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297 results for “TDreher”
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Friese, Holger: unendlich, fast..., 1995. Web project (screenshot 2010). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #holgerfriese #thomasdreher #htmlart #netart #netartist #netartists #netartwork #netartworks #webart #webartwork #webartworks #WebArtists #webartist #ninetiesart
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John Baldessari: Brutus Killed Caesar, 1976. book with spiral binding, b/w offset print, 35 pages. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #fotomontage #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #conceptartworks #conceptualart #conceptualartwork #conceptualartworks #conceptualartist #conceptualartists #allegoricmontage #allegoricalmontage
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John Baldessari: Brutus Killed Caesar, 1976. book with spiral binding, b/w offset print, 35 pages. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #fotomontage #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #conceptartworks #conceptualart #conceptualartwork #conceptualartworks #conceptualartist #conceptualartists #allegoricmontage #allegoricalmontage
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Otto Mühl: Gerümpelskulpturen/junk sculptures, Blutorgel, Vienna, Perinetkeller, 1962. More informations: Dreher, Thomas: Aktionstheater als Provokation, chapter Kadaver, ab 1962. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #ottomuehl #ottomühl #thomasdreher #viennaactionism #wieneraktionismus #blutorgel #installationart #expandedsculpture #sculptureexpanded #viennaart #viennaartist #sixtiesart #sixtiesartwork #austrianart #austrianartists #austrianartist #artsixties #artinthesixties #sixtiessculpture
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Otto Mühl: Gerümpelskulpturen/junk sculptures, Blutorgel, Vienna, Perinetkeller, 1962. More informations: Dreher, Thomas: Aktionstheater als Provokation, chapter Kadaver, ab 1962. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #ottomuehl #ottomühl #thomasdreher #viennaactionism #wieneraktionismus #blutorgel #installationart #expandedsculpture #sculptureexpanded #viennaart #viennaartist #sixtiesart #sixtiesartwork #austrianart #austrianartists #austrianartist #artsixties #artinthesixties #sixtiessculpture
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Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart
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Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart
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Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks
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Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks
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Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks
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Ken Goldberg: The Telegarden, 1995. Ars Electronica Center, Linz, September 1996 (right) and September 1998 (left). More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons in Netart (2000). Internet: http://www.iasl.uni-muenchen.de/links/lektion5.html #kengoldberg #telepresence #telepresenceart #thomasdreher #netart #netartist #netartists #netartworks #telepresenceartist #telepresenceartists
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Ken Goldberg: The Telegarden, 1995. Ars Electronica Center, Linz, September 1996 (right) and September 1998 (left). More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons in Netart (2000). Internet: http://www.iasl.uni-muenchen.de/links/lektion5.html #kengoldberg #telepresence #telepresenceart #thomasdreher #netart #netartist #netartists #netartworks #telepresenceartist #telepresenceartists
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Ken Goldberg: The Telegarden, 1995. Ars Electronica Center, Linz, September 1996 (right) and September 1998 (left). More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons in Netart (2000). Internet: http://www.iasl.uni-muenchen.de/links/lektion5.html #kengoldberg #telepresence #telepresenceart #thomasdreher #netart #netartist #netartists #netartworks #telepresenceartist #telepresenceartists
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Ken Goldberg: The Telegarden, 1995. Ars Electronica Center, Linz, September 1996 (right) and September 1998 (left). More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons in Netart (2000). Internet: http://www.iasl.uni-muenchen.de/links/lektion5.html #kengoldberg #telepresence #telepresenceart #thomasdreher #netart #netartist #netartists #netartworks #telepresenceartist #telepresenceartists
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RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks
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John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: http://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic
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Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists
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Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations
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Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations
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Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations
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Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart
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Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart
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Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart
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Woody Vasulka: C-Trend, video, 1974. More Informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #woodyvasulka #vasulkas #thevasulkas #thomasdreher #videoart #videoartist #videoartists #videosythesizer #videosynthesizers #ruttetra #ruttetrasynthesizer #ruttetrasynthesizers #videoworks #videoartwork #videoartworks
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Woody Vasulka: C-Trend, video, 1974. More Informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #woodyvasulka #vasulkas #thevasulkas #thomasdreher #videoart #videoartist #videoartists #videosythesizer #videosynthesizers #ruttetra #ruttetrasynthesizer #ruttetrasynthesizers #videoworks #videoartwork #videoartworks
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Raphael Montañez Ortiz: The Kiss, 1985. Video. More informations: Dreher, Thomas: Destruktionskunst für und in selbstinstituierender Gesellschaft, chapter Computer und Video. Internet: https://dreher.netzliteratur.net/2_Performance_Ortiz_Text.html #raphaelmontañezortiz #raphaelmontanezortiz #raphaelmontañezortíz #thomasdreher #videoart #videoartist #videoartists #videoartwork #videoartworks #videoeighties #computeranimation #computeranimationarts #computeranimationarts #computerart #computerarts #computerartwork #computerartworks
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Raphael Montañez Ortiz: The Kiss, 1985. Video. More informations: Dreher, Thomas: Destruktionskunst für und in selbstinstituierender Gesellschaft, chapter Computer und Video. Internet: https://dreher.netzliteratur.net/2_Performance_Ortiz_Text.html #raphaelmontañezortiz #raphaelmontanezortiz #raphaelmontañezortíz #thomasdreher #videoart #videoartist #videoartists #videoartwork #videoartworks #videoeighties #computeranimation #computeranimationarts #computeranimationarts #computerart #computerarts #computerartwork #computerartworks
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Beck, Stephen/Jepson, Warner: Illuminated Music 2 & 3, video documentation of a PBS broadcast (Public Broadcasting Service), 1973. Left: Beck's visualisation of Jepson's music. Right: Beck at the Direct Video Synthesizer. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #stephenbeck #warnerjepson #videosynthesizer #videosynthesizers #artoftheseventies #seventiesart #seventiesartwork #videoart #videoartist #videoartists
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Beck, Stephen/Jepson, Warner: Illuminated Music 2 & 3, video documentation of a PBS broadcast (Public Broadcasting Service), 1973. Left: Beck's visualisation of Jepson's music. Right: Beck at the Direct Video Synthesizer. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #stephenbeck #warnerjepson #videosynthesizer #videosynthesizers #artoftheseventies #seventiesart #seventiesartwork #videoart #videoartist #videoartists
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Kraynik, Ted: Synergic Light Buoys, 1968. Drawing. In 1968 Ted Kraynik planned to install buoys with lights in the harbor of Boston, which were to react to the number of telephone calls, to the street and subway traffic, and to the consumption of gas and power. More informations in: Dreher, Thomas: Lichtraum - Kunstraum - Stadtraum (1993), p.31f. PDF: https://dreher.netzliteratur.net/4_Lichtraum.pdf #kraynikted #tedkraynik #thomasdreher #lightinstallation #electronicart #electroniarts #environmentart #synergicart