home.social

Search

16 results for “armbian”

  1. I've always appreciated the simplicity of the BSDs. Power, yes, but without unnecessary complexity.

    BastilleBSD and vm-bhyve have been my trusted companions for many years. But whenever I used Linux, I missed them.

    That's why, years ago, I started putting together a collection of shell scripts (and some Python, although to a much lesser extent) to create something somewhere in between.

    A bit of Bastille, a bit of vm-bhyve, a bit of Proxmox: unprivileged Linux system containers and virtual machines, managed from the command line.

    Live backups. And live restore: bringing a workload back online before all its data has finished copying from the backup. Multiple storage backends. Encryption at the storage or individual workload level. Different networks. Isolation of each workload (a bit like illumos zones), with additional layers of protection.

    Each container has its own UID/GID mapping. VMs run under separate unprivileged identities, with namespaces, seccomp and resource limits adding further layers of protection.

    Pull-based backups from external hosts, with different levels and types of encryption. With raw encrypted ZFS replication, the backup server doesn’t even need the decryption keys. Backups are pulled over SSH by an external server. The workload host holds no credentials to log in to that server.

    It also runs on a 1 GB Orange Pi PC 2, where I’ve tested both containers and native ARM64 KVM guests. And on a Orange PI One, armv7 and 512MB, it can run some lxc containers without problems, from the SD, using f2fs.

    Simple disaster recovery. Because after those 142 servers went up in flames in Strasbourg, disaster recovery became something I care a lot about.

    Currently supported and tested on Alpine Linux, Debian 13 and Armbian. On Debian, LXC containers also run under enforcing AppArmor profiles, adding another layer of protection.

    Few commands. Lots of power. And it's called "Jail It!"

    I'm not going to release it, at least not for now. I need to focus on my other projects, and Jail It! still needs some cleaning up.

    But it works. And it does its job very well.

    For containers, there's absolutely nothing running in the background. For VMs, just a small Python helper. No continuously running services. You connect via SSH, run your commands, and that's it.

    Still, for anyone curious enough to have a look, I've put together a short demo on Asciinema:

    asciinema.org/a/BbwGs99U9UJDLA

    Well, "short" might be a bit of an exaggeration. It's quite long, but I think it's worth watching all the way to the end.

    #Linux #LXC #KVM #FreeBSD #Virtualization #OwnYourData #BSD #SelfHosting #Homelab #SysAdmin #DisasterRecovery

  2. Ambiance électrique au Parlement israélien: Eisenkot qualifie le discours de Netanyahu de "honteux", un ministre s'emporte contre un député
    🗞️ La Libre.be - 🕐 10/11 18:49
    Après avoir donné les trois coups de marteau ouvrant la séance, le président Isaac Herzog a bien tenté d'appeler les différentes forces politiques "à tendre la main pour des compromis, y compris envers (leurs) rivaux".
    Mais les déclarations d'unité o... [3498 chars]
    🔗 lalibre.be/international/moyen
    #actu #news #presse #lalibre.be

  3. Miljoenen voor saffier uit Russische kroonjuwelen

    Op een veiling in Zwitserland is een blauwe saffier ter grootte van een pingpongbal verkocht voor 4,4 miljoen euro. De in een diamanten armband gezette edelsteen was ooit eigendom van de Romanovs, de keizerlijke familie van Rusland.
    De saffier van 198 karaat (zo'n 40 gram) werd omschreven als een van de belangrijkste edelstenen van het Russische hof. De moeder van tsaar Nicolaas droeg het i...

    nos.nl/l/2639236 #nieuws #nos #buitenland

  4. ❗️ Loin des clichés du genre, 𝗠𝗮𝗿𝗴𝗮𝗿𝗶𝘁𝗮 séduit avec "Abysses of Melancholia" et son doom/sludge aux ambiances réussies...

    coreandco.fr/chroniques/margar

    #review #chronique #doom #sludge #france

  5. Just uploaded these chords. Showering to Its A Hard Life by FEX. The ambiance is great. A very driving rock piece. Give the chords a look. URL:

    chordyes.com/chord/fex-its-a-h

    #guitarstar #guitaridol #german #malevocalist #newwave #synth #80s

  6. En images. Manifestation des enseignants à Lyon : entre 3 500 et 5 000 personnes rassemblées dans une ambiance festive

    Création de compte
    Le Progrès, en tant que responsable de traitement, recueille dans ce formulaire des…
    #Lyon #FR #France #Actu #News #Europe #EU #actu #Actualités #Auvergne-Rhône-Alpes #Conflitsocial #ÉditionLyon-Villeurbanne #éducation #europe #FilInfo #GalerieMédia #Galeriephoto #Républiquefrançaise #Rhône
    europesays.com/fr/1298935/

  7. : : Un risque d’ondée subsistera en début de journée. La journée débutera dans la fraîcheur avec 8°C en début de matinée, avec peu d’évolution atteignant 9°C en fin de matinée. En seconde partie de journée, très peu de nuages sont attendus, dans une ambiance relativement fraîche avec 10°C. Le vent soufflera faiblement de secteur nord-ouest. meteobelgique.be/previsions-me

  8. The environmental disaster of oil and war
    "The effects of large-scale oil pollution remain detectable for decades."

    "Since the US war on Iran began in February, there have been hundreds of oil spills, posing a ‘generational’ threat to wildlife."

    "The vast, dark slicks in the strait of Hormuz are visible from space. Throughout October, oil tankers were struck by missiles or sea mines in the waterway and spilled crude into the sea. The pollution has spread across the Gulf, contaminating coastlines and threatening to cause lasting damage to marine ecosystems that are home to dolphins, sea turtles and countless species of fish."

    "Eight months into the war between the US and Iran, one of the world’s busiest oil shipping routes has become a battlefield and the centre of a growing environmental disaster. Since the war began on 28 February, Greenpeace has identified more than 500 instances of oil spills through satellite monitoring across the Gulf, the strait of Hormuz and the Arabian Sea" >>.
    theguardian.com/world/2026/nov
    #FossilFuels #war #disaster #environment #wildlife #Biodiversity #petrol #CombustionEngines #cars #pollution #contamination #spills #MarineLife #corals #mangroves #Birds #harm #HabitatDestruction #devastation #IntergenerationalJustice

  9. : : De faibles pluies persisteront en début de journée. La fraîcheur sera présente avec 7°C au lever du jour, avec peu d’évolution atteignant 7°C en fin de matinée. Les mêmes conditions persisteront durant l'après-midi, quelques faibles pluies se produiront, dans une ambiance fraîche avec 9°C. Un vent faible soufflera de secteur nord-est. meteobelgique.be/previsions-me

  10. #nantes #manifestation
    Pas aussi nombreux que le 5 novembre, il y avait quand même du monde. Il n’y a pas eu de heurts avec la police. Certains ont regretté une manif trop sage, mais il y avait aussi une belle ambiance.

    On retiendra la motivation des jeunes, les ballons de baudruche, et la ronde dansante en fin de manif.

  11. Night Gaunt – Rupture Review By Dear Hollow

    There’s something about post-punk that takes me back, and Night Gaunt’s blend of doom, folk, and post-punk is a unique one. A folkier version of Vanishing Kids, the Italian quartet offers an atmosphere that feels just at home in Twin Peaks as Midsommar. Wearing the uncanny valley effect of post-punk and the macabre urgency of Gothic rock, Night Gaunt manages to conjure the ghosts of metaldom past who howl at the moon from the woods of desolation with Nick Cave and Bauhaus. Given an organic fluidity through its folk-influenced compositions and jangly construction, culminating in doom passages that sound aptly angry, Night Gaunt steps into wilderness.

    Second album The Room affected the gone-but-unforgotten GardensTale, not with its metallic sensibilities but with its spooky atmosphere – and Rupture follows the same path. Well traversed in the doom paths of olde, especially early Sabbath and Pentagram, it maintains a jangly feel that feels incredibly organic and loose, maintaining a fluidity in its identity like a snaking river. It also expands the atmosphere to something appropriately wilder and uninhabited – folky rhythms, industrial and darkwave textures, and organic acoustic instruments add to the massiveness of their sound. Guided always by the tortured post-punk croons of singer Giuseppe Colio, Rupture gives us something bigger and better than The Room, even if its gaps and memorability hinder it from excellence.

    There are two types of tracks in Rupture: the main focus in the atmospheric songs, and the riff-fests that add teeth. The foundation is set cleanly with the atmosphere first, with the majority of tracks following a crescendo from humble beginnings with simple strums and subdued vocals to massive doom slogs and soaring codas (“Struck by the Fever,” “The Deer and the Hunter,” “The Antagonist,” “The End”), wrapped up in the dark template of Gothic rock à la The Cure. This takes on an epic doom feel at its height, textured by overlays of shimmering guitars and undergirded by rock-solid percussion, with curious bass noodling throughout and analog ambiance adding an old-school vibe to it. Tracks that focus solely on organic textures also prove beautiful interludes, with sprawling ambiance (“The Revenant”), warm acoustic guitar (“September Song”), and bold piano (“Blooming”). Giuseppe Colio’s vocals are notable in enhancing this atmosphere, relying on a Nick Cave-esque performance with just a hint of post-punk reverb – that descends into guttural growls (“Ordeal,” “The Revenant”).


    The other type of track featured on Rupture is the punishing, riffy tracks, which is a perk that highlights other issues. While some tracks are so subtle in their metallic tones that they fall into mundaneness and sterility (“Of Clouds and Gleam,” “The Antagonist”), tracks that focus on riffs are fierce. While comfortable in an old school higher register than the sludge-inclined doomsters, these tracks are guided by high-octane guitar rhythms, galloping riffs and palm-muted licks, and Colio’s vocals that somehow break free of the post-punk haze and into a nearly operatic echelon whose timbre nearly breaks under the strain. These tracks offer much-needed momentum (“Strangers,” “Ordeal,” passages of “The End”) when the slog gets too much, which is a tad suspect on a thirty-eight-minute album.

    Despite its flaws, Night Gaunt offers a fun listen. It’s ridiculously atmospheric in ways that classic post-punk and Goth rock are, while recalling the greats of the bygone eras with its classic doom-forward metallic template. With the startling fluidity of its on-paper anachronistic influences of folk and industrial, Rupture channels that organic crunch of classic Black Sabbath and Pentagram at its core. It’s rarely memorable, and it feels long-winded for such a short listen, so it’s unlikely to find itself on year-end lists. But its atmosphere and old-school vibe is sure to provide forty minutes of escapism.

    Rating: 3.0/5.0
    DR: 9 | Format Reviewed: 320 kb/s mp3
    Label: Aural Music
    Websites: nightgaunt.bandcamp.com | facebook.com/nightgauntdoom
    Releases Worldwide: November 6th, 2026

    #2026 #30 #AuralMusic #BlackSabbath #DoomMeta #Folk #Industrial #ItalianMetal #NickCave #NickCaveTheBadSeeds #NightGaunt #Nov26 #Pentagram #postPunk #Review #Reviews #Rupture #TheCure #VanishingKids
Share on Mastodon

Enter the server where you have an account.