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#s_t_gill — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #s_t_gill, aggregated by home.social.

  1. RE: mastodon.social/@publicdomainr

    I've been long puzzled by #S_T_Gill's sketches of theatrical costumes and scenes from Shakespeare. Were these designs for a theatre company?
    But having just seen PDR's post (quoted below) I see it's possible Gill was (again) (at least in part) inspired by Cruikshank on a theme. Link to Gill's "Hamlet and the Ghost" in #StateLibraryNSW. search.sl.nsw.gov.au/permalink
    #19thCentury #artHistory

  2. #StateLibraryNSW has an extended outage affecting the new catalogue, which is used by my #S_T_Gill project. However you can still use the old catalogue where you can search by work title or call number.

    sl.nsw.gov.au/news/accessing-l

  3. Edit: services restored.

    My website and email are temporarily down. Hopefully back in a few hours. My site is snapshot by #TroveAU but the latest seems to be more than a year old. Something for me to think about. (Main impact on #S_T_Gill project.)

  4. @timritchie Colonial artist #S_T_Gill pictured work underway at the Argyle Cut (probably 1850s). He was in Sydney and NSW from 1856 to 1863. #historySydney

    From Mitchell Library, #StateLibraryNSW collection.sl.nsw.gov.au/recor

  5. #S_T_Gill project bug fix (links to maps). Artworks with ampersand in the title were not linking to #uMap (object name). Replaced ampersand with "and" in webpage html and in uMap content.
    Fixed example on 1840s #Adelaide map, "Capt. Frome's & Engineer Barracks": coombe.id.au/S_T_Gill/S_T_Gill

  6. New find: it appears George French Angas trimmed the left edges of two paintings to remove S T Gill's signature for his 1846 London exhibition. Paintings considered to be Angas's best, evidence shows, are actually by Gill. In this new overview I examine Gill's work for and relationship with Angas, 1844 to 1852. Gill as ghost artist. Much praise bestowed on Angas has rightly belonged to #S_T_Gill. #colonialArt #historyAU #artHistoryAU #ozGLAM #catalogueRaisonne

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  7. Googled Glendoc and AI tells me it might be a misreading of Lynedoch. And there's it's only source - my webpage - right and below. I chuckled. I'd forgotten I'd already written that. (Yes, a search result would have been sufficient.) #S_T_Gill project

  8. I did say my #S_T_Gill project would "further rock the art history boat, not by intent, but because that's where the evidence takes us". So here's the extra rock ...

    Big claims need big evidence. My new article adds to the pile, showing despite his claim to his London publisher, George French Angas likely didn't go to the Victorian diggings in 1852 at all.

    Pivotal to this story is Charles Lord for whom Angas had great affection. A quick trip to Melbourne by the pair landed Angas in the middle of gold rush lithography.

    NARRATIVE, ANALYSIS & CATALOGUE. (Not light reading. Analysis only made possible by digitised newspapers.) #historyAU #artHistoryAU #TroveAU #ozGLAM

    My new article: coombe.id.au/S_T_Gill/George_F

  9. (2/3) Map of #S_T_Gill's 1852 scenes of the gold diggings in Victoria, Australia - at least the readily mappable ones. Built in OpenStreetMap's #uMap with #AllMaps tiles for custom background. #historicalMapping #historyAU
    Online map: umap.openstreetmap.fr/en/map/s

  10. Sasha Grishin described it as "an iconic image for the Australian gold rushes". "Diggers on way to Bendigo" was a frequent subject of S T Gill's picturing gold diggers on the road. Sometimes thought to show leaving #Melbourne for the goldfields. But it most likely represents diggers moving on from one diggings (Forest Creek, near #Castlemaine) to better prospects at another (#Bendigo). #historyAU #colonialArtAU

    My new article on #S_T_Gill pictures (7) on this subject from 1852 to 1872: coombe.id.au/S_T_Gill/S_T_Gill

  11. Anachronisms are often the downfall for a fake painting.

    This week I came across evidence that the object pictured in an "1845" painting was only made in 1854. #S_T_Gill #Adelaide #artHistoryAU

    New paragraph for article: coombe.id.au/S_T_Gill/S_T_Gill

  12. Years ago I started with just this scrap piece of paper and sketched these main #Adelaide intersections in the 1840s.
    This evolved into digital #historicalMapping using #uMap (which makes all the work look easy) and #mapWarper. I've now geolocated 257 works with latitude, longitude and view bearing.
    I recently added the Victorian diggings 1852 to the maps.

    Search the list of mapped works: coombe.id.au/S_T_Gill/index_of
    Read about the maps in the #S_T_Gill project and how I developed them: coombe.id.au/S_T_Gill/S_T_Gill
    #historyAU #digitalHumanities

  13. In 1851 George French Angas went from Sydney to the NSW gold diggings via the Blue Mountains. This map shows his sketches along the way and corrects the dating on these drawings in #NationalLibraryAU collection. (This map was a side activity in the #S_T_Gill project.) #historyAU #historyNSW #historicalMapping

    Online map: umap.openstreetmap.fr/en/map/a

  14. Bryce Ross kept the artist's name secret. Who was it sketching the gold diggings and looking to publish in #Melbourne or elsewhere?

    Ross was an institution on the Victorian diggings in 1852. He reported weekly for the Melbourne Herald and his "Mems from the Mount [Alexander]" were reprinted in colonial newspapers. His office was at what is now Chewton near #Castlemaine. Ross was one of thousands of #SouthAustralia'ns on the diggings.

    And why can't we find the artist's original field sketches?

    #historyAU #TroveAU #1850s #S_T_Gill #Bendigo

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  15. Bryce Ross kept the artist's name secret. Who was it sketching the gold diggings and looking to publish in #Melbourne or elsewhere?

    Ross was an institution on the Victorian diggings in 1852. He reported weekly for the Melbourne Herald and his "Mems from the Mount [Alexander]" were reprinted in colonial newspapers. His office was at what is now Chewton near #Castlemaine. Ross was one of thousands of #SouthAustralia'ns on the diggings.

    And why can't we find the artist's original field sketches?

    #historyAU #TroveAU #1850s #S_T_Gill #Bendigo

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  16. Bryce Ross kept the artist's name secret. Who was it sketching the gold diggings and looking to publish in #Melbourne or elsewhere?

    Ross was an institution on the Victorian diggings in 1852. He reported weekly for the Melbourne Herald and his "Mems from the Mount [Alexander]" were reprinted in colonial newspapers. His office was at what is now Chewton near #Castlemaine. Ross was one of thousands of #SouthAustralia'ns on the diggings.

    And why can't we find the artist's original field sketches?

    #historyAU #TroveAU #1850s #S_T_Gill #Bendigo

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  17. S. T. Gill is arguably Australia's most recognisable colonial artist. The story of Gill's 1852 passage from #SouthAustralia to the #Victoria goldfields has been a confused one. But it can now be teased out with help of digitised newspapers and a database approach. Who he went with adds to a sense of story.

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

    #TroveAU #1850s #S_T_Gill

  18. S. T. Gill is arguably Australia's most recognisable colonial artist. The story of Gill's 1852 passage from #SouthAustralia to the #Victoria goldfields has been a confused one. But it can now be teased out with help of digitised newspapers and a database approach. Who he went with adds to a sense of story.

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

    #TroveAU #1850s #S_T_Gill

  19. S. T. Gill is arguably Australia's most recognisable colonial artist. The story of Gill's 1852 passage from #SouthAustralia to the #Victoria goldfields has been a confused one. But it can now be teased out with help of digitised newspapers and a database approach. Who he went with adds to a sense of story.

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

    #TroveAU #1850s #S_T_Gill

  20. Update on my #S_T_Gill project: scope completed. More posts to follow.

  21. Update on my #S_T_Gill project:
    Scope remaining is the Victorian diggings, 1852-53. The material is well progressed: 7 major articles (pages), 2 minor articles, 2 online maps. Maybe a fortnight to completion. I'm very pleased with it. It's good biographically. It will also further rock the art history boat, not by intent, but because that's where the evidence takes us.

  22. #StateLibraryNSW has a surprisingly large number of South Australian colonial artworks. I've finished updating SLNSW links to their new catalogue from my #S_T_Gill project. This includes my maps of 1840s #SouthAustralia and #Adelaide which are now practically complete. Mapping using #uMap (OpenStreetMap).

    #historyAU #historicalMapping #digitalHumanities

    coombe.id.au/S_T_Gill/S_T_Gill

  23. #StateLibraryNSW has done a wonderful job with a *gradual* transition over several years from old catalogue to new catalogue. This has allowed users plenty of time to adjust.

    Recently the old catalogue image links stopped working. As my digital project includes a mix of old and new catalogue references, I need to catch up! I have about 110 to update in the next few days.

    #S_T_Gill project

  24. 1843 was a turning point for #SouthAustralia shifting from a rural economy to the start of a mining economy. This spurred the visit by artist George French Angas.

    This the third of my new articles this week in the #S_T_Gill #colonialArt project. #1840s

    coombe.id.au/S_T_Gill/S_T_Gill

  25. This is one of the earliest street scenes in #Adelaide - from 1840. It's in Hindley St where the Grand Chancellor is now. (From #StateLibraryNSW collection.)

    These are among the early #SouthAustralia works by #S_T_Gill. This new article accompanies the early narrative I've just added to the project. #1840s #colonialArtAU #catalogueRaisonne

    coombe.id.au/S_T_Gill/S_T_Gill

  26. S. T. Gill is arguably Australia's most recognisable colonial artist. He was in #SouthAustralia from 1839 to 1851. With two new narrative articles and a new catalogue article, I've now mostly finished my many years work on this period. The narratives are a particularly fresh look at the artist within an economic context. A different and online approach to #catalogueRaisonne. #artHistory #S_T_Gill #1840s

    My new article (narrative starting point): coombe.id.au/S_T_Gill/S_T_Gill

  27. He is quite the Sir Les Patterson type - but from about 1860. This is a bit of a quirky post ... zoom in on the wine & spirit merchant, A. Lusher ... check out his right hand!

    (If you're not seeing it, try it for yourself, noting thumb position and thumbnail visibility.) #S_T_Gill

    collection.sl.nsw.gov.au/recor

  28. My #artHistory project already links catalogue entries to map locations where known. But it was only zooming in to location and pin. I've now incorporated #uMap permalinks to also popup the artwork information panel. I also do this for the address of the artist's studios. #historicalMapping #S_T_Gill

    For example, see: coombe.id.au/S_T_Gill/S_T_Gill which has studio location and location of "Floraville" view.

  29. Realised these are probably prefabricated Manning's houses, c. 1841-42, corner Grenfell St & Gawler Pl, #Adelaide. #1840s #prefab #S_T_Gill #historyAU #prefabs

    Repost this time with more direct link to artwork: nla.gov.au/nla.obj-134360971/v

  30. Realised these are probably prefabricated Manning's houses, c. 1841-42, corner Grenfell St & Gawler Pl, #Adelaide. #1840s #prefab #S_T_Gill #historyAU #prefabs

    Repost this time with more direct link to artwork: nla.gov.au/nla.obj-134360971/v

  31. Realised these are probably prefabricated Manning's houses, c. 1841-42, corner Grenfell St & Gawler Pl, #Adelaide. #1840s #prefab #S_T_Gill #historyAU #prefabs

    Repost this time with more direct link to artwork: nla.gov.au/nla.obj-134360971/v

  32. Realised these are probably prefabricated Manning's houses, c. 1841-42, corner Grenfell St & Gawler Pl, #Adelaide. #1840s #prefab #S_T_Gill #historyAU #prefabs

    Repost this time with more direct link to artwork: nla.gov.au/nla.obj-134360971/v

  33. Analysis reveals two long-accepted colonial art works as clever fakes.

    Several "Gill" watercolours surfaced in the 1890s with connections to amateur artist Margaret Scott and daughter journalist Winnifred "Magpie" Scott. Two were fake: Adelaide Racecourse and Dry Creek hunt.
    #S_T_Gill #Adelaide #artHistoryAU #colonialArtAU

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  34. #S_T_Gill's "Extinct Crater" pictures were actually of a non-volcanic rock formation near Lake Frome, #SouthAustralia. This new article of his several pictures of this subject shows that you can't take an artist's dated signature for granted! #colonialArtAU

    coombe.id.au/S_T_Gill/S_T_Gill

  35. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  36. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  37. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  38. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  39. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  40. “Out with Mr. Gill the artist who has come from town to take some sketches...”

    This was the hook for my project - the hurdle that the "Convict Gill" theory couldn't jump. A historical controversy in the newspapers 9 years ago! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    From my naive self 9 years ago: coombe.id.au/stg/01_controvers 2/3