“Flip_Switch” — Fediverse search results on home.social

🧿ᎷᎥᎴⁿⁱᵍʰᵗ ᗯᗩTEᖇ🇨🇦 @[email protected] · 2026-04-05 · 19:32 UTC

Pull out my flip-flops, cause it'll be 17°C (just over 60°F). Put some sunscreen on, cause I'm getting more prone to sunburns, with aging. My sunburns aren't that noticeable. They still hurt 🫠 Anyway, I get more brown w/sunscreen 🥰 Bonus✨️ #selfcaresunday #mindfulness

#selfcaresunday #mindfulness

Psychozoic Era @[email protected] · 2024-11-29 · 23:34 UTC

Your mindset is the remote control, your energy is the channel. If you’re still watching ‘Doubt and Fear’ reruns, maybe it’s time to flip the frequency. #VibrateHigher #NoMoreLowVibes

#vibratehigher #nomorelowvibes

Psychozoic Era @[email protected] · 2024-11-29 · 23:34 UTC

Your mindset is the remote control, your energy is the channel. If you’re still watching ‘Doubt and Fear’ reruns, maybe it’s time to flip the frequency. #VibrateHigher #NoMoreLowVibes

#vibratehigher #nomorelowvibes

Psychozoic Era @[email protected] · 2024-11-29 · 23:34 UTC

Your mindset is the remote control, your energy is the channel. If you’re still watching ‘Doubt and Fear’ reruns, maybe it’s time to flip the frequency. #VibrateHigher #NoMoreLowVibes

#nomorelowvibes #vibratehigher

Psychozoic Era @[email protected] · 2024-11-29 · 23:34 UTC

Your mindset is the remote control, your energy is the channel. If you’re still watching ‘Doubt and Fear’ reruns, maybe it’s time to flip the frequency. #VibrateHigher #NoMoreLowVibes

#vibratehigher #nomorelowvibes

Emberhart @[email protected] · 2026-02-12 · 10:40 UTC

100 000 Years to Coinflip 1/10 What if we keep trying? Not a sure win—that’s impossible—but just a coin flip, a 50–50 chance. 🎯 #Emberhart #CoinFlipOdds #LongGame

#emberhart #coinflipodds #longgame

Angry Metal Guy @[email protected] · 2026-02-05 · 21:12 UTC

Dyed in Grey – Harbinger Review By ClarkKent

For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018’s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey’s roots with a more honed vision from founder Adam Edgemont.

Unlike Soen’s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There’s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track “Sunbird” and the first few minutes of “Ascent,” where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of ’90s grunge, with “Silent Symmetry” taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; “Mirrored Ruins” in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.

Descent by Dyed In Grey

Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth’s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. “Static Tides” best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, “Descent” plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don’t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (“Ascent,” “Silent Symmetry”) and catchier passages, such as the chorus of “Tempest,” repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.

As much as there is to enjoy, there’s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey’s strengths. The vocal performances, particularly the cleans, also leave something to be desired.1 The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band’s sound fit in with their rugged character, yet there’s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.

What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don’t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont’s songwriting. This proves to be a pretty cool amalgamation of styles that doesn’t play it safe yet feels assured in its performances and compositions.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp | Facebook
Releases Worldwide: January 23rd, 2026

#2026 #30 #AliceInChains #AmericanMetal #DeathMetal #Dvne #DyedInGrey #Harbinger #Iotunn #Jan26 #Opeth #ProgressiveDeathMetal #ProgressiveMetal #Review #Reviews #SelfReleased #Soen #Tómarúm #Weezer

#aliceinchains #americanmetal #deathmetal #dvne #dyedingrey #harbinger

Angry Metal Guy @[email protected] · 2026-02-05 · 21:12 UTC

Dyed in Grey – Harbinger Review By ClarkKent

For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018’s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey’s roots with a more honed vision from founder Adam Edgemont.

Unlike Soen’s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There’s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track “Sunbird” and the first few minutes of “Ascent,” where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of ’90s grunge, with “Silent Symmetry” taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; “Mirrored Ruins” in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.

Descent by Dyed In Grey

Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth’s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. “Static Tides” best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, “Descent” plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don’t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (“Ascent,” “Silent Symmetry”) and catchier passages, such as the chorus of “Tempest,” repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.

As much as there is to enjoy, there’s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey’s strengths. The vocal performances, particularly the cleans, also leave something to be desired.1 The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band’s sound fit in with their rugged character, yet there’s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.

What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don’t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont’s songwriting. This proves to be a pretty cool amalgamation of styles that doesn’t play it safe yet feels assured in its performances and compositions.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp | Facebook
Releases Worldwide: January 23rd, 2026

#2026 #30 #AliceInChains #AmericanMetal #DeathMetal #Dvne #DyedInGrey #Harbinger #Iotunn #Jan26 #Opeth #ProgressiveDeathMetal #ProgressiveMetal #Review #Reviews #SelfReleased #Soen #Tómarúm #Weezer

#aliceinchains #americanmetal #deathmetal #dvne #dyedingrey #harbinger

Angry Metal Guy @[email protected] · 2026-02-05 · 21:12 UTC

Dyed in Grey – Harbinger Review By ClarkKent

For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018’s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey’s roots with a more honed vision from founder Adam Edgemont.

Unlike Soen’s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There’s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track “Sunbird” and the first few minutes of “Ascent,” where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of ’90s grunge, with “Silent Symmetry” taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; “Mirrored Ruins” in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.

Descent by Dyed In Grey

Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth’s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. “Static Tides” best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, “Descent” plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don’t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (“Ascent,” “Silent Symmetry”) and catchier passages, such as the chorus of “Tempest,” repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.

As much as there is to enjoy, there’s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey’s strengths. The vocal performances, particularly the cleans, also leave something to be desired.1 The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band’s sound fit in with their rugged character, yet there’s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.

What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don’t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont’s songwriting. This proves to be a pretty cool amalgamation of styles that doesn’t play it safe yet feels assured in its performances and compositions.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp | Facebook
Releases Worldwide: January 23rd, 2026

#2026 #30 #AliceInChains #AmericanMetal #DeathMetal #Dvne #DyedInGrey #Harbinger #Iotunn #Jan26 #Opeth #ProgressiveDeathMetal #ProgressiveMetal #Review #Reviews #SelfReleased #Soen #Tómarúm #Weezer

#aliceinchains #americanmetal #deathmetal #dvne #dyedingrey #harbinger

Angry Metal Guy @[email protected] · 2026-02-05 · 21:12 UTC

Dyed in Grey – Harbinger Review By ClarkKent

For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018’s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey’s roots with a more honed vision from founder Adam Edgemont.

Unlike Soen’s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There’s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track “Sunbird” and the first few minutes of “Ascent,” where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of ’90s grunge, with “Silent Symmetry” taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; “Mirrored Ruins” in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.

Descent by Dyed In Grey

Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth’s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. “Static Tides” best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, “Descent” plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don’t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (“Ascent,” “Silent Symmetry”) and catchier passages, such as the chorus of “Tempest,” repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.

As much as there is to enjoy, there’s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey’s strengths. The vocal performances, particularly the cleans, also leave something to be desired.1 The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band’s sound fit in with their rugged character, yet there’s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.

What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don’t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont’s songwriting. This proves to be a pretty cool amalgamation of styles that doesn’t play it safe yet feels assured in its performances and compositions.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp | Facebook
Releases Worldwide: January 23rd, 2026

#2026 #30 #AliceInChains #AmericanMetal #DeathMetal #Dvne #DyedInGrey #Harbinger #Iotunn #Jan26 #Opeth #ProgressiveDeathMetal #ProgressiveMetal #Review #Reviews #SelfReleased #Soen #Tómarúm #Weezer

#weezer #tomarum #soen #selfreleased #reviews #review

Angry Metal Guy @[email protected] · 2026-02-05 · 21:12 UTC

Dyed in Grey – Harbinger Review By ClarkKent

For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018’s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey’s roots with a more honed vision from founder Adam Edgemont.

Unlike Soen’s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There’s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track “Sunbird” and the first few minutes of “Ascent,” where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of ’90s grunge, with “Silent Symmetry” taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; “Mirrored Ruins” in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.

Descent by Dyed In Grey

Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth’s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. “Static Tides” best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, “Descent” plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don’t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (“Ascent,” “Silent Symmetry”) and catchier passages, such as the chorus of “Tempest,” repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.

As much as there is to enjoy, there’s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey’s strengths. The vocal performances, particularly the cleans, also leave something to be desired.1 The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band’s sound fit in with their rugged character, yet there’s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.

What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don’t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont’s songwriting. This proves to be a pretty cool amalgamation of styles that doesn’t play it safe yet feels assured in its performances and compositions.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp | Facebook
Releases Worldwide: January 23rd, 2026

#2026 #30 #AliceInChains #AmericanMetal #DeathMetal #Dvne #DyedInGrey #Harbinger #Iotunn #Jan26 #Opeth #ProgressiveDeathMetal #ProgressiveMetal #Review #Reviews #SelfReleased #Soen #Tómarúm #Weezer

#aliceinchains #americanmetal #deathmetal #dvne #dyedingrey #harbinger

Marya The BeauTraveler @[email protected] · 2026-05-13 · 16:35 UTC

Stop taking basic Cebu photos—here's where the real shots are 📸

Read more: https://flip.it/YRMf6G

#travel #southeastasia #asean #aseantravel #philippines #cebu #cebucity #lechon #wanderlust

#travel #southeastasia #asean #aseantravel #philippines #cebu

Flipboard Culture Desk @[email protected] · 2025-12-05 · 20:03 UTC

Frank Gehry, the iconic Canadian-American architect famed for his Guggenheim Museum Bilbao design, has died at age 96. Here's more from Dezeen.

https://flip.it/rbUd8o

#FrankGehry #Architecture #Design #Bilbao #Guggenheim #RIP #InMemoriam

#frankgehry #architecture #design #bilbao #guggenheim #rip

US news | The Guardian @[email protected] · 2026-02-18 · 12:04 UTC

MLS’s calendar flip is coming. Clubs are already planning how to exploit it https://www.theguardian.com/football/2026/feb/18/mlss-calendar-flip-is-coming-clubs-are-already-planning-how-to-exploit-it #Mls #MinnesotaUnited #NashvilleSc #StLouisCity #Football #UsSports #Sport

#mls #minnesotaunited #nashvillesc #stlouiscity #football #ussports

Flipboard Culture Desk @[email protected] · 2025-06-16 · 20:14 UTC

Indiana Pacers star Tyrese Haliburton has guided his team to within two games of claiming the franchise’s first NBA title. Indiana Fever star Caitlin Clark has revolutionized the WNBA and supercharged women’s sports. They’re also incredible friends. In this story for @espn, Ramona Shelburne describes their bond as the “most powerful friendship in basketball.” It’s a good read you’ll want to make the time for:

https://flip.it/xs_z94

#Culture #Sports #NBA #WNBA #TyreseHaliburton #CaitlinClark #Friendship

#culture #sports #nba #wnba #tyresehaliburton #caitlinclark

Radio Digital Malayali @[email protected] · 2025-10-14 · 12:50 UTC

Now playing on Radio Digital Malayali: Poopol Poopol - LoFi Flip by Karthik!

Tune in now with 0 other listeners: https://radio.digitalmalayali.in

#radiodigitalmalayali #nowplaying #indianlofi #lofiradio

Radio Digital Malayali @[email protected] · 2025-09-06 · 14:51 UTC

Now playing on Radio Digital Malayali: nilavil ellame - lofi flip by chris wayne!

Tune in now with 0 other listeners: https://radio.digitalmalayali.in

#radiodigitalmalayali #nowplaying #indianlofi #lofiradio

Radio Digital Malayali @[email protected] · 2024-11-15 · 21:17 UTC

Now playing on Radio Digital Malayali: Tumhi Dekho Naa - Lofi Flip by Lo-fi 2307/Harshal Rajput/Sonu Nigam/Alka Yagnik/Shankar-Ehsaan-Loy!

Tune in now with 24 other listeners: https://radio.digitalmalayali.in

#radiodigitalmalayali #nowplaying #indianlofi #lofiradio

mobiFlip – News & Testberichte aus der Technikwelt [Unofficial] @[email protected] · 2026-05-13 · 10:47 UTC

90 g statt 100 g: Verbraucherschützer siegen im Streit um Milka-Mogelpackung

https://fed.brid.gy/r/https://www.mobiflip.de/90g-statt-100g-verbraucherschuetzer-siegen-im-streit-um-milka-mogelpackung/

#handel #news #klage #milka #recht #schokolade

mobiFlip – News & Testberichte aus der Technikwelt [Unofficial] @[email protected] · 2026-05-05 · 12:35 UTC

1&1 verliert vor Gericht und Kunden könnten profitieren

https://fed.brid.gy/r/https://www.mobiflip.de/11-verliert-vor-gericht-und-kunden-koennten-profitieren/

#1und1 #marktgeschehen #news #verbraucherzentrale #vzbv

Mika @[email protected] · 2024-03-15 · 14:42 UTC

I hate how toothpaste come packaged in their paper boxes cos I've no idea what sort of cap it uses. At least with #Colgate which could come in either one of 3 caps - the 2 part, "hingeless" cap, the small flip-top lid, and the big flip-top lid. I'm fine with the last of the 3, my favourite's the small flip-top, while that first cap is god awful cos it makes brushing while in the shower a pain cos it just... requires a lot more steps to get it done since it's no longer a one hand operation. It's like a lottery buying toothpaste not knowing which of the 3 caps it'd come with.

#colgate

Rasta @[email protected] · 2026-01-25 · 15:58 UTC

It's not about how easy, or how simple, it's about the customer, but AI assistants lack any human compassion and the agents are no better, if you can get them. I'm just changing my address, I try an hour on hold, hang up, try a different day, a different way, a new number off their webpage to try..

Rerouted to the same Virtual Assistant, constant loops.
SAY how I can help you.
LIVE AGENT, sure, I'll connect you
you can do all your banking through the app, or your online RBC account, then it hangs up

Five tries, one report to the Banking Ombudsman while on my fourth HOLD, and working my way to reviews and Better Business Bureau complaints
Royal Banks is just wasting my time. They don't want to do their own jobs.
If I was near a bank, I'd flip to CIBC Visa because RBC can't get it right.

/FIN /OffRant

#Storytime #Banking #RBC #Visa #Thread

#thread #visa #banking #storytime #rbc

David Neto @[email protected] · 2022-11-12 · 18:15 UTC

#WGSL #Tint bug investigation of the week: DxbcConverter corrupts data in constant buffers. Bits flip due to interpreting int data as floats.

This looks ... hard to fix because of ecosystem effects.

https://github.com/microsoft/DirectXShaderCompiler/issues/4786

Kudos to my team for the investigation and zeroing in on root cause. Started when simple XOR conformance tests for #WebGPU failed.

#webgpu #tint #wgsl

Flipboard UK @[email protected] · 2025-06-08 · 13:22 UTC

It's World Oceans Day!

Prince William has teamed up with Sir David Attenborough in a social media video to discuss the harmful effects of over-fishing, pollution and the temperature rise on ocean ecosystems.
Sky News has the details: https://flip.it/IZbdAA

The prince also gave a speech at the Blue Economy and Finance Forum in Monaco, ahead of the United Nations Ocean Conference (UNOC).
Watch his speech here:
https://flip.it/HrC_j1

Learn more about the UNOC, which will start tomorrow.
https://flip.it/ejjQKQ

#WorldOceansDay #UN #News #ClimateChange #Ocean #MarineLife

#worldoceansday #un #news #climatechange #ocean #marinelife

Flipboard Culture Desk @[email protected] · 2023-09-07 · 17:48 UTC

In Ikaria, one of Greece’s many islands, it’s common for people to remain active well into their 90s, making the region a Blue Zone, areas of the world where people regularly live longer than average. Insider explains how Ikarians naturally weave health into their daily lives: https://flip.it/0z76rW
#Culture #Greece #Lifestyle #Health #BlueZone