“Punky_John” — Fediverse search results on home.social

In the mid-1970s, a collective of six English teenagers started creating music together in their suburban home-town of Solihull. This project evolved into Swell Maps, around a core of three musicians: Jowe Head, his school friend the late Nikki Sudden, and Nikki’s brother, the late Epic Soundtracks. Their 1977 debut 7′′, Read About Seymour, came out on their own Rather Records. One of the first punk bands to set up an “indie” label, they were also pioneers of “alternative” music, mixing punk with experimental sounds Swell Maps released four singles and two albums in a brief but eventful career, in partnership with Rough Trade, topping UK indie charts and inf luencing acts including Sonic Youth, Nirvana, Stereolab, and Blur?

SWELL MAPS will be performing throughout 2026/2027 across the UK and Europe and are proud to present this stellar document, which maintains the group’s devotion to D-I-Y ideals and impulses. The vinyl album covers were hand-screened and stamped by a feminist cooperative in Valencia, Spain and are offered in three variants.

https://swellmapsc21.bandcamp.com/album/c21

Half a century ago a bunch of suburban school mates from Solihull banded together to form one of the most DIY and lo-fi of groups ever in Swell Maps. With crazy names like Biggles Books and Phones B Sportsmen they created songs with equally mad titles like Midget Submarines, Helicopter Spies and Read About Seymour. The songs were submerged beneath a fuzzy din made up of hoovers, wind up toys and all sorts of paraphernalia and yet against all the odds the amazingly catchy tunes fought their way to the surface. And how. Though Swell Maps’ flame flickered only briefly before splitting in 1980 they developed instant cult status and influenced a whole generation of bands to follow from Thrilled Skinny to Sonic Youth and from Stereolab to even Nirvana and Blur. And now they are back... Kind of...

I think it is important to set the scene because this is a very hard act to follow in the second incarnation of Swell Maps, not just the passage of time but because two of the three main driving forces, Nikki Sudden and his brother Epic Soundtracks, are sadly no longer with us. But the moment Swell Maps’ original Jowe Head and his all-star band of musicians roar into their first fuzzy masterpiece, A Morning Star, any concerns are absolutely blown out of the water. A succession of uplifting, killer guitar riff after riff, slam dunk into ultra-hooky choruses; you will soon find yourself Crow Crow-ing along.

Foam Rubber Wedding, Vertical Take-Off and Landing, Saved By The Warts the titles and themes are totally picking up from the C20 albums A Trip To Marineville and Jane From Occupied Europe. Some of the songs actually date back to that time but have never seen the light of day before. It’s wonderful to hear Epic Soundtracks’ surprisingly moving keyboard ballad Jelly Babies re-crafted in the hands of Lucie Rejchrtova (Crazy World of Arthur Brown). That all star cast includes members of Wolfhounds, the Auteurs and Alternative TV and Television Personalities. With the last two bands mentioned no wonder they perform a song called Tele Visions, an instant classic by the way.

The most important comeback of the year. The spirit of a legend has been respected and represented to another generation. It doesn’t matter one jot if you are too young to have been hooked first time around you absolutely need to submerge yourself into a surreal state of Swell Maps’ C21. You can probably tell that I am enormously excited by this album. It is simply wondrous. >> https://narcmagazine.com/album-review-swell-maps-c21/

https://swellmaps.bandcamp.com/album/the-john-peel-sessions

https://swellmaps.org/

Tags
#alternative #post-punk #London

GOOD READ >>

Championed by the BBC’s John Peel and signed to Rough Trade, the band were punk when that meant DIY, psychedelia and prog as well as screaming chords. What’s more, they loved Pink Floyd ...

Swell Maps were a punk band, but only because that word meant something different when they started making records in 1977. It didn’t mean bands called Knuckleheadz or Gimp Fist; it meant unfettered freedom, curiosity rather than rage. Theirs was a music that wandered off in unexpected directions, where songs barely hung together before falling apart, punctuated by peculiar sounds made by whatever happened to be around. It was psychedelia and it was prog and it was krautrock, every bit as much as it was punk. Most of all, it was DIY.

https://www.theguardian.com/music/2026/mar/10/swell-maps-interview-jowe-head

Jowe Head “We polarise opinion: some people love our music, some people cannot stand it! It seems that Swell Maps continue to be an influence on many bands around the world. For example, I was amused to see a character in a Gorillaz video wearing a Swell Maps t-shirt!”

Thurston Moore (Sonic Youth) “As soon as that guitar comes slicing off that crackling vinyl groove you know you’re gonna rock. It’s the best of both worlds: fist-in-the-heart guitar burnin’ rock and ahead-of-its-time songsmith awareness . . . The Swell Maps had a lot to do with my upbringing.”

Tim Gane (McCarthy / Stereolab) “When I first bought “A Trip to Marineville”, I must have played it a hundred times, just to listen to every single second of it.”

Scott Kannberg (Pavement) “Swell Maps was a big influence on our early records. They had these songs they fucked up somehow to make sound really dirty and low frequency, but they had these great songs underneath all this mess.”Alan McGee (Creation Records) “Swell Maps inspired a lot of bands that became the vanguard of the independent scene ten years later – Sonic Youth, Pastels, Mary Chain, Pavement, to name a few. Classic band and great people too!”

Ben Ayres (Cornershop) “Let’s Build A Car” is one of my favourite singles of all time, it’s like nothing else. So powerful and breaks all the rules, yet it’s perfect, with a great melody too. “A Trip To Marineville” was a really important album for me, as was “Jane From Occupied Europe”!

John Robb (The Membranes / journalist) “Swell Maps had an abrasive rawness that of course, we loved, but they had much more going on – they also had these amazing sound collages that you could get lost in. They were mysterious and they had an other-worldliness and that made you love them even more.”

Brian Turner (NYC radio presenter and musician) “My Swell Maps discovery came five seconds into the intro of “Midget Submarines” . . . avant-garage- gonzo-kraut-greatness, ambient experiments all punctuated by these incredible anthems of another universe that made complete sense and ignored everything else . . . this was a band that invented something.”

David Lance Callahan (Moonshake, Wolfhounds) “Swell Maps showed that people you can relate to could produce music of ambition, imagination and innovation. All of this was done with a liberating lack of inhibition and an overwhelming sense of fun – and music’s not music without that!”

Presale/door prices adjusted: our events are set up by volunteers in favour of supporting DIY touring acts, but it is getting ever more risky to plan and book events – please support the community and buy your tickets early! Presale closes 18.00 on day of the show.

https://offbeat.amsterdam/event/swell-maps-uk

#experimental #diy #alternative #punk #indie #rock

DoRaleigh @[email protected]

2026-10-06

Triangle Big Ticket Event Guide October 6–12, 2026 Edition

Concerts, comedy and live performances fill the Triangle’s calendar for October 6–12, 2026. This week’s supplied lineup includes Bleachers, Tom Jones, Sylvan Esso, Tyler Childers, Turnpike Troubadours and beabadoobee, along with comedy shows, North Carolina Symphony performances and tribute concerts.

DoRaleigh’s Big Ticket Weekly Event Guide covers Raleigh, Durham, Cary, Carrboro, Chapel Hill and Wake Forest, with additional regional options in Selma and Liberty. Browse the daily schedule below to plan a weeknight outing or weekend entertainment.

All dates and times below follow the supplied listings. Ticket prices, availability and door times were not provided; confirm the current schedule with the venue before purchasing.

Tuesday, October 6

Tuesday’s schedule features shows at Red Hat Amphitheater, the Carolina Theatre, Lincoln Theatre and Durham Performing Arts Center.

● Bleachers — 7 p.m. at Red Hat Amphitheater, Raleigh.

● Fred Armisen — 8 p.m. at the Carolina Theatre, Durham.

● Public Image Ltd — 8 p.m. at Lincoln Theatre, Raleigh.

● Tom Jones — 8 p.m. at Durham Performing Arts Center, Durham.

Wednesday, October 7

Wednesday offers a full evening of live performances across Raleigh, Durham and Carrboro, including Kenny Wayne Shepherd Band, Lettuce and Russian Circles.

● Chad Zumock — 8 p.m. at Room 861 at Goodnights Comedy Club, Raleigh.

● Kenny Wayne Shepherd Band — 8 p.m. at the Carolina Theatre, Durham.

● Noah Richardson — 8 p.m. at The Pour House Music Hall, Raleigh.

● The Toxhards — 8 p.m. at Kings, Raleigh.

● Robert Lester Folsom — 8 p.m. at Motorco Music Hall, Durham.

● Russian Circles — 8 p.m. at Cat’s Cradle, Carrboro.

● Lettuce — 8 p.m. at Lincoln Theatre, Raleigh.

Thursday, October 8

Thursday’s lineup begins at Local 506 and continues with Sister Hazel at Bowstring, comedy at Goodnights and Sylvan Esso at DPAC.

● Improvement Movement — 6 p.m. at Local 506, Chapel Hill.

● Sister Hazel — 7:30 p.m. at Bowstring Pizza and Brewyard, Raleigh.

● Aaron Branch — 8 p.m. at Goodnights Comedy Club, Raleigh.

● Sub Urban — 8 p.m. at Stanczyks, Durham.

● Sylvan Esso — 8 p.m. at Durham Performing Arts Center, Durham.

● Toth — 8 p.m. at Kings, Raleigh.

Friday, October 9

Friday brings one of the week’s busiest schedules. Options include Morgan Wade, Tyler Childers, a James Taylor tribute in Cary, the North Carolina Symphony and multiple comedy performances.

● Whitney — 7 p.m. at Cat’s Cradle, Carrboro.

● Dax — 7 p.m. at The Ritz, Raleigh.

● Morgan Wade — 7 p.m. at Bowstring Pizza and Brewyard, Raleigh.

● Donnell Rawlings — 7:30 p.m. and 9:45 p.m. at Goodnights Comedy Club, Raleigh.

● Luke Bulla — 7:30 p.m. at The Wake Forest Listening Room at Magnolia Roots, Wake Forest.

● Ruby Setnik — 7:30 p.m. and 10 p.m. at Room 861 at Goodnights Comedy Club, Raleigh.

● Coming Home: James Taylor Tribute with James Gedeon — 8 p.m. at Cary Arts Center, Cary.

● Tyler Childers — 8 p.m. at Durham Performing Arts Center, Durham.

● North Carolina Symphony: Carlos Miguel Prieto — Mendelssohn Violin Concerto — 8 p.m. at Meymandi Concert Hall, Martin Marietta Center for the Performing Arts, Raleigh.

● Shawn James — 8 p.m. at Stanczyks, Durham.

● Legends of Laughter: DeRay Davis, Lavell Crawford, Earthquake and Don DC Curry — 8 p.m. at Raleigh Memorial Auditorium, Martin Marietta Center for the Performing Arts, Raleigh.

● River Shook — 8 p.m. at Cat’s Cradle, Carrboro.

● B93.9’s Rising Stars: Shane Profitt, Taylor Austin Dye and Cole Goodwin — 9:15 p.m. at Lincoln Theatre, Raleigh.

● Preacher Lawson — 9:15 p.m. at Raleigh Improv, Cary.

Saturday, October 10

Saturday’s schedule stretches from a midday country show in Selma to late-night comedy in Raleigh. Turnpike Troubadours, Sylvan Esso and Brian Fallon and The Painkillers are among the listed concert options.

● MC4D — 12:45 p.m. at Aura Lounge & Nightclub, Raleigh.

● Classic Country Jubilee — 4:30 p.m. at Rudy Theatre, Selma.

● JJ Grey and Mofro & The 502s — 7 p.m. at Lincoln Theatre, Raleigh.

● Turnpike Troubadours — 7 p.m. at Red Hat Amphitheater, Raleigh.

● John Conlee — 7 p.m. at Liberty Showcase Theater, Liberty.

● Donnell Rawlings — 7:30 p.m. and 10 p.m. at Goodnights Comedy Club, Raleigh.

● Ruby Setnik — 8 p.m. at Room 861 at Goodnights Comedy Club, Raleigh.

● Sylvan Esso — 8 p.m. at Durham Performing Arts Center, Durham.

● Tokyo Tea Room — 8 p.m. at Motorco Music Hall, Durham.

● North Carolina Symphony: Carlos Miguel Prieto — Mendelssohn Violin Concerto — 8 p.m. at Meymandi Concert Hall, Martin Marietta Center for the Performing Arts, Raleigh.

● Edith Marquez — 8 p.m. at Raleigh Memorial Auditorium, Martin Marietta Center for the Performing Arts, Raleigh.

● Brian Fallon and The Painkillers — 8 p.m. at Cat’s Cradle, Carrboro.

● The Dream Syndicate — 9:30 p.m. at Stanczyks, Durham.

Sunday, October 11

Sunday combines afternoon performances with an evening lineup across the Triangle. Highlights from the supplied schedule include a John Prine tribute, beabadoobee at Lenovo Center and Adrian Uribe at DPAC.

● Ruby Setnik — 2 p.m. and 8 p.m. at Room 861 at Goodnights Comedy Club, Raleigh.

● More Souvenirs from Paradise: A Tribute to John Prine — 4 p.m. at Cat’s Cradle, Carrboro.

● Pinky Patel — 6:30 p.m. at Goodnights Comedy Club, Raleigh.

● Two Dykes and a Mic — 7 p.m. at Raleigh Improv, Cary.

● Rafael Green — 7 p.m. at Cat’s Cradle Back Room, Carrboro.

● BurnDown Tour: Knumears, Catalyst and Love Letter — 7:30 p.m. at Local 506, Chapel Hill.

● Chanel Beads — 8 p.m. at Motorco Music Hall, Durham.

● Bombargo — 8 p.m. at Kings, Raleigh.

● beabadoobee — 8 p.m. at Lenovo Center, Raleigh.

● Surf Hat — 8 p.m. at The Pour House Music Hall, Raleigh.

● Adrian Uribe — 8 p.m. at Durham Performing Arts Center, Durham.

Monday, October 12

● Open Mike Eagle — 8 p.m. at Cat’s Cradle Back Room, Carrboro.

Close out this week’s guide with the listed Monday evening performance in Carrboro.

Plan Your Concert or Comedy Outing

Check the venue’s official calendar and ticket seller for current performance times, seating, age restrictions and availability. Several performers have multiple listed shows, so confirm the date and time on the ticket before completing a purchase.

Allow time for travel, parking and entry, especially when attending larger venues. For Selma and Liberty performances, factor the additional travel into evening plans.

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#beabadoobee #Bleachers #CarrboroEvents #CaryEvents #CatSCradle #ChapelHillEvents #DonnellRawlings #DPAC #DurhamConcerts #events #GoodnightsComedyClub #News #NorthCarolinaSymphony #October2026Concerts #RaleighConcerts #RedHatAmphitheater #RubySetnik #SylvanEsso #TomJones #TriangleBigTicketEvents #TriangleComedy #TurnpikeTroubadours #TylerChilders #WakeForestEvents

#beabadoobee #bleachers #carrboroevents #caryevents #catscradle #chapelhillevents

W6KME @[email protected]

2026-10-06

And there's flu and covid jags done. They were scheduled last month, then I got sick the day before the shots. Then travelling, then getting sick again, then not being able to afford a couple of punky days before the Expo...with this heat, it's a perfect time to sit and chill in the AC a bit if the shots knock me down.

Got the groovy new MNEXSPIKE one too, 'cause I'm one of the cool kids

#covid #vax

#vax #covid

Angry Metal Guy @[email protected]

2026-10-06

Pegzilla – Disobedience Review By Spicie Forrest

It’s October, a month whose suitability for seasonal comments is eclipsed only, perhaps, by December. Pumpkins and their spiced lattes, sweaters, lawn decorations, and costumes provide a nearly bottomless well of small talk from sea to shining sea. Searching for a timely promo to review as a chill worms its way into the air and the leaves blaze in the weeks before death, I stumbled across Los Angeles-based trio Pegzilla and their debut LP, Disobedience. This follows an EP in 2022 and a slew of singles in the intervening years. If the promise of witchy stoner rock and riot grrrl energy didn’t sell me, reading their Spotify bio did.1 Will Disobedience be the album of this year’s all-too-short spooky season?

After nostalgic intro, “Pay the Toll,” Pegzilla pop the clutch and burn rubber on first proper track “Troll on Speed.” With a lip-snarling opening riff, hopes are set quite high. If Joan Jett joined Queens of the Stone Age, you’d get something very like Pegzilla. Vocalist/guitarist Olivia Saperstein rips riffs fit for both endless road trips (“Troll on Speed,” “Bootlicker”) and western shootouts (“Virginia Werewolf”) while her crooning vocals tempt and coax you past the underlying danger that suffuses all of Disobedience. Far from a simple bass walker, Juan Barsse drives the crime noir atmosphere of “Pistola” and the aquatic psychedelics of penultimate track “Hell Ya Brother.” Together, Saperstein and Barsse brew a delightful, soulful groove, best heard on “Troll on Speed” and “Pistola.” Of course, were it not for drummer Ryan Swain muscular fills and impressive pacing, much of Pegzilla’s weight and intensity would evaporate like an early fall morning fog.

Each member of Pegzilla plays well, and each section of each song lands anywhere from fine to very good in a vacuum, but on the track level and as a whole, Disobedience struggles for cohesion. The album often feels like a puzzle with nice pieces that’s put together in the most flabbergasting way possible. With the exception of “Chelsea,” every track on Disobedience abruptly shifts from fast to slow and back again with little to no warning. It’s a lot like riding shotgun with someone who hasn’t driven a manual in a decade. That riffs or passages struggle to relate to each other tonally or in pacing further hampers Disobedience’s ability to build momentum and inertia, making this 29-minute album feel much longer. This is exacerbated by a couple of tracks that overstay their welcome (“Pistola,” “Virginia Werewolf”) and a baffling outro track (“Troll Reprise”). Instrumental “Hell Ya Brother” isn’t the strongest album closer, but “Troll Reprise” feels like a directionless add-on that’s only made me think, “hey, remember 27 minutes ago when you had high hopes for this album?”

For all this criticism though, I still think Pegzilla shows a lot of promise. While the chorus on “Chelsea” is pretty clunky, the song keeps on the gas all the way through, and the bridge after has a great Nirvanan flair to it. Saperstein’s solo work on “Troll on Speed,” “Pistola,” and “Virginia Werewolf” are all great, and “Bootlicker” is probably the album high point with its punky riot grrrl bent that wouldn’t be out of place in Joan Jett’s more aggressive work. We don’t hear Swain really let loose until it’s almost too late, but his kit work on “Hell Ya Brother” is nothing short of stellar. And while the faster instrumental section of “Pistola” loses its novelty when it’s repeated a minute later, it’s got some kick and launches well out of the track’s noir-tinged beginnings.

The score below may be a little misleading. As a whole, so many of Pegzilla’s decisions, from a compositional or flow-minded perspective, leave me scratching my head. The majority of the tracks on Disobedience lack a cohesive identity, leaving them to feel haphazardly or hastily glued together. But all throughout Disobedience, I see the flashes of a very good record. Pegzilla’s got the ingredients to a winning formula, and even though they didn’t come together right on Disobedience, I’ll be keeping an eye out for the sophomore effort.

Rating: 2.0/5.0
DR: 7 | Format Reviewed: PCM
Label: Ripple Music
Websites: Official | Bandcamp | Instagram
Releases Worldwide: October 2nd, 2026

#20 #2026 #AmericanMetal #Disobedience #JoanJett #Nirvana #Oct26 #Pegzilla #QueensOfTheStoneAge #Review #Reviews #RippleMusic #StonerRock

#americanmetal #disobedience #joanjett #nirvana #oct26 #pegzilla

PUNK irratia @[email protected]

2026-10-08

·· azkenak airean - last broadcast ··

trula koalicija
metal urbain
stage bottles
kompartiendo suziedad

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#trulakoalicija #metalurbain #stagebottles #kompartiendosuziedad #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

#trulakoalicija #metalurbain #stagebottles #kompartiendosuziedad #fediradio #punk

Gancio de Roma @[email protected]

2026-10-07

Sweet Bunch presenta: Pigrə, Molestya e Sabrina Esaurita

Sweet bunch, sabato 10 ottobre alle ore 19:30 CEST

Una sabato sera punk esaurito al femminilə con i live di:

Pigrə (Lazy Garage Trio da Napoli)

Molestya (Punk Riot Grrrls Trio)

Sabrina Esaurita (Cantautrice esaurita garage dall'anima punk)

https://roma.convoca.la/event/sweet-bunch-presenta-pigr-molestya-e-sabrina-esaurita

#punk #transfemminismo #queer #live #music #punkriotgrrrl

ATX Hardcore @[email protected]

2026-10-07

Sodomy Cop, El Gallo

The Little Darlin', Austin TX

9 PM - Free Show

#punk #hardcorePunk

#punk #hardcorepunk

Punx.Social @[email protected]

2026-10-07

RE: https://punkstodon.de/@ruebenmus/117398728169195406

Im nächsten @ruebenmus wird es ein Fediverse Special geben - ähnlich zu dem was auch auf unserer https://punx.social Seite steht.

Also schreibt mal das Rübenmus Fanzine an, und bestellt die neuste Ausgabe.

Es lohnt sich auch wegen all dem anderen Zeug, siehe das Bild im Originalpost!

Also Kaufen, Kaufen Kaufen!

#punk #fanzine #ruebenmus #punxsocial @punk #konsum

#punk #fanzine #ruebenmus #punxsocial #konsum

GetMusic - Free Bandcamp Codes @[email protected]

2026-10-07

Free download codes:

Salvador Cobain Band - Last Man Standing

"'Punk is whatever we made it to be.' -D. Boon"

https://getmusic.fm/l/ZTOZZi

#punk #california #music

TRASH-A-GO-GO! @[email protected]

2026-10-07

Am Dienstag, 13. Oktober 2026 im Goldmark's in Stuttgart:

THE 5.6.7.8'S | Legendäre japanische Garage-Rock-Girl-Group – bekannt nicht zuletzt aus "Kill Bill"

Die legendäre japanische Garage-Girl-Group, nicht zuletzt aus dem Kinofilm "Kill Bill" bekannt sein dürfte.

Support: THE BIRDBAGS | Garage-Rock, Surf-Punk und Kraut-Beat aus Süddeutschland

Vorverkauf: https://www.trash-a-go-go.de | Präsentiert von @motorcityrock

#punk #garagerock #stuttgart #konzert #live #goldmarks

Iggy Punx @[email protected]

2026-10-07

Recent episode is online! Tune in!📻⛓️

https://linktr.ee/itsallaboutpunkshow

It’s All About Punk Show #171. On this episode: Starting my fall time, going to the woods, finding mushrooms and not dying afterwards - yay!🍄😎 Going to Frankfurt for a few days, getting ready for a party at Futur III this Saturday, where I’ll be spinning some records - come by! Working hard, getting ready for colder days. Throwing some recent Brainwasher Records releases and spinning some new sick tunes.

#punk #podcast #radio

Punk-Konzerte-Bot (NRW) @[email protected]

2026-10-07

#punk #gehtmehraufkonzerte #konzert #NRW

#punk #gehtmehraufkonzerte #konzert #nrw

Punk-Konzerte-Bot (gesamt) @[email protected]

2026-10-07

#punk #gehtmehraufkonzerte #konzert #NRW

#punk #gehtmehraufkonzerte #konzert #nrw

PUNK irratia @[email protected]

2026-10-07

·· azkenak airean - last broadcast ··

no more drugs
spermbirds
scandal
necracedia

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#nomoredrugs #spermbirds #scandal #necracedia #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

#nomoredrugs #spermbirds #scandal #necracedia #fediradio #punk

DIY Conspiracy @[email protected]

2026-10-07

New Music Review: Drugs of Faith – Asymmetrical (2025; Malokul, Selfmadegod Records)

Link: https://diyconspiracy.net/drugs-of-faith-asymmetrical/

Grind 'n' roll from Virginia with members of Enemy Soil.

#punk #grindcore #noiserock

Punkrock History @[email protected]

2026-10-07

Released 46 years ago
"Kill the Poor" by the Dead Kennedys

Dead Kennedys - Kill The Poor - Live San Francisco 1980

#punk #punks #punkrock #hardcorepunk #deadkennedys #killthepoor #punkrockhistory

#punk #punks #punkrock #hardcorepunk #deadkennedys #killthepoor

Punkrock History @[email protected]

2026-10-07

48 years ago today
Tina Weymouth of Talking Heads performs at The Agora Ballroom on October 7, 1978 in Atlanta, Georgia.

#punk #punks #punkrock #womenofpunk #tinaweymouth #talkingheads #newwave #history #punkrockhistory

#punk #punks #punkrock #womenofpunk #tinaweymouth #talkingheads

Punkrock History @[email protected]

2026-10-07

46 years ago
"Kill the Poor" is a song by the Dead Kennedys, released in October 1980 as the band's third single, and re-recorded for the band's first album, Fresh Fruit for Rotting Vegetables

#punk #punkrock #hardcorepunk #deadkennedys #killthepoor #history #punkrockhistory