#kan11 — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #kan11, aggregated by home.social.
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This show continues to satisfy, and becomes better as we get to know the characters and their lives. Things become more involved, allegiances become more hair-triggered, and fewer things are predictable.
Sadly, Apple TV+ isn’t streaming the third series of episodes yet, so I will have to wait until that happens to learn what Tamar is going to do now.
Great writing of such an ugly part of international relations.
Highly recommended.
★★★★★
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I discovered this almost entirely by accident through the “you may also enjoy” thing at the bottom of the screen. I’m so glad I did!
Given the current state of the Middle East, and the historical position of the IDF (and believe me, I Have Opinions About That), this series is surprisingly even-handed to both Iranian and Israeli governments. In the spy game, everyone is a villain, & this reflects that reality.
Great acting!
Highly recommended.
★★★★☆
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Largest Spy Operation in WW2 Exposed in New Documentary ‘Recording Evil,’ Based on Declassified British Intelligence Documents (EXCLUSIVE)
#Variety #Global #News #DannaStern #Kan11 -
#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
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#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
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#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
-
#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
-
#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
-
#Documentary / 1948 – Remember, Remember not (Neta Shoshani (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by the Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
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#Israel / U.S. Government Threatens Sanctions on IDF Soldiers in the occupied West Bank
The Biden administration has threatened sanctions on IDF soldiers operating in the West Bank, according to a report on #Kan11 News.
Following recent talks between senior State Department officials and #Biden administration members, the State Department produced a report expressing displeasure with the lack of enforcement in the West Bank against settler violence. This comes after the U.S. received a list of violent incidents involving IDF soldiers and officers. As a result, the U.S. warned of major entanglement potential for #IDF units in the West Bank.
The report states that an inter-ministry discussion in Israel will be held to formulate a response. The U.S. cautioned that if Israel does not provide a satisfactory answer within 60 days, sanctions will be imposed on soldiers.
#Maariv [Hebrew] https://m.maariv.co.il/news/israel/Article-1074978 or https://archive.is/OwpkF
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Doc Series About Lowest Point In U.S.-Israeli Relations Finds Streaming Home
#Acquisitions #News #Chaiflicks #Israel #IsraelHamasWar #Kan11 #Pollardhttps://deadline.com/2024/01/pollard-affair-doc-america-israel-relations-chaiflicks-1235800330/
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Doc Series About Lowest Point In U.S.-Israeli Relations Finds Streaming Home
#Acquisitions #News #Chaiflicks #Israel #IsraelHamasWar #Kan11 #Pollardhttps://deadline.com/2024/01/pollard-affair-doc-america-israel-relations-chaiflicks-1235800330/
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22-Year Old Israeli Broadcast News Editor Among Those Dead Following Hamas Attack at Rave Festival
#Variety #Global #Kan11https://variety.com/2023/global/global/israel-news-editor-killed-kan-hamas-1235752093/
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Shin Bet chief: You can't go to the elections with #Hamas.
Abu Mazen: I don't work for you!
Shin Bet chief: But Hamas may win the elections.
Abu Mazen: Are you telling me that?! Who built Hamas? Who gives Hamas 30 million dollars every month? You built [the] Hamas!
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Israeli broadcaster #Kan11 updates the official coutn of casualties:
(at least) 600 dead, 2,000 injured.
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Israeli broadcaster #Kan11 reports (at least) two Israeli tourist killed in a shooting by a police/security personnel in #Alexandria, #Egypt.
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#Kan11 Israeli broadcaster seem stuck in operative and strategic analysis/bravado over how the #IDF will take revenge. In the mean time, Israeli citizens are calling-in saying they’re left hanging for information from authorities about what has happened to their loved ones, while many already saw on social media they were taken to #Gaza.
No one knows how many, but the numbers seem to be not small at all.
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Pundits on #Kan11 Israeli broadcaster are reminiscing the “#Dahiya doctrine”…
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Pundits on #Kan11 Israeli broadcaster are reminiscing the “#Dahiya doctrine”…
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Pundits on #Kan11 Israeli broadcaster are reminiscing the “#Dahiya doctrine” (also spelled Dahya) …
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Pundits on #Kan11 Israeli broadcaster are reminiscing the “#Dahiya doctrine”…
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Pundits on #Kan11 Israeli broadcaster are reminiscing the “#Dahiya doctrine”…
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#Kan11 vs #aljazeera split screen …
On Israeli TV pundits (mostly ex #IDF) insist the attack today is a result of the compromises made to the #Hamas, and the solution is re-occupying #Gaza and solving the problem once and for all.
Aljazeera constantly includes the geopolitical context, close and long term. Especially recent events leading to today, such as what happened in #Jenin, #Huwara and #alaqsamosque …
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@Free_Press Brigadier General Ronen Manelis (רונן מנליס) (#IDF spokesperson 2017-2019, now a pundit on Israeli TV) says IDF should attack and destroy targets in #Gaza right away, and not wait to be told to restrain itself.
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#Channel12News, #IsraelHayom e #Maariv hanno fatto sparire completamente la storia dai loro sommari delle notizie.
Semplicemente non è mai accaduta.
Gli altri grandi media, tranne #Haaretz, l'hanno relegata nelle ultime pagine, letteralmente o virtualmente.
L'hanno anche ammorbidita, rendendola più facile da digerire per i consumatori più sensibili: dopo tutto, non è così bello quando un soldato israeliano uccide un bambino.Così il sito della televisione pubblica #Kan11:“È stata annunciata la morte del palestinese di 3 anni colpito da un militare dell'IDF che ha sparato contro dei terroristi”.
È stata annunciata la morte del palestinese di 3 anni e, soprattutto, il militare ha sparato contro dei terroristi, non contro un bambino e il padre.Tutto è già stato indagato ed è noto, la verità è come la volete voi. ⬇3
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#Channel12News, #IsraelHayom e #Maariv hanno fatto sparire completamente la storia dai loro sommari delle notizie.
Semplicemente non è mai accaduta.
Gli altri grandi media, tranne #Haaretz, l'hanno relegata nelle ultime pagine, letteralmente o virtualmente.
L'hanno anche ammorbidita, rendendola più facile da digerire per i consumatori più sensibili: dopo tutto, non è così bello quando un soldato israeliano uccide un bambino.Così il sito della televisione pubblica #Kan11:“È stata annunciata la morte del palestinese di 3 anni colpito da un militare dell'IDF che ha sparato contro dei terroristi”.
È stata annunciata la morte del palestinese di 3 anni e, soprattutto, il militare ha sparato contro dei terroristi, non contro un bambino e il padre.Tutto è già stato indagato ed è noto, la verità è come la volete voi. ⬇3
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#Channel12News, #IsraelHayom e #Maariv hanno fatto sparire completamente la storia dai loro sommari delle notizie.
Semplicemente non è mai accaduta.
Gli altri grandi media, tranne #Haaretz, l'hanno relegata nelle ultime pagine, letteralmente o virtualmente.
L'hanno anche ammorbidita, rendendola più facile da digerire per i consumatori più sensibili: dopo tutto, non è così bello quando un soldato israeliano uccide un bambino.Così il sito della televisione pubblica #Kan11:“È stata annunciata la morte del palestinese di 3 anni colpito da un militare dell'IDF che ha sparato contro dei terroristi”.
È stata annunciata la morte del palestinese di 3 anni e, soprattutto, il militare ha sparato contro dei terroristi, non contro un bambino e il padre.Tutto è già stato indagato ed è noto, la verità è come la volete voi. ⬇3
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#Channel12News, #IsraelHayom e #Maariv hanno fatto sparire completamente la storia dai loro sommari delle notizie.
Semplicemente non è mai accaduta.
Gli altri grandi media, tranne #Haaretz, l'hanno relegata nelle ultime pagine, letteralmente o virtualmente.
L'hanno anche ammorbidita, rendendola più facile da digerire per i consumatori più sensibili: dopo tutto, non è così bello quando un soldato israeliano uccide un bambino.Così il sito della televisione pubblica #Kan11:“È stata annunciata la morte del palestinese di 3 anni colpito da un militare dell'IDF che ha sparato contro dei terroristi”.
È stata annunciata la morte del palestinese di 3 anni e, soprattutto, il militare ha sparato contro dei terroristi, non contro un bambino e il padre.Tutto è già stato indagato ed è noto, la verità è come la volete voi. ⬇3
-
#Channel12News, #IsraelHayom e #Maariv hanno fatto sparire completamente la storia dai loro sommari delle notizie.
Semplicemente non è mai accaduta.
Gli altri grandi media, tranne #Haaretz, l'hanno relegata nelle ultime pagine, letteralmente o virtualmente.
L'hanno anche ammorbidita, rendendola più facile da digerire per i consumatori più sensibili: dopo tutto, non è così bello quando un soldato israeliano uccide un bambino.Così il sito della televisione pubblica #Kan11:“È stata annunciata la morte del palestinese di 3 anni colpito da un militare dell'IDF che ha sparato contro dei terroristi”.
È stata annunciata la morte del palestinese di 3 anni e, soprattutto, il militare ha sparato contro dei terroristi, non contro un bambino e il padre.Tutto è già stato indagato ed è noto, la verità è come la volete voi. ⬇3