#docaviv — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #docaviv, aggregated by home.social.
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IDFA Director Isabel Arrate Fernandez Explains Why Europe’s Biggest Documentary Festival Is Not Inviting State-Backed Israeli Bodies & Films To 2025 Edition
#Documentary #Festivals #News #Docaviv #IDFA #IsabelArrateFernandez #Israel #IsraelGazaWarhttps://deadline.com/2025/10/idfa-director-festival-israeli-state-backed-bodies-films-1236602672/
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IDFA Director Isabel Arrate Fernandez Explains Why Europe’s Biggest Documentary Festival Is Not Inviting State-Backed Israeli Bodies & Films To 2025 Edition
#Documentary #Festivals #News #Docaviv #IDFA #IsabelArrateFernandez #Israel #IsraelGazaWarhttps://deadline.com/2025/10/idfa-director-festival-israeli-state-backed-bodies-films-1236602672/
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IDFA Director Isabel Arrate Fernandez Explains Why Europe’s Biggest Documentary Festival Is Not Inviting State-Backed Israeli Bodies & Films To 2025 Edition
#Documentary #Festivals #News #Docaviv #IDFA #IsabelArrateFernandez #Israel #IsraelGazaWarhttps://deadline.com/2025/10/idfa-director-festival-israeli-state-backed-bodies-films-1236602672/
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IDFA Director Isabel Arrate Fernandez Explains Why Europe’s Biggest Documentary Festival Is Not Inviting State-Backed Israeli Bodies & Films To 2025 Edition
#Documentary #Festivals #News #Docaviv #IDFA #IsabelArrateFernandez #Israel #IsraelGazaWarhttps://deadline.com/2025/10/idfa-director-festival-israeli-state-backed-bodies-films-1236602672/
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Israeli Industry Figures From DocAviv, CoPro and Kan Turned Down From IDFA as Festival Endorses Boycott (EXCLUSIVE)
#Variety #Global #News #DocAviv #Idfa #Israeliboycott #OphirAwards -
Israeli Industry Figures From DocAviv, CoPro and Kan Turned Down From IDFA as Festival Endorses Boycott (EXCLUSIVE)
#Variety #Global #News #DocAviv #Idfa #Israeliboycott #OphirAwards -
Israeli Industry Figures From DocAviv, CoPro and Kan Turned Down From IDFA as Festival Endorses Boycott (EXCLUSIVE)
#Variety #Global #News #DocAviv #Idfa #Israeliboycott #OphirAwards -
Israeli Industry Figures From DocAviv, CoPro and Kan Turned Down From IDFA as Festival Endorses Boycott (EXCLUSIVE)
#Variety #Global #News #DocAviv #Idfa #Israeliboycott #OphirAwards -
Israeli Industry Figures From DocAviv, CoPro and Kan Turned Down From IDFA as Festival Endorses Boycott (EXCLUSIVE)
#Variety #Global #News #DocAviv #Idfa #Israeliboycott #OphirAwards -
#Event | DOCUTEXT - Documentary Film Festival at the National Library of Israel, Jerusalem | #National Library of Israel and the #docaviv Film Festival | August 17-21, 2025
#DocFilms #Festival #NLI #Jerusalem #Cinephelie
Details: https://docutext.nli.org.il/en
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https://www.tagesspiegel.de/kultur/israels-kulturszene-zwischen-tranen-und-boykott-13774084.html (€)
Ein sehr guter Beitrag auch dazu, warum #Kultur #Boykott immer eine schlechte Idee ist: Das #Docaviv ist die größte #Kulturveranstaltung in #Israel, aber die internationalen #Proteste treffen auch das #Dokumentarfilmfestival. Dabei formiert sich in #TelAviv eine #Opposition gegen die Politik #Netanjahu s.
(...) In der Zwischenzeit haben radikale Siedler in Samira ein eigenes Filmfestival aufgebaut – mit einer staatlich geförderten Stiftung. -
https://www.tagesspiegel.de/kultur/israels-kulturszene-zwischen-tranen-und-boykott-13774084.html (€)
Ein sehr guter Beitrag auch dazu, warum #Kultur #Boykott immer eine schlechte Idee ist: Das #Docaviv ist die größte #Kulturveranstaltung in #Israel, aber die internationalen #Proteste treffen auch das #Dokumentarfilmfestival. Dabei formiert sich in #TelAviv eine #Opposition gegen die Politik #Netanjahu s.
(...) In der Zwischenzeit haben radikale Siedler in Samira ein eigenes Filmfestival aufgebaut – mit einer staatlich geförderten Stiftung. -
https://www.tagesspiegel.de/kultur/israels-kulturszene-zwischen-tranen-und-boykott-13774084.html (€)
Ein sehr guter Beitrag auch dazu, warum #Kultur #Boykott immer eine schlechte Idee ist: Das #Docaviv ist die größte #Kulturveranstaltung in #Israel, aber die internationalen #Proteste treffen auch das #Dokumentarfilmfestival. Dabei formiert sich in #TelAviv eine #Opposition gegen die Politik #Netanjahu s.
(...) In der Zwischenzeit haben radikale Siedler in Samira ein eigenes Filmfestival aufgebaut – mit einer staatlich geförderten Stiftung. -
https://www.tagesspiegel.de/kultur/israels-kulturszene-zwischen-tranen-und-boykott-13774084.html (€)
Ein sehr guter Beitrag auch dazu, warum #Kultur #Boykott immer eine schlechte Idee ist: Das #Docaviv ist die größte #Kulturveranstaltung in #Israel, aber die internationalen #Proteste treffen auch das #Dokumentarfilmfestival. Dabei formiert sich in #TelAviv eine #Opposition gegen die Politik #Netanjahu s.
(...) In der Zwischenzeit haben radikale Siedler in Samira ein eigenes Filmfestival aufgebaut – mit einer staatlich geförderten Stiftung. -
#Palestine / Tel Aviv International Documentary Film Festival faces record boycott
The #Docaviv film festival is facing a significant backlash as filmmakers worldwide increasingly refuse to screen their work. Artistic director Michal Weits, reports a record number of rejections (50), and a complete halt in international funding for new Israeli productions – even those critical of the occupation and the genocide in Gaza. She expresses regret for the missed chance to engage in dialogue with Israeli counterparts and fears that Israel is placed in same category of countries such as #Russia and #Hungary.
Hebrew: https://archive.is/csurF (some content from the podcast interview)
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#Palestine / Tel Aviv International Documentary Film Festival faces record boycott
The #Docaviv film festival is facing a significant backlash as filmmakers worldwide increasingly refuse to screen their work. Artistic director Michal Weits, reports a record number of rejections (50), and a complete halt in international funding for new Israeli productions – even those critical of the occupation and the genocide in Gaza. She expresses regret for the missed chance to engage in dialogue with Israeli counterparts and fears that Israel is placed in same category of countries such as #Russia and #Hungary.
Hebrew: https://archive.is/csurF (some content from the podcast interview)
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#Palestine / Tel Aviv International Documentary Film Festival faces record boycott
The #Docaviv film festival is facing a significant backlash as filmmakers worldwide increasingly refuse to screen their work. Artistic director Michal Weits, reports a record number of rejections (50), and a complete halt in international funding for new Israeli productions – even those critical of the occupation and the genocide in Gaza. She expresses regret for the missed chance to engage in dialogue with Israeli counterparts and fears that Israel is placed in same category of countries such as #Russia and #Hungary.
Hebrew: https://archive.is/csurF (some content from the podcast interview)
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#Palestine / Tel Aviv International Documentary Film Festival faces record boycott
The #Docaviv film festival is facing a significant backlash as filmmakers worldwide increasingly refuse to screen their work. Artistic director Michal Weits, reports a record number of rejections (50), and a complete halt in international funding for new Israeli productions – even those critical of the occupation and the genocide in Gaza. She expresses regret for the missed chance to engage in dialogue with Israeli counterparts and fears that Israel is placed in same category of countries such as #Russia and #Hungary.
Hebrew: https://archive.is/csurF (some content from the podcast interview)
-
#Palestine / Tel Aviv International Documentary Film Festival faces record boycott
The #Docaviv film festival is facing a significant backlash as filmmakers worldwide increasingly refuse to screen their work. Artistic director Michal Weits, reports a record number of rejections (50), and a complete halt in international funding for new Israeli productions – even those critical of the occupation and the genocide in Gaza. She expresses regret for the missed chance to engage in dialogue with Israeli counterparts and fears that Israel is placed in same category of countries such as #Russia and #Hungary.
Hebrew: https://archive.is/csurF (some content from the podcast interview)
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#Documentary / Death In Umm Al-Hiran (Israel 2024, 90 minutes, Hebrew and Arabic, English subtitles)
The story of the evacuation of the Bedouin village of Umm al-Hiran in 2017, which ended with the deaths of two people: a village resident, Yacoub Abu Al-Qian, a teacher at a local school, and Erez Amedi Levi, a police officer who took part in the evacuation.
"Death in Umm al-Hiran" lays out the entire course of events, beginning with the story of the village and the struggle against evacuation, through the night of the incident and up to the Department of Internal Police Investigation's inquiry and conclusions, and seeks to understand how the case became a political event and a tool for conflict between the strongest and most influential figures in the country.
[Hebrew] https://www.docaviv.co.il/films/death-in-umm-al-hiran/
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#Documentary / Death In Umm Al-Hiran (Israel 2024, 90 minutes, Hebrew and Arabic, English subtitles)
The story of the evacuation of the Bedouin village of Umm al-Hiran in 2017, which ended with the deaths of two people: a village resident, Yacoub Abu Al-Qian, a teacher at a local school, and Erez Amedi Levi, a police officer who took part in the evacuation.
"Death in Umm al-Hiran" lays out the entire course of events, beginning with the story of the village and the struggle against evacuation, through the night of the incident and up to the Department of Internal Police Investigation's inquiry and conclusions, and seeks to understand how the case became a political event and a tool for conflict between the strongest and most influential figures in the country.
[Hebrew] https://www.docaviv.co.il/films/death-in-umm-al-hiran/
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#Documentary / Death In Umm Al-Hiran (Israel 2024, 90 minutes, Hebrew and Arabic, English subtitles)
The story of the evacuation of the Bedouin village of Umm al-Hiran in 2017, which ended with the deaths of two people: a village resident, Yacoub Abu Al-Qian, a teacher at a local school, and Erez Amedi Levi, a police officer who took part in the evacuation.
"Death in Umm al-Hiran" lays out the entire course of events, beginning with the story of the village and the struggle against evacuation, through the night of the incident and up to the Department of Internal Police Investigation's inquiry and conclusions, and seeks to understand how the case became a political event and a tool for conflict between the strongest and most influential figures in the country.
[Hebrew] https://www.docaviv.co.il/films/death-in-umm-al-hiran/
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#Documentary / Death In Umm Al-Hiran (Israel 2024, 90 minutes, Hebrew and Arabic, English subtitles)
The story of the evacuation of the Bedouin village of Umm al-Hiran in 2017, which ended with the deaths of two people: a village resident, Yacoub Abu Al-Qian, a teacher at a local school, and Erez Amedi Levi, a police officer who took part in the evacuation.
"Death in Umm al-Hiran" lays out the entire course of events, beginning with the story of the village and the struggle against evacuation, through the night of the incident and up to the Department of Internal Police Investigation's inquiry and conclusions, and seeks to understand how the case became a political event and a tool for conflict between the strongest and most influential figures in the country.
[Hebrew] https://www.docaviv.co.il/films/death-in-umm-al-hiran/
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#Documentary / Death In Umm Al-Hiran (Israel 2024, 90 minutes, Hebrew and Arabic, English subtitles)
The story of the evacuation of the Bedouin village of Umm al-Hiran in 2017, which ended with the deaths of two people: a village resident, Yacoub Abu Al-Qian, a teacher at a local school, and Erez Amedi Levi, a police officer who took part in the evacuation.
"Death in Umm al-Hiran" lays out the entire course of events, beginning with the story of the village and the struggle against evacuation, through the night of the incident and up to the Department of Internal Police Investigation's inquiry and conclusions, and seeks to understand how the case became a political event and a tool for conflict between the strongest and most influential figures in the country.
[Hebrew] https://www.docaviv.co.il/films/death-in-umm-al-hiran/
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#Documentary / Black Flag (Israel 2024, 72 minutes, Hebrew and Arabic, with Hebrew and English subtitles)
English title: "The 1957 Transcripts"
"If we begin to recognize these divides, is there hope for reconciliation?"
"Black Flag" delves into the story of the Kafr Qasim (كفر قاسم) events in October 1956, when 47 innocent civilians were shot dead by Israeli border police officers.
Through three intertwining narrative threads, like a gripping legal drama, the complex historical, political and psychological realities that shaped and drove the event unfold.
The cinematic mosaic created by the potlines highlights the vast differences, contradictory narratives and deep rifts between Jews and Arabs - who were destined to live together in one place.
[Hebrew] https://www.docaviv.co.il/films/the-1957-transcripts
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#Documentary / Black Flag (Israel 2024, 72 minutes, Hebrew and Arabic, with Hebrew and English subtitles)
English title: "The 1957 Transcripts"
"If we begin to recognize these divides, is there hope for reconciliation?"
"Black Flag" delves into the story of the Kafr Qasim (كفر قاسم) events in October 1956, when 47 innocent civilians were shot dead by Israeli border police officers.
Through three intertwining narrative threads, like a gripping legal drama, the complex historical, political and psychological realities that shaped and drove the event unfold.
The cinematic mosaic created by the potlines highlights the vast differences, contradictory narratives and deep rifts between Jews and Arabs - who were destined to live together in one place.
[Hebrew] https://www.docaviv.co.il/films/the-1957-transcripts
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#Documentary / Black Flag (Israel 2024, 72 minutes, Hebrew and Arabic, with Hebrew and English subtitles)
English title: "The 1957 Transcripts"
"If we begin to recognize these divides, is there hope for reconciliation?"
"Black Flag" delves into the story of the Kafr Qasim (كفر قاسم) events in October 1956, when 47 innocent civilians were shot dead by Israeli border police officers.
Through three intertwining narrative threads, like a gripping legal drama, the complex historical, political and psychological realities that shaped and drove the event unfold.
The cinematic mosaic created by the potlines highlights the vast differences, contradictory narratives and deep rifts between Jews and Arabs - who were destined to live together in one place.
[Hebrew] https://www.docaviv.co.il/films/the-1957-transcripts
-
#Documentary / Black Flag (Israel 2024, 72 minutes, Hebrew and Arabic, with Hebrew and English subtitles)
English title: "The 1957 Transcripts"
"If we begin to recognize these divides, is there hope for reconciliation?"
"Black Flag" delves into the story of the Kafr Qasim (كفر قاسم) events in October 1956, when 47 innocent civilians were shot dead by Israeli border police officers.
Through three intertwining narrative threads, like a gripping legal drama, the complex historical, political and psychological realities that shaped and drove the event unfold.
The cinematic mosaic created by the potlines highlights the vast differences, contradictory narratives and deep rifts between Jews and Arabs - who were destined to live together in one place.
[Hebrew] https://www.docaviv.co.il/films/the-1957-transcripts
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#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
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#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
-
#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
-
#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
-
#Documentary / Neta Shoshani 's 1948 – Remember, Remember not (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember not" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.
* fixed some typos
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#Documentary / 1948 – Remember, Remember not (Neta Shoshani (Israel, 2023)
Original title: 1948: לזכור ולשכוח
What did "we" do in 1948 !?!?!?!
... The response of many Israelis to allegations of systematic sexual violence against Palestinian women during the 1948 war is often characterized by a dismissive and dehumanizing rejection. This reaction reflects a deeply entrenched Orientalist mindset, exacerbated by the Trump-esque misogynistic attitudes (the infamous "she's not my type"), resulting in a profoundly pathological worldview.
The controversy surrounding the planned broadcast of Neta Shoshani's documentary "1948 - Remember, Remember" on Kan11 in June 2023, and the subsequent objections raised by right-wing activists, epitomize the challenges faced by scholars and artists seeking to confront the nation's formative traumas. Such incidents raise fundamental questions about the boundaries of acceptable discourse and the role of state-funded media in either preserving or subverting dominant narratives.
Efforts to educate the Israeli public about the foundational sin - the creation of the State of Israel through the ethnic cleansing of historical Palestine during the Nakba - encounter significant resistance. This resistance stems, in part, from the concerted endeavors across various societal systems to criminalize discourse surrounding the #Nakba, perpetuating a culture of denial and obfuscation that hinders progress towards accountability and reconciliation.
Shoshani's award-winning documentary delves into allegations of the complicity of Israel Defense Forces soldiers and the Palmach militia in numerous instances of massacre, war crimes, sexual violence against Palestinian women, and extrajudicial executions of prisoners – atrocities purportedly committed under orders from the military command during the Nakba. The film further asserts that the State of Israel has engaged in a systematic effort to suppress and conceal these historical truths.
See interview with Shoshani on #Kan11 (right before the premier at the film festival). The movie uses alot of of previously unseen footage from the period. The first segment is the story told from a Jewish family perspective, while the second from the journal of Wasif Jawhariyyeh (واصف جوهرية), and renouned Palestinian educator Khalil al-Sakakini (خليل السكاكيني).
https://kolektiva.media/w/iXTc7vsxGVxoeBwkLz1gfh
Panel discussions [in Hebrew] following the film's premier:
https://yewtu.be/watch?v=aqt6EhPq_p8
https://yewtu.be/watch?v=7lxmFHxk6AA
From #DocAviv festival program:
Two films that form one work about the "War of Independence", operating on two axes. The axis of the past unfolds the course of the war through diaries and letters written in real-time - an ensemble of voices, Jews and Arabs, building a human story about the dramatic war and allowing a glimpse into the construction of the war consciousness and its memory on all sides. The voices are accompanied by rare archival films shot during the war, many of which are exposed for the first time.
On the axis of the present, figures struggling over the memory of the war are documented - researchers, archivists, and members of the military unit searching for missing combatants. Some are entrusted with preserving the ethos, others with breaking it. Each of them believes that the way in which the memory of the formative war is engraved has a critical significance for the present and even for the future of our lives here.