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29 results for “darkufo”
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Song of the Day - No 532
THE LIGHTNING SEEDS - THE LIFE OF RILEY
Released in 1992 from their album "Sense," "The Life of Riley" is a feel-good Britpop anthem. It is characterized by its catchy melody, optimistic lyrics, and Ian Broudie's distinctive vocals. The song gained immense popularity when it was adopted as the theme for the BBC's "Match of the Day" program.
https://www.youtube.com/watch?v=wV6riWIEn98
#SOTD #SongOfTheDay #music #TheLightningSeeds #Britpop #IndiePop #AlternativeRock
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Song of the Day - No 260
The Lightning Seeds - Pure
WIKI
"Pure" is a song by British music group the Lightning Seeds from their debut album, Cloudcuckooland. Released in June 1989, the song peaked at No. 16 in the UK.The first Lightning Seeds single release, "Pure" is significant in that it was the first song Ian Broudie had "completely written and sung, ever".
https://www.youtube.com/watch?v=lbqMD7YrGGQ
#SOTD #SongOfTheDay #music #thelightningseeds #alternativerock #britpop #poprock
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Song of the Day - No 35
Mazzy Star - Into Dust
WIKI
"Into Dust" is a song by American duo Mazzy Star that appears as the ninth track on their second album So Tonight That I Might See. The song's arrangement is sparse and features only acoustic guitar and cello as accompaniment to the vocals.https://www.youtube.com/watch?v=SiO_7LhPZFM
#SOTD #SongOfTheDay #music #alternative #rockblues #rockdream #popfolk #mazzystar -
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
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🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
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🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
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🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
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Kikimora – Vir066: Kikimora
#Experimental #Rock #blackenedhardcore #darkfolk #doom #doomfolk #drone #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir066-kikimora -
Katastih.
(Recently sinking deeper into their music again...)
invidious.nerdvpn.de/watch?v=S…
#voyvoda #darkfolk #balkanmusic -
Lord Cernunnos – IV
#Electronic #Experimental #ambientelectronic #darkambient #darkfolk #drone #experimentalelectronic #experimentalfolk #folk #harshnoisewall #noise #outsidermusic #Everett
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://lordcernunnos.bandcamp.com/album/iv -
Throwe – Vir065: Forfald
#Experimental #Rock #blackenedhardcore #darkfolk #doom #drone #posthardcore #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir065-forfald -
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
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Secret Archives of the Vatican – Singles 2020
#World #darkfolk #fantasymusic #globalbeats #numedieval #postdubstep #Croydon
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://secretarchivesofthevatican.bandcamp.com/album/singles-2020 -
HEATHE – Vir076: Control Your Souls Desire For Freedom
#Experimental #Rock #blackenedhardcore #darkfolk #doom #drone #posthardcore #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir076-control-your-souls-desire-for-freedom -
Naturale – Vir031: Live 2018
#Drone #Experimental #Live #Noise #Recitation #Rock #blackenedhardcore #darkfolk #doom #drone #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir031-live-2018 -
By Mystikus Hugebeard
Ah, the Viking Age. One of the most mythologized eras in history, and a bottomless well of inspiration for cool things like video games, shows, books, tattoos, and bad things like obsession over ancestral purity, shockingly racist ideologies, and lutefisk. But the best thing of all, and most importantly, music! Which leads us to Danheim (Literally “Danish Home”). Danheim is the solo Nordic folk project by Reidar Schæfer Olsen, and Heimferd is his first full album in four years, which might as well be an eternity. Danheim is usually very prolific, with eight albums released between 2017 and 2021, with about a gazillion singles released during and after those 4 years. Furthermore, Danheim is one of the more well-known Nordic folk artists; he has numerous collaborations with, to name a few, Gealdýr, Sigurboði, Heldom, and has, like Wardruna, been featured on the History Channel’s Vikings. In other words, Danheim is something of a titan of the genre—is Heimferd worth the wait?
Danheim’s music, and by extension Heimferd, is a sonic extension of the version of the Vikings that has embedded itself within people’s imagination and contemporary media: an intoxicating image of a powerful and mysterious people, plunged into a captivating world of violence and mysticism.1 Most might immediately connect Danheim’s sound to Wardruna (not unjustifiably), but that paints a rather flat picture. The music is cinematic in a way that calls to mind a less avant-garde Heilung, it vibrates with a slightly electronic, tribal weight that, at this point, belongs more to Danheim than any of his peers (but one might still compare it to Vígundr or Heldom), and it’s atmospheric and densely layered like, well, Wardruna. But I believe it’s the simple immediacy of Danheim’s that has made him the Nordic folk titan that he is. It’s just so easy to fall under the spell of electronically augmented droning chants set to the rhythm of deep, beating drums, heard in some form or another in nearly every song on Heimferd.
…and yet, there sadly wafts an air of shallowness across Heimferd. There is an unfulfilled relationship between Heimferd’s sound and its songwriting. Heimferd’s stellar production and the variety of instruments create a captivating soundscape, but so rarely do songs breathe or evolve in a way that gives the songs life. This is felt all throughout Heimferd. “Heljar Skuggar” and “Rúnmyrkr” each utilize engaging, distorted chants in the vein of Heilung, but feel stagnant, without peaks or valleys. Songs are often lacking in stakes or tension, the worst of which is heard in the lifeless “Valvejen” as it flits loosely between tagelharpa melodies and excessive downtime. For songs meant to sound almost hypnotic in their droning, much comes off as forgettable, like “Kominn Dagr” as it switches from monotone chanting into a toothless tagelharpa melody, neither section given ample time to grow or make an impact. Clearly, Danheim places a lot of emphasis on atmosphere, and Heimferd is indeed viking-y at a distance—but up close, there is little to sink your teeth into.
This is not always the case, however, with a handful of songs towering above the rest. The vocal-heavy closer, “Yggdrasil II” (a sequel to “Yggdrasil” from 2018’s Fridr), has a quiet majesty to its rhythmic and beautiful chorus. “Vindfari” is an unassuming song that really sneaks up on you, as the drums march behind a simple chanting melody with a peculiar, percussive vocal delivery to some words that adds unique character to the song. Heimferd’s best song is “Haukadalur,” though. This song moves and breathes like a living thing, as distant haggard exhalations augment a powerful beat which heralds a coarse, dancing tagelharpa. These songs have such richness to their melodies, making the most of Danheim’s accessible and engaging style. It feels as if this has been my experience with every Danheim album: two or three genuinely stellar tracks that speak of an artist capable of amazing things, surrounded by songs that sound great but leave little impression.
Danheim has ever been frustrating for me, and Heimferd reaffirms that feeling. His infectious soundscape sufficiently conjures a Viking-age atmosphere and energy, but with base songwriting that so rarely transforms the music into something lasting or impactful. It’s strange, because my first listen of Heimferd was the most positive one, and I think it’s because Danheim’s style of Nordic folk can be cathartic in a way not many other artists within the genre are. But on each subsequent spin, when I listen closer, probing, pleading for depth, I’m left wanting. Heimferd is the distilled essence of the modern perception of Vikings, but with little drama or tension. It’s fun, but ephemeral.
Rating: Mixed
DR: 7 | Format Reviewed: 320 kbps
Label: Season of Mist
Websites: official | bandcamp
Releases Worldwide: October 31st, 2025#25 #2025 #Danheim #DarkFolk #Gealdýr #Heilung #Heimferd #Heldom #Neofolk #NordicFolk #Oct25 #Review #Reviews #SeasonOfMist #Sigurbodi #Vigundr #VikingMusic #Wardruna
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Prefix Suffix – Vir053: Qualities of Naught
#Experimental #Rock #blackenedhardcore #darkfolk #doom #drone #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir053-qualities-of-naught -
Releasing another run of singer-songwriter songs, one by one, on Bandcamp.These are scattered.Some are done on pianos, some on my electric one.Some are
acoustic, some wholly electric. Some are multi-tracked,some are not.But I have made them for years now, so out they go!I put a rough version of this on Soundcloud nine years ago,but am happier with this one! Today’s song:
"Dollhouse"
2015#singersongwriter
#darkFolk
#psychfolk
#artrock
#outsidermusic
#Sweden -
Secret Archives of the Vatican – Halls of Stone
#Dwarves #NorseFolk #Tolkien #Vikings #World #darkfolk #elves #fantasymusic #globalbeats #norsemythology #numedieval #postdubstep #Croydon
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://secretarchivesofthevatican.bandcamp.com/album/halls-of-stone -
зелёный дядя u сёрферы чёрной дыры (Green Uncle and the Black Hole Surfers) – Vir063: In the Animal World
#Experimental #Rock #blackenedhardcore #darkfolk #doom #drone #krautrock #neopsychedelia #synthpunk #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir063-in-the-animal-world -
New #review today: "#TheWinterResidence is the latest collaboration between British multi-instrumentalist #MikeSeed and #RLoftiss of #TheGrayFieldRecordings. Their debut album, How the Night Falls, presents eleven tracks in just under forty minutes, traversing territory somewhere between #DarkFolk, #wyrdfolk, hauntological folk, and experimental #folktronica. Ethereal vocals drift through indistinct electronic textures, #FieldRecordings, and spectral atmospheres that often seem to exist at the edge of perception." #ExposeOnline #ElectronicMusic #ExperimentalMusic http://expose.org/index.php/articles/display/the-winter-residence-how-the-night-falls-6.html
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Albion – It Was In The Month of May I Review By Mystikus Hugebeard
Sorry, but I can’t resist: It was in the month of May that I sat down to review the newest album by the British folk-rockers Albion, titled It Was In The Month of May I.1 This gaggle of self-declared whippersnappers blew this reviewer away with their 2024 album Lakesongs of Elbid. What started as an unassuming filter piece grew on me more and more to the point it made my (and my co-conspirator Killjoy’s) end-of-year list. Albion’s timeless, joyful folk-rock music has enjoyed constant rotations in the Hugebeard tower since then, and so a new album has been a hotly anticipated affair. Now that it’s in our hands, has Albion continued their trend for quality?
For those unfamiliar with Albion, they play a flute-heavy, wistful sort of progressive folk-rock that draws an obvious comparison to Jethro Tull and reminds me a great deal of Big Big Train. For those a little more familiar, it’s worth mentioning that It Was In The Month of May has somewhat toned down the already limited metal crunch that graced Lakesongs of Elbid. Rest assured, this is no criticism, as this album remains energetic and adventurous in all the right ways. The opening prelude, “Mis Mai,” followed by the first true foray into the album’s essence, “The Green Knight,” demonstrate Albion’s sonic strengths right out of the gates. “Mis Mai” highlights the dulcet pipes of Joe Parrish-James as he lathers the song’s Welsh lyrics in decadent velvet, while “The Green Knight” starts the album in usual Albion fashion with grandiose flute melodies explored atop galloping guitar strumming.
What I love about Albion’s music, and what they maintain in It Was In The Month of May, is a sense of effortlessness. The music is fun, it’s accessible, it’s breezy, it’s comfortably warm and full of well-crafted little moments so crisp and yet so obvious it almost makes you wonder how no one else thought of it first. The pub-rock verse of “Down With The Hero” and the epic call-and-response between the flutes and guitars in the middle of “Calan Mai” come especially to mind. In the album’s longer songs, Albion are quite eager to just let the music run free through the meadow in spacious explorations of riffs and solos, but it never feels aimless. The melodies of “The Green Knight” and “Eldest” in particular see the guitars and flutes bounce merrily along in an endless up-and-down like the rolling hills stretching before you as you prepare for adventure. The closer, “Calan Mai,” is the longest at ten minutes, but even at its most unrestrained, the song’s melodies wield graceful finality in a way that always feels satisfying.
It Was In The Month of May is almost 20 minutes shorter than its predecessor, Lakesongs, which makes for an overall cleaner listening experience. However, the album’s pacing does waver a little by over-saturating the latter half with lower-energy tunes. I really quite love “Hymn to Elbereth,” as it has this gently twisting nature to it that happily makes me think of Glass Hammer, but it’s misplaced between the otherwise pleasantly acoustic “She Is The River” and the ballad “Cherry Hill,” making for an overly languid sequence of songs. “Cherry Hill” in particular leans a bit too heavily on chorus repetition for its six-minute runtime. Still, the album ends on the right note with “Calan Mai,” and there are no other noteworthy structural issues or damaging patterns affecting the album. However, I simply must mention the “la-da-da’s” and “doo-do-do’s” in the chorus of “Down With The Hero.” I don’t mind vocalizations at all and they work perfectly well as little interstitial passages like in “Eldest,” but I find it to be a heavily misguided choice for them to carry the chorus of the album’s most upbeat song.
It Was In The Month of May is warm, adventurous, inviting, and once again, and I simply cannot stress this enough, extraordinarily British. While this album never gripped me quite like Lakesongs of Elbid did, the final word on this review is nevertheless one of eager positivity. Albion is a band I tend to think of no matter the musical flavor I’m looking for, and It Was In The Month of May only furthers that trend. This is music that is just so pleasant to listen to, no matter the day, and there are some damn good bangers to be found here for any fan of folk, British rock, or prog.
Rating: Good!
DR: 8 | Format Reviewed: FLAC
Label: Self-Release
Websites: official | facebook | bandcamp
Releases Worldwide: May 26th, 2026Killjoy
In the year 2021, I unexpectedly became acquainted with the debut EP of a very special folk rock group from England. The potential that Albion showed on Pryderi was immediately obvious, and I longed for more. My wish was granted in 2024 by the whopping 70-minute full-length debut Lakesongs of Elbid, for which my esteemed colleague (and now review partner), Mystikus Hugebeard, wrote a splendid filter piece. Albion has wasted no time since then, here to regale our ears again with cheery tunes. It Was in the Month of May seeks to honor the magical time of year when spring sunsets and will soon cede to warmer temperatures.
Albion’s music is wholesome for the soul, whispering to the part of human consciousness that yearns for carefree meadows and being in nature. They primarily achieve this through the exquisite pairing of flute and guitars (both acoustic and electric). This, of course, invites comparisons to Jethro Tull,2 although Albion perhaps hews a bit closer to folk music. Take, for example, the beautiful acoustic guitar fingerpicking and Welsh singing3 in “Mis Mai.” Further, Albion plays a more modernized style of rock than Jethro Tull. “Down with the Hero” is a rousing, ultra-catchy pub rock number and the guitarwork in “The Green Knight” is elaborate, sounding like a slightly slower and proggier Dark Forest. The way that Albion harmoniously blends the old with the new is genuinely refreshing.
It Was in the Month of May similarly succeeds in striking a balance between humble and epic. In both the quiet and upbeat moments, there is an air of unassuming regality. Therefore, it makes perfect sense that Albion composed a pair of songs about Tolkien’s characters Tom Bombadil and his wife, Goldberry. “Eldest (Tom Bombadil)” contains gorgeous guitar and flute swells evoking endless verdant hillsides, as well as a Celtic folk-influenced jig reminiscent of Tuatha de Danann or Braia. “She Is the River (Goldberry)” is entirely acoustic and percussion-less (save for hand claps), with sunny guitar strumming and pleasantly poetic lyrics. Continuing with Tolkien subject matters, “Hymn to Elbereth” features vocal harmonization by Joe and Rhiannon Parrish-James which is as fair as the elves who Frodo, Sam, and Pippin overheard singing these very words in The Fellowship of the Ring. Rhiannon adds her voice to Joe’s at various other times throughout the record, and I would love to hear her take center stage in the future.
Overall, It Was in the Month of May is sharper and more focused than its predecessor. As much as I loved Lakesongs of Elbid, opening with a 9-and-a-half minute instrumental track didn’t help it find its footing. “The Green Knight,” the first full song here, isn’t much shorter but its structure is more disciplined, never wavering from its gallant, galloping theme. The other 8+ minute songs, “Eldest (Tom Bombadil)” and “Calan Mai,” also mostly justify their lengths, although the latter feels a bit meandering towards the end. But the larger issue with “Calan Mai” has to do with the track that precedes it. “Cherry Hill (Maya II)” hits like a lullaby, which might have been okay if it were 3 minutes instead of 6, so it ends up stifling the momentum leading into the ornate concluding track. I do appreciate that, with a total runtime of 52 minutes, It Was in the Month of May is easier to listen to in one sitting.
It Was in the Month of May is great for drifting away and forgetting one’s troubles for a while. The uplifting compositions are easy on the ears while offering bountiful details to uncover during return visits. “Cherry Hill (Maya II)” is the main thing holding it back from unqualified greatness. That said, if Albion continues refining their songcraft at this pace, the next album will surely shatter our score safety counter. So, kick back and enjoy time outside with loved ones. It Was in the Month of May is an excellent way to ring in summer in the Northern Hemisphere.
Rating: 3.5/5.0
#2026 #30 #35 #Albion #BigBigTrain #Braia #BritishMetal #DarkForest #FolkMetal #FolkRock #GlassHammer #ItWasInTheMonthOfMayI #JethroTull #LakesongsOfElbid #May26 #ProgressiveRock #Pryderi #Review #Reviews #TuathaDeDanann -
Panopticon – Laurentian Blue Review
By Mystikus Hugebeard
With the mammoth1 Panopticon ranking and the electrifying Månegarm review behind us, we can now look towards the album that the ranking was made in anticipation of: Laurentian Blue. What we weren’t quite expecting was that Laurentian Blue would be an unusual album to follow the ranking. After ten albums of post-black metal, this is the first standalone Panopticon work of purely dark, folksy Americana.2 It goes without saying that Americana has ever been a key component to the Panopticon soundscape, so do not mistake “unusual” for “unwelcome.” After all, Laurentian Blue is unquestionably a Panopticon album, for it embodies the same soul of Panopticon’s music that Thus Spoke eloquently illuminated in her introduction to the ranking: “an immense sense of drama, emotional intensity, and an unpretentious, honest heart.”
Not only is Laurentian Blue a dark folk/americana album, it is unapologetic about it. Laurentian Blue is confidently written and deliberate in its minimalism. The instrumentation is kept strictly to the bare necessities: Lunn picks and strums away at his guitar as he sings with the warmth of a crackling fire, with sparse, harmonizing violins as accompaniment. The consecutive exceptions come in the twang of “An Argument with God” (which is also the only song with any percussion) and the bluegrass “Irony and Causality,” which serve as welcome jolts to the pacing, but the bulk of Laurentian Blue is the sort of somber Americana in “Ever North” and “This Mortal Coil’s Rusted.” It reminds one of the Appalachia iteration of Osi and the Jupiter, with a stronger country lilt heard most clearly in “Down Along the Border.” While the guitarwork in Laurentian Blue is enjoyable, whether it takes the form of wistful melodies (“The Poetry in Roadkill”) or steely strumming (“Ever North,”) the focus cannot help but rest on Lunn’s voice and lyrical work.
As always, Lunn is a commanding songwriter fluent in the emotions he wants a song to convey. Nary a note or a word wasted, cutting straight to the heart of what he wants to express. Laurentian Blue is resolute in its deeply depressive lyricism, which becomes inescapable due to the music’s minimalist nature.3 Lines like “And if I needed you to watch me slip away // I’ll find you on the other side some day” (“Down Along the Border”) and “the lie that I forced myself to believe // that I never wasted a breath…” (“Ever North”) carry a catharsis that engulfs you, further strengthened by the preternaturally well-timed violins. Sparse though they may be, they’re beautifully implemented, often swelling at just the right moment like in the chorus of “The Poetry of Roadkill.” With focus this unhindered, lyrics that fail to connect are a greater danger to a song’s impact. The Hemingway-esque bluntness of “And morality ain’t dogmatic // but instead practical // and an individual // type of thing” is compelling, but it lacks the poetry present in the rest of the album, and the accompanying music doesn’t sustain the six-minute runtime.
Through the poetic lyrical work and musical minimalism, Laurentian Blue is emotionally consistent, yet therein lies what also makes it a more challenging album. Lunn’s voice is kept adamantly deadpan throughout, indifferently asking you to engage with Laurentian Blue according to its own terms rather than manipulating your emotions. This can create a disconnect; as the violins swell and the notes ascend when Lunn sings the first “Look for me // ever north,” (“Ever North”), I selfishly feel unfulfilled when the notes dispassionately descend in the second. Other times, his singing style makes for some compelling friction. “Irony and Causality” is easily the most energetic song, and is a fascinating backdrop for the deadpan delivery of “Nothing matters when you die // you can only hope time flies // and someone will visit your grave.” Maintaining such a somber tone across the album is a deliberate choice, one that works through Lunn’s songwriting finesse. But it’s a sadness that’s more aptly felt when you’re already predisposed to such feelings.
Laurentian Blue will not be for everyone. It’s a singular emotional work that doesn’t guide your feelings, but rather presents its own emotions with understated grace and indifference. But it’s only natural that the appeal of a work this personal will ultimately come down to personal preference. Regardless of one’s taste for Americana and dark folk, Laurentian Blue is nevertheless a well-written collection of songs by a well-proven songwriter with a strong connection and understanding of the genre. You might need to be in the right mood for Laurentian Blue, but if that mood should find you, then Laurentian Blue will be a knowing, empathetic embrace.
Rating: Very Good
DR: 12 | Format Reviewed: 320 kbps
Label: Bindrune Recordings
Websites: facebook | bandcamp
Releases Worldwide: August 15th, 2025#2025 #35 #AmericanMetal #Americana #Aug25 #BindruneRecordings #Country #DarkFolk #LaurentianBlue #Panopticon #Review #Reviews
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Here is the next song I am releasing, the newest of all of them.
Today's Song:
Skärholmen
2024https://katthernandez.bandcamp.com/track/sk-rholmen
#singersongwriter
#psychfolk
#artrock
#darkfolk
#pianorock
#outsidermusic
#skarholmen
#stockholm
#music -
I've started releasing my singer-songwriter songs on Bandcamp the last days, recorded every which way, written in different years. Here comes one more song before I take off for the week to New York for the week ... I will continue putting up songs when I return!
Today’s song;
“Outlander”
2022https://katthernandez.bandcamp.com/track/outlander
#singersongwriter
#psychfolk
#artrock
#electronicmusic
#EAM
#darkFolk
#outsidermusic
#music -
Pour les fans de #MattElliott, son premier album "solo" (aka, il jour sous son vrai nom), est gratifié d'une version live pas piquée des hannetons :
https://mattelliott.bandcamp.com/album/drinking-songs-live-20-years-on
Bon, je préfère toujours sa face #TheThirdEyeFoundation , mais je dois admettre que ce live est assez exceptionnel, et je vais peut-être me fendre d'un achat.
#Music #DarkFolk #Bristol #FromBristolToNancy #Nancy #IciDAilleurs
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That was one hell of a concert. #Current93 live at Asker Kulturhus tonight. I’m usually not a huge fan of David Tibet & Co, but this was really good! #C93 #LiveMusic #Music #NeoFolk #DarkFolk #MusikkTut
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Le #sspvaud propose une #mobilisation face à l' #inactionclimatique suite aux #canicule
Ils ont un fond de #grève pour indemniser les membres -
PAS D'ÉTÉ À 50 DEGRÉS
Samedi 19 septembre
Gros rassemblement pour des politiques climatiques dignes de ce nom!!!! #lausanne #genèveOn se mobilise et on mobilise autour de nous! (Non mais!) :BlobhajSadReach:
#climatejustice #rassemblement #resistance #extinctionrébellion