home.social

#fania — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #fania, aggregated by home.social.

  1. Cheo Feliciano’s Classic ‘Cheo’ Returns to Vinyl
    WEPA! This is not just a vinyl reissue, familia this is salsa history coming back with the needle ready to drop fire. Craft Latino is celebrating the 55th anniversary of Cheo Feliciano’s record-breaking solo debut, Cheo, with its first U.S. vinyl reissue in more than half a...
    comiccrusaders.com/comic-books
    #cheo feliciano #salsa #salsa dura #ny #fania #craft latino

  2. Cheo Feliciano’s Classic ‘Cheo’ Returns to Vinyl
    WEPA! This is not just a vinyl reissue, familia this is salsa history coming back with the needle ready to drop fire. Craft Latino is celebrating the 55th anniversary of Cheo Feliciano’s record-breaking solo debut, Cheo, with its first U.S. vinyl reissue in more than half a...
    comiccrusaders.com/comic-books
    #cheo feliciano #salsa #salsa dura #ny #fania #craft latino

  3. Cheo Feliciano’s Classic ‘Cheo’ Returns to Vinyl
    WEPA! This is not just a vinyl reissue, familia this is salsa history coming back with the needle ready to drop fire. Craft Latino is celebrating the 55th anniversary of Cheo Feliciano’s record-breaking solo debut, Cheo, with its first U.S. vinyl reissue in more than half a...
    comiccrusaders.com/comic-books
    #cheo feliciano #salsa #salsa dura #ny #fania #craft latino

  4. Cheo Feliciano’s Classic ‘Cheo’ Returns to Vinyl
    WEPA! This is not just a vinyl reissue, familia this is salsa history coming back with the needle ready to drop fire. Craft Latino is celebrating the 55th anniversary of Cheo Feliciano’s record-breaking solo debut, Cheo, with its first U.S. vinyl reissue in more than half a...
    comiccrusaders.com/comic-books
    #cheo feliciano #salsa #salsa dura #ny #fania #craft latino

  5. Cheo Feliciano’s Classic ‘Cheo’ Returns to Vinyl
    WEPA! This is not just a vinyl reissue, familia this is salsa history coming back with the needle ready to drop fire. Craft Latino is celebrating the 55th anniversary of Cheo Feliciano’s record-breaking solo debut, Cheo, with its first U.S. vinyl reissue in more than half a...
    comiccrusaders.com/comic-books
    #cheo feliciano #salsa #salsa dura #ny #fania #craft latino

  6. Héctor Lavoe’s 1978 masterpiece 'Comedia' Returns to Vinyl on April 10th
    Craft Latino proudly announces a reissue of Comedia, the 1978 masterpiece from legendary salsa singer Héctor Lavoe. Produced by his longtime collaborator Willie Colón, Lavoe’s third solo album features his signature hit—the Rubén Blades-penned “El Cantante”—alongside such...
    comiccrusaders.com/editorial/h
    #hector lavoe #fania #salsa #ny #music

  7. Héctor Lavoe’s 1978 masterpiece 'Comedia' Returns to Vinyl on April 10th
    Craft Latino proudly announces a reissue of Comedia, the 1978 masterpiece from legendary salsa singer Héctor Lavoe. Produced by his longtime collaborator Willie Colón, Lavoe’s third solo album features his signature hit—the Rubén Blades-penned “El Cantante”—alongside such...
    comiccrusaders.com/editorial/h
    #hector lavoe #fania #salsa #ny #music

  8. Héctor Lavoe’s 1978 masterpiece 'Comedia' Returns to Vinyl on April 10th
    Craft Latino proudly announces a reissue of Comedia, the 1978 masterpiece from legendary salsa singer Héctor Lavoe. Produced by his longtime collaborator Willie Colón, Lavoe’s third solo album features his signature hit—the Rubén Blades-penned “El Cantante”—alongside such...
    comiccrusaders.com/editorial/h
    #hector lavoe #fania #salsa #ny #music

  9. EDDIE PALMIERI’S 1971 MASTERPIECE VÁMONOS PA’L MONTE RETURNS TO VINYL ON MARCH 20TH
    Pressed on 180-gram vinyl, the remastered album includes such classic tracks as “Revolt/La libertad logico,” “Comparsa de los locos,” and “Vámonos pa’l monte”

    Craft Latino honors the legendary late bandleader and pianist Eddie...
    comiccrusaders.com/comic-books
    #salsa #music #craft latino #fania

  10. EDDIE PALMIERI’S 1971 MASTERPIECE VÁMONOS PA’L MONTE RETURNS TO VINYL ON MARCH 20TH
    Pressed on 180-gram vinyl, the remastered album includes such classic tracks as “Revolt/La libertad logico,” “Comparsa de los locos,” and “Vámonos pa’l monte”

    Craft Latino honors the legendary late bandleader and pianist Eddie...
    comiccrusaders.com/comic-books
    #salsa #music #craft latino #fania

  11. EDDIE PALMIERI’S 1971 MASTERPIECE VÁMONOS PA’L MONTE RETURNS TO VINYL ON MARCH 20TH
    Pressed on 180-gram vinyl, the remastered album includes such classic tracks as “Revolt/La libertad logico,” “Comparsa de los locos,” and “Vámonos pa’l monte”

    Craft Latino honors the legendary late bandleader and pianist Eddie...
    comiccrusaders.com/comic-books
    #salsa #music #craft latino #fania

  12. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh). This spectacular Afro-Caribbean/salsa opera was inspired by The Who’s rock opera 'Tommy', with a similar narrative framework (the titular character is deaf and blind, and is a fantastic conga player) but all original songs, with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez. Headed by American bandleader and producer Larry Harlow, over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa”, Celia Cruz.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/12/23

    Want to skip straight to the music? Here's a Songlink: album.link/i/1464282074

    Happy listening!

    #OrchestraHarlow #OrquestaHarlow #CeliaCruz #TheWho #Fania #salsa #AfroCubanMusic #AfroCaribbeanMusic #LatinMusic #Cuba #PuertoRico #1970s #music #1001OtherAlbums

  13. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh). This spectacular Afro-Caribbean/salsa opera was inspired by The Who’s rock opera 'Tommy', with a similar narrative framework (the titular character is deaf and blind, and is a fantastic conga player) but all original songs, with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez. Headed by American bandleader and producer Larry Harlow, over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa”, Celia Cruz.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/12/23

    Want to skip straight to the music? Here's a Songlink: album.link/i/1464282074

    Happy listening!

    #OrchestraHarlow #OrquestaHarlow #CeliaCruz #TheWho #Fania #salsa #AfroCubanMusic #AfroCaribbeanMusic #LatinMusic #Cuba #PuertoRico #1970s #music #1001OtherAlbums

  14. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh). This spectacular Afro-Caribbean/salsa opera was inspired by The Who’s rock opera 'Tommy', with a similar narrative framework (the titular character is deaf and blind, and is a fantastic conga player) but all original songs, with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez. Headed by American bandleader and producer Larry Harlow, over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa”, Celia Cruz.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/12/23

    Want to skip straight to the music? Here's a Songlink: album.link/i/1464282074

    Happy listening!

    #OrchestraHarlow #OrquestaHarlow #CeliaCruz #TheWho #Fania #salsa #AfroCubanMusic #AfroCaribbeanMusic #LatinMusic #Cuba #PuertoRico #1970s #music #1001OtherAlbums

  15. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh). This spectacular Afro-Caribbean/salsa opera was inspired by The Who’s rock opera 'Tommy', with a similar narrative framework (the titular character is deaf and blind, and is a fantastic conga player) but all original songs, with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez. Headed by American bandleader and producer Larry Harlow, over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa”, Celia Cruz.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/12/23

    Want to skip straight to the music? Here's a Songlink: album.link/i/1464282074

    Happy listening!

    #OrchestraHarlow #OrquestaHarlow #CeliaCruz #TheWho #Fania #salsa #AfroCubanMusic #AfroCaribbeanMusic #LatinMusic #Cuba #PuertoRico #1970s #music #1001OtherAlbums

  16. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).

    Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?

    This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).

    And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).

    And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.

    Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.

    #1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa

  17. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).

    Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?

    This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).

    And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).

    And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.

    Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.

    #1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa

  18. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).

    Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?

    This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).

    And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).

    And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.

    Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.

    #1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa

  19. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).

    Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?

    This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).

    And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).

    And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.

    Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.

    #1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa

  20. Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)

    Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).

    Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?

    This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).

    And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).

    And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.

    Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.

    #1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #salsa

  21. CRAFT LATINO ANNOUNCES BRAND NEW COLLECTION THE QUEEN OF SALSA
    Click here to pre-order

    Click here to visit the Celia Cruz Centennial webpage

    Click here to listen to the Celia Cruz Centennial playlist

    Craft Latino proudly announces The Queen of Salsa, a brand-new collection featuring 12 timeless tracks from Celia Cruz’s...
    comiccrusaders.com/comic-books
    #fania #music #salsa #celia cruz #queen of salsa

  22. CRAFT LATINO ANNOUNCES BRAND NEW COLLECTION THE QUEEN OF SALSA
    Click here to pre-order

    Click here to visit the Celia Cruz Centennial webpage

    Click here to listen to the Celia Cruz Centennial playlist

    Craft Latino proudly announces The Queen of Salsa, a brand-new collection featuring 12 timeless tracks from Celia Cruz’s...
    comiccrusaders.com/comic-books
    #fania #music #salsa #celia cruz #queen of salsa

  23. CRAFT LATINO ANNOUNCES BRAND NEW COLLECTION THE QUEEN OF SALSA
    Click here to pre-order

    Click here to visit the Celia Cruz Centennial webpage

    Click here to listen to the Celia Cruz Centennial playlist

    Craft Latino proudly announces The Queen of Salsa, a brand-new collection featuring 12 timeless tracks from Celia Cruz’s...
    comiccrusaders.com/comic-books
    #fania #music #salsa #celia cruz #queen of salsa

  24. CRAFT LATINO ANNOUNCES BRAND NEW COLLECTION THE QUEEN OF SALSA
    Click here to pre-order

    Click here to visit the Celia Cruz Centennial webpage

    Click here to listen to the Celia Cruz Centennial playlist

    Craft Latino proudly announces The Queen of Salsa, a brand-new collection featuring 12 timeless tracks from Celia Cruz’s...
    comiccrusaders.com/comic-books
    #fania #music #salsa #celia cruz #queen of salsa

  25. CRAFT LATINO ANNOUNCES BRAND NEW COLLECTION THE QUEEN OF SALSA
    Click here to pre-order

    Click here to visit the Celia Cruz Centennial webpage

    Click here to listen to the Celia Cruz Centennial playlist

    Craft Latino proudly announces The Queen of Salsa, a brand-new collection featuring 12 timeless tracks from Celia Cruz’s...
    comiccrusaders.com/comic-books
    #fania #music #salsa #celia cruz #queen of salsa

  26. I’ve found the more recent (1966) copy of this album but hear a track from the earlier Phillips LP on today’s #clarityshopclassics on @allfm.bsky.social from 11am with @gerryhectic.bsky.social listener’s choice summer special! #francyboland #galliano #urbanspecies #Fania @worldwidefm.bsky.social

  27. Statement from Fania Records on the passing of Eddie Palmieri
    “Today, Fania Records mourns the loss of the legendary Eddie Palmieri, one of the most innovative and unique artists in music history. An award-winning pianist, composer, arranger, orchestra director, and producer, Palmieri began his career in New York City in...
    comiccrusaders.com/comic-books
    #fania #eddie palmieri #salsa #music #puerto rico

  28. Statement from Fania Records on the passing of Eddie Palmieri
    “Today, Fania Records mourns the loss of the legendary Eddie Palmieri, one of the most innovative and unique artists in music history. An award-winning pianist, composer, arranger, orchestra director, and producer, Palmieri began his career in New York City in...
    comiccrusaders.com/comic-books
    #fania #eddie palmieri #salsa #music #puerto rico

  29. Statement from Fania Records on the passing of Eddie Palmieri
    “Today, Fania Records mourns the loss of the legendary Eddie Palmieri, one of the most innovative and unique artists in music history. An award-winning pianist, composer, arranger, orchestra director, and producer, Palmieri began his career in New York City in...
    comiccrusaders.com/comic-books
    #fania #eddie palmieri #salsa #music #puerto rico

  30. Craft Latino announces the return of 'Metiendo mano!' the influential 1977 debut from Willie Colón and Rubén Blades
    Craft Latino proudly announces the return of Metiendo mano!, the influential 1977 debut from Willie Colón and Rubén Blades that started it...
    comiccrusaders.com/comic-books
    #willie colon #ruben blades #music #salsa #nyc #fania music #soul

  31. Craft Latino announces the return of 'Metiendo mano!' the influential 1977 debut from Willie Colón and Rubén Blades
    Craft Latino proudly announces the return of Metiendo mano!, the influential 1977 debut from Willie Colón and Rubén Blades that started it...
    comiccrusaders.com/comic-books
    #willie colon #ruben blades #music #salsa #nyc #fania music #soul

  32. Craft Latino announces the return of 'Metiendo mano!' the influential 1977 debut from Willie Colón and Rubén Blades
    Craft Latino proudly announces the return of Metiendo mano!, the influential 1977 debut from Willie Colón and Rubén Blades that started it...
    comiccrusaders.com/comic-books
    #willie colon #ruben blades #music #salsa #nyc #fania music #soul

  33. Craft Latino announces the return of 'Metiendo mano!' the influential 1977 debut from Willie Colón and Rubén Blades
    Craft Latino proudly announces the return of Metiendo mano!, the influential 1977 debut from Willie Colón and Rubén Blades that started it...
    comiccrusaders.com/comic-books
    #willie colon #ruben blades #music #salsa #nyc #fania music #soul

  34. Craft Latino announces the return of 'Metiendo mano!' the influential 1977 debut from Willie Colón and Rubén Blades
    Craft Latino proudly announces the return of Metiendo mano!, the influential 1977 debut from Willie Colón and Rubén Blades that started it...
    comiccrusaders.com/comic-books
    #willie colon #ruben blades #music #salsa #nyc #fania music #soul

  35. WILLIE COLÓN’S GUISANDO: DOING A JOB RETURNS TO VINYL FOR THE FIRST TIME IN OVER 50 YEARS
    The third collaboration from pioneering salsa duo Willie Colón and Héctor Lavoe will debut on 180-gram vinyl and hi-res digital, featuring the classics “No Me Den Candela,” “I Wish I Had a Watermelon” and “Guisando”...
    comiccrusaders.com/editorial/w
    #salsa #vinyl #music #ny #fania #hector lavoe #willie colon

  36. WILLIE COLÓN’S GUISANDO: DOING A JOB RETURNS TO VINYL FOR THE FIRST TIME IN OVER 50 YEARS
    The third collaboration from pioneering salsa duo Willie Colón and Héctor Lavoe will debut on 180-gram vinyl and hi-res digital, featuring the classics “No Me Den Candela,” “I Wish I Had a Watermelon” and “Guisando”...
    comiccrusaders.com/editorial/w
    #salsa #vinyl #music #ny #fania #hector lavoe #willie colon

  37. WILLIE COLÓN’S GUISANDO: DOING A JOB RETURNS TO VINYL FOR THE FIRST TIME IN OVER 50 YEARS
    The third collaboration from pioneering salsa duo Willie Colón and Héctor Lavoe will debut on 180-gram vinyl and hi-res digital, featuring the classics “No Me Den Candela,” “I Wish I Had a Watermelon” and “Guisando”...
    comiccrusaders.com/editorial/w
    #salsa #vinyl #music #ny #fania #hector lavoe #willie colon

  38. WILLIE COLÓN’S GUISANDO: DOING A JOB RETURNS TO VINYL FOR THE FIRST TIME IN OVER 50 YEARS
    The third collaboration from pioneering salsa duo Willie Colón and Héctor Lavoe will debut on 180-gram vinyl and hi-res digital, featuring the classics “No Me Den Candela,” “I Wish I Had a Watermelon” and “Guisando”...
    comiccrusaders.com/editorial/w
    #salsa #vinyl #music #ny #fania #hector lavoe #willie colon

  39. WILLIE COLÓN’S GUISANDO: DOING A JOB RETURNS TO VINYL FOR THE FIRST TIME IN OVER 50 YEARS
    The third collaboration from pioneering salsa duo Willie Colón and Héctor Lavoe will debut on 180-gram vinyl and hi-res digital, featuring the classics “No Me Den Candela,” “I Wish I Had a Watermelon” and “Guisando”...
    comiccrusaders.com/editorial/w
    #salsa #vinyl #music #ny #fania #hector lavoe #willie colon

  40. “I took out my knife and I stuck it in the piano. And I said, ‘I’m gonna be the leader of this band’” — Tidal talks to #Fania legend Joe Bataan tidal.com/magazine/article/int #music #salsa #joebataan #soulmusic #funk