#colonialart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #colonialart, aggregated by home.social.
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New find: it appears George French Angas trimmed the left edges of two paintings to remove S T Gill's signature for his 1846 London exhibition. Paintings considered to be Angas's best, evidence shows, are actually by Gill. In this new overview I examine Gill's work for and relationship with Angas, 1844 to 1852. Gill as ghost artist. Much praise bestowed on Angas has rightly belonged to #S_T_Gill. #colonialArt #historyAU #artHistoryAU #ozGLAM #catalogueRaisonne
My new article: https://coombe.id.au/S_T_Gill/S_T_Gill_artist_for_George_French_Angas.htm
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1843 was a turning point for #SouthAustralia shifting from a rural economy to the start of a mining economy. This spurred the visit by artist George French Angas.
This the third of my new articles this week in the #S_T_Gill #colonialArt project. #1840s
https://coombe.id.au/S_T_Gill/S_T_Gill_Narrative_1843_to_1844.htm
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Reading "Ms & Mrs Gould" and finding similarities between John Gould and (the much younger) George French Angas in terms of ambition, Queen Adelaide patronage, commercial approach, format, and even appropriation of the works of others.
Angas intended to illustrate #SouthAustralia’s settlements, scenery, First People and any natural history not covered by Gould's "Birds".
Borrowed from #LibrariesACT where it is in high demand. #S_T_Gill #1840s #colonialArt