#performingarts — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #performingarts, aggregated by home.social.
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After a triumphant West End engagement, the revival of Tim Rice & Andrew Lloyd Webber's "Evita" will come to Broadway's Winter Garden Theatre. Previews start Feb. 27, 2027, opening March 25. Olivier Award winner Rachel Zegler will reprise the title role.
#Evita #Broadway #RachelZegler #Entertainment #PerformingArts #Stage #Musical #Music
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COVID-safe Bay Area Art, Performance, Livestreams, and Protests
🗓️ Week of May 24th - 30th 🗓️
by #CovidConscious SF journalist Charles S. Lewis III #CSL3
✨Please help support this community service and the independent journalist who compiles it each week, even $1/month would help a great deal!✨
https://www.patreon.com/posts/covid-safe-bay-159079548
#Covid19 #CovidIsNotOver #CovidSafeArts #CovidSafeEvents #CovidSafeFun #BayArea #SanFrancisco #PerformingArts #Activism #CSBAA
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COVID-safe Bay Area Art, Performance, Livestreams, and Protests
🗓️ Week of May 24th - 30th 🗓️
by #CovidConscious SF journalist Charles S. Lewis III #CSL3
✨Please help support this community service and the independent journalist who compiles it each week, even $1/month would help a great deal!✨
https://www.patreon.com/posts/covid-safe-bay-159079548
#Covid19 #CovidIsNotOver #CovidSafeArts #CovidSafeEvents #CovidSafeFun #BayArea #SanFrancisco #PerformingArts #Activism #CSBAA
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COVID-safe Bay Area Art, Performance, Livestreams, and Protests
🗓️ Week of May 24th - 30th 🗓️
by #CovidConscious SF journalist Charles S. Lewis III #CSL3
✨Please help support this community service and the independent journalist who compiles it each week, even $1/month would help a great deal!✨
https://www.patreon.com/posts/covid-safe-bay-159079548
#Covid19 #CovidIsNotOver #CovidSafeArts #CovidSafeEvents #CovidSafeFun #BayArea #SanFrancisco #PerformingArts #Activism #CSBAA
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COVID-safe Bay Area Art, Performance, Livestreams, and Protests
🗓️ Week of May 24th - 30th 🗓️
by #CovidConscious SF journalist Charles S. Lewis III #CSL3
✨Please help support this community service and the independent journalist who compiles it each week, even $1/month would help a great deal!✨
https://www.patreon.com/posts/covid-safe-bay-159079548
#Covid19 #CovidIsNotOver #CovidSafeArts #CovidSafeEvents #CovidSafeFun #BayArea #SanFrancisco #PerformingArts #Activism #CSBAA
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Chicago Reader: Work Hard Have Fun Make History looks at the destructive impulses behind Big Tech. “Right now, on Chicago’s stages, we have the Internet addiction reckoning of Octet at Raven Theatre and the paranoid tragicomedy of A Red Orchid Theatre’s The Targeted. First Floor Theater adds to this trend with their production of reid tang’s Work Hard Have Fun Make History, an […]
https://rbfirehose.com/2026/05/22/chicago-reader-work-hard-have-fun-make-history-looks-at-the-destructive-impulses-behind-big-tech/ -
Two more Broadway hits will hit the road in 2027! "Every Brilliant Thing", with two Tony nominations this year, will launch in Seattle, while "Titanique", with four nominations, will set sail in a city to be determined.
#Titanique #EveryBrilliantThing #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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Opera Australia Sees Box Office Surge Following Actor's Dismissal of Art Forms
Opera Australia saw more ticket sales after actor Timothée Chalamet said opera is not popular. Find out how his comments changed things.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/
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Opera Australia Sees Box Office Surge Following Actor's Dismissal of Art Forms
Opera Australia saw more ticket sales after actor Timothée Chalamet said opera is not popular. Find out how his comments changed things.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/
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Opera Australia Sees Box Office Surge Following Actor's Dismissal of Art Forms
Opera Australia saw more ticket sales after actor Timothée Chalamet said opera is not popular. Find out how his comments changed things.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/
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Opera Australia Sees Box Office Surge Following Actor's Dismissal of Art Forms
Opera Australia saw more ticket sales after actor Timothée Chalamet said opera is not popular. Find out how his comments changed things.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/
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Ticket sales for Opera Australia have increased significantly, a surprising result after actor Timothée Chalamet's recent comments about opera.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/ -
Ticket sales for Opera Australia have increased significantly, a surprising result after actor Timothée Chalamet's recent comments about opera.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/ -
Ticket sales for Opera Australia have increased significantly, a surprising result after actor Timothée Chalamet's recent comments about opera.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/ -
Ticket sales for Opera Australia have increased significantly, a surprising result after actor Timothée Chalamet's recent comments about opera.
#OperaAustralia, #TimotheeChalamet, #TicketSales, #PerformingArts, #ArtsNews
https://newsletter.tf/opera-australia-ticket-sales-boost-after-actor-comments/ -
"Two Strangers (Carry A Cake Across New York)", with 8 Tony nominations to its credit this year, will launch a North American tour in Fall 2027 in Providence, Rhode Island. More cites are TBA.
#TwoStrangersMusical #Broadway #NationalTour #Entertainment #PerformingArts #Stage #Musical #Music
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Sarajevo Times: The Museum of Literature and Theater Arts of BiH implements a Digital Library Project. “The Museum of Literature and Theatre Arts of Bosnia and Herzegovina is implementing the project ‘Digital Library and Stage Treasury of BiH – Opening the Literary and Theatre Heritage to the Public’ whose goal is to improve the protection, preservation and accessibility of the valuable […]
https://rbfirehose.com/2026/05/21/sarajevo-times-the-museum-of-literature-and-theater-arts-of-bih-implements-a-digital-library-project/ -
Sarajevo Times: The Museum of Literature and Theater Arts of BiH implements a Digital Library Project. “The Museum of Literature and Theatre Arts of Bosnia and Herzegovina is implementing the project ‘Digital Library and Stage Treasury of BiH – Opening the Literary and Theatre Heritage to the Public’ whose goal is to improve the protection, preservation and accessibility of the valuable […]
https://rbfirehose.com/2026/05/21/sarajevo-times-the-museum-of-literature-and-theater-arts-of-bih-implements-a-digital-library-project/ -
Sarajevo Times: The Museum of Literature and Theater Arts of BiH implements a Digital Library Project. “The Museum of Literature and Theatre Arts of Bosnia and Herzegovina is implementing the project ‘Digital Library and Stage Treasury of BiH – Opening the Literary and Theatre Heritage to the Public’ whose goal is to improve the protection, preservation and accessibility of the valuable […]
https://rbfirehose.com/2026/05/21/sarajevo-times-the-museum-of-literature-and-theater-arts-of-bih-implements-a-digital-library-project/ -
Sarajevo Times: The Museum of Literature and Theater Arts of BiH implements a Digital Library Project. “The Museum of Literature and Theatre Arts of Bosnia and Herzegovina is implementing the project ‘Digital Library and Stage Treasury of BiH – Opening the Literary and Theatre Heritage to the Public’ whose goal is to improve the protection, preservation and accessibility of the valuable […]
https://rbfirehose.com/2026/05/21/sarajevo-times-the-museum-of-literature-and-theater-arts-of-bih-implements-a-digital-library-project/ -
Get out the corn pudding! "Schmigadoon!", nominated for 12 Tony Awards, will launch a North American tour in September 2027 at Baltimore's Hippodrome Theatre. The show has also been licensed for productions in 60 countries worldwide.
#Schmigadoon #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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Get out the corn pudding! "Schmigadoon!", nominated for 12 Tony Awards, will launch a North American tour in September 2027 at Baltimore's Hippodrome Theatre. The show has also been licensed for productions in 60 countries worldwide.
#Schmigadoon #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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Get out the corn pudding! "Schmigadoon!", nominated for 12 Tony Awards, will launch a North American tour in September 2027 at Baltimore's Hippodrome Theatre. The show has also been licensed for productions in 60 countries worldwide.
#Schmigadoon #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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Get out the corn pudding! "Schmigadoon!", nominated for 12 Tony Awards, will launch a North American tour in September 2027 at Baltimore's Hippodrome Theatre. The show has also been licensed for productions in 60 countries worldwide.
#Schmigadoon #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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After losing four relatives to dementia, woman shares family's story
By Rachel JacksonGwen Knox, from Western Australia, has written a play inspired by her family that she hopes starts important conversations about dementia and truth-telling.
#AlzheimersandDementia #PerformingArts #Family #RachelJackson
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Australian Youths Embrace Circus Life: From Childhood Dreams to Big Top Reality
Young Australians are leaving traditional jobs to join the circus. See how they train and perform under the big top.
#CircusLife, #AustralianYouth, #PerformingArts, #CareerChange, #BigTopDreams
https://newsletter.tf/young-australians-choose-circus-life-over-jobs/
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Dozens of young Australians are choosing to join the circus instead of getting regular jobs. This is a big change from previous years.
#CircusLife, #AustralianYouth, #PerformingArts, #CareerChange, #BigTopDreams
https://newsletter.tf/young-australians-choose-circus-life-over-jobs/ -
Drama / Performing Arts Badges - great badges for school productions, plays and end of year keepsakes https://www.koolbadges.co.uk/index.php?main_page=advanced_search_result&search_in_description=1&keyword=drama+school&utm_source=mastodon&utm_medium=social&utm_campaign=fedica-Kool-Badges #performingarts #drama #dramaschool #badges #stageschool #classof2026 #koolbadges #dramateacher #handmade #endofterm #studentkeepsake #year11
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Drama / Performing Arts Badges - great badges for school productions, plays and end of year keepsakes https://www.koolbadges.co.uk/index.php?main_page=advanced_search_result&search_in_description=1&keyword=drama+school&utm_source=mastodon&utm_medium=social&utm_campaign=fedica-Kool-Badges #performingarts #drama #dramaschool #badges #stageschool #classof2026 #koolbadges #dramateacher #handmade #endofterm #studentkeepsake #year11
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Drama / Performing Arts Badges - great badges for school productions, plays and end of year keepsakes https://www.koolbadges.co.uk/index.php?main_page=advanced_search_result&search_in_description=1&keyword=drama+school&utm_source=mastodon&utm_medium=social&utm_campaign=fedica-Kool-Badges #performingarts #drama #dramaschool #badges #stageschool #classof2026 #koolbadges #dramateacher #handmade #endofterm #studentkeepsake #year11
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Drama / Performing Arts Badges - great badges for school productions, plays and end of year keepsakes https://www.koolbadges.co.uk/index.php?main_page=advanced_search_result&search_in_description=1&keyword=drama+school&utm_source=mastodon&utm_medium=social&utm_campaign=fedica-Kool-Badges #performingarts #drama #dramaschool #badges #stageschool #classof2026 #koolbadges #dramateacher #handmade #endofterm #studentkeepsake #year11
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Less of a surprise than "Death Becomes Her", the musical adaptation of "Beaches", which was set to run through September 6, will have its final performance Sunday, May 24, following a 44% audience capacity in the past week.
#BeachesMusical #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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Wissenschaftliche Mitarbeiter/-in (w/m/d) im Drittmittelprojekt "Kunst als soziale Praxis" an der Frankfurt University of Applied Sciences
Frankfurt am Main
Beginn: zum nächstmöglichen Zeitpunkt (75%, befristet)Deadline: 12.06.2026
#theaterwissenschaft #tanzwissenschaft #kulturpadagogik #asthetischebildung #sozialearbeit #performingarts #frankfurtuniversityofappliedsciences
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Wissenschaftliche Mitarbeiter/-in (w/m/d) im Drittmittelprojekt "Kunst als soziale Praxis" an der Frankfurt University of Applied Sciences
Frankfurt am Main
Beginn: zum nächstmöglichen Zeitpunkt (75%, befristet)Deadline: 12.06.2026
#theaterwissenschaft #tanzwissenschaft #kulturpadagogik #asthetischebildung #sozialearbeit #performingarts #frankfurtuniversityofappliedsciences
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Wissenschaftliche Mitarbeiter/-in (w/m/d) im Drittmittelprojekt "Kunst als soziale Praxis" an der Frankfurt University of Applied Sciences
Frankfurt am Main
Beginn: zum nächstmöglichen Zeitpunkt (75%, befristet)Deadline: 12.06.2026
#theaterwissenschaft #tanzwissenschaft #kulturpadagogik #asthetischebildung #sozialearbeit #performingarts #frankfurtuniversityofappliedsciences
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Wissenschaftliche Mitarbeiter/-in (w/m/d) im Drittmittelprojekt "Kunst als soziale Praxis" an der Frankfurt University of Applied Sciences
Frankfurt am Main
Beginn: zum nächstmöglichen Zeitpunkt (75%, befristet)Deadline: 12.06.2026
#theaterwissenschaft #tanzwissenschaft #kulturpadagogik #asthetischebildung #sozialearbeit #performingarts #frankfurtuniversityofappliedsciences
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Wissenschaftliche Mitarbeiter/-in (w/m/d) im Drittmittelprojekt "Kunst als soziale Praxis" an der Frankfurt University of Applied Sciences
Frankfurt am Main
Beginn: zum nächstmöglichen Zeitpunkt (75%, befristet)Deadline: 12.06.2026
#theaterwissenschaft #tanzwissenschaft #kulturpadagogik #asthetischebildung #sozialearbeit #performingarts #frankfurtuniversityofappliedsciences
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Tony-winning Broadway musical "Death Becomes Her" has announced a closing date of June 28 after more than 650 performances. A national tour will launch on September 12 in Cleveland, Ohio.
#DeathBecomesHer #Broadway #Entertainment #PerformingArts #Stage #Musical #Music
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How Vienna Reinvented Itself for Its Campiest Spectacle Yet, Eurovision 2026
The Eurovision experience begins within minutes of touching down at Vienna International Airport. I pause my headphones just…
#Europe #EU #Eurovision #arts&culture #editorialfeatures #EurovisionSongContest2026 #historic&culturalattractions #performingarts
https://www.europesays.com/europe/43921/ -
开票了开票了开票了开票了开票了开票了！！！由我牵头并主导了国际场次的落地制作历时快一年的——《Dünyada》！终于终于要来伦敦了～今年夏天8月3-9号，这部戏将参与被誉为“伦敦版爱丁堡戏剧节”的卡姆登艺穗节（Camden Fringe Festival），在伦敦马里波恩边缘剧院The Cockpit上演啦～Dünyada和The Cockpit的一拍即合也是很精彩的一段，我着实从来没有遇到过这么顺利的pitch过程，与其说是我们找到了剧院，不如说是这所剧院挑中了我们。他们的风格也确实和Dünyada是天作之合。
关于这部戏，我之前的推文里有讲过不少了，包括最开始我自己作为纯粹的观众观看之后的反馈也发过一些，就不再赘述。其实接下来我想放一段我给这部戏的艺穗节官网写的copy，因为这个微博主要还是用作记录我自己的经历和感受，而这段copy对我来说是一次全新的挑战，从它的构思到成型，到看见它在艺穗节的主页live，这个过程对我来说是很有意义的。虽然之前做播客集时也有在show notes里给这部戏写过一些类似评论或copy的东西，但那毕竟是一个个人的电台。这次的伦敦落地要面向卡姆登艺穗节的庞大观众群，算是我第一次接触PR，意识到这件事情的责任所在但也苦于没有任何实操经验，只能凭借基本的文字感觉和一些对于公关内容的日常概念来一边推理一边撰写，用上了一些新闻稿的技巧，但大多数的细节，其实还是来自真实所感。可以说是用上了我脑子里能挤出来的所有英文写作知识点了……
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“I’m not from here.”
A man arrives with a suitcase, a camera, and a voice that seems sad somehow.
He speaks of homeland, parents, lost loves, strange customs... the narrative unravels into a mosaic of unfinished thoughts and philosophical detours; A microphone picks up his distorted speech; A camera captures his eyes, lips, old photos, debris, and you... too. Images appear behind him, what it means to be seen?
This August, internationally acclaimed actor and director Mehmet Ali Nuroğlu brings his visceral, high-intensity solo performance Dünyada to Camden Fringe. Reimagining Will Eno’s celebrated monologue Title and Deed, the production arrives in London fresh from Istanbul’s underground theatre scene, offering an evocative exploration of migration, identity drift, and the fragile necessity of being witnessed in a digital age.
Dünyada, meaning “in the world”, is a formally adventurous solo theatre that tears the fabric of one-person play through cinematic camera work, visual extension and sound design. Nuroğlu performs a dual role as both actor and live cinematographer, walking the thin line between the mundane duties of keeping things going and the emotional disorder of remembering (like all of us). In a raw, technical struggle, he manages lighting and soundscapes in real-time, creating a parallax between his physical body and his digital ghost. The production transforms the audience from mere spectators into active material, as the camera turns to film the watchers, projecting their silent presence into the heart of the monologue.
Intimate, funny, unsettling, and deeply, deeply human.
Dünyada. A salute to the progress in life, to being here, now, right now. On stage.
//
不打算用中文重写这段，是因为原文创作的环境就是一个非常流畅直接的英语环境，重写反而找不到当时的感觉，但还是放一下直译过来的中文版，便于理解：
“我是个异乡人。”
一个人到来了，带着一只手提箱、一台摄影机，和他那听来有些莫名悲伤的声音。
他说起故土、父母、失去的爱、奇异的习俗……叙述逐渐铺展开来，变成未竟思绪与哲学岔路交织的马赛克。一支麦克风拾取他失真的讲述；一台摄影机捕捉他的眼睛、嘴唇、旧照片、尘埃，还有……你。影像在他身后浮现，被看见究竟意味着什么？
今年八月，国际知名演员兼导演穆罕默德·阿里·努罗谷（Mehmet Ali Nuroğlu）将携其极富感染力、张力十足的独角戏《世界》（Dünyada）亮相卡姆登艺穗节。该剧改编自威尔·伊诺（Will Eno）备受赞誉的独白剧《产权与契约》（Title and Deed），从伊斯坦布尔的地下戏剧舞台一路抵达伦敦，以一种极具感召力的方式探问迁徙、身份漂移，以及在这个数字时代中“被见证”的某种脆弱的必要性。
Dünyada，意为“在世间”，是一部离经叛道的独角戏。它运用电影化的镜头语言、视觉延伸和声音设计，撕开了传统独角戏剧的肌理。努罗谷身兼演员和现场摄影师两职，在摇摇欲坠的边界行走，一边是维持一切继续运转的日常职责，一边是记忆失序时翻涌而来的情感风暴（如我们每个人一样）。在这场原生而精密的技术角力中，他实时操控灯光和音效，在自己的具身血肉与数字幽灵之间制造出一种视差，将观众从单纯的旁观者转为作品的养料，将他们沉默的在场投射进独白的深处。
亲密、幽默、令人不安，却又深深地、深深地触动人心。
Dünyada。向生命的行进致意。致意临在，致意此刻。就在此刻。在舞台上。
//
不知道到时能不能遇到从毛象摸过去的朋友。如果有的话，请一定要告诉我！让老斯来把这几场演出变成一个秘密的面基大会（不是）……票务链接在此：https://camdenfringe.com/events/dunyada 也可以直接上卡姆登艺穗节的官网搜索戏剧的名字，就能找到我们的页面了🔍
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开票了开票了开票了开票了开票了开票了！！！由我牵头并主导了国际场次的落地制作历时快一年的——《Dünyada》！终于终于要来伦敦了～今年夏天8月3-9号，这部戏将参与被誉为“伦敦版爱丁堡戏剧节”的卡姆登艺穗节（Camden Fringe Festival），在伦敦马里波恩边缘剧院The Cockpit上演啦～Dünyada和The Cockpit的一拍即合也是很精彩的一段，我着实从来没有遇到过这么顺利的pitch过程，与其说是我们找到了剧院，不如说是这所剧院挑中了我们。他们的风格也确实和Dünyada是天作之合。
关于这部戏，我之前的推文里有讲过不少了，包括最开始我自己作为纯粹的观众观看之后的反馈也发过一些，就不再赘述。其实接下来我想放一段我给这部戏的艺穗节官网写的copy，因为这个微博主要还是用作记录我自己的经历和感受，而这段copy对我来说是一次全新的挑战，从它的构思到成型，到看见它在艺穗节的主页live，这个过程对我来说是很有意义的。虽然之前做播客集时也有在show notes里给这部戏写过一些类似评论或copy的东西，但那毕竟是一个个人的电台。这次的伦敦落地要面向卡姆登艺穗节的庞大观众群，算是我第一次接触PR，意识到这件事情的责任所在但也苦于没有任何实操经验，只能凭借基本的文字感觉和一些对于公关内容的日常概念来一边推理一边撰写，用上了一些新闻稿的技巧，但大多数的细节，其实还是来自真实所感。可以说是用上了我脑子里能挤出来的所有英文写作知识点了……
//
“I’m not from here.”
A man arrives with a suitcase, a camera, and a voice that seems sad somehow.
He speaks of homeland, parents, lost loves, strange customs... the narrative unravels into a mosaic of unfinished thoughts and philosophical detours; A microphone picks up his distorted speech; A camera captures his eyes, lips, old photos, debris, and you... too. Images appear behind him, what it means to be seen?
This August, internationally acclaimed actor and director Mehmet Ali Nuroğlu brings his visceral, high-intensity solo performance Dünyada to Camden Fringe. Reimagining Will Eno’s celebrated monologue Title and Deed, the production arrives in London fresh from Istanbul’s underground theatre scene, offering an evocative exploration of migration, identity drift, and the fragile necessity of being witnessed in a digital age.
Dünyada, meaning “in the world”, is a formally adventurous solo theatre that tears the fabric of one-person play through cinematic camera work, visual extension and sound design. Nuroğlu performs a dual role as both actor and live cinematographer, walking the thin line between the mundane duties of keeping things going and the emotional disorder of remembering (like all of us). In a raw, technical struggle, he manages lighting and soundscapes in real-time, creating a parallax between his physical body and his digital ghost. The production transforms the audience from mere spectators into active material, as the camera turns to film the watchers, projecting their silent presence into the heart of the monologue.
Intimate, funny, unsettling, and deeply, deeply human.
Dünyada. A salute to the progress in life, to being here, now, right now. On stage.
//
不打算用中文重写这段，是因为原文创作的环境就是一个非常流畅直接的英语环境，重写反而找不到当时的感觉，但还是放一下直译过来的中文版，便于理解：
“我是个异乡人。”
一个人到来了，带着一只手提箱、一台摄影机，和他那听来有些莫名悲伤的声音。
他说起故土、父母、失去的爱、奇异的习俗……叙述逐渐铺展开来，变成未竟思绪与哲学岔路交织的马赛克。一支麦克风拾取他失真的讲述；一台摄影机捕捉他的眼睛、嘴唇、旧照片、尘埃，还有……你。影像在他身后浮现，被看见究竟意味着什么？
今年八月，国际知名演员兼导演穆罕默德·阿里·努罗谷（Mehmet Ali Nuroğlu）将携其极富感染力、张力十足的独角戏《世界》（Dünyada）亮相卡姆登艺穗节。该剧改编自威尔·伊诺（Will Eno）备受赞誉的独白剧《产权与契约》（Title and Deed），从伊斯坦布尔的地下戏剧舞台一路抵达伦敦，以一种极具感召力的方式探问迁徙、身份漂移，以及在这个数字时代中“被见证”的某种脆弱的必要性。
Dünyada，意为“在世间”，是一部离经叛道的独角戏。它运用电影化的镜头语言、视觉延伸和声音设计，撕开了传统独角戏剧的肌理。努罗谷身兼演员和现场摄影师两职，在摇摇欲坠的边界行走，一边是维持一切继续运转的日常职责，一边是记忆失序时翻涌而来的情感风暴（如我们每个人一样）。在这场原生而精密的技术角力中，他实时操控灯光和音效，在自己的具身血肉与数字幽灵之间制造出一种视差，将观众从单纯的旁观者转为作品的养料，将他们沉默的在场投射进独白的深处。
亲密、幽默、令人不安，却又深深地、深深地触动人心。
Dünyada。向生命的行进致意。致意临在，致意此刻。就在此刻。在舞台上。
//
不知道到时能不能遇到从毛象摸过去的朋友。如果有的话，请一定要告诉我！让老斯来把这几场演出变成一个秘密的面基大会（不是）……票务链接在此：https://camdenfringe.com/events/dunyada 也可以直接上卡姆登艺穗节的官网搜索戏剧的名字，就能找到我们的页面了🔍
-
开票了开票了开票了开票了开票了开票了！！！由我牵头并主导了国际场次的落地制作历时快一年的——《Dünyada》！终于终于要来伦敦了～今年夏天8月3-9号，这部戏将参与被誉为“伦敦版爱丁堡戏剧节”的卡姆登艺穗节（Camden Fringe Festival），在伦敦马里波恩边缘剧院The Cockpit上演啦～Dünyada和The Cockpit的一拍即合也是很精彩的一段，我着实从来没有遇到过这么顺利的pitch过程，与其说是我们找到了剧院，不如说是这所剧院挑中了我们。他们的风格也确实和Dünyada是天作之合。
关于这部戏，我之前的推文里有讲过不少了，包括最开始我自己作为纯粹的观众观看之后的反馈也发过一些，就不再赘述。其实接下来我想放一段我给这部戏的艺穗节官网写的copy，因为这个微博主要还是用作记录我自己的经历和感受，而这段copy对我来说是一次全新的挑战，从它的构思到成型，到看见它在艺穗节的主页live，这个过程对我来说是很有意义的。虽然之前做播客集时也有在show notes里给这部戏写过一些类似评论或copy的东西，但那毕竟是一个个人的电台。这次的伦敦落地要面向卡姆登艺穗节的庞大观众群，算是我第一次接触PR，意识到这件事情的责任所在但也苦于没有任何实操经验，只能凭借基本的文字感觉和一些对于公关内容的日常概念来一边推理一边撰写，用上了一些新闻稿的技巧，但大多数的细节，其实还是来自真实所感。可以说是用上了我脑子里能挤出来的所有英文写作知识点了……
//
“I’m not from here.”
A man arrives with a suitcase, a camera, and a voice that seems sad somehow.
He speaks of homeland, parents, lost loves, strange customs... the narrative unravels into a mosaic of unfinished thoughts and philosophical detours; A microphone picks up his distorted speech; A camera captures his eyes, lips, old photos, debris, and you... too. Images appear behind him, what it means to be seen?
This August, internationally acclaimed actor and director Mehmet Ali Nuroğlu brings his visceral, high-intensity solo performance Dünyada to Camden Fringe. Reimagining Will Eno’s celebrated monologue Title and Deed, the production arrives in London fresh from Istanbul’s underground theatre scene, offering an evocative exploration of migration, identity drift, and the fragile necessity of being witnessed in a digital age.
Dünyada, meaning “in the world”, is a formally adventurous solo theatre that tears the fabric of one-person play through cinematic camera work, visual extension and sound design. Nuroğlu performs a dual role as both actor and live cinematographer, walking the thin line between the mundane duties of keeping things going and the emotional disorder of remembering (like all of us). In a raw, technical struggle, he manages lighting and soundscapes in real-time, creating a parallax between his physical body and his digital ghost. The production transforms the audience from mere spectators into active material, as the camera turns to film the watchers, projecting their silent presence into the heart of the monologue.
Intimate, funny, unsettling, and deeply, deeply human.
Dünyada. A salute to the progress in life, to being here, now, right now. On stage.
//
不打算用中文重写这段，是因为原文创作的环境就是一个非常流畅直接的英语环境，重写反而找不到当时的感觉，但还是放一下直译过来的中文版，便于理解：
“我是个异乡人。”
一个人到来了，带着一只手提箱、一台摄影机，和他那听来有些莫名悲伤的声音。
他说起故土、父母、失去的爱、奇异的习俗……叙述逐渐铺展开来，变成未竟思绪与哲学岔路交织的马赛克。一支麦克风拾取他失真的讲述；一台摄影机捕捉他的眼睛、嘴唇、旧照片、尘埃，还有……你。影像在他身后浮现，被看见究竟意味着什么？
今年八月，国际知名演员兼导演穆罕默德·阿里·努罗谷（Mehmet Ali Nuroğlu）将携其极富感染力、张力十足的独角戏《世界》（Dünyada）亮相卡姆登艺穗节。该剧改编自威尔·伊诺（Will Eno）备受赞誉的独白剧《产权与契约》（Title and Deed），从伊斯坦布尔的地下戏剧舞台一路抵达伦敦，以一种极具感召力的方式探问迁徙、身份漂移，以及在这个数字时代中“被见证”的某种脆弱的必要性。
Dünyada，意为“在世间”，是一部离经叛道的独角戏。它运用电影化的镜头语言、视觉延伸和声音设计，撕开了传统独角戏剧的肌理。努罗谷身兼演员和现场摄影师两职，在摇摇欲坠的边界行走，一边是维持一切继续运转的日常职责，一边是记忆失序时翻涌而来的情感风暴（如我们每个人一样）。在这场原生而精密的技术角力中，他实时操控灯光和音效，在自己的具身血肉与数字幽灵之间制造出一种视差，将观众从单纯的旁观者转为作品的养料，将他们沉默的在场投射进独白的深处。
亲密、幽默、令人不安，却又深深地、深深地触动人心。
Dünyada。向生命的行进致意。致意临在，致意此刻。就在此刻。在舞台上。
//
不知道到时能不能遇到从毛象摸过去的朋友。如果有的话，请一定要告诉我！让老斯来把这几场演出变成一个秘密的面基大会（不是）……票务链接在此：https://camdenfringe.com/events/dunyada 也可以直接上卡姆登艺穗节的官网搜索戏剧的名字，就能找到我们的页面了🔍
-
开票了开票了开票了开票了开票了开票了！！！由我牵头并主导了国际场次的落地制作历时快一年的——《Dünyada》！终于终于要来伦敦了～今年夏天8月3-9号，这部戏将参与被誉为“伦敦版爱丁堡戏剧节”的卡姆登艺穗节（Camden Fringe Festival），在伦敦马里波恩边缘剧院The Cockpit上演啦～Dünyada和The Cockpit的一拍即合也是很精彩的一段，我着实从来没有遇到过这么顺利的pitch过程，与其说是我们找到了剧院，不如说是这所剧院挑中了我们。他们的风格也确实和Dünyada是天作之合。
关于这部戏，我之前的推文里有讲过不少了，包括最开始我自己作为纯粹的观众观看之后的反馈也发过一些，就不再赘述。其实接下来我想放一段我给这部戏的艺穗节官网写的copy，因为这个微博主要还是用作记录我自己的经历和感受，而这段copy对我来说是一次全新的挑战，从它的构思到成型，到看见它在艺穗节的主页live，这个过程对我来说是很有意义的。虽然之前做播客集时也有在show notes里给这部戏写过一些类似评论或copy的东西，但那毕竟是一个个人的电台。这次的伦敦落地要面向卡姆登艺穗节的庞大观众群，算是我第一次接触PR，意识到这件事情的责任所在但也苦于没有任何实操经验，只能凭借基本的文字感觉和一些对于公关内容的日常概念来一边推理一边撰写，用上了一些新闻稿的技巧，但大多数的细节，其实还是来自真实所感。可以说是用上了我脑子里能挤出来的所有英文写作知识点了……
//
“I’m not from here.”
A man arrives with a suitcase, a camera, and a voice that seems sad somehow.
He speaks of homeland, parents, lost loves, strange customs... the narrative unravels into a mosaic of unfinished thoughts and philosophical detours; A microphone picks up his distorted speech; A camera captures his eyes, lips, old photos, debris, and you... too. Images appear behind him, what it means to be seen?
This August, internationally acclaimed actor and director Mehmet Ali Nuroğlu brings his visceral, high-intensity solo performance Dünyada to Camden Fringe. Reimagining Will Eno’s celebrated monologue Title and Deed, the production arrives in London fresh from Istanbul’s underground theatre scene, offering an evocative exploration of migration, identity drift, and the fragile necessity of being witnessed in a digital age.
Dünyada, meaning “in the world”, is a formally adventurous solo theatre that tears the fabric of one-person play through cinematic camera work, visual extension and sound design. Nuroğlu performs a dual role as both actor and live cinematographer, walking the thin line between the mundane duties of keeping things going and the emotional disorder of remembering (like all of us). In a raw, technical struggle, he manages lighting and soundscapes in real-time, creating a parallax between his physical body and his digital ghost. The production transforms the audience from mere spectators into active material, as the camera turns to film the watchers, projecting their silent presence into the heart of the monologue.
Intimate, funny, unsettling, and deeply, deeply human.
Dünyada. A salute to the progress in life, to being here, now, right now. On stage.
//
不打算用中文重写这段，是因为原文创作的环境就是一个非常流畅直接的英语环境，重写反而找不到当时的感觉，但还是放一下直译过来的中文版，便于理解：
“我是个异乡人。”
一个人到来了，带着一只手提箱、一台摄影机，和他那听来有些莫名悲伤的声音。
他说起故土、父母、失去的爱、奇异的习俗……叙述逐渐铺展开来，变成未竟思绪与哲学岔路交织的马赛克。一支麦克风拾取他失真的讲述；一台摄影机捕捉他的眼睛、嘴唇、旧照片、尘埃，还有……你。影像在他身后浮现，被看见究竟意味着什么？
今年八月，国际知名演员兼导演穆罕默德·阿里·努罗谷（Mehmet Ali Nuroğlu）将携其极富感染力、张力十足的独角戏《世界》（Dünyada）亮相卡姆登艺穗节。该剧改编自威尔·伊诺（Will Eno）备受赞誉的独白剧《产权与契约》（Title and Deed），从伊斯坦布尔的地下戏剧舞台一路抵达伦敦，以一种极具感召力的方式探问迁徙、身份漂移，以及在这个数字时代中“被见证”的某种脆弱的必要性。
Dünyada，意为“在世间”，是一部离经叛道的独角戏。它运用电影化的镜头语言、视觉延伸和声音设计，撕开了传统独角戏剧的肌理。努罗谷身兼演员和现场摄影师两职，在摇摇欲坠的边界行走，一边是维持一切继续运转的日常职责，一边是记忆失序时翻涌而来的情感风暴（如我们每个人一样）。在这场原生而精密的技术角力中，他实时操控灯光和音效，在自己的具身血肉与数字幽灵之间制造出一种视差，将观众从单纯的旁观者转为作品的养料，将他们沉默的在场投射进独白的深处。
亲密、幽默、令人不安，却又深深地、深深地触动人心。
Dünyada。向生命的行进致意。致意临在，致意此刻。就在此刻。在舞台上。
//
不知道到时能不能遇到从毛象摸过去的朋友。如果有的话，请一定要告诉我！让老斯来把这几场演出变成一个秘密的面基大会（不是）……票务链接在此：https://camdenfringe.com/events/dunyada 也可以直接上卡姆登艺穗节的官网搜索戏剧的名字，就能找到我们的页面了🔍
-
The Register: Hollywood A-listers back proposed standard that would pay them when AI uses their likeness or work. “The newly formed public benefit non-profit is extending the Really Simple Licensing (RSL) spec developed by the RSL Internet Collective with the draft RSL Media Human Consent Standard (RSL-MEDIA) 1.0, which aims to cover creative works as well as people’s names, likenesses, voices, […]
https://rbfirehose.com/2026/05/15/the-register-hollywood-a-listers-back-proposed-standard-that-would-pay-them-when-ai-uses-their-likeness-or-work/ -
The Register: Hollywood A-listers back proposed standard that would pay them when AI uses their likeness or work. “The newly formed public benefit non-profit is extending the Really Simple Licensing (RSL) spec developed by the RSL Internet Collective with the draft RSL Media Human Consent Standard (RSL-MEDIA) 1.0, which aims to cover creative works as well as people’s names, likenesses, voices, […]
https://rbfirehose.com/2026/05/15/the-register-hollywood-a-listers-back-proposed-standard-that-would-pay-them-when-ai-uses-their-likeness-or-work/ -
The Register: Hollywood A-listers back proposed standard that would pay them when AI uses their likeness or work. “The newly formed public benefit non-profit is extending the Really Simple Licensing (RSL) spec developed by the RSL Internet Collective with the draft RSL Media Human Consent Standard (RSL-MEDIA) 1.0, which aims to cover creative works as well as people’s names, likenesses, voices, […]
https://rbfirehose.com/2026/05/15/the-register-hollywood-a-listers-back-proposed-standard-that-would-pay-them-when-ai-uses-their-likeness-or-work/
