#pop-latino — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #pop-latino, aggregated by home.social.
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Shakira dedica show no Rio de Janeiro às mulheres e mães solo brasileiras
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Shakira dedica show no Rio de Janeiro às mulheres e mães solo brasileiras
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Sin Ánimo de Lucro enciende la pista desde otro ángulo con ‘Báilalo’ | #RollingStoneES
https://es.rollingstone.com/sin-animo-de-lucro-enciende-la-pista-desde-otro-angulo-con-bailalo/
#agrupaciónmusical #bailalo #colombia #estreno #poplatino #sinánimodelucro #single
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Sin Ánimo de Lucro enciende la pista desde otro ángulo con ‘Báilalo’ | #RollingStoneES
https://es.rollingstone.com/sin-animo-de-lucro-enciende-la-pista-desde-otro-angulo-con-bailalo/
#agrupaciónmusical #bailalo #colombia #estreno #poplatino #sinánimodelucro #single
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Kali Uchis en Movistar Arena: Soñar despiertos | vía #ZumbidoCL
https://zumbido.cl/kali-uchis-en-movistar-arena-sonar-despiertos/
#dgmedios #kaliuchis #livereview #movistararena #neosoul #poplatino #rbcontemporáneo
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Kali Uchis en Movistar Arena: Soñar despiertos | vía #ZumbidoCL
https://zumbido.cl/kali-uchis-en-movistar-arena-sonar-despiertos/
#dgmedios #kaliuchis #livereview #movistararena #neosoul #poplatino #rbcontemporáneo
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Música «Roque Valero-Nuestra historia»
Aquí os dejo un bonito del cantante y actor venezolano Roque Valero, una canción muy tierna, la verdad.
Abrazos.
https://www.youtube.com/watch?v=nZxoMYi4RTk&list=RDONsp-SMT6is&index=12
Nuestra historia es tan extraña y divertida
Y no creo que nadie se atrevería
A contarla, emularla o discutirla
Pues carece de sentido y melodíaNuestra historia no es tan buena ni es tan mala
Y aunque lo parezca no es la equivocada
Sólo es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan compleja y dispareja
Absoluta relegada e inocente
Que si tuvo algún pasado no hay presente
Y el futuro se me hace inconsistenteEsta llena de reclamos olvidados
Fueron muchos los errores oxidados
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoNuestra historia tonta y de telenovela
Esta llena de altibajos y condenas
No es tan larga, no es tan corta ni es eterna
Cuesta mucho sacrificio mantenerlaHay problemas serios con las emociones
Tiene inmadurez y precipitaciones
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es de venganzas y mentiras
De estrategias y de falsas reconquistas
Hay llamadas que nunca han debido hacerse
Y miradas que el tiempo las desvaneceEsta historia me ha hecho perder la cordura
Ella empieza, se termina y continúa
Esta es una tonta historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoFuente: Musixmatch
Autores de la canción: Roque Valero
Letra de Nuestra Historia © Emi April Music Inc., Publishing Designee Of Roque Valero
#balada #dailyprompt #pop #popLatino #popLatinoamericano #RoqueValero
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Música «Roque Valero-Nuestra historia»
Aquí os dejo un bonito del cantante y actor venezolano Roque Valero, una canción muy tierna, la verdad.
Abrazos.
https://www.youtube.com/watch?v=nZxoMYi4RTk&list=RDONsp-SMT6is&index=12
Nuestra historia es tan extraña y divertida
Y no creo que nadie se atrevería
A contarla, emularla o discutirla
Pues carece de sentido y melodíaNuestra historia no es tan buena ni es tan mala
Y aunque lo parezca no es la equivocada
Sólo es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan compleja y dispareja
Absoluta relegada e inocente
Que si tuvo algún pasado no hay presente
Y el futuro se me hace inconsistenteEsta llena de reclamos olvidados
Fueron muchos los errores oxidados
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoNuestra historia tonta y de telenovela
Esta llena de altibajos y condenas
No es tan larga, no es tan corta ni es eterna
Cuesta mucho sacrificio mantenerlaHay problemas serios con las emociones
Tiene inmadurez y precipitaciones
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es de venganzas y mentiras
De estrategias y de falsas reconquistas
Hay llamadas que nunca han debido hacerse
Y miradas que el tiempo las desvaneceEsta historia me ha hecho perder la cordura
Ella empieza, se termina y continúa
Esta es una tonta historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoFuente: Musixmatch
Autores de la canción: Roque Valero
Letra de Nuestra Historia © Emi April Music Inc., Publishing Designee Of Roque Valero
#balada #dailyprompt #pop #popLatino #popLatinoamericano #RoqueValero
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Música «Roque Valero-Nuestra historia»
Aquí os dejo un bonito del cantante y actor venezolano Roque Valero, una canción muy tierna, la verdad.
Abrazos.
https://www.youtube.com/watch?v=nZxoMYi4RTk&list=RDONsp-SMT6is&index=12
Nuestra historia es tan extraña y divertida
Y no creo que nadie se atrevería
A contarla, emularla o discutirla
Pues carece de sentido y melodíaNuestra historia no es tan buena ni es tan mala
Y aunque lo parezca no es la equivocada
Sólo es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan compleja y dispareja
Absoluta relegada e inocente
Que si tuvo algún pasado no hay presente
Y el futuro se me hace inconsistenteEsta llena de reclamos olvidados
Fueron muchos los errores oxidados
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoNuestra historia tonta y de telenovela
Esta llena de altibajos y condenas
No es tan larga, no es tan corta ni es eterna
Cuesta mucho sacrificio mantenerlaHay problemas serios con las emociones
Tiene inmadurez y precipitaciones
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es de venganzas y mentiras
De estrategias y de falsas reconquistas
Hay llamadas que nunca han debido hacerse
Y miradas que el tiempo las desvaneceEsta historia me ha hecho perder la cordura
Ella empieza, se termina y continúa
Esta es una tonta historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoFuente: Musixmatch
Autores de la canción: Roque Valero
Letra de Nuestra Historia © Emi April Music Inc., Publishing Designee Of Roque Valero
#balada #dailyprompt #pop #popLatino #popLatinoamericano #RoqueValero
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Música «Roque Valero-Nuestra historia»
Aquí os dejo un bonito del cantante y actor venezolano Roque Valero, una canción muy tierna, la verdad.
Abrazos.
https://www.youtube.com/watch?v=nZxoMYi4RTk&list=RDONsp-SMT6is&index=12
Nuestra historia es tan extraña y divertida
Y no creo que nadie se atrevería
A contarla, emularla o discutirla
Pues carece de sentido y melodíaNuestra historia no es tan buena ni es tan mala
Y aunque lo parezca no es la equivocada
Sólo es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan compleja y dispareja
Absoluta relegada e inocente
Que si tuvo algún pasado no hay presente
Y el futuro se me hace inconsistenteEsta llena de reclamos olvidados
Fueron muchos los errores oxidados
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoNuestra historia tonta y de telenovela
Esta llena de altibajos y condenas
No es tan larga, no es tan corta ni es eterna
Cuesta mucho sacrificio mantenerlaHay problemas serios con las emociones
Tiene inmadurez y precipitaciones
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es de venganzas y mentiras
De estrategias y de falsas reconquistas
Hay llamadas que nunca han debido hacerse
Y miradas que el tiempo las desvaneceEsta historia me ha hecho perder la cordura
Ella empieza, se termina y continúa
Esta es una tonta historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoFuente: Musixmatch
Autores de la canción: Roque Valero
Letra de Nuestra Historia © Emi April Music Inc., Publishing Designee Of Roque Valero
#balada #dailyprompt #pop #popLatino #popLatinoamericano #RoqueValero
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Música «Roque Valero-Nuestra historia»
Aquí os dejo un bonito del cantante y actor venezolano Roque Valero, una canción muy tierna, la verdad.
Abrazos.
https://www.youtube.com/watch?v=nZxoMYi4RTk&list=RDONsp-SMT6is&index=12
Nuestra historia es tan extraña y divertida
Y no creo que nadie se atrevería
A contarla, emularla o discutirla
Pues carece de sentido y melodíaNuestra historia no es tan buena ni es tan mala
Y aunque lo parezca no es la equivocada
Sólo es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan compleja y dispareja
Absoluta relegada e inocente
Que si tuvo algún pasado no hay presente
Y el futuro se me hace inconsistenteEsta llena de reclamos olvidados
Fueron muchos los errores oxidados
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoNuestra historia tonta y de telenovela
Esta llena de altibajos y condenas
No es tan larga, no es tan corta ni es eterna
Cuesta mucho sacrificio mantenerlaHay problemas serios con las emociones
Tiene inmadurez y precipitaciones
Esta es una rara historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es de venganzas y mentiras
De estrategias y de falsas reconquistas
Hay llamadas que nunca han debido hacerse
Y miradas que el tiempo las desvaneceEsta historia me ha hecho perder la cordura
Ella empieza, se termina y continúa
Esta es una tonta historia que va, que regresa
Que sueña y promete ser un poco diferenteNuestra historia es tan extraña
Que aunque quisiera cantarla
No podría mi garganta
Está vencida y desgastada
De tanto gritar tu nombre
Al llegar y no verte en casa
Se me gasta la memoria
Recordándote en la camaNuestra historia es tan absurda
Es tan loca, inhumana
Que el final es un comienzo
Y tengo que aguantar mis ganas
De abrazarte por las noches
Y buscarte en las mañanas
Se me acaban los recuerdos
Esperando tu regresoFuente: Musixmatch
Autores de la canción: Roque Valero
Letra de Nuestra Historia © Emi April Music Inc., Publishing Designee Of Roque Valero
#balada #dailyprompt #pop #popLatino #popLatinoamericano #RoqueValero
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Kali Uchis en Chile: El mejor momento se mantiene | vía #ZumbidoCL
https://zumbido.cl/kali-uchis-en-chile-el-mejor-momento-se-mantiene/
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Kali Uchis en Chile: El mejor momento se mantiene | vía #ZumbidoCL
https://zumbido.cl/kali-uchis-en-chile-el-mejor-momento-se-mantiene/
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FyA celebra un concierto de pop latino y maridaje con vino en Burgos con un 10% de descuento en entradas https://www.vinetur.com/2025111493314/fya-celebra-un-concierto-de-pop-latino-y-maridaje-con-vino-en-burgos-con-un-10-de-descuento-en-entradas.html?utm_source=dlvr.it&utm_medium=mastodon #Concierto #PopLatino #Maridaje #Vino #Burgos
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FyA celebra un concierto de pop latino y maridaje con vino en Burgos con un 10% de descuento en entradas https://www.vinetur.com/2025111493314/fya-celebra-un-concierto-de-pop-latino-y-maridaje-con-vino-en-burgos-con-un-10-de-descuento-en-entradas.html?utm_source=dlvr.it&utm_medium=mastodon #Concierto #PopLatino #Maridaje #Vino #Burgos
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Karina, 56, Stuns at Latin Billboards: "You Just Don't Give a Damn" About Style
#authenticity #DaringLook #Karina #poplatino #PremiosBillboarddelaMúsicaLatina
https://blazetrends.com/karina-56-stuns-at-latin-billboards-you-just-dont-give-a-damn-about-style/?fsp_sid=156942 -
¡Nueva voz en el pop latino! 🎤 La cantante Crystal irrumpe en la escena musical con el lanzamiento de su nuevo y poderoso sencillo, “Promesa”. ¡Escucha lo más reciente de su propuesta! Conoce los detalles en la nota. #Crystal #Promesa #PopLatino #NuevaMúsica
Más aquí: https://zurl.co/5NNlR
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¡Nueva voz en el pop latino! 🎤 La cantante Crystal irrumpe en la escena musical con el lanzamiento de su nuevo y poderoso sencillo, “Promesa”. ¡Escucha lo más reciente de su propuesta! Conoce los detalles en la nota. #Crystal #Promesa #PopLatino #NuevaMúsica
Más aquí: https://zurl.co/5NNlR
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¡Nueva voz en el pop latino! 🎤 La cantante Crystal irrumpe en la escena musical con el lanzamiento de su nuevo y poderoso sencillo, “Promesa”. ¡Escucha lo más reciente de su propuesta! Conoce los detalles en la nota. #Crystal #Promesa #PopLatino #NuevaMúsica
Más aquí: https://zurl.co/5NNlR
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¡Nueva voz en el pop latino! 🎤 La cantante Crystal irrumpe en la escena musical con el lanzamiento de su nuevo y poderoso sencillo, “Promesa”. ¡Escucha lo más reciente de su propuesta! Conoce los detalles en la nota. #Crystal #Promesa #PopLatino #NuevaMúsica
Más aquí: https://zurl.co/5NNlR
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«No me puedo imaginar
cuánto tiempo pasará,
no me puedo imaginar
cuántos días tardarás.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.Por las calles vagaré,
mil días te buscaré,
por las calles te veré,
mil días esperaré.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.La avenida principal,
este frío y la humedad;
aunque me sienta feliz
nunca me olvido de ti.»#Bristol #PopEnEspañol #PopEnCastellano #PopLatino #PopArgentino #PopDeArgentina
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«No me puedo imaginar
cuánto tiempo pasará,
no me puedo imaginar
cuántos días tardarás.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.Por las calles vagaré,
mil días te buscaré,
por las calles te veré,
mil días esperaré.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.La avenida principal,
este frío y la humedad;
aunque me sienta feliz
nunca me olvido de ti.»#Bristol #PopEnEspañol #PopEnCastellano #PopLatino #PopArgentino #PopDeArgentina
-
«No me puedo imaginar
cuánto tiempo pasará,
no me puedo imaginar
cuántos días tardarás.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.Por las calles vagaré,
mil días te buscaré,
por las calles te veré,
mil días esperaré.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.La avenida principal,
este frío y la humedad;
aunque me sienta feliz
nunca me olvido de ti.»#Bristol #PopEnEspañol #PopEnCastellano #PopLatino #PopArgentino #PopDeArgentina
-
«No me puedo imaginar
cuánto tiempo pasará,
no me puedo imaginar
cuántos días tardarás.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.Por las calles vagaré,
mil días te buscaré,
por las calles te veré,
mil días esperaré.Hasta que vuelvas,
hasta que vuelvas,
hasta que vuelvas
y me quieras.La avenida principal,
este frío y la humedad;
aunque me sienta feliz
nunca me olvido de ti.»#Bristol #PopEnEspañol #PopEnCastellano #PopLatino #PopArgentino #PopDeArgentina
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Ela Taubert no escribe hits: escribe lo que todos sentimos y la gente calla. Prepárate para enamorarte y conocer más de esta artista.
#ElaTaubert #PopLatino #NuevaMúsica #Pop #Música #Tigrepop @alxs._.mapl
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https://www.europesays.com/uk/271116/ Calva Louise – Edge of the Abyss Review #2025 #4.0 #CalvaLouise #CoheedAndCambria #crossover #DiabloSwingOrchestra #Dubstep #EdgeOfTheAbyss #Electronica #Entertainment #GrooveMetal #Jul25 #Katatonia #KateBush #KingGoat #MascotLabelGroup #MascotRecords #Metalcore #MonsieurPeriné #Muse #music #PopLatino #ProgressiveMetal #SystemOfADown #TheKovenant #three #UK #UKMetal #UnitedKingdom
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Calva Louise – Edge of the Abyss Review
By Angry Metal Guy
Genre is a funny thing. Calva Louise will almost certainly be called “Crossover.” Their sound is a combination of elements that, if I read each one individually, would make me cringe or shrug my shoulders. Seen grouped on the page, I might ask, “How would that even work?” What I wouldn’t expect is an album that excites me. The kind of excitement that drives one to spin the record again immediately. The kind of excitement that leads to sharing the record with anyone who will listen and lengthy discussions of the details of whether someone else noticed the Fleshgod Apocalypse piano arpeggios in track four.1 But Edge of the Abyss is a rare record that manages to feel wild, unpredictable, and yet addictive—evocative—all at once. And while it’s apparently a concept album, the real story that I’m following is the one told in the songs that add up to something greater than the sum of their parts.
The strength of Edge of the Abyss lies in its fusions, and I mean that in every sense. Calva Louise doesn’t blend styles; they smash them together. “Tunnel Vision” rips open the record with a sugar-rush hook, bouncing within three minutes from pop-chorus to dubstep drop to metallic groove. “W.T.F.” is exactly that: frenetic, agitated, and punky. “Aimless,” the album’s first single, is a real highlight, threading unpredictable melodies, classical piano runs, and crunchy metal riffage into something that feels like “Justice for Saint Marie” (Diablo Swing Orchestra) but with a dembow beat.2 Each song can be emphasized for such moments: “Hate in Me” swaps between Katatonia and Kate Bush without skipping a beat; “Under the Skin” gives Lacuna Coil while “Barely a Response” blends 3/Coheed and Cambria and Muse to create something that just vibes right—blending proggy post-punk with The Fall of Hearts.
The balancing act is accomplished by Edge of the Abyss being extremely well-composed. These songs, while poppy—slick, catchy, memorable—aren’t glued together Frankenpop. Instead, they’re meticulously assembled homunculi, each with its own little soul.3 There’s a sense throughout the first half of this record that you’re listening to something much more thoughtful than its surface chaos might suggest. I might be imagining things, but this is where frontwoman and primary composer Jess Allanic’s background in composition seems to play a major role. The fact that Calva Louise can evoke so many different bands, sounds, and seamlessly traverse genre boundaries in seconds—from harmonized vocals over Latin folk beats to crunchy groove to house in moments (“El Umbral”)—without seeming scattered speaks to a deep understanding of music.4
You can feel that deep understanding of music in Edge of the Abyss’s most daring material: its multilingual, rhythmically tangled, and emotionally exposed core. “Lo Que Vale,” which may be my favorite song, strips things back enough to let Allanic’s small-but-commanding voice—reminiscent of Catalina García (Monsieur Periné)—to shine. “Impeccable” evokes The Kovenant’s “New World Order” before erupting into harmonized guitar leads and New Wave vibes. These are songs with giant choruses, and while Allanic has a remarkable presence and extremely deft melodic sense, she never dominates the mix. Whether screaming, speaking, or singing, her voice is expertly integrated, capable of balancing Kate Bush and Jonas Renkse depending on where she is in a song (“Hate in Me”), with harmonic sensibilities that bring me back to 3‘s The End Is Begun. Her presence does for Calva Louise what Serj Tankian did for System of a Down or Trim for King Goat. But unlike the aforementioned vocalists, she’s playing guitar, piano, and writing songs.
Edge of the Abyss is not perfect, however. First, the record’s energy flags a bit in the back half, where “The Abyss” pulls its punches and “Under the Skin” leans too hard on its mid-tempo groove. Nothing here fails, but the band’s frenetic, genre-defying dynamism seems more concentrated in the first six tracks. Still, even at its weakest, Edge of the Abyss brims with detail—piano breaks, synth arpeggios, key changes—that keep it from feeling inert. And repeated listens have only deepened my appreciation for these later tracks. If the front half is where Calva Louise erupts, the back half is where the ash is beginning to fall. Second, while there is supposedly a concept here, I have no idea what it is. In the tradition of Coheed & Cambria, who famously have a massive story but lyrics that read like “girl doesn’t like boy and boy gets mad about it,” a lot of this just reads as angst.
Some records sound big, and some records feel big. Edge of the Abyss does both.5 It feels big because it has ideas, and it succeeds because it commits to those ideas with zero regard for genre gatekeeping, scene politics, or what guys like me think is cool. It’s weird, catchy, and gleefully sophisticated, with every song bringing something unique to the table. Every arrangement counts. It’s a banger parade, and it’s hard not to feel like it’s also smart as hell. Is it perfect? No. But it’s addictive, it’s fun, and it’s going to be the most controversial Record o’ the Month since Gazpacho.
Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s CBR MP3
Label: Mascot Records
Websites: calvalouise.com | calvalouise.bandcamp.com
Release Date: July 11th, 2025#2025 #40 #CalvaLouise #CoheedAndCambria #crossover #DiabloSwingOrchestra #Dubstep #EdgeOfTheAbyss #Electronica #GrooveMetal #Jul25 #Katatonia #KateBush #KingGoat #MascotLabelGroup #MascotRecords #Metalcore #MonsieurPeriné #Muse #PopLatino #ProgressiveMetal #SystemOfADown #TheKovenant #Three #UKMetal
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Calva Louise – Edge of the Abyss Review
By Angry Metal Guy
Genre is a funny thing. Calva Louise will almost certainly be called “Crossover.” Their sound is a combination of elements that, if I read each one individually, would make me cringe or shrug my shoulders. Seen grouped on the page, I might ask, “How would that even work?” What I wouldn’t expect is an album that excites me. The kind of excitement that drives one to spin the record again immediately. The kind of excitement that leads to sharing the record with anyone who will listen and lengthy discussions of the details of whether someone else noticed the Fleshgod Apocalypse piano arpeggios in track four.1 But Edge of the Abyss is a rare record that manages to feel wild, unpredictable, and yet addictive—evocative—all at once. And while it’s apparently a concept album, the real story that I’m following is the one told in the songs that add up to something greater than the sum of their parts.
The strength of Edge of the Abyss lies in its fusions, and I mean that in every sense. Calva Louise doesn’t blend styles; they smash them together. “Tunnel Vision” rips open the record with a sugar-rush hook, bouncing within three minutes from pop-chorus to dubstep drop to metallic groove. “W.T.F.” is exactly that: frenetic, agitated, and punky. “Aimless,” the album’s first single, is a real highlight, threading unpredictable melodies, classical piano runs, and crunchy metal riffage into something that feels like “Justice for Saint Marie” (Diablo Swing Orchestra) but with a dembow beat.2 Each song can be emphasized for such moments: “Hate in Me” swaps between Katatonia and Kate Bush without skipping a beat; “Under the Skin” gives Lacuna Coil while “Barely a Response” blends 3/Coheed and Cambria and Muse to create something that just vibes right—blending proggy post-punk with The Fall of Hearts.
The balancing act is accomplished by Edge of the Abyss being extremely well-composed. These songs, while poppy—slick, catchy, memorable—aren’t glued together Frankenpop. Instead, they’re meticulously assembled homunculi, each with its own little soul.3 There’s a sense throughout the first half of this record that you’re listening to something much more thoughtful than its surface chaos might suggest. I might be imagining things, but this is where frontwoman and primary composer Jess Allanic’s background in composition seems to play a major role. The fact that Calva Louise can evoke so many different bands, sounds, and seamlessly traverse genre boundaries in seconds—from harmonized vocals over Latin folk beats to crunchy groove to house in moments (“El Umbral”)—without seeming scattered speaks to a deep understanding of music.4
You can feel that deep understanding of music in Edge of the Abyss’s most daring material: its multilingual, rhythmically tangled, and emotionally exposed core. “Lo Que Vale,” which may be my favorite song, strips things back enough to let Allanic’s small-but-commanding voice—reminiscent of Catalina García (Monsieur Periné)—to shine. “Impeccable” evokes The Kovenant’s “New World Order” before erupting into harmonized guitar leads and New Wave vibes. These are songs with giant choruses, and while Allanic has a remarkable presence and extremely deft melodic sense, she never dominates the mix. Whether screaming, speaking, or singing, her voice is expertly integrated, capable of balancing Kate Bush and Jonas Renkse depending on where she is in a song (“Hate in Me”), with harmonic sensibilities that bring me back to 3‘s The End Is Begun. Her presence does for Calva Louise what Serj Tankian did for System of a Down or Trim for King Goat. But unlike the aforementioned vocalists, she’s playing guitar, piano, and writing songs.
Edge of the Abyss is not perfect, however. First, the record’s energy flags a bit in the back half, where “The Abyss” pulls its punches and “Under the Skin” leans too hard on its mid-tempo groove. Nothing here fails, but the band’s frenetic, genre-defying dynamism seems more concentrated in the first six tracks. Still, even at its weakest, Edge of the Abyss brims with detail—piano breaks, synth arpeggios, key changes—that keep it from feeling inert. And repeated listens have only deepened my appreciation for these later tracks. If the front half is where Calva Louise erupts, the back half is where the ash is beginning to fall. Second, while there is supposedly a concept here, I have no idea what it is. In the tradition of Coheed & Cambria, who famously have a massive story but lyrics that read like “girl doesn’t like boy and boy gets mad about it,” a lot of this just reads as angst.
Some records sound big, and some records feel big. Edge of the Abyss does both.5 It feels big because it has ideas, and it succeeds because it commits to those ideas with zero regard for genre gatekeeping, scene politics, or what guys like me think is cool. It’s weird, catchy, and gleefully sophisticated, with every song bringing something unique to the table. Every arrangement counts. It’s a banger parade, and it’s hard not to feel like it’s also smart as hell. Is it perfect? No. But it’s addictive, it’s fun, and it’s going to be the most controversial Record o’ the Month since Gazpacho.
Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s CBR MP3
Label: Mascot Records
Websites: calvalouise.com | calvalouise.bandcamp.com
Release Date: July 11th, 2025#2025 #40 #CalvaLouise #CoheedAndCambria #crossover #DiabloSwingOrchestra #Dubstep #EdgeOfTheAbyss #Electronica #GrooveMetal #Jul25 #Katatonia #KateBush #KingGoat #MascotLabelGroup #MascotRecords #Metalcore #MonsieurPeriné #Muse #PopLatino #ProgressiveMetal #SystemOfADown #TheKovenant #Three #UKMetal
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Calva Louise – Edge of the Abyss Review
By Angry Metal Guy
Genre is a funny thing. Calva Louise will almost certainly be called “Crossover.” Their sound is a combination of elements that, if I read each one individually, would make me cringe or shrug my shoulders. Seen grouped on the page, I might ask, “How would that even work?” What I wouldn’t expect is an album that excites me. The kind of excitement that drives one to spin the record again immediately. The kind of excitement that leads to sharing the record with anyone who will listen and lengthy discussions of the details of whether someone else noticed the Fleshgod Apocalypse piano arpeggios in track four.1 But Edge of the Abyss is a rare record that manages to feel wild, unpredictable, and yet addictive—evocative—all at once. And while it’s apparently a concept album, the real story that I’m following is the one told in the songs that add up to something greater than the sum of their parts.
The strength of Edge of the Abyss lies in its fusions, and I mean that in every sense. Calva Louise doesn’t blend styles; they smash them together. “Tunnel Vision” rips open the record with a sugar-rush hook, bouncing within three minutes from pop-chorus to dubstep drop to metallic groove. “W.T.F.” is exactly that: frenetic, agitated, and punky. “Aimless,” the album’s first single, is a real highlight, threading unpredictable melodies, classical piano runs, and crunchy metal riffage into something that feels like “Justice for Saint Marie” (Diablo Swing Orchestra) but with a dembow beat.2 Each song can be emphasized for such moments: “Hate in Me” swaps between Katatonia and Kate Bush without skipping a beat; “Under the Skin” gives Lacuna Coil while “Barely a Response” blends 3/Coheed and Cambria and Muse to create something that just vibes right—blending proggy post-punk with The Fall of Hearts.
The balancing act is accomplished by Edge of the Abyss being extremely well-composed. These songs, while poppy—slick, catchy, memorable—aren’t glued together Frankenpop. Instead, they’re meticulously assembled homunculi, each with its own little soul.3 There’s a sense throughout the first half of this record that you’re listening to something much more thoughtful than its surface chaos might suggest. I might be imagining things, but this is where frontwoman and primary composer Jess Allanic’s background in composition seems to play a major role. The fact that Calva Louise can evoke so many different bands, sounds, and seamlessly traverse genre boundaries in seconds—from harmonized vocals over Latin folk beats to crunchy groove to house in moments (“El Umbral”)—without seeming scattered speaks to a deep understanding of music.4
You can feel that deep understanding of music in Edge of the Abyss’s most daring material: its multilingual, rhythmically tangled, and emotionally exposed core. “Lo Que Vale,” which may be my favorite song, strips things back enough to let Allanic’s small-but-commanding voice—reminiscent of Catalina García (Monsieur Periné)—to shine. “Impeccable” evokes The Kovenant’s “New World Order” before erupting into harmonized guitar leads and New Wave vibes. These are songs with giant choruses, and while Allanic has a remarkable presence and extremely deft melodic sense, she never dominates the mix. Whether screaming, speaking, or singing, her voice is expertly integrated, capable of balancing Kate Bush and Jonas Renkse depending on where she is in a song (“Hate in Me”), with harmonic sensibilities that bring me back to 3‘s The End Is Begun. Her presence does for Calva Louise what Serj Tankian did for System of a Down or Trim for King Goat. But unlike the aforementioned vocalists, she’s playing guitar, piano, and writing songs.
Edge of the Abyss is not perfect, however. First, the record’s energy flags a bit in the back half, where “The Abyss” pulls its punches and “Under the Skin” leans too hard on its mid-tempo groove. Nothing here fails, but the band’s frenetic, genre-defying dynamism seems more concentrated in the first six tracks. Still, even at its weakest, Edge of the Abyss brims with detail—piano breaks, synth arpeggios, key changes—that keep it from feeling inert. And repeated listens have only deepened my appreciation for these later tracks. If the front half is where Calva Louise erupts, the back half is where the ash is beginning to fall. Second, while there is supposedly a concept here, I have no idea what it is. In the tradition of Coheed & Cambria, who famously have a massive story but lyrics that read like “girl doesn’t like boy and boy gets mad about it,” a lot of this just reads as angst.
Some records sound big, and some records feel big. Edge of the Abyss does both.5 It feels big because it has ideas, and it succeeds because it commits to those ideas with zero regard for genre gatekeeping, scene politics, or what guys like me think is cool. It’s weird, catchy, and gleefully sophisticated, with every song bringing something unique to the table. Every arrangement counts. It’s a banger parade, and it’s hard not to feel like it’s also smart as hell. Is it perfect? No. But it’s addictive, it’s fun, and it’s going to be the most controversial Record o’ the Month since Gazpacho.
Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s CBR MP3
Label: Mascot Records
Websites: calvalouise.com | calvalouise.bandcamp.com
Release Date: July 11th, 2025#2025 #40 #CalvaLouise #CoheedAndCambria #crossover #DiabloSwingOrchestra #Dubstep #EdgeOfTheAbyss #Electronica #GrooveMetal #Jul25 #Katatonia #KateBush #KingGoat #MascotLabelGroup #MascotRecords #Metalcore #MonsieurPeriné #Muse #PopLatino #ProgressiveMetal #SystemOfADown #TheKovenant #Three #UKMetal
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Calva Louise – Edge of the Abyss Review
By Angry Metal Guy
Genre is a funny thing. Calva Louise will almost certainly be called “Crossover.” Their sound is a combination of elements that, if I read each one individually, would make me cringe or shrug my shoulders. Seen grouped on the page, I might ask, “How would that even work?” What I wouldn’t expect is an album that excites me. The kind of excitement that drives one to spin the record again immediately. The kind of excitement that leads to sharing the record with anyone who will listen and lengthy discussions of the details of whether someone else noticed the Fleshgod Apocalypse piano arpeggios in track four.1 But Edge of the Abyss is a rare record that manages to feel wild, unpredictable, and yet addictive—evocative—all at once. And while it’s apparently a concept album, the real story that I’m following is the one told in the songs that add up to something greater than the sum of their parts.
The strength of Edge of the Abyss lies in its fusions, and I mean that in every sense. Calva Louise doesn’t blend styles; they smash them together. “Tunnel Vision” rips open the record with a sugar-rush hook, bouncing within three minutes from pop-chorus to dubstep drop to metallic groove. “W.T.F.” is exactly that: frenetic, agitated, and punky. “Aimless,” the album’s first single, is a real highlight, threading unpredictable melodies, classical piano runs, and crunchy metal riffage into something that feels like “Justice for Saint Marie” (Diablo Swing Orchestra) but with a dembow beat.2 Each song can be emphasized for such moments: “Hate in Me” swaps between Katatonia and Kate Bush without skipping a beat; “Under the Skin” gives Lacuna Coil while “Barely a Response” blends 3/Coheed and Cambria and Muse to create something that just vibes right—blending proggy post-punk with The Fall of Hearts.
The balancing act is accomplished by Edge of the Abyss being extremely well-composed. These songs, while poppy—slick, catchy, memorable—aren’t glued together Frankenpop. Instead, they’re meticulously assembled homunculi, each with its own little soul.3 There’s a sense throughout the first half of this record that you’re listening to something much more thoughtful than its surface chaos might suggest. I might be imagining things, but this is where frontwoman and primary composer Jess Allanic’s background in composition seems to play a major role. The fact that Calva Louise can evoke so many different bands, sounds, and seamlessly traverse genre boundaries in seconds—from harmonized vocals over Latin folk beats to crunchy groove to house in moments (“El Umbral”)—without seeming scattered speaks to a deep understanding of music.4
You can feel that deep understanding of music in Edge of the Abyss’s most daring material: its multilingual, rhythmically tangled, and emotionally exposed core. “Lo Que Vale,” which may be my favorite song, strips things back enough to let Allanic’s small-but-commanding voice—reminiscent of Catalina García (Monsieur Periné)—to shine. “Impeccable” evokes The Kovenant’s “New World Order” before erupting into harmonized guitar leads and New Wave vibes. These are songs with giant choruses, and while Allanic has a remarkable presence and extremely deft melodic sense, she never dominates the mix. Whether screaming, speaking, or singing, her voice is expertly integrated, capable of balancing Kate Bush and Jonas Renkse depending on where she is in a song (“Hate in Me”), with harmonic sensibilities that bring me back to 3‘s The End Is Begun. Her presence does for Calva Louise what Serj Tankian did for System of a Down or Trim for King Goat. But unlike the aforementioned vocalists, she’s playing guitar, piano, and writing songs.
Edge of the Abyss is not perfect, however. First, the record’s energy flags a bit in the back half, where “The Abyss” pulls its punches and “Under the Skin” leans too hard on its mid-tempo groove. Nothing here fails, but the band’s frenetic, genre-defying dynamism seems more concentrated in the first six tracks. Still, even at its weakest, Edge of the Abyss brims with detail—piano breaks, synth arpeggios, key changes—that keep it from feeling inert. And repeated listens have only deepened my appreciation for these later tracks. If the front half is where Calva Louise erupts, the back half is where the ash is beginning to fall. Second, while there is supposedly a concept here, I have no idea what it is. In the tradition of Coheed & Cambria, who famously have a massive story but lyrics that read like “girl doesn’t like boy and boy gets mad about it,” a lot of this just reads as angst.
Some records sound big, and some records feel big. Edge of the Abyss does both.5 It feels big because it has ideas, and it succeeds because it commits to those ideas with zero regard for genre gatekeeping, scene politics, or what guys like me think is cool. It’s weird, catchy, and gleefully sophisticated, with every song bringing something unique to the table. Every arrangement counts. It’s a banger parade, and it’s hard not to feel like it’s also smart as hell. Is it perfect? No. But it’s addictive, it’s fun, and it’s going to be the most controversial Record o’ the Month since Gazpacho.
Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s CBR MP3
Label: Mascot Records
Websites: calvalouise.com | calvalouise.bandcamp.com
Release Date: July 11th, 2025#2025 #40 #CalvaLouise #CoheedAndCambria #crossover #DiabloSwingOrchestra #Dubstep #EdgeOfTheAbyss #Electronica #GrooveMetal #Jul25 #Katatonia #KateBush #KingGoat #MascotLabelGroup #MascotRecords #Metalcore #MonsieurPeriné #Muse #PopLatino #ProgressiveMetal #SystemOfADown #TheKovenant #Three #UKMetal
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Calva Louise – Edge of the Abyss Review
By Angry Metal Guy
Genre is a funny thing. Calva Louise will almost certainly be called “Crossover.” Their sound is a combination of elements that, if I read each one individually, would make me cringe or shrug my shoulders. Seen grouped on the page, I might ask, “How would that even work?” What I wouldn’t expect is an album that excites me. The kind of excitement that drives one to spin the record again immediately. The kind of excitement that leads to sharing the record with anyone who will listen and lengthy discussions of the details of whether someone else noticed the Fleshgod Apocalypse piano arpeggios in track four.1 But Edge of the Abyss is a rare record that manages to feel wild, unpredictable, and yet addictive—evocative—all at once. And while it’s apparently a concept album, the real story that I’m following is the one told in the songs that add up to something greater than the sum of their parts.
The strength of Edge of the Abyss lies in its fusions, and I mean that in every sense. Calva Louise doesn’t blend styles; they smash them together. “Tunnel Vision” rips open the record with a sugar-rush hook, bouncing within three minutes from pop-chorus to dubstep drop to metallic groove. “W.T.F.” is exactly that: frenetic, agitated, and punky. “Aimless,” the album’s first single, is a real highlight, threading unpredictable melodies, classical piano runs, and crunchy metal riffage into something that feels like “Justice for Saint Marie” (Diablo Swing Orchestra) but with a dembow beat.2 Each song can be emphasized for such moments: “Hate in Me” swaps between Katatonia and Kate Bush without skipping a beat; “Under the Skin” gives Lacuna Coil while “Barely a Response” blends 3/Coheed and Cambria and Muse to create something that just vibes right—blending proggy post-punk with The Fall of Hearts.
The balancing act is accomplished by Edge of the Abyss being extremely well-composed. These songs, while poppy—slick, catchy, memorable—aren’t glued together Frankenpop. Instead, they’re meticulously assembled homunculi, each with its own little soul.3 There’s a sense throughout the first half of this record that you’re listening to something much more thoughtful than its surface chaos might suggest. I might be imagining things, but this is where frontwoman and primary composer Jess Allanic’s background in composition seems to play a major role. The fact that Calva Louise can evoke so many different bands, sounds, and seamlessly traverse genre boundaries in seconds—from harmonized vocals over Latin folk beats to crunchy groove to house in moments (“El Umbral”)—without seeming scattered speaks to a deep understanding of music.4
You can feel that deep understanding of music in Edge of the Abyss’s most daring material: its multilingual, rhythmically tangled, and emotionally exposed core. “Lo Que Vale,” which may be my favorite song, strips things back enough to let Allanic’s small-but-commanding voice—reminiscent of Catalina García (Monsieur Periné)—to shine. “Impeccable” evokes The Kovenant’s “New World Order” before erupting into harmonized guitar leads and New Wave vibes. These are songs with giant choruses, and while Allanic has a remarkable presence and extremely deft melodic sense, she never dominates the mix. Whether screaming, speaking, or singing, her voice is expertly integrated, capable of balancing Kate Bush and Jonas Renkse depending on where she is in a song (“Hate in Me”), with harmonic sensibilities that bring me back to 3‘s The End Is Begun. Her presence does for Calva Louise what Serj Tankian did for System of a Down or Trim for King Goat. But unlike the aforementioned vocalists, she’s playing guitar, piano, and writing songs.
Edge of the Abyss is not perfect, however. First, the record’s energy flags a bit in the back half, where “The Abyss” pulls its punches and “Under the Skin” leans too hard on its mid-tempo groove. Nothing here fails, but the band’s frenetic, genre-defying dynamism seems more concentrated in the first six tracks. Still, even at its weakest, Edge of the Abyss brims with detail—piano breaks, synth arpeggios, key changes—that keep it from feeling inert. And repeated listens have only deepened my appreciation for these later tracks. If the front half is where Calva Louise erupts, the back half is where the ash is beginning to fall. Second, while there is supposedly a concept here, I have no idea what it is. In the tradition of Coheed & Cambria, who famously have a massive story but lyrics that read like “girl doesn’t like boy and boy gets mad about it,” a lot of this just reads as angst.
Some records sound big, and some records feel big. Edge of the Abyss does both.5 It feels big because it has ideas, and it succeeds because it commits to those ideas with zero regard for genre gatekeeping, scene politics, or what guys like me think is cool. It’s weird, catchy, and gleefully sophisticated, with every song bringing something unique to the table. Every arrangement counts. It’s a banger parade, and it’s hard not to feel like it’s also smart as hell. Is it perfect? No. But it’s addictive, it’s fun, and it’s going to be the most controversial Record o’ the Month since Gazpacho.
Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s CBR MP3
Label: Mascot Records
Websites: calvalouise.com | calvalouise.bandcamp.com
Release Date: July 11th, 2025#2025 #40 #CalvaLouise #CoheedAndCambria #crossover #DiabloSwingOrchestra #Dubstep #EdgeOfTheAbyss #Electronica #GrooveMetal #Jul25 #Katatonia #KateBush #KingGoat #MascotLabelGroup #MascotRecords #Metalcore #MonsieurPeriné #Muse #PopLatino #ProgressiveMetal #SystemOfADown #TheKovenant #Three #UKMetal
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Danna ya no es una childstar. Hoy es una artista que canta desde su verdad, con un disco que marca un antes y un después.
#Childstar #Danna #PopLatino #NuevaEra #Tigrepop #Música #DannaPaola @alxs._.mapl
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Por si te lo perdiste: Apunta la fecha, Sebastián Yatra en Marenostrum Fuengirola el próximo 2 de agosto https://www.vinetur.com/2025032385935/apunta-la-fecha-sebastian-yatra-en-marenostrum-fuengirola-el-proximo-2-de-agosto.html?utm_source=dlvr.it&utm_medium=mastodon #SebastiánYatra #MarenostrumFuengirola #EntreTantaGente #SummerTour #PopLatino
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Por si te lo perdiste: Apunta la fecha, Sebastián Yatra en Marenostrum Fuengirola el próximo 2 de agosto https://www.vinetur.com/2025032385935/apunta-la-fecha-sebastian-yatra-en-marenostrum-fuengirola-el-proximo-2-de-agosto.html?utm_source=dlvr.it&utm_medium=mastodon #SebastiánYatra #MarenostrumFuengirola #EntreTantaGente #SummerTour #PopLatino
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Darumas consolida fusión única del funk y el pop en ‘Puerta Abierta’ | #RollingStoneES
https://es.rollingstone.com/darumas-consolida-fusion-unica-del-funk-y-el-pop-en-puerta-abierta/
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Apunta la fecha, Sebastián Yatra en Marenostrum Fuengirola el próximo 2 de agosto https://www.vinetur.com/2025032385935/apunta-la-fecha-sebastian-yatra-en-marenostrum-fuengirola-el-proximo-2-de-agosto.html?utm_source=dlvr.it&utm_medium=mastodon #SebastiánYatra #MarenostrumFuengirola #EntreTantaGente #SummerTour #PopLatino
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Alan de Magneto y el recuerdo imborrable de mi adolescencia
Hace poco vi en Facebook que Alan, integrante de Magneto, atraviesa un difícil episodio de depresión. Esta noticia me hizo recordar cuánto marcó mi adolescencia.
A principios de los 2000, mientras promocionaba su segundo disco como solista, Alan visitaba Monterrey con frecuencia para presentarse en estaciones de radio y programas de televisión. Yo, como fan, trataba de estar presente en cada oportunidad. En esos tiempos ni existía Facebook; las noticias sobre él llegaban a través de clubs de fans en los grupos de Yahoo y MSN… ¡Uy, ya llovió!
Tal era mi emoción que hasta contactaba a la persona con la que viajaba para saber en qué hotel estaría y así poder verlo. ¡Qué locura!
Uno de mis recuerdos más especiales fue cuando gané una convivencia con él en Exa Monterrey. Pasé un rato increíble a su lado, aunque pobre de él… lo “lamparié” con el flash de mi cámara todo el tiempo. Lamentablemente, nunca pude recuperar esas fotos, pero el recuerdo sigue intacto.
Lo que más me impactó fue su amabilidad. Siempre se mostró atento y respetuoso, algo que no todos los artistas hacen. Fue el único al que seguí como fan, y por eso siempre tendrá un lugar especial en mi corazón.
https://www.youtube.com/watch?v=HGgNZh3yCtQ
Espero de todo corazón que pueda salir adelante y recuperarse de la depresión, una enfermedad silenciosa pero devastadora. Desde aquí, le envío toda la fuerza y el cariño que, sin duda, muchos fans también comparten.
¿También fuiste fan de Alan o de Magneto? ¡Cuéntamelo en los comentarios!
#2000s #Alan #Fans #Magneto #nostalgia #PopLatino #Recuerdos
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Shakira en Chile: Algunos datos interesantes de la estrella colombiana | vía #ZumbidoCL
https://zumbido.cl/shakira-en-chile-algunos-datos-interesantes-de-la-estrella-colombiana/
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Shakira en Chile: Algunos datos interesantes de la estrella colombiana | vía #ZumbidoCL
https://zumbido.cl/shakira-en-chile-algunos-datos-interesantes-de-la-estrella-colombiana/
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Tercer Cielo - Yo Te Extrañaré - Cover by Zu 😈
#tercercielo #yoteextrañare #hollywood #musicasacra #musicatropical #pop #bachata #christian #gospel #musicacristiana #poplatino #urbanolatino #music #musica
https://youtu.be/WM5rAMoNvd0?feature=shared -
Tercer Cielo - Yo Te Extrañaré - Cover by Zu 😈
#tercercielo #yoteextrañare #hollywood #musicasacra #musicatropical #pop #bachata #christian #gospel #musicacristiana #poplatino #urbanolatino #music #musica
https://youtu.be/WM5rAMoNvd0?feature=shared -
Tercer Cielo - Yo Te Extrañaré - Cover by Zu 😈
#tercercielo #yoteextrañare #hollywood #musicasacra #musicatropical #pop #bachata #christian #gospel #musicacristiana #poplatino #urbanolatino #music #musica
https://youtu.be/WM5rAMoNvd0?feature=shared -
Tercer Cielo - Yo Te Extrañaré - Cover by Zu 😈
#tercercielo #yoteextrañare #hollywood #musicasacra #musicatropical #pop #bachata #christian #gospel #musicacristiana #poplatino #urbanolatino #music #musica
https://youtu.be/WM5rAMoNvd0?feature=shared -
Tercer Cielo - Yo Te Extrañaré - Cover by Zu 😈
#tercercielo #yoteextrañare #hollywood #musicasacra #musicatropical #pop #bachata #christian #gospel #musicacristiana #poplatino #urbanolatino #music #musica
https://youtu.be/WM5rAMoNvd0?feature=shared -
https://www.youtube.com/watch?v=qzt4Y_VqOVs «Yo sé cosas que aún no sucedieron…» #ViernesdeMúsica #MúsicaArgentina #MúsicadeArgentina #Losencargados #DanielMelero #Popargentino #Poplatino #Popenespañol #Electropop #Synthwave
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https://www.youtube.com/watch?v=qzt4Y_VqOVs «Yo sé cosas que aún no sucedieron…» #ViernesdeMúsica #MúsicaArgentina #MúsicadeArgentina #Losencargados #DanielMelero #Popargentino #Poplatino #Popenespañol #Electropop #Synthwave
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https://www.youtube.com/watch?v=qzt4Y_VqOVs «Yo sé cosas que aún no sucedieron…» #ViernesdeMúsica #MúsicaArgentina #MúsicadeArgentina #Losencargados #DanielMelero #Popargentino #Poplatino #Popenespañol #Electropop #Synthwave