#hush — Public Fediverse posts

299) Hush (1998) #NowWatching on Tubi #2026FirstTimeWatch 276 #FilmSky #Hush

Hush | Original Trailer | Mike Flanagan, 2016

#horror – #Trailers – #horrormovies – #Hush – @ArrowFilmsVideo – SILENCE CAN BE KILLER. Before The Haunting of Hill House and Doctor Sleep, writer‑director Mike Flanagan delivered Hush — a lean, nerve‑shredding home‑invasion thriller co‑written with and starring Kate Siegel. Maddie, a deaf novelist living in secluded woodland isolation, finds her hard‑won peace

#ad #horror #Hush #Trailers

https://ec2-54-156-10-201.compute-1.amazonaws.com/2026/04/hush-original-trailer-mike-flanagan-2016/

https://www.wacoca.com/life/382769/ サカグチアミ、「自分の恋愛傾向がすごく表れていて、リリースするまで正直かなり照れくさかったです（「絆創膏」エピソードより）EP『Hush』インタビュー | POPSCENE – ポップシーン #Hush #love #アート #インタビュー #グルメ #サカグチアミ #ニュースメディア #ファッション #メイド・イン・ジャパン #恋愛 #映画 #本 #演劇 #絆創膏 #音楽

https://www.wacoca.com/life/382094/ サカグチアミ、「自分の恋愛傾向がすごく表れていて、リリースするまで正直かなり照れくさかったです（「絆創膏」エピソードより）EP『Hush』インタビュー | POPSCENE – ポップシーン #Hush #love #アート #インタビュー #グルメ #サカグチアミ #ニュースメディア #ファッション #メイド・イン・ジャパン #恋愛 #映画 #本 #演劇 #絆創膏 #音楽

見事な筋肉美！『HUSH』版バットマンがついにMAFEXよりアクションフィギュア化！特徴的な表情やパーツなどコミックのイメージを完全再現！楽天ブックスで予約受付中！
https://hobby.dengeki.com/news/2975365/

#hobby_dengeki #ヒーロー_メカフィギュア #フィギュア #メディコム_トイ #ワールドキャラクター #バットマン #MAFEX #HUSH

@[email protected] @[email protected]

Collages from the event photos from of Uncivilization's punk concerts in İstanbul and İzmir.
KRAYAT shared the stage with local punk bands GOBLIN DAYCARE and POTLATCH in İstanbul and RUFF CRUX, MOKO and HUSH in İzmir. Events took place at Kadıköy Sahne and Dinozor Bar in 26th and 27th of September 2024.

Collages: (1) Krayat, (2) Goblin Daycare, (3) Ruff Crux.

Photos shot in İzmir are by Grischa. @grischa808
Photos shot in İstanbul are by Eléazar.
Collage by Random Input. @randominput

@[email protected] @[email protected]

Collages from the event photos from of Uncivilization's punk concerts in İstanbul and İzmir.
KRAYAT shared the stage with local punk bands GOBLIN DAYCARE and POTLATCH in İstanbul and RUFF CRUX, MOKO and HUSH in İzmir. Events took place at Kadıköy Sahne and Dinozor Bar in 26th and 27th of September 2024.

Collages: (1) Krayat, (2) Goblin Daycare, (3) Ruff Crux.

Photos shot in İzmir are by Grischa. @grischa808
Photos shot in İstanbul are by Eléazar.
Collage by Random Input. @randominput

HUSH At 10

https://web.brid.gy/r/https://www.fangoria.com/hush-at-10/

https://www.europesays.com/uk/810191/ Tardigrade Inferno – Hush Review #20 #2026 #CabaretMetal #DarkCabaret #Entertainment #HUSH #Mar26 #MelodicMetal #music #PenseesNocturne #Review #Reviews #RussianMetal #SanguineGlacialis #SelfReleased #TardigradeInferno #UK #UnitedKingdom

Tardigrade Inferno – Hush Review

In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting…
#NewsBeep #News #Music #2.0 #2026 #CabaretMetal #DarkCabaret #Entertainment #Hush #Mar26 #MelodicMetal #PenseesNocturne #review #Reviews #RussianMetal #SanguineGlacialis #SelfReleased #TardigradeInferno #UK #UnitedKingdom
https://www.newsbeep.com/uk/461430/

In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade. What could this mean?

While Tardigrade Inferno’s sonic formula remains largely the same as it was on Burn the Circus—albeit with the addition of accordions and kazoos and one very unexpected burst of blast beats (“I Am Eternal”)—it’s clear that they moved away from their titular character on Hush. A darkness follows that disappearance, reflected in the dour and morbid attitudes imparted throughout Hush’s 45 minutes (“Dead Fish Smile”). Absent the maniacal main character that gave Tardigrade Inferno’s music life, direction, and purpose, Hush’s storytelling feels aimless and shallow. Thankfully, those trusty hooks, bouncy riffs, and infectious choruses entertained me just enough as I navigated through an uncomfortable grieving period for the Tardigrade Inferno I once cherished.

Hush by Tardigrade Inferno

After a time, I felt ready to embrace Hush, knowing it wasn’t going to offer the same wacky storyline as previous records spun. However, I never escaped my disappointment that Tardigrade Inferno chose an album of vignettes, pulling from a wide gamut of fairy tales and ubiquitous monsters, as their solution. Cuts like “Deadly Fairytales” and “Goor” hammer that generic storytelling home musically as well, though there are small moments in each that make for a great idea or an ear-catching setup (see the howling vox and silent rests in “Goor”). Others like “All in Your Head” and “I.C.D.,” in contrast, expound upon the natural horrors that plague the human mind in the real world. While that topic works quite well in metal writ large, Tardigrade Inferno don’t sell it with the same compelling gravity or subversion as other acts who adopt this exuberant cabaret influence (like Pensees Nocturne or Sanguine Glacialis). Consequently, Hush lacks substance and excitement for a good chunk of its duration.

However, there are a number of cool ideas, new tricks, and fun details found here that Tardigrade Inferno could, and should, take advantage of on future endeavors. The title track is a certified bop, with a bouncy riff backed by fun synths and a sticky chorus that I can’t stop involuntarily repeating. “Subatomic Heist” is a bizarre little number that brims with vibrancy and energy as well, and it’s no surprise that it also calls back to those virtually unkillable microscopic creatures of past installments. Similarly, the proggy and doomy closer “I Am Eternal” foreshadows a tardigrade resurgence inside off-kilter melodies, unorthodox songwriting (for this band, at least), and gorgeous lead guitar work. Naturally, returning to the critters and characters that gave Tardigrade Inferno its primary appeal also gave this song the backbone and direction it needed to feel worthy and interesting. This, in turn, further exemplifies the issues that plague all of the songs on Hush that make no such return.

I’m not normally one to recommend a band revisit past ideas or themes. In fact, I am a firm proponent of a band sticking to their guns and finding their way whenever they make a potentially divisive shift from past work, either musically or thematically. In this case, however, I think killing off their main character and the silliness that came with it—not to mention the dearly missed conceptual storytelling—doomed Tardigrade Inferno’s third outing. Hush isn’t unsalvageable, as it has nifty ideas and some new songwriting tricks and fun instruments that fit well into Tardigrade Inferno’s sound, but it’s missing the direction and compelling arcs that made their first two records successful. My wish for Tardigrade Inferno is therefore to ditch the horror stories and rebuild the circus, for the show must go on!

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: tardigradeinferno.bandcamp.com | facebook.com/tardigradeinfernomusic
Releases Worldwide: March 5th, 2026

In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade. What could this mean?

While Tardigrade Inferno’s sonic formula remains largely the same as it was on Burn the Circus—albeit with the addition of accordions and kazoos and one very unexpected burst of blast beats (“I Am Eternal”)—it’s clear that they moved away from their titular character on Hush. A darkness follows that disappearance, reflected in the dour and morbid attitudes imparted throughout Hush’s 45 minutes (“Dead Fish Smile”). Absent the maniacal main character that gave Tardigrade Inferno’s music life, direction, and purpose, Hush’s storytelling feels aimless and shallow. Thankfully, those trusty hooks, bouncy riffs, and infectious choruses entertained me just enough as I navigated through an uncomfortable grieving period for the Tardigrade Inferno I once cherished.

Hush by Tardigrade Inferno

After a time, I felt ready to embrace Hush, knowing it wasn’t going to offer the same wacky storyline as previous records spun. However, I never escaped my disappointment that Tardigrade Inferno chose an album of vignettes, pulling from a wide gamut of fairy tales and ubiquitous monsters, as their solution. Cuts like “Deadly Fairytales” and “Goor” hammer that generic storytelling home musically as well, though there are small moments in each that make for a great idea or an ear-catching setup (see the howling vox and silent rests in “Goor”). Others like “All in Your Head” and “I.C.D.,” in contrast, expound upon the natural horrors that plague the human mind in the real world. While that topic works quite well in metal writ large, Tardigrade Inferno don’t sell it with the same compelling gravity or subversion as other acts who adopt this exuberant cabaret influence (like Pensees Nocturne or Sanguine Glacialis). Consequently, Hush lacks substance and excitement for a good chunk of its duration.

However, there are a number of cool ideas, new tricks, and fun details found here that Tardigrade Inferno could, and should, take advantage of on future endeavors. The title track is a certified bop, with a bouncy riff backed by fun synths and a sticky chorus that I can’t stop involuntarily repeating. “Subatomic Heist” is a bizarre little number that brims with vibrancy and energy as well, and it’s no surprise that it also calls back to those virtually unkillable microscopic creatures of past installments. Similarly, the proggy and doomy closer “I Am Eternal” foreshadows a tardigrade resurgence inside off-kilter melodies, unorthodox songwriting (for this band, at least), and gorgeous lead guitar work. Naturally, returning to the critters and characters that gave Tardigrade Inferno its primary appeal also gave this song the backbone and direction it needed to feel worthy and interesting. This, in turn, further exemplifies the issues that plague all of the songs on Hush that make no such return.

I’m not normally one to recommend a band revisit past ideas or themes. In fact, I am a firm proponent of a band sticking to their guns and finding their way whenever they make a potentially divisive shift from past work, either musically or thematically. In this case, however, I think killing off their main character and the silliness that came with it—not to mention the dearly missed conceptual storytelling—doomed Tardigrade Inferno’s third outing. Hush isn’t unsalvageable, as it has nifty ideas and some new songwriting tricks and fun instruments that fit well into Tardigrade Inferno’s sound, but it’s missing the direction and compelling arcs that made their first two records successful. My wish for Tardigrade Inferno is therefore to ditch the horror stories and rebuild the circus, for the show must go on!

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: tardigradeinferno.bandcamp.com | facebook.com/tardigradeinfernomusic
Releases Worldwide: March 5th, 2026

In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade. What could this mean?

While Tardigrade Inferno’s sonic formula remains largely the same as it was on Burn the Circus—albeit with the addition of accordions and kazoos and one very unexpected burst of blast beats (“I Am Eternal”)—it’s clear that they moved away from their titular character on Hush. A darkness follows that disappearance, reflected in the dour and morbid attitudes imparted throughout Hush’s 45 minutes (“Dead Fish Smile”). Absent the maniacal main character that gave Tardigrade Inferno’s music life, direction, and purpose, Hush’s storytelling feels aimless and shallow. Thankfully, those trusty hooks, bouncy riffs, and infectious choruses entertained me just enough as I navigated through an uncomfortable grieving period for the Tardigrade Inferno I once cherished.

Hush by Tardigrade Inferno

After a time, I felt ready to embrace Hush, knowing it wasn’t going to offer the same wacky storyline as previous records spun. However, I never escaped my disappointment that Tardigrade Inferno chose an album of vignettes, pulling from a wide gamut of fairy tales and ubiquitous monsters, as their solution. Cuts like “Deadly Fairytales” and “Goor” hammer that generic storytelling home musically as well, though there are small moments in each that make for a great idea or an ear-catching setup (see the howling vox and silent rests in “Goor”). Others like “All in Your Head” and “I.C.D.,” in contrast, expound upon the natural horrors that plague the human mind in the real world. While that topic works quite well in metal writ large, Tardigrade Inferno don’t sell it with the same compelling gravity or subversion as other acts who adopt this exuberant cabaret influence (like Pensees Nocturne or Sanguine Glacialis). Consequently, Hush lacks substance and excitement for a good chunk of its duration.

However, there are a number of cool ideas, new tricks, and fun details found here that Tardigrade Inferno could, and should, take advantage of on future endeavors. The title track is a certified bop, with a bouncy riff backed by fun synths and a sticky chorus that I can’t stop involuntarily repeating. “Subatomic Heist” is a bizarre little number that brims with vibrancy and energy as well, and it’s no surprise that it also calls back to those virtually unkillable microscopic creatures of past installments. Similarly, the proggy and doomy closer “I Am Eternal” foreshadows a tardigrade resurgence inside off-kilter melodies, unorthodox songwriting (for this band, at least), and gorgeous lead guitar work. Naturally, returning to the critters and characters that gave Tardigrade Inferno its primary appeal also gave this song the backbone and direction it needed to feel worthy and interesting. This, in turn, further exemplifies the issues that plague all of the songs on Hush that make no such return.

I’m not normally one to recommend a band revisit past ideas or themes. In fact, I am a firm proponent of a band sticking to their guns and finding their way whenever they make a potentially divisive shift from past work, either musically or thematically. In this case, however, I think killing off their main character and the silliness that came with it—not to mention the dearly missed conceptual storytelling—doomed Tardigrade Inferno’s third outing. Hush isn’t unsalvageable, as it has nifty ideas and some new songwriting tricks and fun instruments that fit well into Tardigrade Inferno’s sound, but it’s missing the direction and compelling arcs that made their first two records successful. My wish for Tardigrade Inferno is therefore to ditch the horror stories and rebuild the circus, for the show must go on!

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: tardigradeinferno.bandcamp.com | facebook.com/tardigradeinfernomusic
Releases Worldwide: March 5th, 2026

In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade. What could this mean?

While Tardigrade Inferno’s sonic formula remains largely the same as it was on Burn the Circus—albeit with the addition of accordions and kazoos and one very unexpected burst of blast beats (“I Am Eternal”)—it’s clear that they moved away from their titular character on Hush. A darkness follows that disappearance, reflected in the dour and morbid attitudes imparted throughout Hush’s 45 minutes (“Dead Fish Smile”). Absent the maniacal main character that gave Tardigrade Inferno’s music life, direction, and purpose, Hush’s storytelling feels aimless and shallow. Thankfully, those trusty hooks, bouncy riffs, and infectious choruses entertained me just enough as I navigated through an uncomfortable grieving period for the Tardigrade Inferno I once cherished.

Hush by Tardigrade Inferno

After a time, I felt ready to embrace Hush, knowing it wasn’t going to offer the same wacky storyline as previous records spun. However, I never escaped my disappointment that Tardigrade Inferno chose an album of vignettes, pulling from a wide gamut of fairy tales and ubiquitous monsters, as their solution. Cuts like “Deadly Fairytales” and “Goor” hammer that generic storytelling home musically as well, though there are small moments in each that make for a great idea or an ear-catching setup (see the howling vox and silent rests in “Goor”). Others like “All in Your Head” and “I.C.D.,” in contrast, expound upon the natural horrors that plague the human mind in the real world. While that topic works quite well in metal writ large, Tardigrade Inferno don’t sell it with the same compelling gravity or subversion as other acts who adopt this exuberant cabaret influence (like Pensees Nocturne or Sanguine Glacialis). Consequently, Hush lacks substance and excitement for a good chunk of its duration.

However, there are a number of cool ideas, new tricks, and fun details found here that Tardigrade Inferno could, and should, take advantage of on future endeavors. The title track is a certified bop, with a bouncy riff backed by fun synths and a sticky chorus that I can’t stop involuntarily repeating. “Subatomic Heist” is a bizarre little number that brims with vibrancy and energy as well, and it’s no surprise that it also calls back to those virtually unkillable microscopic creatures of past installments. Similarly, the proggy and doomy closer “I Am Eternal” foreshadows a tardigrade resurgence inside off-kilter melodies, unorthodox songwriting (for this band, at least), and gorgeous lead guitar work. Naturally, returning to the critters and characters that gave Tardigrade Inferno its primary appeal also gave this song the backbone and direction it needed to feel worthy and interesting. This, in turn, further exemplifies the issues that plague all of the songs on Hush that make no such return.

I’m not normally one to recommend a band revisit past ideas or themes. In fact, I am a firm proponent of a band sticking to their guns and finding their way whenever they make a potentially divisive shift from past work, either musically or thematically. In this case, however, I think killing off their main character and the silliness that came with it—not to mention the dearly missed conceptual storytelling—doomed Tardigrade Inferno’s third outing. Hush isn’t unsalvageable, as it has nifty ideas and some new songwriting tricks and fun instruments that fit well into Tardigrade Inferno’s sound, but it’s missing the direction and compelling arcs that made their first two records successful. My wish for Tardigrade Inferno is therefore to ditch the horror stories and rebuild the circus, for the show must go on!

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: tardigradeinferno.bandcamp.com | facebook.com/tardigradeinfernomusic
Releases Worldwide: March 5th, 2026

In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade. What could this mean?

While Tardigrade Inferno’s sonic formula remains largely the same as it was on Burn the Circus—albeit with the addition of accordions and kazoos and one very unexpected burst of blast beats (“I Am Eternal”)—it’s clear that they moved away from their titular character on Hush. A darkness follows that disappearance, reflected in the dour and morbid attitudes imparted throughout Hush’s 45 minutes (“Dead Fish Smile”). Absent the maniacal main character that gave Tardigrade Inferno’s music life, direction, and purpose, Hush’s storytelling feels aimless and shallow. Thankfully, those trusty hooks, bouncy riffs, and infectious choruses entertained me just enough as I navigated through an uncomfortable grieving period for the Tardigrade Inferno I once cherished.

Hush by Tardigrade Inferno

After a time, I felt ready to embrace Hush, knowing it wasn’t going to offer the same wacky storyline as previous records spun. However, I never escaped my disappointment that Tardigrade Inferno chose an album of vignettes, pulling from a wide gamut of fairy tales and ubiquitous monsters, as their solution. Cuts like “Deadly Fairytales” and “Goor” hammer that generic storytelling home musically as well, though there are small moments in each that make for a great idea or an ear-catching setup (see the howling vox and silent rests in “Goor”). Others like “All in Your Head” and “I.C.D.,” in contrast, expound upon the natural horrors that plague the human mind in the real world. While that topic works quite well in metal writ large, Tardigrade Inferno don’t sell it with the same compelling gravity or subversion as other acts who adopt this exuberant cabaret influence (like Pensees Nocturne or Sanguine Glacialis). Consequently, Hush lacks substance and excitement for a good chunk of its duration.

However, there are a number of cool ideas, new tricks, and fun details found here that Tardigrade Inferno could, and should, take advantage of on future endeavors. The title track is a certified bop, with a bouncy riff backed by fun synths and a sticky chorus that I can’t stop involuntarily repeating. “Subatomic Heist” is a bizarre little number that brims with vibrancy and energy as well, and it’s no surprise that it also calls back to those virtually unkillable microscopic creatures of past installments. Similarly, the proggy and doomy closer “I Am Eternal” foreshadows a tardigrade resurgence inside off-kilter melodies, unorthodox songwriting (for this band, at least), and gorgeous lead guitar work. Naturally, returning to the critters and characters that gave Tardigrade Inferno its primary appeal also gave this song the backbone and direction it needed to feel worthy and interesting. This, in turn, further exemplifies the issues that plague all of the songs on Hush that make no such return.

I’m not normally one to recommend a band revisit past ideas or themes. In fact, I am a firm proponent of a band sticking to their guns and finding their way whenever they make a potentially divisive shift from past work, either musically or thematically. In this case, however, I think killing off their main character and the silliness that came with it—not to mention the dearly missed conceptual storytelling—doomed Tardigrade Inferno’s third outing. Hush isn’t unsalvageable, as it has nifty ideas and some new songwriting tricks and fun instruments that fit well into Tardigrade Inferno’s sound, but it’s missing the direction and compelling arcs that made their first two records successful. My wish for Tardigrade Inferno is therefore to ditch the horror stories and rebuild the circus, for the show must go on!

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: tardigradeinferno.bandcamp.com | facebook.com/tardigradeinfernomusic
Releases Worldwide: March 5th, 2026

#nowplaying während der #abendrunde mit #django
#deeppurple - #hush
Klassiker 😉
Damit begann alles
#DebutAlbum der #band

#playlistofmylife

Hush💫
#art #hush #streetart #murals #mastoart

Hush💫
#art #hush #streetart #murals #mastoart

Hush💫
#art #hush #streetart #murals #mastoart

Hush💫
#art #hush #streetart #murals #mastoart

Movie TV Tech Geeks #Movie #TheDirties #Blindspotting #Hush 5 Forgotten 2010s Movies That Have Aged Like Fine Wine http://dlvr.it/TR6qnx

A Sense of Doubt blog post-4024 - Review of HUSH2 - Batman-162 - Comic Book Sunday for 2602.22. https://sensedoubt.blogspot.com/2026/02/a-sense-of-doubt-blog-post-4024-review.html #Batman #ComicBookSunday #Review #HUSH #Contrived

A Sense of Doubt blog post-4024 - Review of HUSH2 - Batman-162 - Comic Book Sunday for 2602.22. https://sensedoubt.blogspot.com/2026/02/a-sense-of-doubt-blog-post-4024-review.html #Batman #ComicBookSunday #Review #HUSH #Contrived

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=0xKQNIyV2W0

「バットマン」の人気コミック『HUSH』版の「ラーズ・アル・グール」がアクションフィギュアMAFEXとなって登場！曲刀を構えてバットマンと対決！
https://hobby.dengeki.com/news/2803007/

#hobby_dengeki #トイ #ヒーロー_メカフィギュア #フィギュア #メディコム_トイ #ワールドキャラクター #メディコムトイ #バットマン #HUSH #ラーズ_アル_グール #MAFEX

Don't forget the motto of the Democratic party in 2025!

#Hush

Don't forget the motto of the Democratic party in 2025!

#Hush

Don't forget the motto of the Democratic party in 2025!

#Hush

Don't forget the motto of the Democratic party in 2025!

#Hush

「バットマン」シリーズの人気コミック『HUSH』に登場する3代目「ロビン」がアクションフィギュア「MAFEX」シリーズに参戦！2025年12月に発売！
https://hobby.dengeki.com/news/2803123/

#hobby_dengeki #トイ #ヒーロー_メカフィギュア #フィギュア #メディコム_トイ #ワールドキャラクター #メディコムトイ #バットマン #HUSH #ロビン #MAFEX

人気コミック『HUSH』版のバットマンがダメージVer.となってMAFEX化！曲刀を構えたアクションポーズで抜群の可動性能を発揮！
https://hobby.dengeki.com/news/2803006/

#hobby_dengeki #トイ #ヒーロー_メカフィギュア #フィギュア #メディコム_トイ #ワールドキャラクター #メディコムトイ #HUSH #バットマン #ダメージVer #MAFEX

#KPopMonday #OneWordSongTitles

I need a pick me up and here's one from Apink that I don't think I've ever posted.

Apink 'HUSH' M.V:

https://www.youtube.com/watch?v=q-67jToInT0

#KPop #Apink #Hush

#KPopMonday #OneWordSongTitles

I need a pick me up and here's one from Apink that I don't think I've ever posted.

Apink 'HUSH' M.V:

https://www.youtube.com/watch?v=q-67jToInT0

#KPop #Apink #Hush

#KPopMonday #OneWordSongTitles

I need a pick me up and here's one from Apink that I don't think I've ever posted.

Apink 'HUSH' M.V:

https://www.youtube.com/watch?v=q-67jToInT0

#KPop #Apink #Hush

#KPopMonday #OneWordSongTitles

I need a pick me up and here's one from Apink that I don't think I've ever posted.

Apink 'HUSH' M.V:

https://www.youtube.com/watch?v=q-67jToInT0

#KPop #Apink #Hush

バットマンの正体を知る男！謎の策士「HUSH」の400％サイズBE@RBRICKがメディコム・トイから新発売！
https://hobby.dengeki.com/news/2803004/

#hobby_dengeki #トイ #ヒーロー_メカフィギュア #フィギュア #メディコム_トイ #ワールドキャラクター #メディコムトイ #バットマン #HUSH #ベアブリック

20-Year-Old BATMAN Sequel Faces Yet Another Big Delay, Potentially Creating Issues For DC Continuity

Batman: Hush was a pivotal story in the Caped Crusader’s mythology. Written by Jeph Loeb and drawn by Jim…
#NewsBeep #News #Movies #batman #Batman:Hush2 #BruceWayne #DCComics #Entertainment #Hush #JephLoeb #JimLee #Superheroes #ThomasElliot #UK #UnitedKingdom
https://www.newsbeep.com/uk/275868/

20-Year-Old BATMAN Sequel Faces Yet Another Big Delay, Potentially Creating Issues For DC Continuity

Batman: Hush was a pivotal story in the Caped Crusader’s mythology. Written by Jeph Loeb and drawn by Jim…
#NewsBeep #News #Movies #Batman #Batman:Hush2 #BruceWayne #CA #Canada #DCComics #Entertainment #Hush #JephLoeb #JimLee #superheroes #ThomasElliot
https://www.newsbeep.com/ca/298000/

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=2-eclUz-RYI

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=2-eclUz-RYI

"Rose Garden" (sometimes titled "(I Never Promised You A) Rose Garden") is a song written in 1967 by American singer-songwriter #JoeSouth. It was first recorded by #BillyJoeRoyal on his 1967 studio album Billy Joe Royal Featuring #Hush. Versions by South himself and #DobieGray appeared shortly after #theOriginal. Gray's version became a minor hit in North America in 1969. In 1970, #LynnAnderson recorded "Rose Garden" after hearing Joe South's version. However.
https://www.youtube.com/watch?v=2-eclUz-RYI