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#jeanmarais — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #jeanmarais, aggregated by home.social.

  1. André Hunebelle – „Fantômas“ (1964-1967)

    Wenn es hier um Filme geht, die älter sind, als der Autor dieses Blogs, dann ist mindestens Vorsicht geboten. Denn Erinnerung täuscht. Und Nostalgie ist nicht immer hilfreich, weil früher war ja eigentlich kaum etwas wirklich besser war. Aber wenn es um solches Kino geht, dann bin ich eben dessen erstes Opfer. Denn wer (viel) jünger ist, als 40 oder, 50, kennt Louis de Funès möglicherweise nur noch als Meme. Und Jean Marais, den Charaktergiganten des französischen Kinos haben wohl selbst viele von den Älteren längst vergessen. Danke @ZDF! Denn heute bin ich wieder 10 Jahre alt und sitze doch noch mal mit offenem Mund vor dem Bildschirm. (ZDF, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  2. Jean-Paul Belmondo – Die Elenden (1995)

    Ganz großes Kino! Ob Sie hier wegen Victor Hugo, dem Dichter des nationalen Epos Frankreichs einschalten, oder wegen Jean-Paul Belmondo, dem französischen Nationalschauspieler seiner Zeit, ist ganz gleich…

  3. Jean-Paul Belmondo – Die Elenden (1995)

    Ganz großes Kino! Ob Sie hier wegen Victor Hugo, dem Dichter des nationalen Epos Frankreichs einschalten, oder wegen Jean-Paul Belmondo, dem französischen Nationalschauspieler seiner Zeit, ist ganz gleich…

  4. #Bales2023FilmChallenge April 27: #Morse code heard on #MorseCodeDay

    Jean #Cocteau's Orphée [Orpheus] (1950) – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car's radio to retrieve them.

    Morse code and other industrial sounds serve as a soundscape for Cocteau's characters. They swerve in and out of it, sometimes fully aware of them (Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), sometimes passing through like a mirage.

    #film #cinema #JeanCocteau #MusiqueConcrète #GeorgesAuric #SoundDesign #soundscapes #JeanMarais #mythology #SamuelMorse #FilMastodon #CineMastodon @bales1181 @film letterboxd.com/12pt9/list/bale

  5. #Bales2023FilmChallenge April 27: #Morse code heard on #MorseCodeDay

    Jean #Cocteau's Orphée [Orpheus] (1950) – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car's radio to retrieve them.

    Morse code and other industrial sounds serve as a soundscape for Cocteau's characters. They swerve in and out of it, sometimes fully aware of them (Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), sometimes passing through like a mirage.

    #film #cinema #JeanCocteau #MusiqueConcrète #GeorgesAuric #SoundDesign #soundscapes #JeanMarais #mythology #SamuelMorse #FilMastodon #CineMastodon @bales1181 @film letterboxd.com/12pt9/list/bale

  6. #Bales2023FilmChallenge April 27: #Morse code heard on #MorseCodeDay

    Jean #Cocteau's Orphée [Orpheus] (1950) – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car's radio to retrieve them.

    Morse code and other industrial sounds serve as a soundscape for Cocteau's characters. They swerve in and out of it, sometimes fully aware of them (Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), sometimes passing through like a mirage.

    #film #cinema #JeanCocteau #MusiqueConcrète #GeorgesAuric #SoundDesign #soundscapes #JeanMarais #mythology #SamuelMorse #FilMastodon #CineMastodon @bales1181 @film letterboxd.com/12pt9/list/bale

  7. #Bales2023FilmChallenge April 27: #Morse code heard on #MorseCodeDay

    Jean #Cocteau's Orphée [Orpheus] (1950) – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car's radio to retrieve them.

    Morse code and other industrial sounds serve as a soundscape for Cocteau's characters. They swerve in and out of it, sometimes fully aware of them (Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), sometimes passing through like a mirage.

    #film #cinema #JeanCocteau #MusiqueConcrète #GeorgesAuric #SoundDesign #soundscapes #JeanMarais #mythology #SamuelMorse #FilMastodon #CineMastodon @bales1181 @film letterboxd.com/12pt9/list/bale

  8. #Bales2023FilmChallenge April 27: #Morse code heard on #MorseCodeDay

    Jean #Cocteau's Orphée [Orpheus] (1950) – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car's radio to retrieve them.

    Morse code and other industrial sounds serve as a soundscape for Cocteau's characters. They swerve in and out of it, sometimes fully aware of them (Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), sometimes passing through like a mirage.

    #film #cinema #JeanCocteau #MusiqueConcrète #GeorgesAuric #SoundDesign #soundscapes #JeanMarais #mythology #SamuelMorse #FilMastodon #CineMastodon @bales1181 @film letterboxd.com/12pt9/list/bale