#conceptalbum — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #conceptalbum, aggregated by home.social.
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Dorian Gray Quartet – Digital Mercy Sessions: Soul
#Experimental #Jazz #ambientjazz #classicsoul #conceptalbum #cooljazz #gospelsoul #modaljazz #rhythmandblues #soul #southernsoul #vintagesoul #Ålesund
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://doriangrayquartet.bandcamp.com/album/digital-mercy-sessions-soul -
Dorian Gray Quartet – Digital Mercy Sessions: Soul
#Experimental #Jazz #ambientjazz #classicsoul #conceptalbum #cooljazz #gospelsoul #modaljazz #rhythmandblues #soul #southernsoul #vintagesoul #Ålesund
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://doriangrayquartet.bandcamp.com/album/digital-mercy-sessions-soul -
Dorian Gray Quartet – Digital Mercy Sessions: Soul
#Experimental #Jazz #ambientjazz #classicsoul #conceptalbum #cooljazz #gospelsoul #modaljazz #rhythmandblues #soul #southernsoul #vintagesoul #Ålesund
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://doriangrayquartet.bandcamp.com/album/digital-mercy-sessions-soul -
Dorian Gray Quartet – Digital Mercy Sessions: Soul
#Experimental #Jazz #ambientjazz #classicsoul #conceptalbum #cooljazz #gospelsoul #modaljazz #rhythmandblues #soul #southernsoul #vintagesoul #Ålesund
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://doriangrayquartet.bandcamp.com/album/digital-mercy-sessions-soul -
Dorian Gray Quartet – Digital Mercy Sessions: Soul
#Experimental #Jazz #ambientjazz #classicsoul #conceptalbum #cooljazz #gospelsoul #modaljazz #rhythmandblues #soul #southernsoul #vintagesoul #Ålesund
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://doriangrayquartet.bandcamp.com/album/digital-mercy-sessions-soul -
Free download codes:
Coma Beach - I Won't Listen
"Coma Beach’s 'I Won’t Listen' cuts like shards of broken glass — four violent jolts of punk rock refusal and post-punk gloom."
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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Free download codes:
Kindness of Others - Eulogies for a Lost Kingdom
"Fantasy narrative hip-hop album blending samples and original voicework"
#hiphop #conceptalbum #memphisrap #fantasyrap #narrativerap #music
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Free download codes:
Coma Beach - A Madman's Dream/Mind Descending
"'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity"
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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Free download codes:
Coma Beach - The Scapegoat's Agony
"“The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil"
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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Free download codes:
Coma Beach - The Scapegoat's Agony - Edits, Odds & Ends
"A raw, existential blast of punk‑driven despair and dark wit — Coma Beach’s fractured odyssey, remixed and resurrected"
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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Free download codes:
Coma Beach - Passion/Bliss
"A five-track fever dream caught between punk abrasion and post‑punk hallucination"
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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Aujourd'hui sur Blog à part – Devin Townsend: The Moth
Devin Townsend revient! Avec deux chanteuses, sept musiciens et un orchestre symphonique (avec son chœur). Et tout ça pour son nouvel album: The Moth.
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Just spent 42 minutes listening to this concept album. I was entranced after the first 30 seconds, now I’m completely hooked:
https://weepingwitch.bandcamp.com/album/ugly-violet-sings-a-song-of-revelation
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RED / white / BRUISED — out today.
three songs about america, conformity, surveillance, love, and conspiracy
concept album. listen at your own risk. 🩸
🎧 https://youtube.com/playlist?list=OLAK5uy_n61OtC6qWmJ_an0-fGT8NFqNdPqDtW2t8&si=xWDO8ur6d9ow97yj
#FediMusic #MusicMonday #NewMusic #PsychedelicRock #ArtRock #ProtestMusic #ConceptAlbum #IndieMusic #Bandcamp #Mastomusic
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RED / white / BRUISED — out today.
three songs about america, conformity, surveillance, protest, love, and conspiracy
concept album. listen at your own risk. 🩸
🎧 https://youtube.com/playlist?list=OLAK5uy_n61OtC6qWmJ_an0-fGT8NFqNdPqDtW2t8&si=xWDO8ur6d9ow97yj
#FediMusic #MusicMonday #NewMusic #PsychedelicRock #ArtRock #ProtestMusic #ConceptAlbum #IndieMusic #Bandcamp #Mastomusic
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Free download codes:
Coma Beach - A Madman's Dream/Mind Descending
"'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity"
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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"Treatise on Unprofitableness" EP.
That's my latest work, a fusion of electronic music and literature. I spent almost 8 months making it, and I'm really glad I was able to finish it. Unfortunately, I’ve had so little feedback, so if anyone wants to make a stranger’s day, I’d be delighted if you would listen and read this!
You can list-read it here: https://flenyo.com/treatise_on_unprofitableness.html
#ElectronicMusic #CreativeJourney #ArtistsOnMastodon #Synth #ConceptAlbum #ExperimentalArt #Art #Music #MastodonMusic #Shortstory #writersofmastodon
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This year marks the fifth anniversary of my ‘FLENIADA’ EP. My first attempt at the fusion of electronic music and literature, which is still a rare combination in the art industry, unfortunately. I created this piece when I was 17, but it has had a major influence on my creative journey. The ideas I put into it are even more relevant now than they were when I finished it.
List-read: https://flenyo.com/fleniada.html
#ElectronicMusic #CreativeJourney #ArtistsOnMastodon #Synth #ConceptAlbum #ExperimentalArt #Art #Music #MastodonMusic
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Free download codes:
Kindness of Others - Eulogies for a Lost Kingdom
"Fantasy narrative hip-hop album blending samples and original voicework"
#hiphop #conceptalbum #memphisrap #fantasyrap #narrativerap #music
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Released today 48 years ago:
🇬🇧 Jeff Wayne's Musical Version of The War of The Worlds – 1978
A concept album that transforms The War of the Worlds into an epic fusion of progressive rock, orchestral music, and spoken-word storytelling. Sweeping arrangements and dramatic narration create a cinematic experience...
A favourite since childhood.
#jeffwayne #waroftheworlds #conceptalbum #progressiverock #orchestralrock #vinyl #music #vinylrecords #nowspinningonvinyl #nowspinning #nowlistening
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Free download codes:
Coma Beach - I Won't Listen
"Coma Beach’s 'I Won’t Listen' cuts like shards of broken glass — four violent jolts of punk rock refusal and post-punk gloom."
#indierock #alternativerock #postpunk #dark #punkrock #poppunk #conceptalbum #angry #anthemic #philosophical #music
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𝕄ꌦꌚ✞ỉር Ⓜᗩ爪𝕭ꋬ – The Backrooms: A World Beneath Your Dreams
#Experimental #absract #backrooms #conceptalbum #dreammusic #experimentalelectronic #hauntology #liminalspace #omnigenre #plunderphonics #progvapor #story #vaporwave #videogame #weirdcore #Austin
CC BY (#CreativeCommons Attribution) #ccmusic
https://mysticmambavaporwave.bandcamp.com/album/the-backrooms-a-world-beneath-your-dreams -
New #review today: "For a band like #MajorParkinson, writing songs about the apocalypse is, one way or another, kind of what they do. Certainly not all of their music, going back to when I first encountered them on Blackbox (2018), is specifically about the catastrophic end of civilization, but you could describe their emotional impact as apocalyptic, even when the lyrics are about some kind of internal personal crisis. So here they are with the second chapter of their Valesa epic, started with Velvet Prison (2022), and it’s called Viva the Apocalypse!" #ExposeOnline #ProgressiveRock #ArtRock #ConceptAlbum http://expose.org/index.php/articles/display/major-parkinson-valesa-ii-viva-the-apocalypse-2.html
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Free download codes:
Arctic Plant - A Wandering Mind
"'A Wandering Mind' is a philosophical journey about belonging and arrival."
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Mountain Goats Release Album About Mountain Goats Albums
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Free download codes:
spaceseer - Feral Moon
"Dark Forest Doom Synth Concept Album from spaceseer"
#bandcampcodes #ambient #darkambient #electronica #psychedelicrock #metal #berlinschool #progressiverock #dungeonsynth #doommetal #experimentalelectronic #postmetal #progrock #conceptalbum #fantasysynth #sludgemetal #forestsynth #fantasyambient #kosmichemusik #music
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Released today 52 years ago:
🇬🇧 David Bowie "Diamond Dogs" – 1974
A dystopian and theatrical concept album inspired partly by Orwellian imagery and urban decay, the record unfolds like a post-apocalyptic stage production.
Bowie’s vocals are expressive and theatrical, shifting between menace, exhaustion, and swagger...#davidbowie #70smusic #glamrock #artrock #conceptalbum #classicrock #vinylcommunity #vinyl #music #vinylrecords #nowspinningonvinyl #nowspinning #nowlistening
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Vinylsonntag: @williamshatner - Seeking Major Tom (2011) 🇨🇦
#vinylsonntag #semmehorcht #vinylsunday #vinylmatinee #nowspinning #instavinyl #vinylcollection #vinylcommunity #recordcollector #recordcollection #vinyloninstagram #vinyllovers #spinningvinyl #vinyladdict #audiophile #rockmusic #classicrock #conceptalbum #spokenword #spacemusic #scifi #startrek #captainkirk #williamshatner #seekingmajortom #majortom #davidbowie #spaceoddity #cleopatrarecords #33rpm #3vinyls
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Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)
Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).
Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?
This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).
And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).
And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.
Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.
#1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa
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Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)
Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).
Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?
This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).
And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).
And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.
Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.
#1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa
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Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)
Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).
Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?
This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).
And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).
And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.
Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.
#1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa
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Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)
Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).
Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?
This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).
And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).
And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.
Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.
#1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Cuba #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #PuertoRico #salsa
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Orchestra Harlow – Hommy (A Latin Opera) (1973, Puerto Rico/Cuba/US)
Our next spotlight is on number 1039 on The List, submitted by myself (buffyleigh).
Ever wondered what an Afro-Caribbean/salsa version of The Who’s 1969 rock opera Tommy might sound like?
This is a recommendation via a recommendation, as it was found in a book suggested to me on Mastodon. The book: Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes, which covers 1973 to 1977 and the half-dozen genres that emerged in NYC at that time, including salsa. This album was mentioned in the first few pages and completely stalled me (full disclosure: I started this book in May 2024 and still haven’t finished, because every time I touch it I have another 5 or 10 new-to-me artists/albums to check out).
And, while we’re at it, full disclosure, part B: I heard this album *before* hearing (or seeing) Tommy for the first time. So, I had no expectations or knowledge of how close it was to the original. And, a year and a half later, I’m not sure I can comfortably comment on this. I did listen to Tommy directly after my first spin of Hommy, but, well, was weirded out by the gross stuff in that storyline, and so I’m only getting back to Tommy for a second spin right now, as I’m typing. I think it’s safe to say though that, rather than a faithful adaptation of Tommy by any means, Hommy is more of an ‘inspired by’ work with a similar narrative framework (e.g., the titular character is deaf and blind, and is a fantastic conga player) but all original songs with lyrics by Puerto Rican composer and singer Genaro “Heny” Álvarez (and without, afaik since I don’t speak Spanish, any of Tommy‘s creepy stuff).
And, as you may have guessed from the group name and title, a few more than just a quartet were involved in Hommy. Headed by American bandleader and producer Larry Harlow (aka “El Judío Maravilloso”), over 60 Puerto Rican, Cuban, and American musicians were in this Fania-released production, including the fabulous Cuban singer who would later be known as the “Queen of Salsa” Celia Cruz (as Gracia Divina, cf. Tommy‘s Acid Queen), José “Cheo” Feliciano, Justo Betancourt, Junior González, Tony Jimenez, Eddie “Guagua” Rivera, Adalberto Santiago, and Pete “El Conde” Rodríguez. With such a number of musicians creating a Latin opera full of spectacular singing, Afro-Caribbean percussion, horns, and strings, you’re sure to enjoy this, whether you know Tommy (or Spanish) or not. The opera also apparently ends with pleas to the forces that be to end suffering on Earth in general and that era’s war (Vietnam) in particular, which I can definitely get behind.
Fwiw, if I had to choose between the two operas, I’d choose Hommy every time.
#1970s #AfroCubanMusic #CeliaCruz #conceptAlbum #Fania #LarryHarlow #LatinMusic #ListenToThis #music #musicDiscovery #opera #OrchestraHarlow #OrquestaHarlow #salsa