home.social

#colonialartau — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #colonialartau, aggregated by home.social.

fetched live
  1. Browsing the Royal Society of #Tasmania for Piguenit, I see this interesting pair of near identical watercolour landscapes, one of which noticeably has foreground completed. #colonialArtAU

  2. Browsing the Royal Society of #Tasmania for Piguenit, I see this interesting pair of near identical watercolour landscapes, one of which noticeably has foreground completed. #colonialArtAU

  3. Browsing the Royal Society of #Tasmania for Piguenit, I see this interesting pair of near identical watercolour landscapes, one of which noticeably has foreground completed. #colonialArtAU

  4. Browsing the Royal Society of #Tasmania for Piguenit, I see this interesting pair of near identical watercolour landscapes, one of which noticeably has foreground completed. #colonialArtAU

  5. Browsing the Royal Society of #Tasmania for Piguenit, I see this interesting pair of near identical watercolour landscapes, one of which noticeably has foreground completed. #colonialArtAU

  6. Sasha Grishin described it as "an iconic image for the Australian gold rushes". "Diggers on way to Bendigo" was a frequent subject of S T Gill's picturing gold diggers on the road. Sometimes thought to show leaving #Melbourne for the goldfields. But it most likely represents diggers moving on from one diggings (Forest Creek, near #Castlemaine) to better prospects at another (#Bendigo). #historyAU #colonialArtAU

    My new article on #S_T_Gill pictures (7) on this subject from 1852 to 1872: coombe.id.au/S_T_Gill/S_T_Gill

  7. Sasha Grishin described it as "an iconic image for the Australian gold rushes". "Diggers on way to Bendigo" was a frequent subject of S T Gill's picturing gold diggers on the road. Sometimes thought to show leaving #Melbourne for the goldfields. But it most likely represents diggers moving on from one diggings (Forest Creek, near #Castlemaine) to better prospects at another (#Bendigo). #historyAU #colonialArtAU

    My new article on #S_T_Gill pictures (7) on this subject from 1852 to 1872: coombe.id.au/S_T_Gill/S_T_Gill

  8. Sasha Grishin described it as "an iconic image for the Australian gold rushes". "Diggers on way to Bendigo" was a frequent subject of S T Gill's picturing gold diggers on the road. Sometimes thought to show leaving #Melbourne for the goldfields. But it most likely represents diggers moving on from one diggings (Forest Creek, near #Castlemaine) to better prospects at another (#Bendigo). #historyAU #colonialArtAU

    My new article on #S_T_Gill pictures (7) on this subject from 1852 to 1872: coombe.id.au/S_T_Gill/S_T_Gill

  9. Sasha Grishin described it as "an iconic image for the Australian gold rushes". "Diggers on way to Bendigo" was a frequent subject of S T Gill's picturing gold diggers on the road. Sometimes thought to show leaving #Melbourne for the goldfields. But it most likely represents diggers moving on from one diggings (Forest Creek, near #Castlemaine) to better prospects at another (#Bendigo). #historyAU #colonialArtAU

    My new article on #S_T_Gill pictures (7) on this subject from 1852 to 1872: coombe.id.au/S_T_Gill/S_T_Gill

  10. This is one of the earliest street scenes in #Adelaide - from 1840. It's in Hindley St where the Grand Chancellor is now. (From #StateLibraryNSW collection.)

    These are among the early #SouthAustralia works by #S_T_Gill. This new article accompanies the early narrative I've just added to the project. #1840s #colonialArtAU #catalogueRaisonne

    coombe.id.au/S_T_Gill/S_T_Gill

  11. This is one of the earliest street scenes in #Adelaide - from 1840. It's in Hindley St where the Grand Chancellor is now. (From #StateLibraryNSW collection.)

    These are among the early #SouthAustralia works by #S_T_Gill. This new article accompanies the early narrative I've just added to the project. #1840s #colonialArtAU #catalogueRaisonne

    coombe.id.au/S_T_Gill/S_T_Gill

  12. This is one of the earliest street scenes in #Adelaide - from 1840. It's in Hindley St where the Grand Chancellor is now. (From #StateLibraryNSW collection.)

    These are among the early #SouthAustralia works by #S_T_Gill. This new article accompanies the early narrative I've just added to the project. #1840s #colonialArtAU #catalogueRaisonne

    coombe.id.au/S_T_Gill/S_T_Gill

  13. This is one of the earliest street scenes in #Adelaide - from 1840. It's in Hindley St where the Grand Chancellor is now. (From #StateLibraryNSW collection.)

    These are among the early #SouthAustralia works by #S_T_Gill. This new article accompanies the early narrative I've just added to the project. #1840s #colonialArtAU #catalogueRaisonne

    coombe.id.au/S_T_Gill/S_T_Gill

  14. This is one of the earliest street scenes in #Adelaide - from 1840. It's in Hindley St where the Grand Chancellor is now. (From #StateLibraryNSW collection.)

    These are among the early #SouthAustralia works by #S_T_Gill. This new article accompanies the early narrative I've just added to the project. #1840s #colonialArtAU #catalogueRaisonne

    coombe.id.au/S_T_Gill/S_T_Gill

  15. Analysis reveals two long-accepted colonial art works as clever fakes.

    Several "Gill" watercolours surfaced in the 1890s with connections to amateur artist Margaret Scott and daughter journalist Winnifred "Magpie" Scott. Two were fake: Adelaide Racecourse and Dry Creek hunt.
    #S_T_Gill #Adelaide #artHistoryAU #colonialArtAU

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  16. Analysis reveals two long-accepted colonial art works as clever fakes.

    Several "Gill" watercolours surfaced in the 1890s with connections to amateur artist Margaret Scott and daughter journalist Winnifred "Magpie" Scott. Two were fake: Adelaide Racecourse and Dry Creek hunt.
    #S_T_Gill #Adelaide #artHistoryAU #colonialArtAU

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  17. Analysis reveals two long-accepted colonial art works as clever fakes.

    Several "Gill" watercolours surfaced in the 1890s with connections to amateur artist Margaret Scott and daughter journalist Winnifred "Magpie" Scott. Two were fake: Adelaide Racecourse and Dry Creek hunt.
    #S_T_Gill #Adelaide #artHistoryAU #colonialArtAU

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  18. Analysis reveals two long-accepted colonial art works as clever fakes.

    Several "Gill" watercolours surfaced in the 1890s with connections to amateur artist Margaret Scott and daughter journalist Winnifred "Magpie" Scott. Two were fake: Adelaide Racecourse and Dry Creek hunt.
    #S_T_Gill #Adelaide #artHistoryAU #colonialArtAU

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  19. Analysis reveals two long-accepted colonial art works as clever fakes.

    Several "Gill" watercolours surfaced in the 1890s with connections to amateur artist Margaret Scott and daughter journalist Winnifred "Magpie" Scott. Two were fake: Adelaide Racecourse and Dry Creek hunt.
    #S_T_Gill #Adelaide #artHistoryAU #colonialArtAU

    My new article: coombe.id.au/S_T_Gill/S_T_Gill

  20. "South Australia in 1842, by one who lived there nearly four years"

    A little known booklet. This was #SouthAustralia coming out of 1841-42 depression and before the 1843 copper optimism.

    In this new article I reattribute a #StateLibrarySA watercolour from Governor Gawler to John Michael Skipper. #colonialArtAU

    coombe.id.au/1840s_South_Austr

  21. "South Australia in 1842, by one who lived there nearly four years"

    A little known booklet. This was #SouthAustralia coming out of 1841-42 depression and before the 1843 copper optimism.

    In this new article I reattribute a #StateLibrarySA watercolour from Governor Gawler to John Michael Skipper. #colonialArtAU

    coombe.id.au/1840s_South_Austr

  22. "South Australia in 1842, by one who lived there nearly four years"

    A little known booklet. This was #SouthAustralia coming out of 1841-42 depression and before the 1843 copper optimism.

    In this new article I reattribute a #StateLibrarySA watercolour from Governor Gawler to John Michael Skipper. #colonialArtAU

    coombe.id.au/1840s_South_Austr

  23. "South Australia in 1842, by one who lived there nearly four years"

    A little known booklet. This was #SouthAustralia coming out of 1841-42 depression and before the 1843 copper optimism.

    In this new article I reattribute a #StateLibrarySA watercolour from Governor Gawler to John Michael Skipper. #colonialArtAU

    coombe.id.au/1840s_South_Austr

  24. "South Australia in 1842, by one who lived there nearly four years"

    A little known booklet. This was #SouthAustralia coming out of 1841-42 depression and before the 1843 copper optimism.

    In this new article I reattribute a #StateLibrarySA watercolour from Governor Gawler to John Michael Skipper. #colonialArtAU

    coombe.id.au/1840s_South_Austr

  25. #S_T_Gill's "Extinct Crater" pictures were actually of a non-volcanic rock formation near Lake Frome, #SouthAustralia. This new article of his several pictures of this subject shows that you can't take an artist's dated signature for granted! #colonialArtAU

    coombe.id.au/S_T_Gill/S_T_Gill

  26. #S_T_Gill's "Extinct Crater" pictures were actually of a non-volcanic rock formation near Lake Frome, #SouthAustralia. This new article of his several pictures of this subject shows that you can't take an artist's dated signature for granted! #colonialArtAU

    coombe.id.au/S_T_Gill/S_T_Gill

  27. #S_T_Gill's "Extinct Crater" pictures were actually of a non-volcanic rock formation near Lake Frome, #SouthAustralia. This new article of his several pictures of this subject shows that you can't take an artist's dated signature for granted! #colonialArtAU

    coombe.id.au/S_T_Gill/S_T_Gill

  28. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  29. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  30. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  31. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  32. And now my modern project returns to the quote that's stuck in my head for the last 9 years. With a new article! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill #Barossa #SouthAustralia #Angas

    S.T. Gill at Angas' Barossa 1844

    S. T. Gill was in the #Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications: "South Australia Illustrated" and "Barossa Range and its neighbourhood".

    New article: coombe.id.au/S_T_Gill/S_T_Gill 3/3

  33. “Out with Mr. Gill the artist who has come from town to take some sketches...”

    This was the hook for my project - the hurdle that the "Convict Gill" theory couldn't jump. A historical controversy in the newspapers 9 years ago! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    From my naive self 9 years ago: coombe.id.au/stg/01_controvers 2/3

  34. “Out with Mr. Gill the artist who has come from town to take some sketches...”

    This was the hook for my project - the hurdle that the "Convict Gill" theory couldn't jump. A historical controversy in the newspapers 9 years ago! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    From my naive self 9 years ago: coombe.id.au/stg/01_controvers 2/3

  35. “Out with Mr. Gill the artist who has come from town to take some sketches...”

    This was the hook for my project - the hurdle that the "Convict Gill" theory couldn't jump. A historical controversy in the newspapers 9 years ago! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    From my naive self 9 years ago: coombe.id.au/stg/01_controvers 2/3

  36. “Out with Mr. Gill the artist who has come from town to take some sketches...”

    This was the hook for my project - the hurdle that the "Convict Gill" theory couldn't jump. A historical controversy in the newspapers 9 years ago! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    From my naive self 9 years ago: coombe.id.au/stg/01_controvers 2/3

  37. “Out with Mr. Gill the artist who has come from town to take some sketches...”

    This was the hook for my project - the hurdle that the "Convict Gill" theory couldn't jump. A historical controversy in the newspapers 9 years ago! #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    From my naive self 9 years ago: coombe.id.au/stg/01_controvers 2/3

  38. A historical controversy grabbed my attention 9 years ago. #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    May be free or paywall: theage.com.au/national/victori

    At first I was attracted to the convict Gill theory. But soon found a hurdle in the said timeline... 1/3

  39. A historical controversy grabbed my attention 9 years ago. #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    May be free or paywall: theage.com.au/national/victori

    At first I was attracted to the convict Gill theory. But soon found a hurdle in the said timeline... 1/3

  40. A historical controversy grabbed my attention 9 years ago. #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    May be free or paywall: theage.com.au/national/victori

    At first I was attracted to the convict Gill theory. But soon found a hurdle in the said timeline... 1/3

  41. A historical controversy grabbed my attention 9 years ago. #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    May be free or paywall: theage.com.au/national/victori

    At first I was attracted to the convict Gill theory. But soon found a hurdle in the said timeline... 1/3

  42. A historical controversy grabbed my attention 9 years ago. #historyAU #artHistoryAU #colonialArtAU #S_T_Gill

    May be free or paywall: theage.com.au/national/victori

    At first I was attracted to the convict Gill theory. But soon found a hurdle in the said timeline... 1/3

  43. In the 1980s Ralph Grandison was mapping #S_T_Gill's artworks in #SouthAustralia. I recently viewed in the State Library his 1991 paper on Gill's 1844 #Barossa works. Interestingly he's included many of "The Seasons and The Months" - see image snippet. Clearly he didn't accept Appleyard & Radford's 1986 redating of these from 1847 to 1840-42. #artHistoryAU #colonialArtAU #historicalMapping

    Over the next few months, I'll need to supplement my earlier work with Grandison's insights at: coombe.id.au/S_T_Gill/S_T_Gill

  44. In the 1980s Ralph Grandison was mapping #S_T_Gill's artworks in #SouthAustralia. I recently viewed in the State Library his 1991 paper on Gill's 1844 #Barossa works. Interestingly he's included many of "The Seasons and The Months" - see image snippet. Clearly he didn't accept Appleyard & Radford's 1986 redating of these from 1847 to 1840-42. #artHistoryAU #colonialArtAU #historicalMapping

    Over the next few months, I'll need to supplement my earlier work with Grandison's insights at: coombe.id.au/S_T_Gill/S_T_Gill

  45. In the 1980s Ralph Grandison was mapping #S_T_Gill's artworks in #SouthAustralia. I recently viewed in the State Library his 1991 paper on Gill's 1844 #Barossa works. Interestingly he's included many of "The Seasons and The Months" - see image snippet. Clearly he didn't accept Appleyard & Radford's 1986 redating of these from 1847 to 1840-42. #artHistoryAU #colonialArtAU #historicalMapping

    Over the next few months, I'll need to supplement my earlier work with Grandison's insights at: coombe.id.au/S_T_Gill/S_T_Gill

  46. In the 1980s Ralph Grandison was mapping #S_T_Gill's artworks in #SouthAustralia. I recently viewed in the State Library his 1991 paper on Gill's 1844 #Barossa works. Interestingly he's included many of "The Seasons and The Months" - see image snippet. Clearly he didn't accept Appleyard & Radford's 1986 redating of these from 1847 to 1840-42. #artHistoryAU #colonialArtAU #historicalMapping

    Over the next few months, I'll need to supplement my earlier work with Grandison's insights at: coombe.id.au/S_T_Gill/S_T_Gill

  47. In the 1980s Ralph Grandison was mapping #S_T_Gill's artworks in #SouthAustralia. I recently viewed in the State Library his 1991 paper on Gill's 1844 #Barossa works. Interestingly he's included many of "The Seasons and The Months" - see image snippet. Clearly he didn't accept Appleyard & Radford's 1986 redating of these from 1847 to 1840-42. #artHistoryAU #colonialArtAU #historicalMapping

    Over the next few months, I'll need to supplement my earlier work with Grandison's insights at: coombe.id.au/S_T_Gill/S_T_Gill

  48. CW: 1840s artwork Frontier Wars

    Last week I got to research at #StateLibraryNSW Sydney.

    An artwork I "reidentified" is "The Avengers" by #S_T_Gill showing colonists about to fire on a group of #Aboriginal people. I date this to about 1844/1845 - a decade before his previous earliest known of this subject. #frontierWars #1840s #colonialArtAU

    Read: coombe.id.au/S_T_Gill/S_T_Gill

  49. CW: 1840s artwork Frontier Wars

    Last week I got to research at #StateLibraryNSW Sydney.

    An artwork I "reidentified" is "The Avengers" by #S_T_Gill showing colonists about to fire on a group of #Aboriginal people. I date this to about 1844/1845 - a decade before his previous earliest known of this subject. #frontierWars #1840s #colonialArtAU

    Read: coombe.id.au/S_T_Gill/S_T_Gill

  50. CW: 1840s artwork Frontier Wars

    Last week I got to research at #StateLibraryNSW Sydney.

    An artwork I "reidentified" is "The Avengers" by #S_T_Gill showing colonists about to fire on a group of #Aboriginal people. I date this to about 1844/1845 - a decade before his previous earliest known of this subject. #frontierWars #1840s #colonialArtAU

    Read: coombe.id.au/S_T_Gill/S_T_Gill

  51. CW: 1840s artwork Frontier Wars

    Last week I got to research at #StateLibraryNSW Sydney.

    An artwork I "reidentified" is "The Avengers" by #S_T_Gill showing colonists about to fire on a group of #Aboriginal people. I date this to about 1844/1845 - a decade before his previous earliest known of this subject. #frontierWars #1840s #colonialArtAU

    Read: coombe.id.au/S_T_Gill/S_T_Gill

  52. CW: 1840s artwork Frontier Wars

    Last week I got to research at #StateLibraryNSW Sydney.

    An artwork I "reidentified" is "The Avengers" by #S_T_Gill showing colonists about to fire on a group of #Aboriginal people. I date this to about 1844/1845 - a decade before his previous earliest known of this subject. #frontierWars #1840s #colonialArtAU

    Read: coombe.id.au/S_T_Gill/S_T_Gill

  53. Finally releasing this research into the wild. Years ago I was deep into horse racing results from 1839 to 1845 using #TroveAU and it paid off. No back to the future wins 👀 but recovering forgotten historical context for a watercolour of the Adelaide Races by John Michael Skipper.

    I identify this picture as a race for "gentlemen riders" on New Year's Day 1839 featuring a uniformed Captain Charles Berkeley. (This is a side outcome of the #S_T_Gill project.)

    #Adelaide #historyAU #colonialArtAU #sportsHistory #horseRacing
    New Article: coombe.id.au/1840s_South_Austr

  54. Finally releasing this research into the wild. Years ago I was deep into horse racing results from 1839 to 1845 using #TroveAU and it paid off. No back to the future wins 👀 but recovering forgotten historical context for a watercolour of the Adelaide Races by John Michael Skipper.

    I identify this picture as a race for "gentlemen riders" on New Year's Day 1839 featuring a uniformed Captain Charles Berkeley. (This is a side outcome of the #S_T_Gill project.)

    #Adelaide #historyAU #colonialArtAU #sportsHistory #horseRacing
    New Article: coombe.id.au/1840s_South_Austr

  55. Finally releasing this research into the wild. Years ago I was deep into horse racing results from 1839 to 1845 using #TroveAU and it paid off. No back to the future wins 👀 but recovering forgotten historical context for a watercolour of the Adelaide Races by John Michael Skipper.

    I identify this picture as a race for "gentlemen riders" on New Year's Day 1839 featuring a uniformed Captain Charles Berkeley. (This is a side outcome of the #S_T_Gill project.)

    #Adelaide #historyAU #colonialArtAU #sportsHistory #horseRacing
    New Article: coombe.id.au/1840s_South_Austr