#osmose — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #osmose, aggregated by home.social.
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First impressions of the Expressive-E Osmose CE 49 controller on Linux:
* Very happy about the hardware.
* Very happy about Bitwig Linux integration.
* Very unhappy about the Ctrl-E "software bundle". Windows/Mac only. I tried with Wine and yabridge. And the culprit is... PACE iLok. As I was expecting, really.Full "review" on LinuxMusicians https://linuxmusicians.com/viewtopic.php?p=186132#p186132
or Elektronauts https://www.elektronauts.com/t/expressive-e-osmose/110993/2536
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First impressions of the Expressive-E Osmose CE 49 controller on Linux:
* Very happy about the hardware.
* Very happy about Bitwig Linux integration.
* Very unhappy about the Ctrl-E "software bundle". Windows/Mac only. I tried with Wine and yabridge. And the culprit is... PACE iLok. As I was expecting, really.Full "review" on LinuxMusicians https://linuxmusicians.com/viewtopic.php?p=186132#p186132
or Elektronauts https://www.elektronauts.com/t/expressive-e-osmose/110993/2536
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Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html
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Salzwasserfisch = Trinker
Süßwasserfisch = Pinkler
😄👍https://www.swr.de/swrkultur/wissen/trinken-fische-das-wasser-in-dem-sie-schwimmen-100.html
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Webinar: Power grids data quality - the impact on Energy System Planning
https://www.youtube.com/watch?v=KJ7V36CJ_JE
Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...
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Webinar: Power grids data quality - the impact on Energy System Planning
https://www.youtube.com/watch?v=KJ7V36CJ_JE
Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...
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Webinar: Power grids data quality - the impact on Energy System Planning
https://www.youtube.com/watch?v=KJ7V36CJ_JE
Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...
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Webinar: Power grids data quality - the impact on Energy System Planning
https://www.youtube.com/watch?v=KJ7V36CJ_JE
Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...
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Webinar: Power grids data quality - the impact on Energy System Planning
https://www.youtube.com/watch?v=KJ7V36CJ_JE
Check out: mapyourgrid.org #OpenStreetMap #MapYourGrid #PyPSA-Earth #powermodelling #powergrids #energytransition #gridinspector #podoma #osmose #powerplantm...
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vous retrouverez les infos d'#osmose dans #libreChargeMap , y'a un bouton pour corriger dans #josm ou voir dans #id
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vous retrouverez les infos d'#osmose dans #libreChargeMap , y'a un bouton pour corriger dans #josm ou voir dans #id
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vous retrouverez les infos d'#osmose dans #libreChargeMap , y'a un bouton pour corriger dans #josm ou voir dans #id
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vous retrouverez les infos d'#osmose dans #libreChargeMap , y'a un bouton pour corriger dans #josm ou voir dans #id
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vous retrouverez les infos d'#osmose dans #libreChargeMap , y'a un bouton pour corriger dans #josm ou voir dans #id
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By Grin Reaper
In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?
The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.
With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.
Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.
Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.
Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod
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By Grin Reaper
In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?
The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.
With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.
Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.
Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.
Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod
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By Grin Reaper
In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?
The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.
With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.
Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.
Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.
Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod
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By Grin Reaper
In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?
The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.
With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.
Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.
Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.
Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod
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By Grin Reaper
In a genre defined by trem-picking, unbridled shrieks, and lo-fi, treble-heavy production, Gjendød challenges a paradigm long synonymous with black metal—no bass, no problem. Though unabashedly black metal, Gjendød offers an alternative to typical second-wave stylings while still being recognizably influenced by them. Svekkelse is Gjendød’s sixth LP since founding duo K and KK joined forces in 2015. After releasing I Utakt med Verden in 2022, the Trondheim, Norway twosome enlisted drummer TK1 and Gjendød signed with Osmose Productions. These developments gave listeners 2024’s Livskramper and now Svekkelse. Both albums buck some of the musical stereotypes rife within the genre, yet it takes more than subverting expectations to write an estimable record. Is Gjendød up to the task?
The elements of Gjendød’s sound have been around since the band’s inception, with melodic leads and prominent bass strewn throughout their discography. But things didn’t crystallize until Livskramper, where Gjendød upped their commitment to melody, and the production took a step forward. Svekkelse continues the work Livskramper began. Bassist and vocalist KK’s gargles flirt with early Satyricon, which compounds with the bass-laden mix recalling The Shadowthrone. Musically, Gorgoroth’s Antichrist provides another point of comparison, although KK’s vocals won’t be mistaken for Hat’s croaks. Either way, those illustrious parallels give a suggestion of what to expect, though don’t go into Svekkelse anticipating a reproduction of either. What Gjendød has assembled is a vision all their own.
With dynamic guitar leads, sultry bass grooves, and proficient stickwork, Gjendød has no room for slouches. Every time I spin Svekkelse, it’s all about that bass. It’s so present in the mix that it’s impossible not to be entranced. Though bass is present throughout the album, opener “Likens bortgang” sets strong expectations. And when the pace slows in “En staur i hjertet,” the bass ambles out the gates to carry the melody with trem-picked chords underpinning blackened rasps. It would all be for naught if the bass-playing wasn’t accomplished enough to merit the spotlight. In this regard, KK does not disappoint, as bass lines slink with groovy, understated elegance. Gjendød’s talent isn’t limited to four-string heft,2 though, as guitarist K does a swell job through Svekkelse’s forty-two minutes. The tremolos are well-executed but standard black metal fare, and he spices things up with calculated whammy abuse (“Likens bortgang”), inducing surf-rock flavors when employed. K also tucks some nifty solos into Svekkelse, my personal favorite being in “Maktens sødme,” and occasionally inhabits skronky Voivodian territory (“Maktens sødme,” “En elv av kjøtt”). Rounding out the trio, drummer TK braces the band ably and unobtrusively, and while there’s no show-stopping kit work, the music never flags or sags for lack of a rhythmic cornerstone.
Churning out an album in a year is no mean feat, but more time between releases could have helped address the nagging issues holding Svekkelse back. Final track “Den falske råte” is a nasty, seven-minute ode to Norwegian black metal fury. It captures that sound well, but doesn’t connect with the preceding songs enough. Dropping it and pushing “En staur i hjertet” to the end would have made the album tighter, more consistent, and still allowed for a sprawling conclusion with sufficient gravity. Also, while there aren’t any bad songs on Svekkelse, the quality dips in the back half. Specifically, mid-paced sections muck with the overall flow, and the songs aren’t quite as memorable, making for a front-loaded listen. Despite these reservations, Gjendød delivers a success. While a high DR score isn’t a guarantee, the mix and master on Svekkelse are superb, deftly blending raw guitar and vocals with smooth, buttery bass. In total, there’s a lot to like.
Gjendød’s latest imparts a groovy twist on black metal in a one-sitting dose, which is better than a fair number of albums I’ve listened to this year. While Svekkelse won’t list for me, I expect I’ll return to it when I hear other promising black metal albums deficient in vitamin bass. Gjendød has defined a trademark sound, and with a little more attention to honing their songcraft, their next album could be something special. As it stands, Gjendød are on the cusp of something better, but after several listens, I’m not entirely convinced. Regardless, I’m invested in the evolution of their sound and excited to hear where they take things next.
Rating: Good!
DR: 10 | Format Reviewed: 320 kpbs mp3
Label: Osmose Productions
Website: Facebook
Releases Worldwide: September 26th, 2025#2025 #30 #BlackMetal #Gjendød #Gorgoroth #MelodicBlackMetal #NorwegianMetal #Osmose #OsmoseProductions #Review #Reviews #Satyricon #Sep25 #Svekkelse #Voivod
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on est sur la bonne voie, j'ai enfin une PR pour #osmose backend pour les puissances max de bornes de recharge électrique qui passe la contrainte de lint.
https://github.com/vortex-a-chats/osmose-backend/actions/runs/16892082573
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on est sur la bonne voie, j'ai enfin une PR pour #osmose backend pour les puissances max de bornes de recharge électrique qui passe la contrainte de lint.
https://github.com/vortex-a-chats/osmose-backend/actions/runs/16892082573
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on est sur la bonne voie, j'ai enfin une PR pour #osmose backend pour les puissances max de bornes de recharge électrique qui passe la contrainte de lint.
https://github.com/vortex-a-chats/osmose-backend/actions/runs/16892082573
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on est sur la bonne voie, j'ai enfin une PR pour #osmose backend pour les puissances max de bornes de recharge électrique qui passe la contrainte de lint.
https://github.com/vortex-a-chats/osmose-backend/actions/runs/16892082573
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on est sur la bonne voie, j'ai enfin une PR pour #osmose backend pour les puissances max de bornes de recharge électrique qui passe la contrainte de lint.
https://github.com/vortex-a-chats/osmose-backend/actions/runs/16892082573
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Whenever I see or hear anything about Expressive E's #osmose, I'm simply stunned and want this thing even more than before. 🙂 https://www.youtube.com/watch?v=mlNNoXnx8Tw
#expression #arpeggiator #synthesizer -
Whenever I see or hear anything about Expressive E's #osmose, I'm simply stunned and want this thing even more than before. 🙂 https://www.youtube.com/watch?v=mlNNoXnx8Tw
#expression #arpeggiator #synthesizer -
dites donc y'a pas loin de 30 000 bornes de recharges à intégrer et à placer minutieusement dans #OSM selon #Osmose, si la thématique des #IRVE et des #transports bas carbone vous intéresse, rejoignez nous!
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dites donc y'a pas loin de 30 000 bornes de recharges à intégrer et à placer minutieusement dans #OSM selon #Osmose, si la thématique des #IRVE et des #transports bas carbone vous intéresse, rejoignez nous!
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dites donc y'a pas loin de 30 000 bornes de recharges à intégrer et à placer minutieusement dans #OSM selon #Osmose, si la thématique des #IRVE et des #transports bas carbone vous intéresse, rejoignez nous!
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dites donc y'a pas loin de 30 000 bornes de recharges à intégrer et à placer minutieusement dans #OSM selon #Osmose, si la thématique des #IRVE et des #transports bas carbone vous intéresse, rejoignez nous!
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#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose
https://libre-charge-map.cipherbliss.com
#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata
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#libreChargeMap permet maintenant de filtrer les bornes par puissance et d'afficher les suggestions d'intégration à partir des analyse d'#Osmose
https://libre-charge-map.cipherbliss.com
#irve #evse #bornesDeRecharge #transport #openstreetmap #opendata
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Alkoholfreier Wein schmeckt anders als Wein. Das liegt nicht nur an fehlenden Aromastoffen, sondern auch daran, dass Alkohol selbst die Wirkung bestimmter Substanzen beeinflusst.#EinePriseChemie #Wein #Alkoholfrei #Alkoholreduziert #NOLO-Wein #Weißwein #Rotwein #Rosé #Keltern #Destillation #Osmose #Oenologie #Vinologie #Bouquet #Mundgefühl #Weinbau #Alkoholgehalt #Alkoholreduktion #Entalkoholisierung #Genuss #Genießen #Chemie
Wein auf Entzug -
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... Flying through Space II ...
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Variation of my real-time animation – Flying through Space –
This time with a feedback-loop and changes in colour and form. 😉
Also live performed with my controller Touché.I played the soundtrack on the synthesizer 'Osmose' by Expressive E ... using Bitwig Studio for recording. 😎
#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touché #Tooll3 #MastoArt
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... Painting with Light ...
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Further exploration of the ribbons via [DrawBillboards] - I really love the possibilities of this operator, especially the colour gradient and its curve editor! 😀And the music, again with my synthesizer Osmose... 😎
#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touché #expressivee #Tooll3 #MadeWithTooll #MastoArt
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... Travelling with Ribbons and Stars ...
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Real-time graphics, made with the motion GFX software – TOOLL3 – 😎This time, I've experimented with two different forms .. the long, curved ribbons and the star-shaped trails.
After recording I went on with the music, again with my synthesizer Osmose - playing in a calm, meditative style. 😎
#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touché #MadeWithTooll
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ivres, ils tentent de tirer de la qualité des fichier d'open data sur les #irve
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ivres, ils tentent de tirer de la qualité des fichier d'open data sur les #irve
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... Flying through Time ...
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Real-time graphics, made with the motion GFX software – TOOLL3 – 😎Further explorations of the particle system in tooll 3 – and live performed with my controller Touché ... 😀
I played the soundtrack on my synthesizer 'Osmose' by Expressive E ... love it more and more! 😎
#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touche #Tooll3 #MadeWithTooll #MastoArt
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Dreaming and breathing through space and time - 😎
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Real-time motion graphics, made with the open source software – TOOLL3 –Another exploration of the particle system in tooll 3 – and live performed with my controller Touché ... 😀
I played the soundtrack on my synthesizer 'Osmose' by Expressive E ... 😎
#motiongraphics #motiondesign #realtime #realtimegraphics #particles #flow #creativecoding #generativedesign #generativeart #osmose #touché #Tooll3 #MadeWithTooll #MastoArt
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Magic Ribbons in Space
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Real-time graphics, made with the motion GFX software – TOOLL3 – 😎Another exploration of the particle system in tooll 3 .... Love how smooth the gradients are!! 😀
I played the soundtrack on my synthesizer 'Osmose' by Expressive E ... using Bitwig Studio for recording. 😎
#motiongraphics #motiondesign #realtime #particles #flow #creativecoding #generativedesign #generativeart #osmose #Tooll3 #MadeWithTooll #MastoArt
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Do you know that you can get any #OpenStreetMap contributor's RSS feeds via #osmose?
Although the same is possible via #OSMcha, I prefer the more passive RSS feeds and do this, because I find their contributions interesting.
For example: osmose.openstreetmap.fr/en/byuser/SomeoneElse_Revert.rss
