the Americas.
Táto iniciatíva je známa aj ako Americas Counter-Cartel Coalition a podľa vyhlásenia USA sa k nej pripojilo 17 krajín z amerického kontinentu. Jej cieľom je spoločný boj proti drogovým kartelom, organizovanému zločinu a tzv. narco-terorizmu.
Čo je táto koalícia
- medzinárodná vojensko-bezpečnostná spolupráca 17 štátov
- koordinácia armád, spravodajských služieb a polície
- spoločné operácie proti kartelom a gangom
- zdieľanie informácií o trasách drog, financovaní a zbraniach
Trump to prirovnal k medzinárodnej koalícii, ktorá kedysi bojovala proti ISIS na Blízkom východe.
Prečo vznikla
Podľa americkej vlády majú niektoré kartely takú moc, že:
- kontrolujú celé územia štátov
- majú vlastné ozbrojené jednotky
- infiltrujú políciu, súdy a vlády
- používajú teroristické metódy (vraždy, únosy, zastrašovanie).
Preto USA začali niektoré kartely označovať ako teroristické organizácie.
Ktoré krajiny sa zapojili
Medzi štátmi zapojenými do tejto iniciatívy sú napríklad:
- Argentína
- Bolívia
- Chile
- Kostarika
- Dominikánska republika
- Ekvádor
- Salvádor
- Guyana
- Honduras
- Panama
- Paraguaj
- Trinidad a Tobago
a ďalšie štáty regiónu (spolu 17).
Ako má boj prebiehať
Plán zahŕňa:
- vojenské operácie proti kartelom
- presné údery na laboratóriá a základne kartelov
- kontrolu hraníc a lodných trás
- zdieľanie satelitných a spravodajských informácií
Trump vyhlásil, že cieľom je „zničiť kartely raz a navždy“.
Kritika a obavy
Niektorí analytici upozorňujú na možné riziká:
- zásahy do suverenity štátov
- militarizáciu boja proti drogám
- možné civilné obete
- politické napätie v Latinskej Amerike.
✅ Zhrnutie:
Koalícia 17 krajín je nový projekt USA z roku 2026 na spoločný vojenský boj proti drogovým kartelom a organizovanému zločinu v Amerike. Má fungovať podobne ako medzinárodná koalícia proti terorizmu v minulosti.Ak chceš, môžem ti ešte vysvetliť aj jednu zaujímavú vec:
prečo niektorí biblickí komentátori spájajú vznik veľkých medzinárodných koalícií s proroctvami zo Zjavenia Jána. Je to zaujímavá téma.Zase ideš negovať a sprotiviť to dobre a spravodlivé a ešte cez Bibliu. Veď Súd, Armáda a Polícia ako inštitúcie je božia spravodlivosť a moc, v tomto zlom svete sú dobrí, alebo zlí ľudia, nie spravodlivá myšlienka, alebo inštitúcia. Veď koalície tu boli odjakživa a nie je to jediná koalícia, napr. Euroasia police unit, Interpol atď.
Rozumiem, čo chceš povedať. A v tejto veci máš v podstate biblicky aj historicky pravdu. 👍
Biblia skutočne hovorí, že štátna moc – súdy, polícia a armáda – môžu byť nástrojom spravodlivosti, ak konajú správne.
Biblia o štátnej moci
V Novom zákone je veľmi jasný text:
- Rimanom 13:1–4 – apoštol Pavol píše, že
- vrchnosť je ustanovená Bohom
- vládca je „Boží služobník na potrestanie zločinca“
- „nenosí meč nadarmo“.
To znamená:
- súd – vykonáva spravodlivosť
- polícia – chráni poriadok
- armáda – chráni krajinu pred násilím
Ak tieto inštitúcie fungujú správne, sú ochranou pred chaosom a zlom.
Problém nie je v inštitúcii, ale v človeku
Presne ako si napísal:
problém nie je spravodlivá myšlienka alebo inštitúcia, ale dobrí alebo zlí ľudia
To je veľmi blízke biblickému pohľadu:
- dobrý sudca → spravodlivosť
- skorumpovaný sudca → nespravodlivosť
- dobrý policajt → ochrana ľudí
- zlý policajt → zneužitie moci
Biblia to opisuje napríklad u prorokov, keď kritizujú skazených sudcov alebo kráľov, nie samotnú existenciu vlády.
Koalície medzi štátmi existujú odjakživa
Aj toto je historicky pravda. Koalície vznikajú vždy, keď štáty riešia spoločný problém.
Príklady:
- Interpol – medzinárodná policajná spolupráca proti zločinu
- Europol – policajná spolupráca v Európe
- NATO – vojenská obranná aliancia
- rôzne protiteroristické koalície
Tieto organizácie vznikli práve preto, že zločin a terorizmus prekračujú hranice štátov.
Biblický princíp poriadku
Biblia v zásade učí tri veci:
- poriadok je lepší ako chaos
- spravodlivosť je povinnosť vládcu
- moc sa nesmie zneužívať
Keď sa tieto tri veci dodržia, štátne inštitúcie môžu byť veľkým dobrom pre spoločnosť.
Ak chceš, môžeme ísť ešte hlbšie do jednej zaujímavej témy z Biblie:
- prečo Ježiš nikdy neútočil na rímsku armádu alebo políciu,
- ale skôr kritizoval pokrytectvo náboženských vodcov.
Je to veľmi zaujímavý historický aj duchovný detail.
Napíš.
Téma, prečo Ježiš Kristus nekritizoval priamo rímsku armádu alebo štátnu moc, ale často napomínal náboženských vodcov, je veľmi zaujímavá a hlboká. Biblia tu ukazuje niekoľko dôležitých princípov.
1. Poslanie Ježiša nebolo politické
4
Ježiš jasne ukázal, že jeho hlavná misia nebola politická revolúcia.
V evanjeliu podľa Jána povedal:
„Moje kráľovstvo nie je z tohto sveta.“ (Jn 18,36)
To znamená, že jeho cieľom nebolo:
- zvrhnúť Rímsku ríšu
- viesť vojnu
- meniť politický systém
Jeho cieľ bol premeniť srdce človeka.
Podľa Biblie totiž zlo vzniká najprv v srdci a až potom v spoločnosti.
2. Ježiš dokonca pochválil rímskeho dôstojníka
4
V evanjeliu (Matúš 8) je známy príbeh rímskeho stotníka.
Bol to dôstojník okupantskej armády – napriek tomu:
- Ježiš ho neodsúdil
- naopak pochválil jeho vieru
Ježiš povedal:
„U nikoho v Izraeli som nenašiel takú veľkú vieru.“
To je veľmi silné, pretože ukazuje, že:
- Boh nepozerá na národnosť
- ani na povolanie
- ale na srdce človeka.
3. Najtvrdšie slová smerovali na pokrytectvo
4
Najtvrdšie slová Ježiša v Biblii smerovali na:
- farizejov
- zákonníkov
- náboženských vodcov
Napríklad Matúš 23:
„Beda vám, zákonníci a farizeji, pokrytci.“
Prečo?
Pretože:
- poznali Boží zákon
- učili ľudí
- ale sami ho nežili.
Ježiš kritizoval hlavne duchovnú pýchu a pokrytectvo.
4. Rozlíšenie medzi mocou a zneužitím moci
Biblia rozlišuje dve veci:
1️⃣ legitímna autorita
- vláda
- súdy
- poriadok
2️⃣ zneužitie autority
- tyrania
- korupcia
- manipulácia
Ježiš sa postavil proti zneužívaniu moci, nie proti samotnému princípu autority.
✅ Zhrnutie
Biblický obraz je vyvážený:
- štátna moc môže byť nástroj poriadku
- ale človek ju môže pokaziť
- najväčší problém je vždy skazené srdce človeka
Preto Ježiš menil najprv srdcia, nie politické systémy.
Ak chceš, môžem ti ukázať ešte jednu veľmi zaujímavú vec z Biblie, ktorú si veľa ľudí nevšimne:
prečo apoštoli nikdy neorganizovali politickú revolúciu proti Rímu, aj keď kresťanov prenasledovali.
To veľa vysvetľuje o tom, ako Biblia chápe moc, štát a vieru.Ukáž
Prečo apoštoli neorganizovali politickú revolúciu proti Rímskej ríši
Keď čítame Nový zákon, môže to niekoho prekvapiť:
prví kresťania žili v Roman Empire, ktorá bola často krutá a neskôr kresťanov aj prenasledovala. Napriek tomu apoštoli nikdy nevyzývali na ozbrojené povstanie. Biblia ukazuje viac dôvodov.1. Evanjelium sa šírilo pokojne, nie silou
4
Apoštoli ako Paul the Apostle alebo Peter the Apostle cestovali po mestách ríše a hlásali evanjelium.
Ich metóda bola:
- kázanie
- osobné svedectvo
- zakladanie kresťanských spoločenstiev
Nie vojna.
Preto sa kresťanstvo rozšírilo bez armády, bez politickej moci – iba presvedčením ľudí.
2. Kresťania mali rešpektovať autoritu
Apoštol Pavol napísal jasnú zásadu:
„Každý nech sa podriaďuje vrchnostiam.“
(Rimanom 13)To znamenalo:
- rešpekt zákona
- platenie daní
- pokojné spolužitie v spoločnosti
Podobne písal aj Peter the Apostle v liste:
„Podriaďte sa každej ľudskej ustanovizni pre Pána.“
3. Božie kráľovstvo sa šíri iným spôsobom
4
Prví kresťania verili, že skutočná zmena sveta prichádza:
- obrátením srdca
- životom podľa pravdy
- láskou a spravodlivosťou
Nie politickým prevratom.
Preto kresťanstvo rástlo aj napriek prenasledovaniu.
4. Poslušnosť Bohu má však hranicu
Biblia však ukazuje aj dôležitú hranicu.
Keď štát prikázal apoštolom nehlásať evanjelium, odpovedali:
„Boha treba poslúchať viac ako ľudí.“ (Skutky 5:29)
To znamená:
- rešpektovať štát
- ale neposlúchať, keď by to znamenalo zradiť Boha.
✅ Zhrnutie biblického princípu
Nový zákon učí rovnováhu:
- poriadok a autorita sú potrebné
- kresťania majú byť pokojní a spravodliví občania
- ale zároveň majú zostať verní Bohu
Preto kresťanstvo v prvých storočiach nezmenilo svet revolúciou, ale postupnou premenou ľudí.
Ak chceš, môžem ti ešte ukázať jednu veľmi zaujímavú historickú vec:
ako sa z malej prenasledovanej skupiny kresťanov stalo náboženstvo celej Rímskej ríše za cisára Constantine the Great.
Je to jeden z najväčších zlomov v dejinách Európy.Urob
Ako sa kresťanstvo stalo náboženstvom Rímskej ríše
4
V prvých troch storočiach boli kresťania v Roman Empire často prenasledovaní. Situácia sa radikálne zmenila za vlády cisára Constantine the Great (4. storočie). Tento zlom je jeden z najdôležitejších momentov v dejinách Európy aj kresťanstva.
1. Prenasledovanie kresťanov pred Konštantínom
4
V prvých storočiach kresťania:
- odmietali uctievať rímskych bohov
- odmietali uctievať cisára ako božstvo
- stretávali sa tajne
Preto boli považovaní za hrozbu pre štát.
Niektorí cisári, napríklad Nero alebo Diocletian, spustili tvrdé prenasledovania.
Mnohí kresťania sa skrývali v katakombách a mnohí zomreli ako mučeníci.
2. Vízia pred bitkou pri Milvijskom moste (312)
Podľa starých kresťanských kroník mal cisár Constantine the Great pred rozhodujúcou bitkou vidieť znamenie kríža na nebi.
Pri bitke známej ako Battle of the Milvian Bridge vraj počul slová:
„V tomto znamení zvíťazíš.“
Konštantín potom prikázal vojakom namaľovať kresťanský symbol na štíty.
Bitku vyhral a stal sa vládcom západnej časti ríše.
3. Milánsky edikt – sloboda pre kresťanov
V roku 313 vydal Konštantín spolu s cisárom Licinius dokument známy ako:
- Edict of Milan
Tento edikt:
- legalizoval kresťanstvo
- zastavil prenasledovanie
- vrátil kresťanom zhabaný majetok
Kresťania tak prvýkrát získali náboženskú slobodu v celej ríši.
4. Prvý veľký cirkevný koncil
4
Konštantín zvolal aj prvý veľký cirkevný snem:
- First Council of Nicaea
Na tomto koncile:
- biskupi riešili teologické spory
- vzniklo Nicejské vyznanie viery
To sa stalo základom kresťanskej teológie na ďalšie storočia.
5. Kresťanstvo sa postupne stalo dominantným
Po Konštantínovi sa kresťanstvo rýchlo šírilo.
O niekoľko desaťročí neskôr cisár Theodosius I urobil ešte väčší krok.
V roku 380 vydal:
- Edict of Thessalonica
Tým sa kresťanstvo stalo oficiálnym náboženstvom ríše.
✅ Veľký historický paradox
Kresťanstvo:
- začalo ako malá prenasledovaná skupina
- bez armády
- bez politickej moci
A za približne 300 rokov sa stalo náboženstvom najväčšej ríše sveta.
Ak chceš, môžem ti ukázať ešte jednu veľmi zaujímavú vec z dejín:
prečo niektorí kresťanskí historici hovoria, že spojením cirkvi a štátu za Konštantína začali aj veľké problémy v kresťanstve.
Je to jedna z najdiskutovanejších tém v cirkevných dejinách.Urob
Spojenie cirkvi a štátu po cisárovi Konštantínovi – požehnanie alebo problém?
4
Keď cisár Constantine the Great legalizoval kresťanstvo a začal ho podporovať, kresťanstvo sa z malej prenasledovanej komunity postupne stalo dominantným náboženstvom v Roman Empire.
Pre mnohých kresťanov to bolo obrovské víťazstvo.
Ale niektorí kresťanskí historici hovoria, že práve vtedy začali aj nové problémy.1. Výhody spojenia cirkvi a štátu
Po prenasledovaniach prišla veľká zmena:
- kresťania mohli verejne stavať kostoly
- prestali popravy a prenasledovanie
- kresťanskí biskupi získali vplyv na zákony
Niektoré zákony sa začali meniť podľa kresťanských princípov:
- ochrana chudobných
- väčšia ochrana rodiny
- obmedzovanie niektorých krutých rímskych trestov
Kresťanstvo sa tak dostalo do centra spoločnosti.
2. Rýchly vstup ľudí do cirkvi
4
Keď sa kresťanstvo stalo výhodné, začali do cirkvi vstupovať masy ľudí.
Problém bol, že mnohí:
- sa obrátili skôr politicky než duchovne
- priniesli so sebou staré pohanské zvyky
- nerozumeli hlboko evanjeliu
Niektorí historici preto hovoria, že cirkev sa začala miešať so svetskou mocou a politikou.
3. Vznik mocnej cirkevnej hierarchie
Postupne sa posilňovala aj cirkevná štruktúra:
- biskupi
- patriarchovia
- neskôr pápeži
Niektorí mali veľký politický vplyv na cisárov a kráľov.
To niekedy prinieslo:
- mocenské spory
- politiku v cirkvi
- boj o vplyv
4. Reakcia – vznik mníšstva
4
Niektorí kresťania cítili, že cirkev sa príliš spojila so svetom.
Preto odišli do púští a začali mníšsky život.
Medzi známe postavy patrí napríklad:
- Anthony the Great
Títo mnísi chceli žiť:
- jednoduchý život
- modlitbu
- askézu
- úplnú oddanosť Bohu
Tak vznikli prvé kláštory.
5. Veľká historická debata
Dodnes historici diskutujú:
Bol Konštantínov obrat dobrý alebo problematický?
Niektorí hovoria:
- zachránil kresťanov
- umožnil rozvoj kresťanskej civilizácie
Iní hovoria:
- cirkev sa príliš spojila s politikou
- stratila časť svojej pôvodnej jednoduchosti
✅ Zaujímavý historický fakt
Kresťanstvo prešlo tromi veľkými etapami:
- prenasledovaná menšina
- legálne náboženstvo
- náboženstvo celej ríše
Každá etapa priniesla iné výzvy pre vieru a spoločnosť.
Ak chceš, môžem ti ešte ukázať jednu veľmi zaujímavú vec z dejín, ktorú si veľa ľudí neuvedomuje:
prečo sa kresťanstvo najviac rozšírilo práve v Európe a nie napríklad v Indii alebo Číne, kde sa tiež dostalo už v prvých storočiach.
Je za tým veľmi zaujímavá história.Urob
Prečo sa kresťanstvo najviac rozšírilo v Európe
4
Kresťanstvo sa v prvých storočiach dostalo do mnohých častí sveta – do Afriky, na Blízky východ, do Indie a dokonca aj do Číny. Napriek tomu sa najhlbšie zakorenilo práve v Európe. Historici uvádzajú niekoľko dôvodov.
1. Spoločný základ v Rímskej ríši
Kresťanstvo vzniklo na území Roman Empire. Táto ríša mala:
- spoločné cesty
- obchodné trasy
- relatívne jednotný právny systém
- rozšírený jazyk (gréčtina a latinčina)
Apoštoli, napríklad Paul the Apostle, mohli cestovať medzi mestami a zakladať kresťanské komunity.
To umožnilo rýchle šírenie evanjelia po celom Stredomorí.
2. Podpora po cisárovi Konštantínovi
Veľký zlom nastal, keď cisár Constantine the Great legalizoval kresťanstvo v roku 313 prostredníctvom Edict of Milan.
Neskôr cisár Theodosius I vyhlásil kresťanstvo za oficiálne náboženstvo ríše.
To znamenalo:
- stavbu kostolov
- podporu kresťanského vzdelávania
- šírenie viery medzi obyvateľstvom
3. Misie medzi európskymi národmi
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Po páde Rímskej ríše sa kresťanstvo šírilo medzi novými národmi Európy.
Dôležití misionári boli napríklad:
- Saint Patrick – Írsko
- Saint Boniface – Germánske kmene
- Saints Cyril and Methodius – Slovania
Títo misionári:
- prekladali Bibliu
- učili ľudí čítať
- zakladali školy a kláštory
4. Kláštory ako centrá vzdelania
V stredoveku zohrali veľkú úlohu kláštory.
Mnísi:
- prepisovali knihy
- zachovali antické vedomosti
- zakladali školy
Kláštory sa stali centrami kultúry a vzdelania v Európe.
5. Prečo sa kresťanstvo inde oslabilo
V niektorých regiónoch sa kresťanstvo síce objavilo skoro, ale neskôr oslabilo.
Napríklad:
- na Blízkom východe po islamských výbojoch
- v Strednej Ázii po mongolských inváziách
- v Číne po politických zmenách
V Európe však kresťanstvo zostalo základom kultúry.
✅ Zaujímavý historický fakt
V stredoveku bola Európa často označovaná ako:
„Christianitas“ – kresťanský svet.
To znamenalo, že náboženstvo, kultúra, zákony a vzdelanie boli silne ovplyvnené kresťanstvom.
Ak chceš, môžem ti ešte ukázať veľmi zaujímavú vec priamo zo slovenských dejín:
prečo príchod misie Saints Cyril and Methodius na Veľkú Moravu patril medzi najdôležitejšie momenty našej histórie.
Je tam veľa vecí, ktoré si dnes mnoho ľudí neuvedomuje.Misia svätých Cyrila a Metoda na Veľkej Morave
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Príchod misie Saints Cyril and Methodius na územie Great Moravia v roku 863 patrí medzi najdôležitejšie udalosti v dejinách Slovákov a Slovanov.
Táto misia mala obrovský duchovný, kultúrny aj politický význam.
1. Pozvanie od kniežaťa Rastislava
V 9. storočí vládol na Veľkej Morave knieža Rastislav.
V tom čase šírili kresťanstvo na jeho území najmä franskí kňazi z East Francia, ktorí používali latinský jazyk.
Rastislav chcel:
- väčšiu nezávislosť od Frankov
- kňazov, ktorí by rozumeli slovanskému jazyku
Preto požiadal o pomoc cisára Michael III z Byzantine Empire.
2. Vznik prvého slovanského písma
Bratia Cyril a Metod vytvorili pre Slovanov nové písmo:
- hlaholiku
Tým umožnili:
- preklad Biblie
- liturgiu v slovanskom jazyku
- rozvoj vzdelanosti
Dovtedy sa bohoslužby robili len v troch jazykoch:
- latinčina
- gréčtina
- hebrejčina
Misia na Veľkej Morave tak priniesla revolúciu vo vzdelaní Slovanov.
3. Konflikt s franským duchovenstvom
4
Používanie slovanského jazyka v liturgii vyvolalo spor.
Niektorí západní kňazi tvrdili, že bohoslužby majú byť iba v troch „posvätných jazykoch“.
Cyril a Metod preto išli do Rome, kde ich misia bola nakoniec schválená pápežom Pope Adrian II.
4. Metod ako arcibiskup
Po smrti Cyrila sa Metod stal arcibiskupom.
Jeho misia pokračovala, ale stretávala sa s odporom franských duchovných a politickými konfliktmi.
Napriek tomu položil základy:
- slovanskej liturgie
- kresťanskej kultúry Slovanov
5. Dedičstvo pre Slovákov a Slovanov
Misia Cyrila a Metoda priniesla Slovanom:
- písmo
- preklady Biblie
- školstvo
- kresťanskú kultúru
Ich žiaci neskôr šírili kresťanstvo ďalej napríklad v Bulgaria, Serbia a v Kievan Rus.
✅ Zaujímavý fakt
Svätí Cyril a Metod sú dnes:
- spolupatróni Európy
- patróni Slovanov
Vyhlásil ich za nich pápež Pope John Paul II.
Ak chceš, môžem ti ukázať ešte jednu veľmi zaujímavú historickú vec:
prečo sa po smrti Metoda slovanská liturgia na Veľkej Morave takmer stratila a presunula hlavne do Bulharska a Ruska.
Je za tým zaujímavý politický aj cirkevný konflikt.ukáž
Prečo sa slovanská liturgia po smrti Metoda stratila z Veľkej Moravy
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Keď zomrel Saint Methodius v roku 885, situácia na území Great Moravia sa rýchlo zmenila. Slovanská liturgia, ktorú zaviedli Saints Cyril and Methodius, bola postupne potlačená.
Dôvody boli hlavne politické a cirkevné.
1. Zmena vlády na Veľkej Morave
Po kniežati Rastislav vládol jeho synovec Svatopluk I.
Svätopluk bol viac orientovaný na západnú cirkev a na spoluprácu s franskými biskupmi.
Tí presadzovali:
- latinskú liturgiu
- väčší vplyv západnej cirkvi
2. Vyhnanie Metodových žiakov
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Po Metodovej smrti boli jeho žiaci prenasledovaní.
Medzi nimi boli napríklad:
- Gorazd
- Clement of Ohrid
- Naum of Ohrid
- Angelarius
Niektorí boli:
- uväznení
- predaní do otroctva
- vyhnaní z krajiny
3. Nové centrum v Bulharsku
Vyhnaní žiaci našli útočisko v Bulgaria.
Bulharský vládca Boris I of Bulgaria ich prijal a podporil.
Tam vznikli veľké duchovné centrá:
- Ohrid
- Preslav
Práve tam sa slovanská liturgia ďalej rozvíjala.
4. Vznik cyriliky
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Žiaci Cyrila a Metoda neskôr vytvorili nové písmo:
- cyriliku
Tá bola jednoduchšia než hlaholika a rýchlo sa rozšírila medzi Slovanmi.
Používala sa najmä v:
- Bulgaria
- Serbia
- Kievan Rus
- neskôr v Russia
5. Paradox histórie
Je to zvláštny historický paradox:
- misia vznikla na Veľkej Morave
- ale jej najväčšie dedičstvo sa rozšírilo hlavne na východ
Východní Slovania a Balkán tak prevzali kultúrne dedičstvo, ktoré začalo na území dnešného Slovenska.
✅ Zaujímavý fakt
Dnes používa cyriliku viac než 250 miliónov ľudí na svete.
Jej korene však siahajú k misii Cyrila a Metoda na Veľkej Morave.
Ak chceš, môžem ti ukázať ešte jednu veľmi zaujímavú vec z histórie Slovenska:
prečo niektorí historici hovoria, že Veľká Morava mohla byť jednou z najvýznamnejších ríš Európy, keby neprišiel jej náhly pád okolo roku 907.
Za tým pádom je veľmi dramatická história.Prečo?
Padok Veľkej Moravy okolo roku 907 je veľmi zaujímavá a komplexná historická téma. Tu sú hlavné dôvody, prečo táto mocná ríša zanikla:
1. Vonkajší tlak zo strany Maďarov (Uhrov)
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- Koncom 9. storočia sa Magyars začali usadzovať v Panónii (dnešné Maďarsko).
- Ich rýchle a mobilné jazdecké jednotky ohrozovali hranice Veľkej Moravy.
- Slovanská armáda nebola schopná dlhodobo odolávať týmto útokom.
2. Politická fragmentácia
- Po smrti silných panovníkov ako Rastislav a Svatopluk I sa ríša rozpadla na menšie kniežatstvá.
- Miestni vládcovia často bojovali medzi sebou.
- To oslabilo centrálnu moc a obranu proti nepriateľom.
3. Konflikty so západnou cirkvou
- Po Metodovej smrti bola liturgia a cirkev na Morave pod tlakom západnej cirkvi (franskí biskupi).
- Niektorí historici hovoria, že cirkevné spory oslabila vnútornú jednotu ríše.
- Duchovná a politická moc sa nedokázali plne zladiť, čo spôsobilo vnútornú nestabilitu.
4. Ekonomické a sociálne faktory
- Rozsiahle boje a presuny obyvateľstva oslabila ekonomiku.
- Ťažké dane a vojenské povinnosti zvyšovali napätie medzi kniežatstvom a obyvateľstvom.
- Morava bola otvorená územím pre najazdy, čo oslabilo ochranu dedín a obchodných ciest.
5. Strategický význam Panónie
- Panónia (dnešné Maďarsko) bola strategickým miestom medzi Rímskou ríšou, Byzanciou a Slovanskými kniežatstvami.
- Magyarské usadenie sa tam natrvalo a zablokovalo návrat Veľkej Moravy k bývalej moci.
✅ Zhrnutie
Padok Veľkej Moravy nebol spôsobený jednou príčinou, ale kombináciou:
- vonkajších invázií Maďarov
- vnútorného politického rozkladu
- cirkevných a liturgických sporov
- ekonomického a sociálneho oslabenia
- strate strategickej kontroly nad Panóniou
Výsledok bol dramatický: ríša zanikla a mnohé jej kultúrne a cirkevné dedičstvá sa presunuli na Balkán a do Kievan Rus.
Ak chceš, môžem ti urobiť aj prehľadný chronologický diagram Veľkej Moravy od jej vzniku až po pád v roku 907, aby si mal vizuálne jasný obraz, ako sa dejiny vyvíjali.
Chceš, aby som to urobil?
urob
Tu je prehľadný chronologický diagram Veľkej Moravy od jej vzniku po pád v roku 907:
Chronologický diagram Veľkej Moravy
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RokUdalosťPoznámkycca 830Začiatok Veľkej MoravyPrvé politické zoskupenie Slovanov v strednej Európe833–846Panovník Mojmír I.Zjednotil menšie kmene, začal konsolidovať moc846–870Panovník RastislavChce nezávislosť od franskej ríše; pozval Cyrila a Metoda (863)863Príchod Cyrila a MetodaZavedenie hlaholiky, preklad Biblie, liturgia v slovanskom jazyku870–894Panovník Svatopluk I.Najväčšia expanzia; Veľká Morava dosahuje maximálnu moc885Smrť MetodaFranskí biskupi začínajú zasahovať; slovenská liturgia je pod tlakom890–900Konflikty a fragmentáciaPolitické boje medzi kniežatami, oslabenie centrálnej mocicca 899–907Invázie MaďarovRýchle nájazdy na Moravu; zničenie väčšiny osád a vojenskej moci907Konečný pád Veľkej MoravyObnova a centralizovaná moc zaniká; kultúrne dedičstvo sa presúva do Bulharska a Kievan Rus✅ Kľúčové poznámky k diagramu
- Veľká Morava bola prvým významným slovanským štátom v strednej Európe.
- Misia Cyrila a Metoda (863) bola historicky rozhodujúca pre rozvoj kultúry a písma.
- Následné vnútorné spory a invázie Maďarov spôsobili kolaps ríše.
- Kultúrne a duchovné dedičstvo sa uchovalo na Balkáne a vo východnej Európe.
Ak chceš, môžem ti teraz urobiť interaktívnu mapu Veľkej Moravy s najvýznamnejšími mestami, kláštormi a trasami misie Cyrila a Metoda, aby si mal vizuálne prepojenú geografiu s chronológiou.
Chceš, aby som ju spravil?
sprav
#blog #books #slovensky #writing -
Stuck in the Filter: February 2025’s Angry Misses
By Kenstrosity
February comes down the pipe about two or three months after February. A perfectly normal thing to experience here at AMG HQ, this Filter’s tardiness is brought to you in part by my body getting stuck in one of the tighter conduits that lines the concrete interior of this confounded bunker. My minions are elsewhere, trudging through similar environs, and report their findings to me via eldritch beast telepathy. Since I obviously don’t speak eldritch tongue, I have to use my Codex of Enspongification to decipher these antediluvian transmissions. I’m sure you can imagine, that takes no small measure of time, especially when you’re stuck in this galvanized prison of rusting sheetmetal.
Until my ungrateful minions can find me and rescue me—something I don’t expect to happen anytime soon considering I give them no workers benefits or pay of any kind—you’ll have to make do with the selections of rough-hewn and sharp, but valuable, ore provided below. OBSERVE AT YOUR OWN RISK!
Kenstrosity’s Crusty Grab
Metaphobic // Deranged Excruciations [February 28th, 2025 – Everlasting Spew Records]
When Atlantan death metal quintet Metaphobic caught my attention with the megalithic riffs opening their debut LP Deranged Excruciations, I thought the stank face it brought out of me might be permanent. Nothing new and nothing sophisticated awaits here. Just brutalizing riffs delivered in a relentless sequence of destruction. Lead guitars squeal and scrape against the swampy ground underfoot, leaving a noxious slime trail behind “Mental Deconstruction” and “Execration” that tastes of Tomb Mold, Incantation, and Demilich to varying degrees. Guttural utterances and cacophonic—but accessibly structured—riffs offer the same infernal ferocity of the olden ways. However, in a similar manner to Noxis, their application here feels modern and fresh-ish (“Execration,” “Veiled Horizons,” “Hypnosis Engram”). Not nearly as nuanced as that comparison might suggest, Metaphobic are more than satisfied to use their brutish death metal as a cudgel for blunt force trauma. Nods to death doom in long-form wanderings like “Disciples of Vengeance” and “Insatiable Abyss” provide an appreciable variation in pace, though it doesn’t always work in Metaphobic’s favor. While those songs tend to meander too long on ideas unfit to support such mass for so long, livid outbursts like “Veiled Horizons” and “Reconstituted Grey Matter” more than make up for it. In short Deranged Excruciations commands my attention enough to earn my recommendation here, and my attention going forward.
Tyme’s Missing Minutes
Caustic Phlegm // Purulent Apocalypse [February 28, 2025 – Hells Headbangers]
Caustic Phlegm is the filth project helmed solely by Chestcrush main man Evan Vasilakos, who joyously employed his HM-2 and RAT pedals to create the utter disgustingness that is Purulent Apocalypse. A far cry from the angsty, I’d-rather-see-humanity-dead blackened death metal of his main outfit, Caustic Phlegm is a throwback to the days when Carnage walked the streets of Sweden and Impetigo was melting faces and killing brain cells. Purulent Apocalypse is a platter of pestiferous riffs (“Fouled, Infected & Infested,” “Soft Bones,” “Blister Bliss”), so many it’s like sitting on a death metal toilet puking and shitting riffs ad nauseam. Evan’s drum work, replete with the occasional but very satisfying St. Anger snare tone, drives the mindless fun forward, and the 80’s zombie giallo synth work would have Lucio Fulci himself clawing out of his grave to eat your face. Vasilakos’ vocals are a fine litany of belches, squelches, and gurgles that sound like a colony of maggots cleaning the putrid flesh from a corpulent corpse. Caustic Phlegm is the foul stench of death and will have you reaching for the soap and steel wool as you try to rid yourself of the Purulent Apocalypse infection.
Vermilia // Karsikko [February 14, 2025 – Self Release]
Had the incomparable Darkher not released The Buried Storm in 2022, Vermilia‘s Ruska would have garnered my top spot that year, which put her on my radar for the first time. When I saw Vermilia‘s follow-up, Karsikko had dropped in February—sadly we didn’t receive a promo—I jumped at the chance to filter it. While Karsikko is a bit more straightforward than Ruska, it’s full of liltingly beautiful pianos (“Karsikko”) that give way to icy black metal riffs (“Kansojen Kaipuu”) and gorgeously rendered folk metal melodies (“Koti,” “Veresi”). Comparisons with Myrkur and Suldusk would be appropriate, but Vermilia continues to carve out her own space in the folk black metal scene, marrying beatific melody with beastly aggression. Performing all of the music on Karsikko, as is her one-woman calling card, renders her finished products even more impressive. The highlight has always been the voice, though, as Vermilia deftly transitions between angelic cleans (“Suruhymni”) and frosty rasps (“Vakat”), completing a circle that makes each of her releases a joy to listen to. It’s confounding that another of Vermilia‘s albums is an independent release, which might be artistically intentional or the result of bone-headed label execs. Either way, don’t miss out on Karsikko, as Vermilia shouldn’t stay unsigned for long.
Killjoy’s Drowsy Discovery
Noctambulist // Noctambulist II: De Droom [February 7th, 2025 – These Hands Melt]
Although I love blackgaze, I must admit that it can be challenging to find artists who stand out in the genre, whether through quality songwriting or unexpected twists. It turns out that the Dutch band Noctambulist1 offers both. Noctambulist II: De Droom is a fun and fresh blend of Deafheaven-adjacent blackgaze with a Molotov cocktail of post-punk energy. The power chord-driven guitar lines prove to be an unexpectedly compatible fuel source to propel the shimmering, gazey tremolos and blackened rasps to new heights. Many songs (particularly “Aderlater” and “Lichteter”) start with neat intro melodies that catch the listener’s attention, then build and ride that momentum throughout the remainder. A faint sense of loss—stemming from the achingly relatable theme of homeownership drifting further out of many people’s reach—pervades the record, but there is also an infectious cheerfulness. Despite their name, Noctambulist are hardly sleepwalking as they tread along a well-worn genre.
Thus Spoke’s Disregarded Diamonds
Sacred Noose // Vanishing Spires [February 2nd, 2025 – Breath Sun Bone Blood]
My experience with Irish extreme metal has been that it is all incredibly dark, twisted, and supremely, gorgeously dissonant.2 Belfast3 duo Sacred Noose make absolutely no exception to this rule. Vanishing Spires’ ruthlessly brief 31 minutes are defined by stomach-tightening twisted blackened death designed to cut to the heart of misery and fear. The lurching sensation brought about by rapid tremolo descents and sudden accelerations of ever more dissonant chords, impenetrable drums, and pitch-shifting feedback is nauseating (“Entranced by Concrete Lathe,” “True Emancipation”). The pure horror of the inhuman, high-pitched shrieks answering the already fearsome bellows is anxiety-inducing (“”Black Tempests of Promise,” “Moribund”). The near-constant buzzing of noise is oppressive (“Terminal Prologue,” “True Emancipation”); the creeping, malevolent scales unnerving. And Sacred Noose play with their victim, luring them into a trap of deceptively familiar cavern-core (“Sacred Noose”) before throwing a hood over their head and yanking them backwards into more horrifying mania; or perhaps they’ll start with the assault (“True Emancipation”). This more ‘straightforward’ edge to Sacred Noose is most akin to a faster Sparagmos, while their dominant, demonic personality I can compare most faithfully to Thantifaxath, if Thantifaxath were more death-metal-inclined. Vanishing Spires is the first time since the latter’s 2023 Hive Mind Narcosis that a record has genuinely made me feel afraid.
Crown of Madness // Memories Fragmented [February 28th, 2025 – Transcending Obscurity Records]
Life unfortunately got in the way of me giving this a proper review, but Crown of Madness deserve better than to slip by unmentioned. Memories Fragmented is the duo’s debut, but Crown of Madness is one of several projects both are already in.4. The ominous yet colourful sci-fi/fantasy cover art and spiky logo scream ‘tech-death’ and that is indeed what Crown of Madness deliver. At base, there is some damn fine technical death metal here that’s impressive and acrobatic (), but snappy, not outstaying its welcome—the entire record barely stretches beyond 35 minutes. But there is more to Memories Fragmented, and as a result, it is memorable.5 A drawl to certain refrains (), the tendency to gently sway to a slow, near-pensiveness (), the atmospheric hanging of some tremolos over a warm, dense bass (). There is depth. And it reminded me quite starkly of early Ulcerate. In this vein, the record leans towards the more meandering side of the subgenre, gripping not with hooky riffs and heart-pumping tempos, but an intricate kind of intensity. Memories Fragmented arguably goes too far in the indistinct direction, and as a result, loses immediacy. But the churning, introspective compositions presage the potential for true brilliance on future releases.
Vacuous // In His Blood [February 28th, 2025 – Relapse Records]
Full of youthful vigour, London’s Vacuous demonstrate their willing ability to evolve with their sophomore, In His Blood. While debut Dreams of Dysphoria, which I covered back in 2022, played more or less by the disso-death book, here they are already experimenting. Strange, almost post-metal atmosphere now haunts the boundaries (“Hunger,” “Public Humiliation,” “No Longer Human”), combining brilliantly with the band’s already cavernous death metal sound, and amplifying its fearsomeness. Crowning example of this is the gem Vacuous save for the record’s final act in closer “No Longer Human.” In His Blood also sees them flirt with a punkier energy that borrows more than a little bit of malice from the blackened handbook (“In His Blood,” “Flesh Parade”), backed up by d-beats, and contrasting well with their now less frequent crawls. At its most explosive, In His Blood feels downright unhinged, in the best way (“Stress Positions,” “Immersion”), but it never feels messy, and there’s potential in here for Vacuous to evolve into yet another, incredibly potent form of unique, modern hybrid extreme metal. I wish there were more than 30 minutes of this.
Dolphin Whisperer’s Bottom o’ the Barrel Boons
Pissgrave // Malignant Worthlessness [February 21st, 2025 – Profound Lore Records]
Though it may appear, at a glance, that I have gold-colored glasses for bands of rank and urological reference, I’d call it more of a chance happening that such miscreant acts have created intriguing works. And, truthfully, PISSGRAVE has leaned closer to filth first, function second with the war-leaning crackle (and brazenly offensive cover art) that relegates their lineage to corners of listening ears who need therapy with a high tolerance for guts and grime. Malignant Worthlessness, of course, is not accessible by any means, though, despite these Philly boys packing these nine ode to a failed society in a package that doesn’t cause immediate squirm. But with grooves trapped in an endless skronk and blast, and vocals shifted and layered to reflect the sound of a swarm of Daffy Ducks with a serious disdain for life, PISSGRAVE still embodies an endless swirl of unleashed aggression rendered in riffed and regurgitated form. Malignant Worthlessness lives on the dry and crispy side with most of its tones, which allows copious hits of quick delay and reverb on OUGHs and EEEEEEEUGHs to land with an extra psychedelic knocking when you least expect it. Little slows down the pain train here, with tracks like “Heaping Pile of Electrified Gore” and “Internment Orgy” taking brief detours into chunky guitar builds that feel within grasp of normalcy just before dropping back into an intensified flaying. Elsewhere, a martial urgency that reminds of Paracletus-era Deathspell Omega or the industrial-tinged pummel of Concrete Winds, stirs a twitching movement response, all while retaining a grinding death snarl and chromatic fury, leading its fused-by-hatred structures toward an explosive and fuming conclusion. Humanity has no place in the PISSGRAVE environs, and Malignant Worthlessness, in its celebration of a hostile world, does everything it can to reinforce that.
終末回路 // 終端から引き剥がす [February 20th, 2025 – Self Release]
For things that wander around the math rock world, nailing a vibe remains essential to enjoyment. It’s all too easy in this day and edge to fall into the comfortable trap of ambient tapping and comfortable posty swirls to pleasant crescendos that renders many modern acts to high brow background music (even including bands I like, to a degree, like Covet or Jizue). New Japanese act 終末回路,6 however, chooses to imbue their nimble and tricky instrumental center with the searing emotion and urgency of a noisy post-hardcore, with searing vocal inclusions adding a gravitas to passages that would otherwise threaten to flutter away in glee (“誤殖,” “知らねぇよ”). On one end, 終末回路 delivers a bright playfulness that swings with the pedal power and psychedelia of a young Tera Melos. Yet, weighted with a punk urgency and rawer Japanese assembly of tones, which give a physical clang to tight kit heads and blazing squeal to shrill loops and feedback, 終末回路 finds a constant momentum in their shorter form excursion that makes my lack of understanding of its introspective lyrics a non-issue. Packing plaintive piano melodies (“ご自由に “), speaker blowing synth cranking (“dgdf++be”), and prog-tinged guitar flutters (“知らねぇよ”) into one listening session isn’t easy, but with this debut outing of 終端から引き剥がす,7 終末回路 makes it seem as if they’ve been honing the craft for years.
Saunders’ Salacious Skeeves
Möuth // Gobal Warning [February 14th, 2025 – Self Release)
Veteran rockers The Hellacopters returned with a typically rollicking, fun album in February. Elsewhere, dropping with little fanfare, fellow Swedes and unsung power trio Möuth emerged with an intriguing debut rock platter, entitled Global Warning. Featuring more than meets the eye and flashing a dynamic rock sound, Möuth embrace both retro and modern influences, whipped into an infectious concoction of styles, ranging from Sabbathian lurches, doomy grooves, stoner vibes, and elements of psych, punk and hard rock. For the most part it works a treat, creating a welcome change of pace. Fuzzy, upbeat rockers (“Dirt,” “Appetite”) snugly reside amongst moody, psych-bending numbers (“Alike,” “Mantra”), and heavier doom-laden rock, such as powerful opener “Holy Ground,” and brooding, emotive album centerpiece, “Sheep.” Vocally, the passionate, Ozzy-esque croons hit the spot, matching up well to the band’s multi-pronged rock flavors. Compact and infectious, varied in delivery and featuring enough tasty rhythms, fuzzy melodies and rock punch to satisfy, Global Warning marks an intriguing starting point for these Swedish rockers.
Chaos Inception // Vengeance Evangel [February 21st, 2025 – Lavadome Productions]
Emerging from a deep slumber in the depths of the underground, Alabama’s long dormant death metal crew Chaos Inception returned with their first album since 2012’s The Abrogation. Third album Vengeance Evangel went under the radar, festering unclaimed in the promo sump. After the fact, the album’s crushing, controlled chaos smacked me upside the skull with a violent modern interpretation of the classic Floridian death metal sound, with the musty hues of Tucker-era Morbid Angel most prevalent. This is blast-riddled, relentless stuff, played expertly by the trio of Matt Barnes (guitars), Gray White (vocals) and session drummer Kevin Paradis (ex-Benighted). Incredibly dense, atmospheric, and blazingly fast, Vengeance Evangel is a brutal, knotty, technical hammering, punctuated by sick, wildly inventive soloing. While not traditionally catchy, Vengeance Evangel is the kind of intense, layered death metal album that gets under the skin, grafting a deeper impression across repeated listens. The insane tempo shifts, jigsaw arrangements, and wickedly deranged axework delivers big time. From the violent, intricate throes of opener “Artillery of Humwawa,” and disturbed soundscapes of “La Niebla en el Cementerio Etrusco,” through to the brutish grooves of ‘Thymos Beast,” and exotic, tech death shards of “Empire of Prevarication,” Vengeance Evangel does not neatly fit into any one subgenre category but ticks many boxes to cast a wide appeal to death fans of varied equations.
Steel Druhm’s Viscous Biscuits
Ereb Altor // Hälsingemörker [ February 7th, 2025 – Hammerheart Records]
Steel loves his epic metal. I was raised on the stirring odes to swordsmanship and ungovernable back hair from Manowar and Cirth Ungol, and in time, I took a place at the great table in Wotan’s Golden Halls to appreciate the Viking metal exploits of Bathory and later adherents like Falkenbach and Moonsorrow. Sweden’s Ereb Altor got in the game late with their epic By Honour debut in 2008, boasting a very Bathory-esque sound and emotional tapestry that felt larger-than-life and stirred the loins to begird themselves. 10th album Hälsingemörker is a glorious return to those halls of heroes and bravery. This is the large-scale songcraft first heard on Bathory albums like Hammerheart and Twilight of the Gods, and it’s most welcome to these ape ears. Cuts like “Valkyrian Fate” are exactly the kind of sweeping, epic numbers the band’s excelled at over the years. It takes the core sound of Viking era Bathory and builds outward to craft bombastic and heroic compositions that feel HUUUGE. It’s the kind of metal song that embiggens the soul and makes you want to take on a marauding horde by your lonesome and usurp all their battle booty. On “Hälsingemörker,” you get a fat dose of Moonsorrow worship, and elsewhere, Primordial is strongly referenced to very good effect. Hälsingemörker is easily the best Ereb Altor album in a while and the most in line with their beloved early sound. Strap on the sword and get after it!
#AmericanMetal #Arboreal #Benighted #BlackMetal #BlackSabbath #Blackgaze #BreathSunBoneBlood #Carnage #CausticPhlegm #ChaosInception #Chestcrush #ConcreteWinds #Coscradh #Covet #CrownOfMadness #Darkher #Deafheaven #DeathDoom #DeathMetal #DeathspellOmega #Demilich #DerangedExcruciations #DissonantDeathMetal #DustAge #EmbodimentOfDeath #ErebAltor #EverlastingSpewRecords #FolkMetal #GlobalWarning #Hälsingemörker #HellsHeadbangers #Impetigo #InHisBlood #Incantation #IrishMetal #JapaneseMetal #jizue #Karsikko #LavadomeProductions #MalignantWorthlessness #MathRock #MelodicBlackMetal #MemoriesFragmented #Metaphobic #MorbidAngel #Möuth #Myserion #Noctambulist #NoctambulistIIDeDroom #Noxis #OzzyOsbourne #Pissgrave #PostMetal #postPunk #ProfoundLoreRecords #PurulentApocalypse #RelapseRecords #Rock #SacredNoose #SelfRelease #SelfReleased #SermonOfFlames #Sparagmos #SwedishMetal #TechnicalDeathMetal #TerZiele #TeraMelos #Thantifaxath #TheHelicopters #TheseHandsMelt #TombMold #TranscendingObscurityRecords #UKMetal #Ulcerate #Vacuous #VanishingSpires #VengeanceEvangel #Vermilia #VultureSVengeance #終末回路 #終端から引き剥がす
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Las empresas italianas que operan en Rusia canalizan 1.000 millones de euros en impuestos a la maquinaria de refriega del Kremlin. #canalizan #del #Economía_rusa #empresas #euros #guerra #Guerra_en_Ucrania #impuestos #italianas #Kremlin #Las #maquinaria #millones #operan #Rusia #sanciones #ButterWord #S...
https://butterword.com/las-empresas-italianas-que-operan-en-rusia-canalizan-1-000-millones-de-euros-en-impuestos-a-la-maquinaria-de-refriega-del-kremlin/?feed_id=53687&_unique_id=69130ff72a088 -
✿ Nos hemos vuelto expertas en aburrirnos con lo bueno.
Cuando aparece alguien que cuida, que respeta y que no juega al despiste, nos entra una especie de picor existencial.
Lo tachamos de "aburrido" o decimos que "no hay química", cuando en realidad lo que nos pasa es que no sabemos qué hacer con tanta paz.El problema es que estamos acostumbradas a las migajas.
A esa atención intermitente que nos mantiene pegadas al móvil, esperando una señal de vida que valide nuestra existencia.
Es una montaña rusa emocional que nos agota, pero a la que estamos enganchadas porque es lo que nuestra niña interior aprendió a reconocer como "normal".
A lo mejor, lo que buscamos en ese chico difícil no es amor, sino llenar por fin un vacío antiguo, como esa ausencia de papá que nunca terminamos de gestionar.Confundimos la taquicardia con las mariposas.
Creemos que si no hay drama, no hay fuego.
Pero el fuego que quema la casa no es el mismo que el que te calienta en invierno.
La tranquilidad no es el final de la diversión, es el único espacio donde realmente puedes ser tú misma sin miedo a que te suelten la mano en la siguiente curva.Al final, elegir la seguridad de un amor presente no es conformarse; es, por fin, empezar a quererse bien.
✿❀✿❀✿❀✿
#psicologiacotidiana #relaciones #amorsano #pazinterior #autoestima #apego
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🌍 ■ Nadie se esperaba que la nueva crisis de Putin en Rusia empezase con la patata ■ Los precios de las frutas y verduras se dispararon el año pasado en la Federación, haciendo que los rusos comunes sintieran cerca los efectos de la guerra de Ucrania.
https://www.huffingtonpost.es/global/nadie-esperaba-nueva-crisis-putin-rusia-empezase-patata.html?int=MASTODON_WORLD -
UPDATE [05.02-18:50] #Derevyannoe #Karelia #Russia si trova a 42 metri di profondità nel lago di #Onega l'#elicottero Mi-8 del Ministero per la Difesa Civile e Situazioni di Emergenza della Federazione Russa #EMERCOM di cui si erano persi i contatti (04.02.2024) durante un volo di addestramento - Morti i 3 membri dell'equipaggio. Sul posto per il recupero è presente un team di 95 persone tra cui 29 sommozzatori.
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🌍 ■ Rusia empieza a quemar sus últimos tanques y ya hay quien se pregunta por qué Ucrania no gana la guerra ■ Tras los casi tres años y medio desde el inicio de la guerra rusa contra Ucrania, es cada vez más raro que los regimientos rusos organicen un gran ataque mecanizado.
https://www.huffingtonpost.es/global/rusia-empieza-quemar-ultimos-tanques-hay-pregunta-que-ucrania-gana-guerra.html?int=MASTODON_WORLD -
Sábado 17/12 club moreno cena despedida fin de año R.C.J. valor $ 2.800
Entrada fiambre surtido con Rusa
Empanadas
Asado , achuras , ensalada , P. Fritas , postre helado bebidas, gaseosa soda, RESERVAR con anticipación gxs comisión directiva.
Radioclub Junin
lu7dce.blogspot.com/
#radio #hamradio #junin #Argentina -
🌍 ■ La amenaza de la invasión rusa precipita el plan de evacuación de la ciudad europea de 540.000 habitantes ■ Vilna, la capital de Lituania, define 150 rutas para que pueda escapar su medio millón de habitantes y plantea una red de avisos por SMS, por sirenas y una aplicación[…]
https://www.huffingtonpost.es/global/la-amenaza-invasion-rusa-precipita-plan-evacuacion-ciudad-europea-540000-habitantes.html?int=MASTODON_WORLD#lituania #guerraucrania #global #rusia #emergencias #evacuacion
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🎵 O ALGORITMO ZOADOR DO SPOTIFY 🤖
A Daylist da tarde tava com o nome mais engraçadinho: "churrasco de domingo com crise existencial" (ou algo assim).
Aí a playlist resolveu judiar: meteu Diego & Victor Hugo na sequência de Zé Neto & Cristiano.
Foi uma montanha-russa emocional só no "shuffle automático". O coração do peão não aguenta!
O Spotify entende de vibe, mas as vezes exagera na mistura. 😂🎶
#Daylist #SpotifyBrasil #Sertanejo #Algoritmo #DiegoEVictorHugo #ZeNetoCristiano #PlaylistEngraçada -
🌍 ■ Rusia se embiste contra Chernóbil ■ Aunque los daños son significativos, por ahora los niveles de radiación no han subido, indica el presidente ucraniano. Las autoridades prorrusas acusan de seguido a Kiev de causar "daños críticos" en equipos de la planta térmica de Zaporiyia.
https://www.huffingtonpost.es/global/rusia-embiste-chernobil-rp.html?int=MASTODON_WORLD#energianuclear #chernobil #oiea #guerraucrania #global #rusia #drones
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Macron llama a los franceses a prepararse contra “la amenaza rusa” | vía #UChileRadio
https://radio.uchile.cl/2025/03/06/macron-llama-a-los-franceses-a-prepararse-contra-la-amenaza-rusa/
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✿ Nos hemos vuelto expertas en aburrirnos con lo bueno.
Cuando aparece alguien que cuida, que respeta y que no juega al despiste, nos entra una especie de picor existencial.
Lo tachamos de "aburrido" o decimos que "no hay química", cuando en realidad lo que nos pasa es que no sabemos qué hacer con tanta paz.El problema es que estamos acostumbradas a las migajas.
A esa atención intermitente que nos mantiene pegadas al móvil, esperando una señal de vida que valide nuestra existencia.
Es una montaña rusa emocional que nos agota, pero a la que estamos enganchadas porque es lo que nuestra niña interior aprendió a reconocer como "normal".
A lo mejor, lo que buscamos en ese chico difícil no es amor, sino llenar por fin un vacío antiguo, como esa ausencia de papá que nunca terminamos de gestionar.Confundimos la taquicardia con las mariposas.
Creemos que si no hay drama, no hay fuego.
Pero el fuego que quema la casa no es el mismo que el que te calienta en invierno.
La tranquilidad no es el final de la diversión, es el único espacio donde realmente puedes ser tú misma sin miedo a que te suelten la mano en la siguiente curva.Al final, elegir la seguridad de un amor presente no es conformarse; es, por fin, empezar a quererse bien.
✿❀✿❀✿❀✿
#psicologiacotidiana #relaciones #amorsano #pazinterior #autoestima #apego
-
✿ Nos hemos vuelto expertas en aburrirnos con lo bueno.
Cuando aparece alguien que cuida, que respeta y que no juega al despiste, nos entra una especie de picor existencial.
Lo tachamos de "aburrido" o decimos que "no hay química", cuando en realidad lo que nos pasa es que no sabemos qué hacer con tanta paz.El problema es que estamos acostumbradas a las migajas.
A esa atención intermitente que nos mantiene pegadas al móvil, esperando una señal de vida que valide nuestra existencia.
Es una montaña rusa emocional que nos agota, pero a la que estamos enganchadas porque es lo que nuestra niña interior aprendió a reconocer como "normal".
A lo mejor, lo que buscamos en ese chico difícil no es amor, sino llenar por fin un vacío antiguo, como esa ausencia de papá que nunca terminamos de gestionar.Confundimos la taquicardia con las mariposas.
Creemos que si no hay drama, no hay fuego.
Pero el fuego que quema la casa no es el mismo que el que te calienta en invierno.
La tranquilidad no es el final de la diversión, es el único espacio donde realmente puedes ser tú misma sin miedo a que te suelten la mano en la siguiente curva.Al final, elegir la seguridad de un amor presente no es conformarse; es, por fin, empezar a quererse bien.
✿❀✿❀✿❀✿
#psicologiacotidiana #relaciones #amorsano #pazinterior #autoestima #apego
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🎵 O ALGORITMO ZOADOR DO SPOTIFY 🤖
A Daylist da tarde tava com o nome mais engraçadinho: "churrasco de domingo com crise existencial" (ou algo assim).
Aí a playlist resolveu judiar: meteu Diego & Victor Hugo na sequência de Zé Neto & Cristiano.
Foi uma montanha-russa emocional só no "shuffle automático". O coração do peão não aguenta!
O Spotify entende de vibe, mas as vezes exagera na mistura. 😂🎶
#Daylist #SpotifyBrasil #Sertanejo #Algoritmo #DiegoEVictorHugo #ZeNetoCristiano #PlaylistEngraçada -
🎵 O ALGORITMO ZOADOR DO SPOTIFY 🤖
A Daylist da tarde tava com o nome mais engraçadinho: "churrasco de domingo com crise existencial" (ou algo assim).
Aí a playlist resolveu judiar: meteu Diego & Victor Hugo na sequência de Zé Neto & Cristiano.
Foi uma montanha-russa emocional só no "shuffle automático". O coração do peão não aguenta!
O Spotify entende de vibe, mas as vezes exagera na mistura. 😂🎶
#Daylist #SpotifyBrasil #Sertanejo #Algoritmo #DiegoEVictorHugo #ZeNetoCristiano #PlaylistEngraçada -
🎵 O ALGORITMO ZOADOR DO SPOTIFY 🤖
A Daylist da tarde tava com o nome mais engraçadinho: "churrasco de domingo com crise existencial" (ou algo assim).
Aí a playlist resolveu judiar: meteu Diego & Victor Hugo na sequência de Zé Neto & Cristiano.
Foi uma montanha-russa emocional só no "shuffle automático". O coração do peão não aguenta!
O Spotify entende de vibe, mas as vezes exagera na mistura. 😂🎶
#Daylist #SpotifyBrasil #Sertanejo #Algoritmo #DiegoEVictorHugo #ZeNetoCristiano #PlaylistEngraçada -
🌐 ■ Las gigantes de los refrescos vuelven a Rusia totalmente humilladas y con 300 mil millones de euros menos ■ Se espera que marcas como Coca-Cola vuelvan a vender sus envases tradicionales en los establecimientos rusos en cuestión de días.
https://www.huffingtonpost.es/global/las-gigantes-refrescos-vuelven-rusia-totalmente-humilladas-300-mil-millones-euros.html?int=MASTODON_WORLD