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297 results for “TDreher”

  1. Kraynik, Ted: Synergic Light Buoys, 1968. Drawing. In 1968 Ted Kraynik planned to install buoys with lights in the harbor of Boston, which were to react to the number of telephone calls, to the street and subway traffic, and to the consumption of gas and power. More informations in: Dreher, Thomas: Lichtraum - Kunstraum - Stadtraum (1993), p.31f. PDF: dreher.netzliteratur.net/4_Lic #kraynikted #tedkraynik #thomasdreher #lightinstallation #electronicart #electroniarts #environmentart #synergicart

  2. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag

  3. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

  4. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

  5. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

  6. John Baldessari: Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. B&w photograph with montage on cardboard. The Nelson-Atkins Museum of Art, Kansas City. © Marion Goodman Gallery, New York. More Informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: dreher.netzliteratur.net/8_Kon

  7. John Baldessari: Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. B&w photograph with montage on cardboard. The Nelson-Atkins Museum of Art, Kansas City. © Marion Goodman Gallery, New York. More Informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: dreher.netzliteratur.net/8_Kon #johnbaldessari #thomasdreher #photomontage #conceptualart #conceptualartist #conceptualartists #conceptartwork #montage #filmstill

  8. Gruppe/Group Spur: Spurbahn, 1963. Lenbachhaus, Munich. More informations: Dreher, Thomas: Zwischen Kunst und Lebensform. Von den Lettristen zu den Situationisten. In: neue bildende kunst, Nr.6/1992, p.13,15. PDF: dreher.netzliteratur.net/1_SI. #gruppespur #hpzimmer #lotharfischer #lenbachhaus #lenbachhausmünchen #lenbachhausmunich #thespurgroup #groupspur #thomasdreher #heimradprem #helmutspur

  9. Sol LeWitt: Watercolour, 1984. Watercolor and pencil. More informations about the series "Forms derived from a Cube": Dreher, Thomas: The two series "Forms derived from a Cube" and "Pyramids". In: Artefactum, Nr.16, November-December 1987, p.2-6. PDF: dreher.netzliteratur.net/3_LeW