#osmose — Public Fediverse posts

#Hapax 3.0 Firmware update is a huge step forward.
It can record, edit and playback #MPE for example from an #Osmose

https://youtu.be/4OK3F1vOqqs

congrats #Squarp to the great release

#Hapax 3.0 Firmware update is a huge step forward.
It can record, edit and playback #MPE for example from an #Osmose

https://youtu.be/4OK3F1vOqqs

congrats #Squarp to the great release

On peut comparer la qualité des données enedis et openstreetmap, ce qui permet une boucle vertueuse dans la gestion des donnees et des objets du monde matériel. On peut y voir que sur de nombreux sujets le souci de la qualité est bien plus présent dans #openstreetmap qu'ailleurs.

Ne négligez pas la valorisation des données et le pouvoir évocateur des démonstrateurs.

J'espère que vous avez maintenant d'avantage confiance dans la qualité des données openstreetmap

• François

#dataviz #fposm #osmose #qa

On peut comparer la qualité des données enedis et openstreetmap, ce qui permet une boucle vertueuse dans la gestion des donnees et des objets du monde matériel. On peut y voir que sur de nombreux sujets le souci de la qualité est bien plus présent dans #openstreetmap qu'ailleurs.

Ne négligez pas la valorisation des données et le pouvoir évocateur des démonstrateurs.

J'espère que vous avez maintenant d'avantage confiance dans la qualité des données openstreetmap

• François

#dataviz #fposm #osmose #qa

On peut comparer la qualité des données enedis et openstreetmap, ce qui permet une boucle vertueuse dans la gestion des donnees et des objets du monde matériel. On peut y voir que sur de nombreux sujets le souci de la qualité est bien plus présent dans #openstreetmap qu'ailleurs.

Ne négligez pas la valorisation des données et le pouvoir évocateur des démonstrateurs.

J'espère que vous avez maintenant d'avantage confiance dans la qualité des données openstreetmap

• François

#dataviz #fposm #osmose #qa

On peut comparer la qualité des données enedis et openstreetmap, ce qui permet une boucle vertueuse dans la gestion des donnees et des objets du monde matériel. On peut y voir que sur de nombreux sujets le souci de la qualité est bien plus présent dans #openstreetmap qu'ailleurs.

Ne négligez pas la valorisation des données et le pouvoir évocateur des démonstrateurs.

J'espère que vous avez maintenant d'avantage confiance dans la qualité des données openstreetmap

• François

#dataviz #fposm #osmose #qa

On peut comparer la qualité des données enedis et openstreetmap, ce qui permet une boucle vertueuse dans la gestion des donnees et des objets du monde matériel. On peut y voir que sur de nombreux sujets le souci de la qualité est bien plus présent dans #openstreetmap qu'ailleurs.

Ne négligez pas la valorisation des données et le pouvoir évocateur des démonstrateurs.

J'espère que vous avez maintenant d'avantage confiance dans la qualité des données openstreetmap

• François

#dataviz #fposm #osmose #qa

Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍

https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html

@DasWissen

#fisch #fische #trinken #osmose

Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍

https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html

@DasWissen

#fisch #fische #trinken #osmose

Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍

https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html

@DasWissen

#fisch #fische #trinken #osmose

Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍

https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html

@DasWissen

#fisch #fische #trinken #osmose

Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍

https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html

@DasWissen

#fisch #fische #trinken #osmose

Webinar: Power grids data quality - the impact on Energy System Planning

https://www.youtube.com/watch?v=KJ7V36CJ_JE

Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...

Webinar: Power grids data quality - the impact on Energy System Planning

https://www.youtube.com/watch?v=KJ7V36CJ_JE

Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...

Webinar: Power grids data quality - the impact on Energy System Planning

https://www.youtube.com/watch?v=KJ7V36CJ_JE

Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...

Webinar: Power grids data quality - the impact on Energy System Planning

https://www.youtube.com/watch?v=KJ7V36CJ_JE

Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...

Webinar: Power grids data quality - the impact on Energy System Planning

https://www.youtube.com/watch?v=KJ7V36CJ_JE

Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...

#SaveTheDate 🧭🗺️ Wer kurz nach Silvester den Vorsatz, mal etwas mehr in #OpenStreetMap zu mappen, direkt umsetzen will: Am Samstag, dem 03.01.2026 findet ab 17 Uhr wieder das OSM-Mappertreffen in #Braunschweig statt. Kommt gerne im @stratum0 vorbei, wenn ihr euch über OSM austauschen wollt oder einfach gerne lernen wollt, wie man auf OSM mithilft.

Beim letzten Mal wurden zusammen #osmose Probleme gelöst, Indoor gemappt und Stollen gefuttert 😋

Alle Infos dazu hier:
https://osmcal.org/event/4274/

#OSM

vous retrouverez les infos d'#osmose dans #libreChargeMap , y'a un bouton pour corriger dans #josm ou voir dans #id

https://libre-charge-map.cipherbliss.com/#coords=1&lat=48.648731643049146&lng=2.2739019457795266&zoom=16

#openstreetmap #irve

Gjendød – Svekkelse Review

By Grin Reaper

In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?

The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.

With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.

Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.

Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.

Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025

#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod

Gjendød – Svekkelse Review

By Grin Reaper

In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?

The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.

With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.

Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.

Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.

Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025

#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod

Gjendød – Svekkelse Review

By Grin Reaper

In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?

The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.

With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.

Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.

Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.

Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025

#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod

Gjendød – Svekkelse Review

By Grin Reaper

In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?

The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.

With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.

Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.

Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.

Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025

#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod

Gjendød – Svekkelse Review

By Grin Reaper

In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?

The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.

With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.

Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.

Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.

Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025

#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod

on est sur la bonne voie, j'ai enfin une PR pour #osmose backend pour les puissances max de bornes de recharge électrique qui passe la contrainte de lint.

https://github.com/vortex-a-chats/osmose-backend/actions/runs/16892082573

#IRVE #balanceTaBorne

𝐀ctrice 𝐝𝐮 𝐉our

𝐊𝐚𝐫𝐨𝐥𝐞 𝐑𝐨𝐜𝐡𝐞𝐫
Actrice Réalisatrice Française

#KaroleRocher c'est déjà plus de 25 Films

#ActriceDuJour #actress #actrice #Fratè #SauveMoi #Osmose #Scorpion #Stella #LeBalDesActrices #Polisse #DernièreSéance
#TipTop #LesYeuxJaunesDesCrocodiles #Fastlife #SexDoll #ParisLaBlanche #MadameHyde
#BlackSnake #MadameClaude #CommeUnFils #cinegenres #vidéothèqueidéale #cinema

𝐄n 𝐒avoir 𝐏lus:
https://www.instagram.com/cinegenres/

Whenever I see or hear anything about Expressive E's #osmose, I'm simply stunned and want this thing even more than before. 🙂 https://www.youtube.com/watch?v=mlNNoXnx8Tw
#expression #arpeggiator #synthesizer

dites donc y'a pas loin de 30 000 bornes de recharges à intégrer et à placer minutieusement dans #OSM selon #Osmose, si la thématique des #IRVE et des #transports bas carbone vous intéresse, rejoignez nous!

https://libre-charge-map.cipherbliss.com/stats.html

#openstreetmap

Probe Podcast BONUS: 025 Die 60-Minuten-Challenge

Nach knapp einem Jahr versuchen sie sich mal wieder mit Vorsatz kürzer zu fassen und alles bleibt beim alten; der Erfolg, die Themen (ja, Tobi hat schon wieder Geräteprobleme), die Notwendigkeit, das alles zu schneiden (mitsamt exklusivem Raumwelle-Release)... und so weiter und so fort.

#Musikproduktion #Osmose #Podcast #Sequential #StudioTalk #synthesizer #Take5 #Zensur

Bild KI generiert mit ChatGPT

https://lautfunk.uber.space/probepodcast/probe-podcast-bonus-025-die-60-minuten-challenge/

Probe Podcast BONUS: 025 Die 60-Minuten-Challenge

Nach knapp einem Jahr versuchen sie sich mal wieder mit Vorsatz kürzer zu fassen und alles bleibt beim alten; der Erfolg, die Themen (ja, Tobi hat schon wieder Geräteprobleme), die Notwendigkeit, das alles zu schneiden (mitsamt exklusivem Raumwelle-Release)... und so weiter und so fort.

#Musikproduktion #Osmose #Podcast #Sequential #StudioTalk #synthesizer #Take5 #Zensur

Bild KI generiert mit ChatGPT

https://lautfunk.uber.space/probepodcast/probe-podcast-bonus-025-die-60-minuten-challenge/

qui veut faire tourner des analyses #osmose sur son ordi perso ?

https://www.cipherbliss.com/2025/faire-une-analyse-avec-osmose-backend

#openstreetmap #qa

#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose

https://libre-charge-map.cipherbliss.com

#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata

#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose

https://libre-charge-map.cipherbliss.com

#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata

#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose

https://libre-charge-map.cipherbliss.com

#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata

#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose

https://libre-charge-map.cipherbliss.com

#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata

#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose

https://libre-charge-map.cipherbliss.com

#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata

I've successfully cleaned up a lot of my #osmose issues this week! I'm down from:

5 level one issues -> 3
108 level two issues -> 64
307 level three issues -> 255

That's a total of 98 issues cleaned, or ~23% (keep in mind, some were duplicates). Considering this is accumulation from 7 years(!) of editing #OpenStreetMap, that's pretty good!

Seeking advice: if there are duplicate #OpenStreetMap features with conflicting elevations, how does one reconcile the difference? If I include both, #osmose yells at me. The vast majority of these I cannot verify in person

5/3 Well, I got the #C15 running with poly aftertouch from the NI S88 mk3 piano controller, and the #Hydrasynth Deluxe. Whew!

That leaves the #Osmose and the #ROLI Seaboards … but one step at a time. The biggest hurdle was the MIDI settings in #DigitalPerformer …

there are about 15 tweaks between the two synths and the DAW, and if *one* of them isn’t right, no poly AT.

The next challenge is to create/modify patches to best take advantage of poly AT … what a joy, to use full-length keyboards!

5/3 Well, I got the #C15 running with poly aftertouch from the NI S88 mk3 piano controller, and the #Hydrasynth Deluxe. Whew!

That leaves the #Osmose and the #ROLI Seaboards … but one step at a time. The biggest hurdle was the MIDI settings in #DigitalPerformer …

there are about 15 tweaks between the two synths and the DAW, and if *one* of them isn’t right, no poly AT.

The next challenge is to create/modify patches to best take advantage of poly AT … what a joy, to use full-length keyboards!

5/3 Well, I got the #C15 running with poly aftertouch from the NI S88 mk3 piano controller, and the #Hydrasynth Deluxe. Whew!

That leaves the #Osmose and the #ROLI Seaboards … but one step at a time. The biggest hurdle was the MIDI settings in #DigitalPerformer …

there are about 15 tweaks between the two synths and the DAW, and if *one* of them isn’t right, no poly AT.

The next challenge is to create/modify patches to best take advantage of poly AT … what a joy, to use full-length keyboards!

.
... Flying through Space II ...
.
Variation of my real-time animation – Flying through Space –
This time with a feedback-loop and changes in colour and form. 😉
Also live performed with my controller Touché.

I played the soundtrack on the synthesizer 'Osmose' by Expressive E ... using Bitwig Studio for recording. 😎

#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touché #Tooll3 #MastoArt

.
... Painting with Light ...
.
Further exploration of the ribbons via [DrawBillboards] - I really love the possibilities of this operator, especially the colour gradient and its curve editor! 😀

And the music, again with my synthesizer Osmose... 😎

#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touché #expressivee #Tooll3 #MadeWithTooll #MastoArt

Great Osmose video, showing really essential expression tips to know about!

#mpe #osmose #expressivee #midi #expressiveness

https://www.youtube.com/watch?v=peNoRX_fbhQ

Great Osmose video, showing really essential expression tips to know about!

#mpe #osmose #expressivee #midi #expressiveness

https://www.youtube.com/watch?v=peNoRX_fbhQ