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#moviehistory — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #moviehistory, aggregated by home.social.

  1. The #cyberpunk aesthetic didn't come from one place. It traveled across continents and decades, each culture transforming it into something new. Here's the circle that shaped the visual language of the future. 🧵

    👇 Thread continues in the replies.

    #animastodon #anime #animeart #akira #VisualCulture #JapaneseArt #history #moviehistory

  2. The #cyberpunk aesthetic didn't come from one place. It traveled across continents and decades, each culture transforming it into something new. Here's the circle that shaped the visual language of the future. 🧵

    👇 Thread continues in the replies.

    #animastodon #anime #animeart #akira #VisualCulture #JapaneseArt #history #moviehistory

  3. The #cyberpunk aesthetic didn't come from one place. It traveled across continents and decades, each culture transforming it into something new. Here's the circle that shaped the visual language of the future. 🧵

    👇 Thread continues in the replies.

    #animastodon #anime #animeart #akira #VisualCulture #JapaneseArt #history #moviehistory

  4. The #cyberpunk aesthetic didn't come from one place. It traveled across continents and decades, each culture transforming it into something new. Here's the circle that shaped the visual language of the future. 🧵

    👇 Thread continues in the replies.

    #animastodon #anime #animeart #akira #VisualCulture #JapaneseArt #history #moviehistory

  5. The #cyberpunk aesthetic didn't come from one place. It traveled across continents and decades, each culture transforming it into something new. Here's the circle that shaped the visual language of the future. 🧵

    👇 Thread continues in the replies.

    #animastodon #anime #animeart #akira #VisualCulture #JapaneseArt #history #moviehistory

  6. The Naughty Nineties | Who’s on First? — Abbott and Costello #TheThreeStooges #classic xD #satire #yt

    youtu.be/sYOUFGfK4bU

    The classic Abbott and Costello routine "Who's on First?" — a wordplay/identity-confusion sketch where players' names are Who, What, I Don't Know, etc.; it's widely parodied (including a gag in Rush Hour 3 that references the same "Who/What" confusion). #cineaste #MovieHistory :awesome:

  7. The Naughty Nineties | Who’s on First? — Abbott and Costello #TheThreeStooges #classic xD #satire #yt

    youtu.be/sYOUFGfK4bU

    The classic Abbott and Costello routine "Who's on First?" — a wordplay/identity-confusion sketch where players' names are Who, What, I Don't Know, etc.; it's widely parodied (including a gag in Rush Hour 3 that references the same "Who/What" confusion). #cineaste #MovieHistory :awesome:

  8. The Naughty Nineties | Who’s on First? — Abbott and Costello #TheThreeStooges #classic xD #satire #yt

    youtu.be/sYOUFGfK4bU

    The classic Abbott and Costello routine "Who's on First?" — a wordplay/identity-confusion sketch where players' names are Who, What, I Don't Know, etc.; it's widely parodied (including a gag in Rush Hour 3 that references the same "Who/What" confusion). #cineaste #MovieHistory :awesome:

  9. The Naughty Nineties | Who’s on First? — Abbott and Costello xD

    youtu.be/sYOUFGfK4bU

    The classic Abbott and Costello routine "Who's on First?" — a wordplay/identity-confusion sketch where players' names are Who, What, I Don't Know, etc.; it's widely parodied (including a gag in Rush Hour 3 that references the same "Who/What" confusion). :awesome:

  10. The Naughty Nineties | Who’s on First? — Abbott and Costello #TheThreeStooges #classic xD #satire #yt

    youtu.be/sYOUFGfK4bU

    The classic Abbott and Costello routine "Who's on First?" — a wordplay/identity-confusion sketch where players' names are Who, What, I Don't Know, etc.; it's widely parodied (including a gag in Rush Hour 3 that references the same "Who/What" confusion). #cineaste #MovieHistory :awesome:

  11. Ignore the video's clickbait title. It's a nice story about the resolution of film before and after the advent of "Digital Intermediate" (I didn't know that editing in Avid was originally in something like 320x200 pixels or that Oh Brother Where Art Thou" was the first production to scan a whole movie at high resolution for digital color grading).

    youtube.com/watch?v=yN0H_WfWOp4

    #MovieHistory

  12. BLAZING A TRAIL | Vanity Fair | Awards Extra Oscars Edition 1 2020

     BLAZING A TRAIL

    Hattie McDaniel wasn’t allowed to attend the Gone With the Wind premiere in Atlanta because of her race. Shortly afterward, she won an Oscar for her performance and earned an indelible place in movie history

    Awards Extra Oscars Edition 1 2020 John Florio, Ouisie Shapiro

    Eighty years ago, in 1940, the Academy Awards were held at the Ambassador Hotel in Los Angeles. Hattie McDaniel, radiant in a rhinestone-studded blue evening gown, was relegated to a small table along a side wall, apart from Vivien Leigh, Clark Gable, and the rest of her Gone With the Wind castmates. The reason was as simple as it was outrageous: The hotel had a no-blacks policy. Months earlier, McDaniel had been excluded from the movie’s premiere in Atlanta for the same reason. If not for the film’s producer, David O. Selznick, having called in a favor, she wouldn’t have been permitted inside the Ambassador, either.

    Upon receiving the Oscar for her role as the sassy maid, Mammy, McDaniel told the audience—which was all white, save for her escort, F.P. Yober— ” I sincerely hope I shall always be a credit to my race and to the motion picture industry.”

    Seventy years later, when Mo’Nique won an Oscar for her role in the movie Precious, she wore white gardenias in her hair, just as McDaniel had done. ” I want to thank Ms. Hattie McDaniel for enduring all that she had to so that I would not have to,” she said when accepting the award.

    Mo’Nique has kept a framed 8-by-10 photo of McDaniel in her closet ever since she started in the industry, and she remembers the evening as a shared victory: “I felt that that night my sister’s voice, my sister’s name, would be heard all over the world. I [hoped] that people would look her up and see her brilliance and her beauty and understand that she never got her just due.”

    McDaniel couldn’t change Hollywood’s culture, but she did succeed in fighting racism in other ways. In the 1940s, she marshalled a group of black neighbors in a battle against segregated housing. The case, which she and her neighbors won, served as a precedent for the Supreme Court, which later struck down racially restrictive covenants, thus ending such discriminatory practices in Los Angeles.

    As for her acting career, McDaniel continued to portray characters similar to Mammy. To black critics who condemned the roles she accepted, she said, “I’d rather play a maid and make $700 a week than be a maid and make $7.”

    Continue/Read Original Article Here: BLAZING A TRAIL | Vanity Fair | Awards Extra Oscars Edition 1 2020

    #1940s #2020 #AcademyAwards #Atlanta #AwardsExtraOscarsEdition #BlazingATrail #California #EightyYearsAgo #Georgia #GoneWithTheWind #HattieMcDaniel #LosAngeles #MoNique #MovieHistory #NoBlacksPolicyAtVenue #Precious #RaceInAmerica #SegregatedHousing #VanityFair #WonOscar
  13. BLAZING A TRAIL | Vanity Fair | Awards Extra Oscars Edition 1 2020

     BLAZING A TRAIL

    Hattie McDaniel wasn’t allowed to attend the Gone With the Wind premiere in Atlanta because of her race. Shortly afterward, she won an Oscar for her performance and earned an indelible place in movie history

    Awards Extra Oscars Edition 1 2020 John Florio, Ouisie Shapiro

    Eighty years ago, in 1940, the Academy Awards were held at the Ambassador Hotel in Los Angeles. Hattie McDaniel, radiant in a rhinestone-studded blue evening gown, was relegated to a small table along a side wall, apart from Vivien Leigh, Clark Gable, and the rest of her Gone With the Wind castmates. The reason was as simple as it was outrageous: The hotel had a no-blacks policy. Months earlier, McDaniel had been excluded from the movie’s premiere in Atlanta for the same reason. If not for the film’s producer, David O. Selznick, having called in a favor, she wouldn’t have been permitted inside the Ambassador, either.

    Upon receiving the Oscar for her role as the sassy maid, Mammy, McDaniel told the audience—which was all white, save for her escort, F.P. Yober— ” I sincerely hope I shall always be a credit to my race and to the motion picture industry.”

    Seventy years later, when Mo’Nique won an Oscar for her role in the movie Precious, she wore white gardenias in her hair, just as McDaniel had done. ” I want to thank Ms. Hattie McDaniel for enduring all that she had to so that I would not have to,” she said when accepting the award.

    Mo’Nique has kept a framed 8-by-10 photo of McDaniel in her closet ever since she started in the industry, and she remembers the evening as a shared victory: “I felt that that night my sister’s voice, my sister’s name, would be heard all over the world. I [hoped] that people would look her up and see her brilliance and her beauty and understand that she never got her just due.”

    McDaniel couldn’t change Hollywood’s culture, but she did succeed in fighting racism in other ways. In the 1940s, she marshalled a group of black neighbors in a battle against segregated housing. The case, which she and her neighbors won, served as a precedent for the Supreme Court, which later struck down racially restrictive covenants, thus ending such discriminatory practices in Los Angeles.

    As for her acting career, McDaniel continued to portray characters similar to Mammy. To black critics who condemned the roles she accepted, she said, “I’d rather play a maid and make $700 a week than be a maid and make $7.”

    Continue/Read Original Article Here: BLAZING A TRAIL | Vanity Fair | Awards Extra Oscars Edition 1 2020

    #1940s #2020 #AcademyAwards #Atlanta #AwardsExtraOscarsEdition #BlazingATrail #California #EightyYearsAgo #Georgia #GoneWithTheWind #HattieMcDaniel #LosAngeles #MoNique #MovieHistory #NoBlacksPolicyAtVenue #Precious #RaceInAmerica #SegregatedHousing #VanityFair #WonOscar
  14. BLAZING A TRAIL | Vanity Fair | Awards Extra Oscars Edition 1 2020

     BLAZING A TRAIL

    Hattie McDaniel wasn’t allowed to attend the Gone With the Wind premiere in Atlanta because of her race. Shortly afterward, she won an Oscar for her performance and earned an indelible place in movie history

    Awards Extra Oscars Edition 1 2020 John Florio, Ouisie Shapiro

    Eighty years ago, in 1940, the Academy Awards were held at the Ambassador Hotel in Los Angeles. Hattie McDaniel, radiant in a rhinestone-studded blue evening gown, was relegated to a small table along a side wall, apart from Vivien Leigh, Clark Gable, and the rest of her Gone With the Wind castmates. The reason was as simple as it was outrageous: The hotel had a no-blacks policy. Months earlier, McDaniel had been excluded from the movie’s premiere in Atlanta for the same reason. If not for the film’s producer, David O. Selznick, having called in a favor, she wouldn’t have been permitted inside the Ambassador, either.

    Upon receiving the Oscar for her role as the sassy maid, Mammy, McDaniel told the audience—which was all white, save for her escort, F.P. Yober— ” I sincerely hope I shall always be a credit to my race and to the motion picture industry.”

    Seventy years later, when Mo’Nique won an Oscar for her role in the movie Precious, she wore white gardenias in her hair, just as McDaniel had done. ” I want to thank Ms. Hattie McDaniel for enduring all that she had to so that I would not have to,” she said when accepting the award.

    Mo’Nique has kept a framed 8-by-10 photo of McDaniel in her closet ever since she started in the industry, and she remembers the evening as a shared victory: “I felt that that night my sister’s voice, my sister’s name, would be heard all over the world. I [hoped] that people would look her up and see her brilliance and her beauty and understand that she never got her just due.”

    McDaniel couldn’t change Hollywood’s culture, but she did succeed in fighting racism in other ways. In the 1940s, she marshalled a group of black neighbors in a battle against segregated housing. The case, which she and her neighbors won, served as a precedent for the Supreme Court, which later struck down racially restrictive covenants, thus ending such discriminatory practices in Los Angeles.

    As for her acting career, McDaniel continued to portray characters similar to Mammy. To black critics who condemned the roles she accepted, she said, “I’d rather play a maid and make $700 a week than be a maid and make $7.”

    Continue/Read Original Article Here: BLAZING A TRAIL | Vanity Fair | Awards Extra Oscars Edition 1 2020

    #1940s #2020 #AcademyAwards #Atlanta #AwardsExtraOscarsEdition #BlazingATrail #California #EightyYearsAgo #Georgia #GoneWithTheWind #HattieMcDaniel #LosAngeles #MoNique #MovieHistory #NoBlacksPolicyAtVenue #Precious #RaceInAmerica #SegregatedHousing #VanityFair #WonOscar
  15. Some movie sequels elevate a franchise… and others make you wonder how they ever got approved.

    We put together a roundup of Hollywood’s worst sequels from Jaws 3-D to

    Caddyshack II and more.

    #movies #film #cinema #Hollywood #movietalk #filmdiscussion #moviehistory #cinephile #filmcommunity

    hollywoodoutbreak.com/2025/11/

  16. Some movie sequels elevate a franchise… and others make you wonder how they ever got approved.

    We put together a roundup of Hollywood’s worst sequels from Jaws 3-D to

    Caddyshack II and more.

    #movies #film #cinema #Hollywood #movietalk #filmdiscussion #moviehistory #cinephile #filmcommunity

    hollywoodoutbreak.com/2025/11/

  17. Some movie sequels elevate a franchise… and others make you wonder how they ever got approved.

    We put together a roundup of Hollywood’s worst sequels from Jaws 3-D to

    Caddyshack II and more.

    #movies #film #cinema #Hollywood #movietalk #filmdiscussion #moviehistory #cinephile #filmcommunity

    hollywoodoutbreak.com/2025/11/

  18. Some movie sequels elevate a franchise… and others make you wonder how they ever got approved.

    We put together a roundup of Hollywood’s worst sequels from Jaws 3-D to

    Caddyshack II and more.

    #movies #film #cinema #Hollywood #movietalk #filmdiscussion #moviehistory #cinephile #filmcommunity

    hollywoodoutbreak.com/2025/11/

  19. Some movie sequels elevate a franchise… and others make you wonder how they ever got approved.

    We put together a roundup of Hollywood’s worst sequels from Jaws 3-D to

    Caddyshack II and more.

    #movies #film #cinema #Hollywood #movietalk #filmdiscussion #moviehistory #cinephile #filmcommunity

    hollywoodoutbreak.com/2025/11/

  20. “Rocky IV” is now 40, and it’s still one of the most unforgettable films of the ’80s.

    We’re revisiting the classic with a full breakdown of its legacy plus audio from Sylvester Stallone and Dolph Lundgren reflecting on how the movie came together.

    #RockyIV #RockyIVAt40 #RockyBalboa #IvanDrago #SylvesterStallone #DolphLundgren
    #80sMovies #80sNostalgia #ClassicMovies #MovieHistory
    #PopCulture #MovieLegends #RetroMovies #MovieFans

    hollywoodoutbreak.com/2025/11/

  21. Discover Why Nolan Missing Out on Troy Saved the Dark Knight Legacy

    Why Nolan Missing Troy Matters
    Fans of Batman feel relief when they learn that Christopher Nolan never directed Troy. The news explains why the Dark Knight trilogy stayed true to its vision. It also shows how a single studio decision can shape movie history.

    First, Warner Bros. cancelled a planned Superman film in the early 2000s....

    #ChristopherNolan #DarkKnighttrilogy #Moviehistory #Troy #WarnerBros

  22. Discover Why Nolan Missing Out on Troy Saved the Dark Knight Legacy

    Why Nolan Missing Troy Matters
    Fans of Batman feel relief when they learn that Christopher Nolan never directed Troy. The news explains why the Dark Knight trilogy stayed true to its vision. It also shows how a single studio decision can shape movie history.

    First, Warner Bros. cancelled a planned Superman film in the early 2000s....

    #ChristopherNolan #DarkKnighttrilogy #Moviehistory #Troy #WarnerBros

  23. Toy Story turns 30 this year, and we’re revisiting the Pixar classic that reshaped modern animation. We also highlight a rare moment from Tom Hanks, who shares how Pixar first pitched him on voicing Woody and why the early recording process demanded pure imagination.

    #TomHanks #ToyStory #ToyStory30 #Pixar #WaltDisneyStudios #MovieHistory #90s #90sMovies #1990s #1990sMovies #90sNostalgia #Movies

    hollywoodoutbreak.com/2025/11/

  24. Toy Story turns 30 this year, and we’re revisiting the Pixar classic that reshaped modern animation. We also highlight a rare moment from Tom Hanks, who shares how Pixar first pitched him on voicing Woody and why the early recording process demanded pure imagination.

    #TomHanks #ToyStory #ToyStory30 #Pixar #WaltDisneyStudios #MovieHistory #90s #90sMovies #1990s #1990sMovies #90sNostalgia #Movies

    hollywoodoutbreak.com/2025/11/

  25. Toy Story turns 30 this year, and we’re revisiting the Pixar classic that reshaped modern animation. We also highlight a rare moment from Tom Hanks, who shares how Pixar first pitched him on voicing Woody and why the early recording process demanded pure imagination.

    #TomHanks #ToyStory #ToyStory30 #Pixar #WaltDisneyStudios #MovieHistory #90s #90sMovies #1990s #1990sMovies #90sNostalgia #Movies

    hollywoodoutbreak.com/2025/11/

  26. Toy Story turns 30 this year, and we’re revisiting the Pixar classic that reshaped modern animation. We also highlight a rare moment from Tom Hanks, who shares how Pixar first pitched him on voicing Woody and why the early recording process demanded pure imagination.

    #TomHanks #ToyStory #ToyStory30 #Pixar #WaltDisneyStudios #MovieHistory #90s #90sMovies #1990s #1990sMovies #90sNostalgia #Movies

    hollywoodoutbreak.com/2025/11/

  27. Toy Story turns 30 this year, and we’re revisiting the Pixar classic that reshaped modern animation. We also highlight a rare moment from Tom Hanks, who shares how Pixar first pitched him on voicing Woody and why the early recording process demanded pure imagination.

    #TomHanks #ToyStory #ToyStory30 #Pixar #WaltDisneyStudios #MovieHistory #90s #90sMovies #1990s #1990sMovies #90sNostalgia #Movies

    hollywoodoutbreak.com/2025/11/

  28. Discover Why Nolan Missing Out on Troy Saved the Dark Knight Legacy

    Why Nolan Missing Troy Matters
    Fans of Batman feel relief when they learn that Christopher Nolan never directed Troy. The news explains why the Dark Knight trilogy stayed true to its vision. It also shows how a single studio decision can shape movie history.

    First, Warner Bros. cancelled a planned Superman film in the early 2000s....

    #ChristopherNolan #DarkKnighttrilogy #Moviehistory #Troy #WarnerBros

  29. 🎬 “Sean’s the man you look over your shoulder at...” — In a rare 1995 interview, Pierce Brosnan opened up about stepping into Bond’s shoes and earning Sean Connery’s respect.

    💥 As GoldenEye turns 30, we look back at the Bond film that reignited the franchise—featuring Brosnan, Dench, a game-changing villain, and a cultural-shifting video game.

    #JamesBond #PierceBrosnan #Bond30Years #MovieHistory #RetroFilm #GoldenEye #007 #Cinema

    hollywoodoutbreak.com/2025/11/

  30. 🎬 “Sean’s the man you look over your shoulder at...” — In a rare 1995 interview, Pierce Brosnan opened up about stepping into Bond’s shoes and earning Sean Connery’s respect.

    💥 As GoldenEye turns 30, we look back at the Bond film that reignited the franchise—featuring Brosnan, Dench, a game-changing villain, and a cultural-shifting video game.

    #JamesBond #PierceBrosnan #Bond30Years #MovieHistory #RetroFilm #GoldenEye #007 #Cinema

    hollywoodoutbreak.com/2025/11/

  31. 🎬 “Sean’s the man you look over your shoulder at...” — In a rare 1995 interview, Pierce Brosnan opened up about stepping into Bond’s shoes and earning Sean Connery’s respect.

    💥 As GoldenEye turns 30, we look back at the Bond film that reignited the franchise—featuring Brosnan, Dench, a game-changing villain, and a cultural-shifting video game.

    #JamesBond #PierceBrosnan #Bond30Years #MovieHistory #RetroFilm #GoldenEye #007 #Cinema

    hollywoodoutbreak.com/2025/11/

  32. 🎬 “Sean’s the man you look over your shoulder at...” — In a rare 1995 interview, Pierce Brosnan opened up about stepping into Bond’s shoes and earning Sean Connery’s respect.

    💥 As GoldenEye turns 30, we look back at the Bond film that reignited the franchise—featuring Brosnan, Dench, a game-changing villain, and a cultural-shifting video game.

    #JamesBond #PierceBrosnan #Bond30Years #MovieHistory #RetroFilm #GoldenEye #007 #Cinema

    hollywoodoutbreak.com/2025/11/

  33. 🎬 “Sean’s the man you look over your shoulder at...” — In a rare 1995 interview, Pierce Brosnan opened up about stepping into Bond’s shoes and earning Sean Connery’s respect.

    💥 As GoldenEye turns 30, we look back at the Bond film that reignited the franchise—featuring Brosnan, Dench, a game-changing villain, and a cultural-shifting video game.

    #JamesBond #PierceBrosnan #Bond30Years #MovieHistory #RetroFilm #GoldenEye #007 #Cinema

    hollywoodoutbreak.com/2025/11/

  34. “The Letter” (1940, dir. William Wyler), starring Bette Davis, Herbert Marshall, James Stephenson, and Frieda Inescort.
    Belgian bilingual film poster (Flemish and French).

    TAGS: #TheLetter #WilliamWyler #BetteDavis #WarnerBros #WarnerBrothers #FilmTalk #FilmHistory #MovieHistory #Hollywood #Film #Movies #Cinema

  35. “The Letter” (1940, dir. William Wyler), starring Bette Davis, Herbert Marshall, James Stephenson, and Frieda Inescort.

    Belgian bilingual film poster (Flemish and French).

    TAGS: #TheLetter #WilliamWyler #BetteDavis #WarnerBros #WarnerBrothers #FilmTalk #FilmHistory #MovieHistory #Hollywood #Film #Movies #Cinema

  36. “The Letter” (1940, dir. William Wyler), starring Bette Davis, Herbert Marshall, James Stephenson, and Frieda Inescort.
    Belgian bilingual film poster (Flemish and French).

    TAGS: #TheLetter #WilliamWyler #BetteDavis #WarnerBros #WarnerBrothers #FilmTalk #FilmHistory #MovieHistory #Hollywood #Film #Movies #Cinema

  37. “The Letter” (1940, dir. William Wyler), starring Bette Davis, Herbert Marshall, James Stephenson, and Frieda Inescort.

    Belgian bilingual film poster (Flemish and French).

    TAGS: #TheLetter #WilliamWyler #BetteDavis #WarnerBros #WarnerBrothers #FilmTalk #FilmHistory #MovieHistory #Hollywood #Film #Movies #Cinema

  38. “The Letter” (1940, dir. William Wyler), starring Bette Davis, Herbert Marshall, James Stephenson, and Frieda Inescort.

    Belgian bilingual film poster (Flemish and French).

    TAGS: #TheLetter #WilliamWyler #BetteDavis #WarnerBros #WarnerBrothers #FilmTalk #FilmHistory #MovieHistory #Hollywood #Film #Movies #Cinema