Live and recent posts from across the Fediverse tagged #queens-of-the-stone-age, aggregated by home.social.
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🎵 Queens Of The Stone Age - The Blood Is Love (Album Version)
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#VortexWave #QueensOfTheStoneAge #StonerRock #AlternativeRock #2000s
Josh Homme revela combater solidão em turnês com Queens of the Stone Age
Queens Of The Stone Age - Perfecth. Hätten die Queens Of The Stone Age nicht den Status einer Band inne, die sich stilistisch so ziemlic......
#JoshHomme #QueensOfTheStoneAge#Alben #AlternativeRock
https://www.musikblog.de/2026/10/queens-of-the-stone-age-perfecth/
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🎵 Queens Of The Stone Age - Everybody Knows That You're Insane (Album Version)
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#VortexWave #QueensOfTheStoneAge #StonerRock #AlternativeRock #2000s
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🎵 Queens Of The Stone Age - Another Love Song (Album Version)
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#VortexWave #QueensOfTheStoneAge #StonerRock #HardRock #2000s
In just over an hour, my daughter's partner's band will play the biggest gig of their career, supporting #QueensOfTheStoneAge in Reykjavik.
5,500 people in the audience.
He sent us this picture from the soundcheck.
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🎵 Queens Of The Stone Age - Easy Street
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Queens of the Stone Age – Where the Goth Girls At?
https://wgom.org/2026/10/23/queens-of-the-stone-age-where-the-goth-girls-at/
News 📌
👤 Queens Of The Stone Age 📈 74 👥 4,1M
🔗 Josh homme omaggia bowie in tv (video) e annuncia un tour con i pixies
Una giacca rossa e una T-shirt bianca per rendere omaggio a David Bowie.
a cura di Claudio Fabretti
#Ondarock #MusicianSky #MusicSky #Music
Queens of the Stone Age
Ellie Carroll sorprende con una versión íntima y acústica de «Go With the Flow» de Queens of the Stone Age | #NaciónRock
“#FallonTonight #QueensOfTheStoneAge #JimmyFallon ” / “Queens of the Stone Age: Where The Goth Girls At? | The Tonight Show Starring Jimmy Fallon” (1 user) https://www.youtube.com/watch?v=rSsdVPOQWxA
https://www.wacoca.com/media/797790/ クイーンズ・オブ・ザ・ストーン・エイジ、米TV番組で“Where The Goth Girls At?”を披露した映像が公開 #NEWS #QUEENSOFTHESTONEAGE #television #tv #TVPrograms #video #テレビ #テレビ番組
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🎵 Queens Of The Stone Age - Go With The Flow
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#VortexWave #QueensOfTheStoneAge #StonerRock #AlternativeRock #2000s
https://www.europesays.com/de/1359240/ ROLLING STONE im November 2026 – Titelthema: U2 — Rolling Stone #AktuelleAusgabe #BeastieBoys #Deutschland #Entertainment #ErykahBadu #Germany #LuckyLuke #Music #Musik #QueensOfTheStoneAge #RoxyMusic #StevenWilson #U2 #Unterhaltung
https://www.europesays.com/at/468953/ ROLLING STONE im November 2026 – Titelthema: U2 — Rolling Stone #AktuelleAusgabe #AT #Austria #BeastieBoys #Entertainment #ErykahBadu #LuckyLuke #Music #Musik #Österreich #QueensOfTheStoneAge #RoxyMusic #StevenWilson #U2 #Unterhaltung
Letra da música “Go with the Flow” de Queens of the Stone Age
#QueensOfTheStoneAge #GoWithTheFlow
https://daletra.com.br/queens-of-the-stone-age/letra/go-with-the-flow.html
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🎵 Queens Of The Stone Age - Where The Goth Girls At?
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#VortexWave #QueensOfTheStoneAge #StonerRock #AlternativeRock #2000s
Queens Of The Stone Age - Era Vulgaris - 2007
#Music #AlbumSuggestions #NowPlaying #NowListening
#QueensOfTheStoneAge #EraVulgaris
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🎵 Queens Of The Stone Age - I Sat by the Ocean
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Josh Homme eligió a sus tres bandas favoritas de todos los tiempos | #NaciónRock
#Noticias #JoshHomme #PunkRock #QueensoftheStoneAge #RockAlternativo
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🎵 Queens Of The Stone Age - Easy Street
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#VortexWave #QueensOfTheStoneAge #StonerRock #AlternativeRock #2000s
See the lyrics for the song “Make It Wit Chu” by Queens of the Stone Age
#QueensOfTheStoneAge #MakeItWitChu
https://daletra.com/queens-of-the-stone-age/lyrics/make-it-wit-chu.html
Queens of the Stone Age: Las cuatro vueltas de los dioses del Sol | #NaciónRock
#Agenda #Artículos #LollaCL #Lotus #QueensoftheStoneAge #rock
System of a Down in Berlin: Alle Infos zum Metal-Event des Jahres
Musik Aktualisiert am 07.07.2026, 19:00 Uhr Fast zehn Jahre haben Fans auf diesen Tag gewartet: System of a…
#Berlin #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Bath #QueensoftheStoneAge #SerjTankian #SystemOfADown
https://www.europesays.com/de/1341697/
News 📌
👤 Queens of the Stone Age 📈 75 👥 4.1M
🔗 “non voglio più essere un duro”
Un Josh Homme diverso, più sereno e disposto a mostrare le proprie fragilità, si prepara a inaugurare una nuova fase della sua carriera.
a cura della Redazione
#Ondarock #MusicianSky #MusicSky #Music
Queens of the Stone Age
Lollapalooza Chile 2027 anuncia su cartel: Charli xcx, Fontaines D.C., Queens of the Stone Age y muchos más | #ZumbidoCL
#Noticias #CharliXCX #DavidGuetta #FontainesDC #LollapaloozaChile2027 #Lotus #ParqueO #039Higgins #QueensoftheStoneAge #Rawayana #Sombr #TheKillers #TheProdigy #TravisScott
Cartel Lollapalooza Chile 2027
Acaba de salir el cartel para la edición de próximo año. Los cabeza de cartel van a ser Travis Scott, Charli XCX, The Killers, David Guetta, Queens of the Stone Age, The Neighourhood, Rawayana, Fontaines D.C., Sombr y The Prodigy.
¿Qué les parece?
@musica
#LollapaloozaChile #LollaCL #LollaCL2027 #TheKillers #QueensOfTheStoneAge #FontainesDC #TheProdigy #CharliXCX #TheNeighbourhood #DavidGuetta #som
It’s October, a month whose suitability for seasonal comments is eclipsed only, perhaps, by December. Pumpkins and their spiced lattes, sweaters, lawn decorations, and costumes provide a nearly bottomless well of small talk from sea to shining sea. Searching for a timely promo to review as a chill worms its way into the air and the leaves blaze in the weeks before death, I stumbled across Los Angeles-based trio Pegzilla and their debut LP, Disobedience. This follows an EP in 2022 and a slew of singles in the intervening years. If the promise of witchy stoner rock and riot grrrl energy didn’t sell me, reading their Spotify bio did.1 Will Disobedience be the album of this year’s all-too-short spooky season?
After nostalgic intro, “Pay the Toll,” Pegzilla pop the clutch and burn rubber on first proper track “Troll on Speed.” With a lip-snarling opening riff, hopes are set quite high. If Joan Jett joined Queens of the Stone Age, you’d get something very like Pegzilla. Vocalist/guitarist Olivia Saperstein rips riffs fit for both endless road trips (“Troll on Speed,” “Bootlicker”) and western shootouts (“Virginia Werewolf”) while her crooning vocals tempt and coax you past the underlying danger that suffuses all of Disobedience. Far from a simple bass walker, Juan Barsse drives the crime noir atmosphere of “Pistola” and the aquatic psychedelics of penultimate track “Hell Ya Brother.” Together, Saperstein and Barsse brew a delightful, soulful groove, best heard on “Troll on Speed” and “Pistola.” Of course, were it not for drummer Ryan Swain muscular fills and impressive pacing, much of Pegzilla’s weight and intensity would evaporate like an early fall morning fog.
Each member of Pegzilla plays well, and each section of each song lands anywhere from fine to very good in a vacuum, but on the track level and as a whole, Disobedience struggles for cohesion. The album often feels like a puzzle with nice pieces that’s put together in the most flabbergasting way possible. With the exception of “Chelsea,” every track on Disobedience abruptly shifts from fast to slow and back again with little to no warning. It’s a lot like riding shotgun with someone who hasn’t driven a manual in a decade. That riffs or passages struggle to relate to each other tonally or in pacing further hampers Disobedience’s ability to build momentum and inertia, making this 29-minute album feel much longer. This is exacerbated by a couple of tracks that overstay their welcome (“Pistola,” “Virginia Werewolf”) and a baffling outro track (“Troll Reprise”). Instrumental “Hell Ya Brother” isn’t the strongest album closer, but “Troll Reprise” feels like a directionless add-on that’s only made me think, “hey, remember 27 minutes ago when you had high hopes for this album?”
For all this criticism though, I still think Pegzilla shows a lot of promise. While the chorus on “Chelsea” is pretty clunky, the song keeps on the gas all the way through, and the bridge after has a great Nirvanan flair to it. Saperstein’s solo work on “Troll on Speed,” “Pistola,” and “Virginia Werewolf” are all great, and “Bootlicker” is probably the album high point with its punky riot grrrl bent that wouldn’t be out of place in Joan Jett’s more aggressive work. We don’t hear Swain really let loose until it’s almost too late, but his kit work on “Hell Ya Brother” is nothing short of stellar. And while the faster instrumental section of “Pistola” loses its novelty when it’s repeated a minute later, it’s got some kick and launches well out of the track’s noir-tinged beginnings.
The score below may be a little misleading. As a whole, so many of Pegzilla’s decisions, from a compositional or flow-minded perspective, leave me scratching my head. The majority of the tracks on Disobedience lack a cohesive identity, leaving them to feel haphazardly or hastily glued together. But all throughout Disobedience, I see the flashes of a very good record. Pegzilla’s got the ingredients to a winning formula, and even though they didn’t come together right on Disobedience, I’ll be keeping an eye out for the sophomore effort.
Rating: 2.0/5.0
DR: 7 | Format Reviewed: PCM
Label: Ripple Music
Websites: Official | Bandcamp | Instagram
Releases Worldwide: October 2nd, 2026
anndemeulemeester_official Spring/Summer 2027 “LONESOME HEAVEN”
#QOTSA #QueensOfTheStoneAge #JoshHomme #DesertRock #StonerRock #RockAndRoll #RockMusic
Credits: — Queens of the Stone Age
Links in bio/Website:
https://linktr.ee/QOTSA
Zajebisty kawałek, zajebisty teledysk! :-) (ale w to, że nowa płyta spodoba mi się, to nie wierzę, pozostałe single nadal za bardzo klasyczno-rock’n’rollowe jak dla mnie, gdzie ten QOTSA sprzed 2013?!)
#muzyka #Teledysk #klip #queensofthestoneage #qotsa #alternativerock #stonerrock #desertrock #altmetal #goth
Long sharing an affiliation with the broader metal community, Chelsea Wolfe has carved out an eclectic, compelling career arc. From minimalist drone, folk, and experimental leanings of her early work to her blockbuster doom and metal-tinged explosions on top-shelf albums like Abyss and Hiss Spun. Wolfe has traversed interesting pathways across a career which has elevated the gifted songstress from cult status to a deservedly higher profile. Wolfe continues challenging her songwriting by examining the darkest corners within the goth, folk, and metal-verses. Aided by a host of collaborators, including Ben Chisolm, Jennifer Declveo, prolific drummer Matt Chamberlain, Queens of the Stone Age’s Troy Van Leeuwen, and Robin Finck (Nine Inch Nails), Wolfe revisits the goth-folk stylings and ominous, melancholic atmospheres forming the cornerstone of her career. Ninth LP The Dark signals the latest Wolfe offering, an addictive gem worth exploring for listeners new and old.
Firstly, The Dark largely strips away the doomy and industrial layers that coat her heavier material, including 2024’s solid if uneven, She Reaches Out to She Reaches Out to She, returning to the more subdued, folk and acoustic-driven work featured on albums such as 2019’s Birth of Violence. Borrowing pieces from Wolfe’s versatile career, including the synth-driven electronic thrums of 2013’s breakthrough album, Pain is Beauty, The Dark showcases an artist with ambitions to continue pushing her boundaries. Though listeners who prefer her more challenging, heavier experimental works (Abyss and Hiss Spun), may be disappointed in the album’s mellower, sedate flow.
While not one of Wolfe’s heaviest or most experimental albums, The Dark excels through a tighter, more straightforward songwriting approach, without falling into formulaic traps or repetition. Lush and stormy opener “Cold” and stripped acoustic gems ‘The Dark” and “Death is not the End” stir the emotions and straddle Wolfe’s masterful balance between frosted beauty and brooding melancholy, featuring strong hooks to boot and tearjerking melodies. A succinct and breezy listen, The Dark delivers infectious hooks and impactful melodies and is possibly Wolfe’s most accessible work to date. However, Wolfe’s songwriting is anything but one-dimensional, highlighted by the album’s shifting shades and more energetic, upbeat moments. Electro pulses and darkly sparkling hooks glitter on brooding rock-centric tracks (“Seethe,” “Swallower”), while the seductive earworms on “Halo” get easily lodged in the noggin’, enriched by Wolfe’s strikingly emotive vocals. “Turn the Key” ups the ante, cleverly demonstrating Wolfe’s tension-building and soft-loud dynamics through a brooding, industrial rock and synth-pop lens.
Vocally, Wolfe sounds as confident and comfortable as ever in her skin, her haunting, longing and ghostly tones a slice of liquid gold at the forefront of the album. Driving delicate yet powerful vocal melodies carrying lushly produced and arranged songs, like all her works, you can really feel the pain, sorrow, hint of hope, and scarred emotion bleeding from Wolfe’s voice, the raw emotional depth leaving a lasting impact, such as the solemn beauty and orchestral flair of closer “Dancer in the Sky.” Although less sonically dense and heavy than past efforts, the compositions are meticulously detailed and layered with numerous elements, from stripped-back acoustic forays and traditional rock instrumentation to the prominent use of synths and piano, creating a deceptively rich foundation for the listener to unpack. Occasional dips in album flow, lack of heavier, challenging fare, and a polished though disappointingly compressed master are the main drawbacks to an otherwise consistently solid and catchy front-to-back listen.
Wolfe rarely misses, and The Dark is no exception. Bolstered by tighter, more cohesive songwriting compared to her predecessor, The Dark maintains Wolfe’s stellar track record without resting on her laurels, though mileage will vary depending on listeners’ preference towards Wolfe’s songwriting styles and those enamored with Wolfe’s more sonically and musically daring career twists. A neatly crafted, addictive platter of goth, synth, and folk-tinged alternative rock, The Dark’s addictive, accessible streak demands repeat listens and often teeters on the edge of greatness. And I get the feeling this album will be a grower over time.
Rating: 3.5/5.0
DR: 5 | Format Reviewed: 320 kbps MP3
Label: Lorna Vista Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: August 21st, 2026
Queens of The Stone Age ►Where the Goth Girls at ?
The undisputed kings of desert rock, groove-heavy swagger, and unyielding sonic muscle are back to rattle our speakers with a brilliant new anthem! The legendary Queens of the Stone Age have officially unleashed their fiery new single and music video, “Where The Goth Girls At?”, serving as the third major taste of their highly anticipated ninth studio album, Perfecth, slated to drop on October 30 via Matador Records. The Anatomy of a Desert-Rock Symphony: "Where The Goth Girls At?" hits […]https://musicwayatx.com/2026/09/24/queens-of-the-stone-age-%e2%96%bawhere-the-goth-girls-at/