#benthos — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #benthos, aggregated by home.social.
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Granted, it's pretty niche, but when a Google search for Paraleptopentacta elongata comes up with my #seasediment #painting for #convexseascapesurvey I'm pretty proud. Thanks to @ap3489.bsky.social for pointing it out. My offer for #invertefest 🧪🦑 #art #benthicinvertebrates #benthos #bluecarbon
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Granted, it's pretty niche, but when a Google search for Paraleptopentacta elongata comes up with my #seasediment #painting for #convexseascapesurvey I'm pretty proud. Thanks to @ap3489.bsky.social for pointing it out. My offer for #invertefest 🧪🦑 #art #benthicinvertebrates #benthos #bluecarbon
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Granted, it's pretty niche, but when a Google search for Paraleptopentacta elongata comes up with my #seasediment #painting for #convexseascapesurvey I'm pretty proud. Thanks to @ap3489.bsky.social for pointing it out. My offer for #invertefest 🧪🦑 #art #benthicinvertebrates #benthos #bluecarbon
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Granted, it's pretty niche, but when a Google search for Paraleptopentacta elongata comes up with my #seasediment #painting for #convexseascapesurvey I'm pretty proud. Thanks to @ap3489.bsky.social for pointing it out. My offer for #invertefest 🧪🦑 #art #benthicinvertebrates #benthos #bluecarbon
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Granted, it's pretty niche, but when a Google search for Paraleptopentacta elongata comes up with my #seasediment #painting for #convexseascapesurvey I'm pretty proud. Thanks to @ap3489.bsky.social for pointing it out. My offer for #invertefest 🧪🦑 #art #benthicinvertebrates #benthos #bluecarbon
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By Dear Hollow
It’s sexy when things you love collide with things you hate. My lust for mathcore is well-established – I go hard for that mind-numbing dyscalculic tinnitus any day – but if you put a slab of prog metal in front of me, I’m gonna go as flaccid as a gummy worm in a hot car faster than you can say “Wilderun.” That’s Benthos. The Italian collective slides a platter of progressive rock’s lush, ambivalent, and emotive movements alongside mathcore’s jagged edges and feral energy, and you’re guaranteed to find something you’ll love and hate – and get hot and bothered by. It’s core’s sellout and prog’s elitism personified in the dichotomy of the heavenly and hellish – yet in your divinely appointed and coarsely deadly free will, you decide which is which. In the words of the wisest, “yeet and yoink” with this particular Haken-themed hatefuck.
Benthos has been around since 2018, and gained recognition in their hometown of Milan by opening for The Contortionist and appearing in the Dissonance Festival in 2023. From Nothing is their debut full-length, although they released the ironically titled EP/mini-album II in 2021. Settled upon a foundation of lush melodies and evasive chord progressions before exploding into frantic Dillinger-inspired rhythm abuse, the act wavers between super serious and frantically silly, soulful cleans colliding haphazardly with demonic shrieks. From Nothing is ambitious in fusing two styles strangely congruous but also not at all, but in the end Benthos is exactly split down the middle, its arrhythmic beatdowns stealing the spotlight from masturbatory prog sections, blurring into some ambivalently erotic background.
First glances of Benthos are synth-heavy progressions and killer vocals. Gabriele Landillo has a formidable set of pipes, their post-hardcore-meets-Chino Moreno vibe lending a creeping sexiness (“Let Me Plunge,” “The Giant Child”) and a desperate belt that adds serious dynamic and show-stealing propensity (“From Nothing,” “Pure”), keeping the more uninteresting passages from descending into drearier monotony. Without careful listening, however, the proggier tracks blur together in a blurry pastel mesh in sprawling layered atmospheric rock tricks – serious synth on guitar action – with interspersed chuggy portions, feeling like a less nuanced songwriting a la (recent) The Contortionist or The Fall of Troy. Speaking of your favorite dark romance crooner Chino, From Nothing feels quite a bit like Deftones’ Gore in its decision to put include metal as a mere monument marker on the jaded journey to the pits of prog – ultimately, a bit of a cockblock. Benthos mixing is likewise stellar, Alberto Fiorani’s dummy thicc bass as audible as the cheek-clapping guitars and slamming drums.
Of its two audio halves, Benthos’ more chaotic mathcore attacks offer the best listening experience. After the vastly longwinded four-song introductory blur, the intro to “As a Cordyceps” introduces what makes From Nothing worth a bit more. Practically brimming with energy, the mathcore technicality and hardcore intensity finally kick in. This continues into the easy highlights that dispense the prog fluff into something that feels cutthroat and quirky, wonky leads weaponized with nimble and mind-bending rhythms (“Fossil,” “Athletic Worms,” “Perpetual Drone Monkeys”). These give Benthos more breathing room when the proggy sensibilities raise their ill-smelling feet, offering nuance to otherwise unwelcoming rooms. These also incorporate more of these chunkier vibes into more mundane moments, letting the rhythms inject a tasteful – albeit short-lived – dose of intensity (“The Giant Child,” “Pure”).
The best and worst part about From Nothing is that Benthos manages to sound both bored to tears and absolutely apeshit depending on which part you tune into. Its moments of unhinged insanity are too few and far between to warrant consistency or balance… or a solid recommendation. But if you’re like Dolphin Whisperer and like your music hot and heavy, while disrobing From Nothing’s many sexy layers and textured sprawls, take a cold shower before venturing out to pick up a copy.1 Benthos offers promise with the softness for the foreplay and the vigor for the penetration, but From Nothing has difficulty keeping it up across its forty-five minute runtime with too-long portions of pretty monotony2 and excessive indulgence,3 but armed with a vocalist both sexy and devastating and an instrumental presence as bonkers as it is patient… goddammit, I need a cold shower now.4
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Inside Out Music
Websites: benthosmusic.bandcamp.com | benthos-band.com | facebook.com/benthosbandofficial
Releases Worldwide: April 11th, 2025#25 #2025 #Apr25 #Benthos #Deftones #FromNothing #Haken #InsideOutMusic #ItalianMetal #Mathcore #ProgressiveMetal #ProgressiveRock #Review #Reviews #TheContortionist #TheDillingerEscapePlan #TheFallOfTroy #Wilderun
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By Dear Hollow
It’s sexy when things you love collide with things you hate. My lust for mathcore is well-established – I go hard for that mind-numbing dyscalculic tinnitus any day – but if you put a slab of prog metal in front of me, I’m gonna go as flaccid as a gummy worm in a hot car faster than you can say “Wilderun.” That’s Benthos. The Italian collective slides a platter of progressive rock’s lush, ambivalent, and emotive movements alongside mathcore’s jagged edges and feral energy, and you’re guaranteed to find something you’ll love and hate – and get hot and bothered by. It’s core’s sellout and prog’s elitism personified in the dichotomy of the heavenly and hellish – yet in your divinely appointed and coarsely deadly free will, you decide which is which. In the words of the wisest, “yeet and yoink” with this particular Haken-themed hatefuck.
Benthos has been around since 2018, and gained recognition in their hometown of Milan by opening for The Contortionist and appearing in the Dissonance Festival in 2023. From Nothing is their debut full-length, although they released the ironically titled EP/mini-album II in 2021. Settled upon a foundation of lush melodies and evasive chord progressions before exploding into frantic Dillinger-inspired rhythm abuse, the act wavers between super serious and frantically silly, soulful cleans colliding haphazardly with demonic shrieks. From Nothing is ambitious in fusing two styles strangely congruous but also not at all, but in the end Benthos is exactly split down the middle, its arrhythmic beatdowns stealing the spotlight from masturbatory prog sections, blurring into some ambivalently erotic background.
First glances of Benthos are synth-heavy progressions and killer vocals. Gabriele Landillo has a formidable set of pipes, their post-hardcore-meets-Chino Moreno vibe lending a creeping sexiness (“Let Me Plunge,” “The Giant Child”) and a desperate belt that adds serious dynamic and show-stealing propensity (“From Nothing,” “Pure”), keeping the more uninteresting passages from descending into drearier monotony. Without careful listening, however, the proggier tracks blur together in a blurry pastel mesh in sprawling layered atmospheric rock tricks – serious synth on guitar action – with interspersed chuggy portions, feeling like a less nuanced songwriting a la (recent) The Contortionist or The Fall of Troy. Speaking of your favorite dark romance crooner Chino, From Nothing feels quite a bit like Deftones’ Gore in its decision to put include metal as a mere monument marker on the jaded journey to the pits of prog – ultimately, a bit of a cockblock. Benthos mixing is likewise stellar, Alberto Fiorani’s dummy thicc bass as audible as the cheek-clapping guitars and slamming drums.
Of its two audio halves, Benthos’ more chaotic mathcore attacks offer the best listening experience. After the vastly longwinded four-song introductory blur, the intro to “As a Cordyceps” introduces what makes From Nothing worth a bit more. Practically brimming with energy, the mathcore technicality and hardcore intensity finally kick in. This continues into the easy highlights that dispense the prog fluff into something that feels cutthroat and quirky, wonky leads weaponized with nimble and mind-bending rhythms (“Fossil,” “Athletic Worms,” “Perpetual Drone Monkeys”). These give Benthos more breathing room when the proggy sensibilities raise their ill-smelling feet, offering nuance to otherwise unwelcoming rooms. These also incorporate more of these chunkier vibes into more mundane moments, letting the rhythms inject a tasteful – albeit short-lived – dose of intensity (“The Giant Child,” “Pure”).
The best and worst part about From Nothing is that Benthos manages to sound both bored to tears and absolutely apeshit depending on which part you tune into. Its moments of unhinged insanity are too few and far between to warrant consistency or balance… or a solid recommendation. But if you’re like Dolphin Whisperer and like your music hot and heavy, while disrobing From Nothing’s many sexy layers and textured sprawls, take a cold shower before venturing out to pick up a copy.1 Benthos offers promise with the softness for the foreplay and the vigor for the penetration, but From Nothing has difficulty keeping it up across its forty-five minute runtime with too-long portions of pretty monotony2 and excessive indulgence,3 but armed with a vocalist both sexy and devastating and an instrumental presence as bonkers as it is patient… goddammit, I need a cold shower now.4
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Inside Out Music
Websites: benthosmusic.bandcamp.com | benthos-band.com | facebook.com/benthosbandofficial
Releases Worldwide: April 11th, 2025#25 #2025 #Apr25 #Benthos #Deftones #FromNothing #Haken #InsideOutMusic #ItalianMetal #Mathcore #ProgressiveMetal #ProgressiveRock #Review #Reviews #TheContortionist #TheDillingerEscapePlan #TheFallOfTroy #Wilderun
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By Dear Hollow
It’s sexy when things you love collide with things you hate. My lust for mathcore is well-established – I go hard for that mind-numbing dyscalculic tinnitus any day – but if you put a slab of prog metal in front of me, I’m gonna go as flaccid as a gummy worm in a hot car faster than you can say “Wilderun.” That’s Benthos. The Italian collective slides a platter of progressive rock’s lush, ambivalent, and emotive movements alongside mathcore’s jagged edges and feral energy, and you’re guaranteed to find something you’ll love and hate – and get hot and bothered by. It’s core’s sellout and prog’s elitism personified in the dichotomy of the heavenly and hellish – yet in your divinely appointed and coarsely deadly free will, you decide which is which. In the words of the wisest, “yeet and yoink” with this particular Haken-themed hatefuck.
Benthos has been around since 2018, and gained recognition in their hometown of Milan by opening for The Contortionist and appearing in the Dissonance Festival in 2023. From Nothing is their debut full-length, although they released the ironically titled EP/mini-album II in 2021. Settled upon a foundation of lush melodies and evasive chord progressions before exploding into frantic Dillinger-inspired rhythm abuse, the act wavers between super serious and frantically silly, soulful cleans colliding haphazardly with demonic shrieks. From Nothing is ambitious in fusing two styles strangely congruous but also not at all, but in the end Benthos is exactly split down the middle, its arrhythmic beatdowns stealing the spotlight from masturbatory prog sections, blurring into some ambivalently erotic background.
First glances of Benthos are synth-heavy progressions and killer vocals. Gabriele Landillo has a formidable set of pipes, their post-hardcore-meets-Chino Moreno vibe lending a creeping sexiness (“Let Me Plunge,” “The Giant Child”) and a desperate belt that adds serious dynamic and show-stealing propensity (“From Nothing,” “Pure”), keeping the more uninteresting passages from descending into drearier monotony. Without careful listening, however, the proggier tracks blur together in a blurry pastel mesh in sprawling layered atmospheric rock tricks – serious synth on guitar action – with interspersed chuggy portions, feeling like a less nuanced songwriting a la (recent) The Contortionist or The Fall of Troy. Speaking of your favorite dark romance crooner Chino, From Nothing feels quite a bit like Deftones’ Gore in its decision to put include metal as a mere monument marker on the jaded journey to the pits of prog – ultimately, a bit of a cockblock. Benthos mixing is likewise stellar, Alberto Fiorani’s dummy thicc bass as audible as the cheek-clapping guitars and slamming drums.
Of its two audio halves, Benthos’ more chaotic mathcore attacks offer the best listening experience. After the vastly longwinded four-song introductory blur, the intro to “As a Cordyceps” introduces what makes From Nothing worth a bit more. Practically brimming with energy, the mathcore technicality and hardcore intensity finally kick in. This continues into the easy highlights that dispense the prog fluff into something that feels cutthroat and quirky, wonky leads weaponized with nimble and mind-bending rhythms (“Fossil,” “Athletic Worms,” “Perpetual Drone Monkeys”). These give Benthos more breathing room when the proggy sensibilities raise their ill-smelling feet, offering nuance to otherwise unwelcoming rooms. These also incorporate more of these chunkier vibes into more mundane moments, letting the rhythms inject a tasteful – albeit short-lived – dose of intensity (“The Giant Child,” “Pure”).
The best and worst part about From Nothing is that Benthos manages to sound both bored to tears and absolutely apeshit depending on which part you tune into. Its moments of unhinged insanity are too few and far between to warrant consistency or balance… or a solid recommendation. But if you’re like Dolphin Whisperer and like your music hot and heavy, while disrobing From Nothing’s many sexy layers and textured sprawls, take a cold shower before venturing out to pick up a copy.1 Benthos offers promise with the softness for the foreplay and the vigor for the penetration, but From Nothing has difficulty keeping it up across its forty-five minute runtime with too-long portions of pretty monotony2 and excessive indulgence,3 but armed with a vocalist both sexy and devastating and an instrumental presence as bonkers as it is patient… goddammit, I need a cold shower now.4
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Inside Out Music
Websites: benthosmusic.bandcamp.com | benthos-band.com | facebook.com/benthosbandofficial
Releases Worldwide: April 11th, 2025#25 #2025 #Apr25 #Benthos #Deftones #FromNothing #Haken #InsideOutMusic #ItalianMetal #Mathcore #ProgressiveMetal #ProgressiveRock #Review #Reviews #TheContortionist #TheDillingerEscapePlan #TheFallOfTroy #Wilderun
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By Dear Hollow
It’s sexy when things you love collide with things you hate. My lust for mathcore is well-established – I go hard for that mind-numbing dyscalculic tinnitus any day – but if you put a slab of prog metal in front of me, I’m gonna go as flaccid as a gummy worm in a hot car faster than you can say “Wilderun.” That’s Benthos. The Italian collective slides a platter of progressive rock’s lush, ambivalent, and emotive movements alongside mathcore’s jagged edges and feral energy, and you’re guaranteed to find something you’ll love and hate – and get hot and bothered by. It’s core’s sellout and prog’s elitism personified in the dichotomy of the heavenly and hellish – yet in your divinely appointed and coarsely deadly free will, you decide which is which. In the words of the wisest, “yeet and yoink” with this particular Haken-themed hatefuck.
Benthos has been around since 2018, and gained recognition in their hometown of Milan by opening for The Contortionist and appearing in the Dissonance Festival in 2023. From Nothing is their debut full-length, although they released the ironically titled EP/mini-album II in 2021. Settled upon a foundation of lush melodies and evasive chord progressions before exploding into frantic Dillinger-inspired rhythm abuse, the act wavers between super serious and frantically silly, soulful cleans colliding haphazardly with demonic shrieks. From Nothing is ambitious in fusing two styles strangely congruous but also not at all, but in the end Benthos is exactly split down the middle, its arrhythmic beatdowns stealing the spotlight from masturbatory prog sections, blurring into some ambivalently erotic background.
First glances of Benthos are synth-heavy progressions and killer vocals. Gabriele Landillo has a formidable set of pipes, their post-hardcore-meets-Chino Moreno vibe lending a creeping sexiness (“Let Me Plunge,” “The Giant Child”) and a desperate belt that adds serious dynamic and show-stealing propensity (“From Nothing,” “Pure”), keeping the more uninteresting passages from descending into drearier monotony. Without careful listening, however, the proggier tracks blur together in a blurry pastel mesh in sprawling layered atmospheric rock tricks – serious synth on guitar action – with interspersed chuggy portions, feeling like a less nuanced songwriting a la (recent) The Contortionist or The Fall of Troy. Speaking of your favorite dark romance crooner Chino, From Nothing feels quite a bit like Deftones’ Gore in its decision to put include metal as a mere monument marker on the jaded journey to the pits of prog – ultimately, a bit of a cockblock. Benthos mixing is likewise stellar, Alberto Fiorani’s dummy thicc bass as audible as the cheek-clapping guitars and slamming drums.
Of its two audio halves, Benthos’ more chaotic mathcore attacks offer the best listening experience. After the vastly longwinded four-song introductory blur, the intro to “As a Cordyceps” introduces what makes From Nothing worth a bit more. Practically brimming with energy, the mathcore technicality and hardcore intensity finally kick in. This continues into the easy highlights that dispense the prog fluff into something that feels cutthroat and quirky, wonky leads weaponized with nimble and mind-bending rhythms (“Fossil,” “Athletic Worms,” “Perpetual Drone Monkeys”). These give Benthos more breathing room when the proggy sensibilities raise their ill-smelling feet, offering nuance to otherwise unwelcoming rooms. These also incorporate more of these chunkier vibes into more mundane moments, letting the rhythms inject a tasteful – albeit short-lived – dose of intensity (“The Giant Child,” “Pure”).
The best and worst part about From Nothing is that Benthos manages to sound both bored to tears and absolutely apeshit depending on which part you tune into. Its moments of unhinged insanity are too few and far between to warrant consistency or balance… or a solid recommendation. But if you’re like Dolphin Whisperer and like your music hot and heavy, while disrobing From Nothing’s many sexy layers and textured sprawls, take a cold shower before venturing out to pick up a copy.1 Benthos offers promise with the softness for the foreplay and the vigor for the penetration, but From Nothing has difficulty keeping it up across its forty-five minute runtime with too-long portions of pretty monotony2 and excessive indulgence,3 but armed with a vocalist both sexy and devastating and an instrumental presence as bonkers as it is patient… goddammit, I need a cold shower now.4
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Inside Out Music
Websites: benthosmusic.bandcamp.com | benthos-band.com | facebook.com/benthosbandofficial
Releases Worldwide: April 11th, 2025#25 #2025 #Apr25 #Benthos #Deftones #FromNothing #Haken #InsideOutMusic #ItalianMetal #Mathcore #ProgressiveMetal #ProgressiveRock #Review #Reviews #TheContortionist #TheDillingerEscapePlan #TheFallOfTroy #Wilderun
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Bellissimo brano, ma soprattutto bellissimo video
Riflettevo che oggi a livello estetico è diventato quasi #rivoluzionario mettere una donna che faccia #danzacontemporanea in un video, e la cosa mi lascia perplesso
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Bellissimo brano, ma soprattutto bellissimo video
Riflettevo che oggi a livello estetico è diventato quasi #rivoluzionario mettere una donna che faccia #danzacontemporanea in un video, e la cosa mi lascia perplesso
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Bellissimo brano, ma soprattutto bellissimo video
Riflettevo che oggi a livello estetico è diventato quasi #rivoluzionario mettere una donna che faccia #danzacontemporanea in un video, e la cosa mi lascia perplesso
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Bellissimo brano, ma soprattutto bellissimo video
Riflettevo che oggi a livello estetico è diventato quasi #rivoluzionario mettere una donna che faccia #danzacontemporanea in un video, e la cosa mi lascia perplesso
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Bellissimo brano, ma soprattutto bellissimo video
Riflettevo che oggi a livello estetico è diventato quasi #rivoluzionario mettere una donna che faccia #danzacontemporanea in un video, e la cosa mi lascia perplesso
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A better approach is to use message queues, and we'll explore how to implement this on #Kubernetes, without writing code, thanks to the amazing message processing tool #Benthos.
We'll also sprinkle some #Helmfiles on that to demonstrate how to package the entire application and all its components, making deployment and redeployment seamless.
2/3
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I don't use Benthos, but @richardartoul shares in his blog that in the hours after Redpanda acquired #Benthos #opensource it "began transitioning it to a proprietary software model".
Which led @warpstream_labs to fork it.
Another FOSS turning to the dark side? Curious to hear more
https://medium.com/@warpstream/announcing-bento-the-open-source-fork-of-the-project-formerly-known-as-benthos-e01a4b9a7aa8
#relicensing #kafka #streaming -
Découvrez six animaux fascinants qui vivent au fond du fleuve Saint-Laurent !
▶️ Exemple : "le quahog nordique (Arctica islandica) est l’animal ayant la plus longue espérance de vie au monde. [...] Le quahog nordique peut vivre facilement jusqu’à 200 ans, mais le plus vieux spécimen, répertorié en Islande, avait 507 ans.
https://theconversation.com/decouvrez-six-animaux-fascinants-qui-vivent-au-fond-du-fleuve-saint-laurent-189941
#zoologie #animaux #fleuve #science #nature #eau #mer #benthos #écologie -
I’ve added a new plugin “country” to my open source geo-benthos #benthos extension, it can enrich any kind of stream with a coordinates to a country #gis, https://github.com/akhenakh/geo-benthos#get-the-country-for-a-latitude-and-longitude
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Benthos v4.12.0 is out. Contributed an asdf installer. Looking good … #opensource #benthos #golang https://twitter.com/MihaiTodor/status/1628724176604332034
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I am very pleased to share that I will be presenting my talk "An Introduction to #Benthos" at DevDays Europe 2023!
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And here's a generic #http Server-Sent Events parser written for #Benthos:
https://gist.github.com/choult/5c0c0df58f3137af5838800c39d182b6
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I created a really simple #Benthos config to process #Mastodon's HTTP SSE streams into a #firehose:
https://gist.github.com/choult/e2b5fef750fc26064e62d2a543b4534f
Could do with more work to expand to SSE, but it's a good start!
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The video for my talk "An Introduction to #Benthos" at #Uptime2022 has been published!
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Interesting article about the why & how of migrating from #ApacheFlume to #Benthos for streaming data from #ApacheKafka to #GCS
(h/t @mihaitodor)
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@stephanbuys it was only a matter of time before someone did this in rust 💪.
I've been working a little bit on #buz buz.dev which feels like it has some overlap. #benthos benthos.dev and memphis.dev does too.
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Goedemorgen #oceaanplaneet. Het is onze 2de dag hier - tijd om ons voor te stellen.
NIOZ is het nationaal #oceanografisch instituut, gelocaliseerd op #Texel en in #Yerseke. Onze onderzoekers werken aan fundamentele vragen rond #biodiversiteit en #klimaatverandering, door onderzoek te doen aan #trekvogels #Noordzee #Waddenzee #oceaan #zee #bouwenmetnatuur #kustverdediging #benthos #oceaanstromen #schorren #kwelders #diepzeemijnbouw #diepzee #microbiologie. We beheren ook de NL onderzoeksschepen. -
Goedemorgen #oceaanplaneet. Het is onze 2de dag hier - tijd om ons voor te stellen.
NIOZ is het nationaal #oceanografisch instituut, gelocaliseerd op #Texel en in #Yerseke. Onze onderzoekers werken aan fundamentele vragen rond #biodiversiteit en #klimaatverandering, door onderzoek te doen aan #trekvogels #Noordzee #Waddenzee #oceaan #zee #bouwenmetnatuur #kustverdediging #benthos #oceaanstromen #schorren #kwelders #diepzeemijnbouw #diepzee #microbiologie. We beheren ook de NL onderzoeksschepen. -
Goedemorgen #oceaanplaneet. Het is onze 2de dag hier - tijd om ons voor te stellen.
NIOZ is het nationaal #oceanografisch instituut, gelocaliseerd op #Texel en in #Yerseke. Onze onderzoekers werken aan fundamentele vragen rond #biodiversiteit en #klimaatverandering, door onderzoek te doen aan #trekvogels #Noordzee #Waddenzee #oceaan #zee #bouwenmetnatuur #kustverdediging #benthos #oceaanstromen #schorren #kwelders #diepzeemijnbouw #diepzee #microbiologie. We beheren ook de NL onderzoeksschepen. -
Good morning #oceanplanet. It's our second day here and time to introduce ourselves.
We are the national #oceanographic institute of the Netherlands, based on #Texel island and in #Yerseke. Our researchers work on fundamental questions about #biodiversity and #climatechange, by researching #migratorybirds #NorthSea #WaddenSea #buildingwithnature #coastalprotection #benthos #oceancurrents #saltmarshes #wetlands #deepseamining #deepsea #microbiology . We also host the Dutch research vessels.
