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#julỹskaisar — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #julỹskaisar, aggregated by home.social.

  1. I've figured it out!

    Klyopađrå is the queen of the Khemeti Empire, which once ruled over Vylbrand, parts of northwestern Eorzea, and later parts of northeastern Xak Tural. Khemet was eventually destroyed by Xande as one of his first conquering acts upon his resurrection by Amon. The name Khemet means “the Black Land” and refers to the rich, fertile soil Vylbrand remains famous for today.

    "Kemet" was the old ancient Egyptian name for Egypt itself. I never thought I'd be dealing with Egypt directly when I initially chose to base Allag on ancient Egypt. We live and we make new lore to account for earlier mistakes. 😅

    I considered setting Egypt in northern Meracydia, but Meracydia isn't really pushed into until Xande gets brought back crazy and bloodthirsty, so.... I had to go elsewhere. Vylbrand is close enough and not terribly accounted for in the Allagan archaeological record. A perfect Eorzean location to put a non-Allagan country.

    #FFXIV #JulỹsKaĩsar #WriteFFXIV #FFXIVLore #Khemet #AntwynsAndKlyopađrå #Klyopađrå #AllaganEmpire #Vylbrand #XakTural #AncientEgypt #WorldBuilding #EorzeanHistory

  2. I've figured it out!

    Klyopađrå is the queen of the Khemeti Empire, which once ruled over Vylbrand, parts of northwestern Eorzea, and later parts of northeastern Xak Tural. Khemet was eventually destroyed by Xande as one of his first conquering acts upon his resurrection by Amon. The name Khemet means “the Black Land” and refers to the rich, fertile soil Vylbrand remains famous for today.

    "Kemet" was the old ancient Egyptian name for Egypt itself. I never thought I'd be dealing with Egypt directly when I initially chose to base Allag on ancient Egypt. We live and we make new lore to account for earlier mistakes. 😅

    I considered setting Egypt in northern Meracydia, but Meracydia isn't really pushed into until Xande gets brought back crazy and bloodthirsty, so.... I had to go elsewhere. Vylbrand is close enough and not terribly accounted for in the Allagan archaeological record. A perfect Eorzean location to put a non-Allagan country.

    #FFXIV #JulỹsKaĩsar #WriteFFXIV #FFXIVLore #Khemet #AntwynsAndKlyopađrå #Klyopađrå #AllaganEmpire #Vylbrand #XakTural #AncientEgypt #WorldBuilding #EorzeanHistory

  3. I've figured it out!

    Klyopađrå is the queen of the Khemeti Empire, which once ruled over Vylbrand, parts of northwestern Eorzea, and later parts of northeastern Xak Tural. Khemet was eventually destroyed by Xande as one of his first conquering acts upon his resurrection by Amon. The name Khemet means “the Black Land” and refers to the rich, fertile soil Vylbrand remains famous for today.

    "Kemet" was the old ancient Egyptian name for Egypt itself. I never thought I'd be dealing with Egypt directly when I initially chose to base Allag on ancient Egypt. We live and we make new lore to account for earlier mistakes. 😅

    I considered setting Egypt in northern Meracydia, but Meracydia isn't really pushed into until Xande gets brought back crazy and bloodthirsty, so.... I had to go elsewhere. Vylbrand is close enough and not terribly accounted for in the Allagan archaeological record. A perfect Eorzean location to put a non-Allagan country.

    #FFXIV #JulỹsKaĩsar #WriteFFXIV #FFXIVLore #Khemet #AntwynsAndKlyopađrå #Klyopađrå #AllaganEmpire #Vylbrand #XakTural #AncientEgypt #WorldBuilding #EorzeanHistory

  4. I've figured it out!

    Klyopađrå is the queen of the Khemeti Empire, which once ruled over Vylbrand, parts of northwestern Eorzea, and later parts of northeastern Xak Tural. Khemet was eventually destroyed by Xande as one of his first conquering acts upon his resurrection by Amon. The name Khemet means “the Black Land” and refers to the rich, fertile soil Vylbrand remains famous for today.

    "Kemet" was the old ancient Egyptian name for Egypt itself. I never thought I'd be dealing with Egypt directly when I initially chose to base Allag on ancient Egypt. We live and we make new lore to account for earlier mistakes. 😅

    I considered setting Egypt in northern Meracydia, but Meracydia isn't really pushed into until Xande gets brought back crazy and bloodthirsty, so.... I had to go elsewhere. Vylbrand is close enough and not terribly accounted for in the Allagan archaeological record. A perfect Eorzean location to put a non-Allagan country.

    #FFXIV #JulỹsKaĩsar #WriteFFXIV #FFXIVLore #Khemet #AntwynsAndKlyopađrå #Klyopađrå #AllaganEmpire #Vylbrand #XakTural #AncientEgypt #WorldBuilding #EorzeanHistory

  5. OH SHIT.

    Kasỹs dies, PLUS A MAJOR TWIST THAT CHANGES EVERYTHING! :scream_cat:

    Well, that might be a bit melodramatic. It doesn't change EVERYTHING, but it's neat and it's not in the original. :)

    KASỸS
    Come down, behold no more.—
    O, coward that I am to live so long
    To see my best friend ta’en before my face!
    (Pyndarys comes down.)
    Come hither, sirrah.
    In Bõz’ga** did I take thee prisoner,
    And then I swore thee, saving of thy life,
    That whatsoever I did bid thee do
    Thou shouldst attempt it. Come Mysg’, keep thine oath.
    Now be a freeman, and with this good sword,
    That ran through Kaĩsar’s bowels, search this bosom.
    Stand not to answer. Here, take thou the hilts,
    And, when my face is covered, as ’tis now,
    Guide thou the sword.
    (Pyndarys/Mysåga stabs him.)
    Kaĩsar, thou art revenged
    Even with the sword that killed thee.
    (He dies.)

    MYSÅGA*§*
    So I am free, yet would not so have been,
    Durst I have done my will.—O Kasỹs!—
    Far from this country Mysåga shall run,
    Where never Allag shall take note of him.
    (He exits.)

    (Enter Titånỹs and Mesalå.)

    MESALÅ
    It is but change, Titånỹs, for Oktoẁỹs
    Is overthrown by noble Brwtus’ power,
    As Kasỹs's legions are by Ant'wyns.

    TITÅNỸS
    These tidings will well comfort Kasỹs.

    The Allagan name for the ancient nation-state of Bozja.

    This appears to be the moment Kasỹs “frees” Pyndarys from slavery by “returning” to him his old Bozjan name. This is an older, trunctated form of the common Hrothgar name Misija, further revealing the character of Pyndarys to have been a female Hrothgar this entire time. Our entire team was stunned and delighted by this discovery when we made it at this point in our translation. This also potentially indicates a unique level of respect offered Hrothgar women that women of other races did not usually receive, as Pyndarys and later Mysåga are referred to by male rekhỹt titles and male pronouns throughout the text. The feminists on our team are delighted for Mysg’ but sad for the state of women generally during the Third Astral Era. Still, this is the reason why we chose to leave the pronouns as Morvelet wrote them. Whether for stylistic reasons, for historical reasons, or for personal ones, this is how the slave Pyndarys was referred to, he later refers to himself thus, and we have chosen to remain true to the original spirit of Morvelet’s play. (Several of us may have privately concluded that Mysåga was a trans man. We leave the official conclusion for the reader to draw.)

    § The full name of the slave formerly known as Pyndarys while he lived in Allag as the property of an Allagan patrỹt, which Kasỹs had shortened to Mysg’. This was likely an affectionate shortening, as Kasỹs appeared to be fond of his slave. Still, Mysåga named himself fully and ran like hells right after so… We are justly suspicious of any affection in an unequal power dynamic lacking consent.

    Holy shit did Mysåga fucking lie to break that motherfucker’s spirit?! I love this dude! —Maxx
    To be free from my master? Oh yeah, I would. You can’t ever be nice enough to make up for taking someone’s autonomy. —Joan

    Ms. Joan Arcwolf-Dhivri (AKA W’jona Erun), who wrote the preface to this play and who presently owns all known, surviving pieces of Morvelet’s work, was a former slave, so the translation team will defer to her on this matter.

    #FFXIV #JulỹsKaĩsar #Bozja #Hrothgar #FFXIVLore #TransInGaming #QueerFFXIV #WriteFFXIV #DeathOfKasỹs #Autonomy #AllaganEmpire

  6. OH SHIT.

    Kasỹs dies, PLUS A MAJOR TWIST THAT CHANGES EVERYTHING! :scream_cat:

    Well, that might be a bit melodramatic. It doesn't change EVERYTHING, but it's neat and it's not in the original. :)

    KASỸS
    Come down, behold no more.—
    O, coward that I am to live so long
    To see my best friend ta’en before my face!
    (Pyndarys comes down.)
    Come hither, sirrah.
    In Bõz’ga** did I take thee prisoner,
    And then I swore thee, saving of thy life,
    That whatsoever I did bid thee do
    Thou shouldst attempt it. Come Mysg’, keep thine oath.
    Now be a freeman, and with this good sword,
    That ran through Kaĩsar’s bowels, search this bosom.
    Stand not to answer. Here, take thou the hilts,
    And, when my face is covered, as ’tis now,
    Guide thou the sword.
    (Pyndarys/Mysåga stabs him.)
    Kaĩsar, thou art revenged
    Even with the sword that killed thee.
    (He dies.)

    MYSÅGA*§*
    So I am free, yet would not so have been,
    Durst I have done my will.—O Kasỹs!—
    Far from this country Mysåga shall run,
    Where never Allag shall take note of him.
    (He exits.)

    (Enter Titånỹs and Mesalå.)

    MESALÅ
    It is but change, Titånỹs, for Oktoẁỹs
    Is overthrown by noble Brwtus’ power,
    As Kasỹs's legions are by Ant'wyns.

    TITÅNỸS
    These tidings will well comfort Kasỹs.

    The Allagan name for the ancient nation-state of Bozja.

    This appears to be the moment Kasỹs “frees” Pyndarys from slavery by “returning” to him his old Bozjan name. This is an older, trunctated form of the common Hrothgar name Misija, further revealing the character of Pyndarys to have been a female Hrothgar this entire time. Our entire team was stunned and delighted by this discovery when we made it at this point in our translation. This also potentially indicates a unique level of respect offered Hrothgar women that women of other races did not usually receive, as Pyndarys and later Mysåga are referred to by male rekhỹt titles and male pronouns throughout the text. The feminists on our team are delighted for Mysg’ but sad for the state of women generally during the Third Astral Era. Still, this is the reason why we chose to leave the pronouns as Morvelet wrote them. Whether for stylistic reasons, for historical reasons, or for personal ones, this is how the slave Pyndarys was referred to, he later refers to himself thus, and we have chosen to remain true to the original spirit of Morvelet’s play. (Several of us may have privately concluded that Mysåga was a trans man. We leave the official conclusion for the reader to draw.)

    § The full name of the slave formerly known as Pyndarys while he lived in Allag as the property of an Allagan patrỹt, which Kasỹs had shortened to Mysg’. This was likely an affectionate shortening, as Kasỹs appeared to be fond of his slave. Still, Mysåga named himself fully and ran like hells right after so… We are justly suspicious of any affection in an unequal power dynamic lacking consent.

    Holy shit did Mysåga fucking lie to break that motherfucker’s spirit?! I love this dude! —Maxx
    To be free from my master? Oh yeah, I would. You can’t ever be nice enough to make up for taking someone’s autonomy. —Joan

    Ms. Joan Arcwolf-Dhivri (AKA W’jona Erun), who wrote the preface to this play and who presently owns all known, surviving pieces of Morvelet’s work, was a former slave, so the translation team will defer to her on this matter.

    #FFXIV #JulỹsKaĩsar #Bozja #Hrothgar #FFXIVLore #TransInGaming #QueerFFXIV #WriteFFXIV #DeathOfKasỹs #Autonomy #AllaganEmpire

  7. OH SHIT.

    Kasỹs dies, PLUS A MAJOR TWIST THAT CHANGES EVERYTHING! :scream_cat:

    Well, that might be a bit melodramatic. It doesn't change EVERYTHING, but it's neat and it's not in the original. :)

    KASỸS
    Come down, behold no more.—
    O, coward that I am to live so long
    To see my best friend ta’en before my face!
    (Pyndarys comes down.)
    Come hither, sirrah.
    In Bõz’ga** did I take thee prisoner,
    And then I swore thee, saving of thy life,
    That whatsoever I did bid thee do
    Thou shouldst attempt it. Come Mysg’, keep thine oath.
    Now be a freeman, and with this good sword,
    That ran through Kaĩsar’s bowels, search this bosom.
    Stand not to answer. Here, take thou the hilts,
    And, when my face is covered, as ’tis now,
    Guide thou the sword.
    (Pyndarys/Mysåga stabs him.)
    Kaĩsar, thou art revenged
    Even with the sword that killed thee.
    (He dies.)

    MYSÅGA*§*
    So I am free, yet would not so have been,
    Durst I have done my will.—O Kasỹs!—
    Far from this country Mysåga shall run,
    Where never Allag shall take note of him.
    (He exits.)

    (Enter Titånỹs and Mesalå.)

    MESALÅ
    It is but change, Titånỹs, for Oktoẁỹs
    Is overthrown by noble Brwtus’ power,
    As Kasỹs's legions are by Ant'wyns.

    TITÅNỸS
    These tidings will well comfort Kasỹs.

    The Allagan name for the ancient nation-state of Bozja.

    This appears to be the moment Kasỹs “frees” Pyndarys from slavery by “returning” to him his old Bozjan name. This is an older, trunctated form of the common Hrothgar name Misija, further revealing the character of Pyndarys to have been a female Hrothgar this entire time. Our entire team was stunned and delighted by this discovery when we made it at this point in our translation. This also potentially indicates a unique level of respect offered Hrothgar women that women of other races did not usually receive, as Pyndarys and later Mysåga are referred to by male rekhỹt titles and male pronouns throughout the text. The feminists on our team are delighted for Mysg’ but sad for the state of women generally during the Third Astral Era. Still, this is the reason why we chose to leave the pronouns as Morvelet wrote them. Whether for stylistic reasons, for historical reasons, or for personal ones, this is how the slave Pyndarys was referred to, he later refers to himself thus, and we have chosen to remain true to the original spirit of Morvelet’s play. (Several of us may have privately concluded that Mysåga was a trans man. We leave the official conclusion for the reader to draw.)

    § The full name of the slave formerly known as Pyndarys while he lived in Allag as the property of an Allagan patrỹt, which Kasỹs had shortened to Mysg’. This was likely an affectionate shortening, as Kasỹs appeared to be fond of his slave. Still, Mysåga named himself fully and ran like hells right after so… We are justly suspicious of any affection in an unequal power dynamic lacking consent.

    Holy shit did Mysåga fucking lie to break that motherfucker’s spirit?! I love this dude! —Maxx
    To be free from my master? Oh yeah, I would. You can’t ever be nice enough to make up for taking someone’s autonomy. —Joan

    Ms. Joan Arcwolf-Dhivri (AKA W’jona Erun), who wrote the preface to this play and who presently owns all known, surviving pieces of Morvelet’s work, was a former slave, so the translation team will defer to her on this matter.

    #FFXIV #JulỹsKaĩsar #Bozja #Hrothgar #FFXIVLore #TransInGaming #QueerFFXIV #WriteFFXIV #DeathOfKasỹs #Autonomy #AllaganEmpire

  8. OH SHIT.

    Kasỹs dies, PLUS A MAJOR TWIST THAT CHANGES EVERYTHING! :scream_cat:

    Well, that might be a bit melodramatic. It doesn't change EVERYTHING, but it's neat and it's not in the original. :)

    KASỸS
    Come down, behold no more.—
    O, coward that I am to live so long
    To see my best friend ta’en before my face!
    (Pyndarys comes down.)
    Come hither, sirrah.
    In Bõz’ga** did I take thee prisoner,
    And then I swore thee, saving of thy life,
    That whatsoever I did bid thee do
    Thou shouldst attempt it. Come Mysg’, keep thine oath.
    Now be a freeman, and with this good sword,
    That ran through Kaĩsar’s bowels, search this bosom.
    Stand not to answer. Here, take thou the hilts,
    And, when my face is covered, as ’tis now,
    Guide thou the sword.
    (Pyndarys/Mysåga stabs him.)
    Kaĩsar, thou art revenged
    Even with the sword that killed thee.
    (He dies.)

    MYSÅGA*§*
    So I am free, yet would not so have been,
    Durst I have done my will.—O Kasỹs!—
    Far from this country Mysåga shall run,
    Where never Allag shall take note of him.
    (He exits.)

    (Enter Titånỹs and Mesalå.)

    MESALÅ
    It is but change, Titånỹs, for Oktoẁỹs
    Is overthrown by noble Brwtus’ power,
    As Kasỹs's legions are by Ant'wyns.

    TITÅNỸS
    These tidings will well comfort Kasỹs.

    The Allagan name for the ancient nation-state of Bozja.

    This appears to be the moment Kasỹs “frees” Pyndarys from slavery by “returning” to him his old Bozjan name. This is an older, trunctated form of the common Hrothgar name Misija, further revealing the character of Pyndarys to have been a female Hrothgar this entire time. Our entire team was stunned and delighted by this discovery when we made it at this point in our translation. This also potentially indicates a unique level of respect offered Hrothgar women that women of other races did not usually receive, as Pyndarys and later Mysåga are referred to by male rekhỹt titles and male pronouns throughout the text. The feminists on our team are delighted for Mysg’ but sad for the state of women generally during the Third Astral Era. Still, this is the reason why we chose to leave the pronouns as Morvelet wrote them. Whether for stylistic reasons, for historical reasons, or for personal ones, this is how the slave Pyndarys was referred to, he later refers to himself thus, and we have chosen to remain true to the original spirit of Morvelet’s play. (Several of us may have privately concluded that Mysåga was a trans man. We leave the official conclusion for the reader to draw.)

    § The full name of the slave formerly known as Pyndarys while he lived in Allag as the property of an Allagan patrỹt, which Kasỹs had shortened to Mysg’. This was likely an affectionate shortening, as Kasỹs appeared to be fond of his slave. Still, Mysåga named himself fully and ran like hells right after so… We are justly suspicious of any affection in an unequal power dynamic lacking consent.

    Holy shit did Mysåga fucking lie to break that motherfucker’s spirit?! I love this dude! —Maxx
    To be free from my master? Oh yeah, I would. You can’t ever be nice enough to make up for taking someone’s autonomy. —Joan

    Ms. Joan Arcwolf-Dhivri (AKA W’jona Erun), who wrote the preface to this play and who presently owns all known, surviving pieces of Morvelet’s work, was a former slave, so the translation team will defer to her on this matter.

    #FFXIV #JulỹsKaĩsar #Bozja #Hrothgar #FFXIVLore #TransInGaming #QueerFFXIV #WriteFFXIV #DeathOfKasỹs #Autonomy #AllaganEmpire

  9. Holy shit.... THE SHADE!!! 🙀

    Villains, you did not so when your serwlån blades
    Hacked one another in the sides of Kaĩsar.
    You bared your teeth like opo, fawned like puk
    And bowed like bondmen, kissing Kaĩsar’s feet,
    Whilst damnèd Kaskå, like a cur, behind
    Struck Kaĩsar on the neck. O you flatterers!

    —from Julỹs Kaĩsar (Act V, Scene 1)

    That word? Serwlån is an Allagan name for the sickly deep blue that colors ceruleum, what the Allagans called serwlỹm. It also happened to match the color profile of the aetheric arcs that formed the bladed edges of late Middle Allagan melee weaponry.

    #JulỹsKaĩsar #AllaganEmpire #FFXIVLore #Shakespeare #SpeculativeFiction #Worldbuilding #Serwlån #Trýmŵyr #AethericTech

  10. Holy shit.... THE SHADE!!! 🙀

    Villains, you did not so when your serwlån blades
    Hacked one another in the sides of Kaĩsar.
    You bared your teeth like opo, fawned like puk
    And bowed like bondmen, kissing Kaĩsar’s feet,
    Whilst damnèd Kaskå, like a cur, behind
    Struck Kaĩsar on the neck. O you flatterers!

    —from Julỹs Kaĩsar (Act V, Scene 1)

    That word? Serwlån is an Allagan name for the sickly deep blue that colors ceruleum, what the Allagans called serwlỹm. It also happened to match the color profile of the aetheric arcs that formed the bladed edges of late Middle Allagan melee weaponry.

    #JulỹsKaĩsar #AllaganEmpire #FFXIVLore #Shakespeare #SpeculativeFiction #Worldbuilding #Serwlån #Trýmŵyr #AethericTech

  11. Holy shit.... THE SHADE!!! 🙀

    Villains, you did not so when your serwlån blades
    Hacked one another in the sides of Kaĩsar.
    You bared your teeth like opo, fawned like puk
    And bowed like bondmen, kissing Kaĩsar’s feet,
    Whilst damnèd Kaskå, like a cur, behind
    Struck Kaĩsar on the neck. O you flatterers!

    —from Julỹs Kaĩsar (Act V, Scene 1)

    That word? Serwlån is an Allagan name for the sickly deep blue that colors ceruleum, what the Allagans called serwlỹm. It also happened to match the color profile of the aetheric arcs that formed the bladed edges of late Middle Allagan melee weaponry.

    #JulỹsKaĩsar #AllaganEmpire #FFXIVLore #Shakespeare #SpeculativeFiction #Worldbuilding #Serwlån #Trýmŵyr #AethericTech

  12. Holy shit.... THE SHADE!!! 🙀

    Villains, you did not so when your serwlån blades
    Hacked one another in the sides of Kaĩsar.
    You bared your teeth like opo, fawned like puk
    And bowed like bondmen, kissing Kaĩsar’s feet,
    Whilst damnèd Kaskå, like a cur, behind
    Struck Kaĩsar on the neck. O you flatterers!

    —from Julỹs Kaĩsar (Act V, Scene 1)

    That word? Serwlån is an Allagan name for the sickly deep blue that colors ceruleum, what the Allagans called serwlỹm. It also happened to match the color profile of the aetheric arcs that formed the bladed edges of late Middle Allagan melee weaponry.

    #JulỹsKaĩsar #AllaganEmpire #FFXIVLore #Shakespeare #SpeculativeFiction #Worldbuilding #Serwlån #Trýmŵyr #AethericTech

  13. Holy shit.... THE SHADE!!! 🙀

    Villains, you did not so when your serwlån blades
    Hacked one another in the sides of Kaĩsar.
    You bared your teeth like opo, fawned like puk
    And bowed like bondmen, kissing Kaĩsar’s feet,
    Whilst damnèd Kaskå, like a cur, behind
    Struck Kaĩsar on the neck. O you flatterers!

    —from Julỹs Kaĩsar (Act V, Scene 1)

    That word? Serwlån is an Allagan name for the sickly deep blue that colors ceruleum, what the Allagans called serwlỹm. It also happened to match the color profile of the aetheric arcs that formed the bladed edges of late Middle Allagan melee weaponry.

    #JulỹsKaĩsar #AllaganEmpire #FFXIVLore #Shakespeare #SpeculativeFiction #Worldbuilding #Serwlån #Trýmŵyr #AethericTech

  14. CW: (CW): Julỹs Kaĩsar – FFXIV Lore Spoilers (Patch 4.x "Return to Ivalice" / Patch 6.0 "Endwalker")

    Holy shit the LOREEEEEE:

    BRWTUS
    No more, I pray you.—
    Mesalå, I have here receivèd transmits†
    That young Oktoẁỹs and Marq > Ant'wyns
    Come down upon us with a mighty power,
    Bending their expedition toward Yẁalånn‡.

    Julỹs Kaĩsar (Act IV, Scene 3) by Liam Meri'a Morvelet

    † Wireless transmissions delivered via aethernet directly to an addressee’s personal datapad.
    ‡ Although the closest onomastic correlation we could find in the historical record is a reference to a mythical, ancient kingdom named Ivalice, it was always believed this kingdom existed far to the east (a region that includes southern Dalmasca and parts of Nagxia) of the location actually described in the text, which is the ancestral home of the Garlean people, Corvus. We considered it irresponsible to draw conclusions from this data at this time.

    That would be it....if Maxx weren't the lead translator and a fucking MESS. Genius, but a mess:

    Although… if the lead translator were to engage in what he might call “educated speculation,” a very interesting conclusion includes the possibility that Ivalice predated the Allagan Empire. If so, it puts the probable existence of Ivalice some time between the Solar Scathe (the Third Umbral Calamity) and the start of the Middle Allagan Period. By the time Julỹs Kaĩsar is set in, Ivalice had already become a kingdom lost to a localized, umbral calamity of an unknown nature. By the time Morvelet was writing, it was a miracle he was able to name it even a little.

    *cough* Ultima, the High Seraph *cough*

    #FFXIV #FF14 #FFXIVLore #Allag #Ivalice #Shakespeare #JulỹsKaĩsar #Radpunk #Bard #Corvus #EorzeanVerse #Endwalker #Stormblood

  15. CW: (CW): Julỹs Kaĩsar – FFXIV Lore Spoilers (Patch 4.x "Return to Ivalice" / Patch 6.0 "Endwalker")

    Holy shit the LOREEEEEE:

    BRWTUS
    No more, I pray you.—
    Mesalå, I have here receivèd transmits†
    That young Oktoẁỹs and Marq > Ant'wyns
    Come down upon us with a mighty power,
    Bending their expedition toward Yẁalånn‡.

    Julỹs Kaĩsar (Act IV, Scene 3) by Liam Meri'a Morvelet

    † Wireless transmissions delivered via aethernet directly to an addressee’s personal datapad.
    ‡ Although the closest onomastic correlation we could find in the historical record is a reference to a mythical, ancient kingdom named Ivalice, it was always believed this kingdom existed far to the east (a region that includes southern Dalmasca and parts of Nagxia) of the location actually described in the text, which is the ancestral home of the Garlean people, Corvus. We considered it irresponsible to draw conclusions from this data at this time.

    That would be it....if Maxx weren't the lead translator and a fucking MESS. Genius, but a mess:

    Although… if the lead translator were to engage in what he might call “educated speculation,” a very interesting conclusion includes the possibility that Ivalice predated the Allagan Empire. If so, it puts the probable existence of Ivalice some time between the Solar Scathe (the Third Umbral Calamity) and the start of the Middle Allagan Period. By the time Julỹs Kaĩsar is set in, Ivalice had already become a kingdom lost to a localized, umbral calamity of an unknown nature. By the time Morvelet was writing, it was a miracle he was able to name it even a little.

    *cough* Ultima, the High Seraph *cough*

    #FFXIV #FF14 #FFXIVLore #Allag #Ivalice #Shakespeare #JulỹsKaĩsar #Radpunk #Bard #Corvus #EorzeanVerse #Endwalker #Stormblood

  16. CW: (CW): Julỹs Kaĩsar – FFXIV Lore Spoilers (Patch 4.x "Return to Ivalice" / Patch 6.0 "Endwalker")

    Holy shit the LOREEEEEE:

    BRWTUS
    No more, I pray you.—
    Mesalå, I have here receivèd transmits†
    That young Oktoẁỹs and Marq > Ant'wyns
    Come down upon us with a mighty power,
    Bending their expedition toward Yẁalånn‡.

    Julỹs Kaĩsar (Act IV, Scene 3) by Liam Meri'a Morvelet

    † Wireless transmissions delivered via aethernet directly to an addressee’s personal datapad.
    ‡ Although the closest onomastic correlation we could find in the historical record is a reference to a mythical, ancient kingdom named Ivalice, it was always believed this kingdom existed far to the east (a region that includes southern Dalmasca and parts of Nagxia) of the location actually described in the text, which is the ancestral home of the Garlean people, Corvus. We considered it irresponsible to draw conclusions from this data at this time.

    That would be it....if Maxx weren't the lead translator and a fucking MESS. Genius, but a mess:

    Although… if the lead translator were to engage in what he might call “educated speculation,” a very interesting conclusion includes the possibility that Ivalice predated the Allagan Empire. If so, it puts the probable existence of Ivalice some time between the Solar Scathe (the Third Umbral Calamity) and the start of the Middle Allagan Period. By the time Julỹs Kaĩsar is set in, Ivalice had already become a kingdom lost to a localized, umbral calamity of an unknown nature. By the time Morvelet was writing, it was a miracle he was able to name it even a little.

    *cough* Ultima, the High Seraph *cough*

    #FFXIV #FF14 #FFXIVLore #Allag #Ivalice #Shakespeare #JulỹsKaĩsar #Radpunk #Bard #Corvus #EorzeanVerse #Endwalker #Stormblood

  17. CW: (CW): Julỹs Kaĩsar – FFXIV Lore Spoilers (Patch 4.x "Return to Ivalice" / Patch 6.0 "Endwalker")

    Holy shit the LOREEEEEE:

    BRWTUS
    No more, I pray you.—
    Mesalå, I have here receivèd transmits†
    That young Oktoẁỹs and Marq > Ant'wyns
    Come down upon us with a mighty power,
    Bending their expedition toward Yẁalånn‡.

    Julỹs Kaĩsar (Act IV, Scene 3) by Liam Meri'a Morvelet

    † Wireless transmissions delivered via aethernet directly to an addressee’s personal datapad.
    ‡ Although the closest onomastic correlation we could find in the historical record is a reference to a mythical, ancient kingdom named Ivalice, it was always believed this kingdom existed far to the east (a region that includes southern Dalmasca and parts of Nagxia) of the location actually described in the text, which is the ancestral home of the Garlean people, Corvus. We considered it irresponsible to draw conclusions from this data at this time.

    That would be it....if Maxx weren't the lead translator and a fucking MESS. Genius, but a mess:

    Although… if the lead translator were to engage in what he might call “educated speculation,” a very interesting conclusion includes the possibility that Ivalice predated the Allagan Empire. If so, it puts the probable existence of Ivalice some time between the Solar Scathe (the Third Umbral Calamity) and the start of the Middle Allagan Period. By the time Julỹs Kaĩsar is set in, Ivalice had already become a kingdom lost to a localized, umbral calamity of an unknown nature. By the time Morvelet was writing, it was a miracle he was able to name it even a little.

    *cough* Ultima, the High Seraph *cough*

    #FFXIV #FF14 #FFXIVLore #Allag #Ivalice #Shakespeare #JulỹsKaĩsar #Radpunk #Bard #Corvus #EorzeanVerse #Endwalker #Stormblood

  18. OMG I just hit another major milestone in my adaptation of Shakespeare's Julius Caesar for the FFXIV universe: Julỹs Kaĩsar by Liam Meri'a Morvelet.

    It's Marq Ant'wyns' famous speech:

    Friends, Allagans, countrymen, lend me your ears.
    I come to bury Kaĩsar, not to praise him.
    The evil that men do lives after them;
    The good is oft interrèd with their bones.
    So let it be with Kaĩsar. The noble Brwtus
    Hath told you Kaĩsar was ambitious.
    If it were so, it was a grievous fault,
    And grievously hath Kaĩsar answered it.
    Here, under leave of Brwtus and the rest
    (For Brwtus is an honorable man;
    So are they all, all honorable men),
    Come I to speak in Kaĩsar's funeral.
    He was my friend, faithful and just to me,
    But Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    He hath brought many captives home to Allag,
    Whose ransoms did the general coffers fill.
    Did this in Kaĩsar seem ambitious?
    When that the poor have cried, Kaĩsar hath wept;
    Ambition should be made of sterner stuff.
    Yet Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    You all did see that on the Drunken Feast
    I thrice presented him epaulets,
    Which he did thrice refuse. Was this ambition?
    Yet Brwtus says he was ambitious,
    And sure he is an honorable man.
    I speak not to disprove what Brwtus spoke,
    But here I am to speak what I do know.
    You all did love him once, not without cause.
    What cause withholds you, then, to mourn for him?—
    O judgment, thou art fled to vile beastkin,
    And men have lost their reason!—Bear with me;
    My heart is in the coffin there with Kaĩsar,
    And I must pause till it come back to me.

    #FFXIV #Shakespeare #JuliusCaesar #Allag #BardRP #JulỹsKaĩsar #Eorzea #AllaganEmpire #CreativeWriting #FFXIVWrite

  19. OMG I just hit another major milestone in my adaptation of Shakespeare's Julius Caesar for the FFXIV universe: Julỹs Kaĩsar by Liam Meri'a Morvelet.

    It's Marq Ant'wyns' famous speech:

    Friends, Allagans, countrymen, lend me your ears.
    I come to bury Kaĩsar, not to praise him.
    The evil that men do lives after them;
    The good is oft interrèd with their bones.
    So let it be with Kaĩsar. The noble Brwtus
    Hath told you Kaĩsar was ambitious.
    If it were so, it was a grievous fault,
    And grievously hath Kaĩsar answered it.
    Here, under leave of Brwtus and the rest
    (For Brwtus is an honorable man;
    So are they all, all honorable men),
    Come I to speak in Kaĩsar's funeral.
    He was my friend, faithful and just to me,
    But Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    He hath brought many captives home to Allag,
    Whose ransoms did the general coffers fill.
    Did this in Kaĩsar seem ambitious?
    When that the poor have cried, Kaĩsar hath wept;
    Ambition should be made of sterner stuff.
    Yet Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    You all did see that on the Drunken Feast
    I thrice presented him epaulets,
    Which he did thrice refuse. Was this ambition?
    Yet Brwtus says he was ambitious,
    And sure he is an honorable man.
    I speak not to disprove what Brwtus spoke,
    But here I am to speak what I do know.
    You all did love him once, not without cause.
    What cause withholds you, then, to mourn for him?—
    O judgment, thou art fled to vile beastkin,
    And men have lost their reason!—Bear with me;
    My heart is in the coffin there with Kaĩsar,
    And I must pause till it come back to me.

    #FFXIV #Shakespeare #JuliusCaesar #Allag #BardRP #JulỹsKaĩsar #Eorzea #AllaganEmpire #CreativeWriting #FFXIVWrite

  20. OMG I just hit another major milestone in my adaptation of Shakespeare's Julius Caesar for the FFXIV universe: Julỹs Kaĩsar by Liam Meri'a Morvelet.

    It's Marq Ant'wyns' famous speech:

    Friends, Allagans, countrymen, lend me your ears.
    I come to bury Kaĩsar, not to praise him.
    The evil that men do lives after them;
    The good is oft interrèd with their bones.
    So let it be with Kaĩsar. The noble Brwtus
    Hath told you Kaĩsar was ambitious.
    If it were so, it was a grievous fault,
    And grievously hath Kaĩsar answered it.
    Here, under leave of Brwtus and the rest
    (For Brwtus is an honorable man;
    So are they all, all honorable men),
    Come I to speak in Kaĩsar's funeral.
    He was my friend, faithful and just to me,
    But Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    He hath brought many captives home to Allag,
    Whose ransoms did the general coffers fill.
    Did this in Kaĩsar seem ambitious?
    When that the poor have cried, Kaĩsar hath wept;
    Ambition should be made of sterner stuff.
    Yet Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    You all did see that on the Drunken Feast
    I thrice presented him epaulets,
    Which he did thrice refuse. Was this ambition?
    Yet Brwtus says he was ambitious,
    And sure he is an honorable man.
    I speak not to disprove what Brwtus spoke,
    But here I am to speak what I do know.
    You all did love him once, not without cause.
    What cause withholds you, then, to mourn for him?—
    O judgment, thou art fled to vile beastkin,
    And men have lost their reason!—Bear with me;
    My heart is in the coffin there with Kaĩsar,
    And I must pause till it come back to me.

    #FFXIV #Shakespeare #JuliusCaesar #Allag #BardRP #JulỹsKaĩsar #Eorzea #AllaganEmpire #CreativeWriting #FFXIVWrite

  21. OMG I just hit another major milestone in my adaptation of Shakespeare's Julius Caesar for the FFXIV universe: Julỹs Kaĩsar by Liam Meri'a Morvelet.

    It's Marq Ant'wyns' famous speech:

    Friends, Allagans, countrymen, lend me your ears.
    I come to bury Kaĩsar, not to praise him.
    The evil that men do lives after them;
    The good is oft interrèd with their bones.
    So let it be with Kaĩsar. The noble Brwtus
    Hath told you Kaĩsar was ambitious.
    If it were so, it was a grievous fault,
    And grievously hath Kaĩsar answered it.
    Here, under leave of Brwtus and the rest
    (For Brwtus is an honorable man;
    So are they all, all honorable men),
    Come I to speak in Kaĩsar's funeral.
    He was my friend, faithful and just to me,
    But Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    He hath brought many captives home to Allag,
    Whose ransoms did the general coffers fill.
    Did this in Kaĩsar seem ambitious?
    When that the poor have cried, Kaĩsar hath wept;
    Ambition should be made of sterner stuff.
    Yet Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    You all did see that on the Drunken Feast
    I thrice presented him epaulets,
    Which he did thrice refuse. Was this ambition?
    Yet Brwtus says he was ambitious,
    And sure he is an honorable man.
    I speak not to disprove what Brwtus spoke,
    But here I am to speak what I do know.
    You all did love him once, not without cause.
    What cause withholds you, then, to mourn for him?—
    O judgment, thou art fled to vile beastkin,
    And men have lost their reason!—Bear with me;
    My heart is in the coffin there with Kaĩsar,
    And I must pause till it come back to me.

    #FFXIV #Shakespeare #JuliusCaesar #Allag #BardRP #JulỹsKaĩsar #Eorzea #AllaganEmpire #CreativeWriting #FFXIVWrite

  22. OMG I just hit another major milestone in my adaptation of Shakespeare's Julius Caesar for the FFXIV universe: Julỹs Kaĩsar by Liam Meri'a Morvelet.

    It's Marq Ant'wyns' famous speech:

    Friends, Allagans, countrymen, lend me your ears.
    I come to bury Kaĩsar, not to praise him.
    The evil that men do lives after them;
    The good is oft interrèd with their bones.
    So let it be with Kaĩsar. The noble Brwtus
    Hath told you Kaĩsar was ambitious.
    If it were so, it was a grievous fault,
    And grievously hath Kaĩsar answered it.
    Here, under leave of Brwtus and the rest
    (For Brwtus is an honorable man;
    So are they all, all honorable men),
    Come I to speak in Kaĩsar's funeral.
    He was my friend, faithful and just to me,
    But Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    He hath brought many captives home to Allag,
    Whose ransoms did the general coffers fill.
    Did this in Kaĩsar seem ambitious?
    When that the poor have cried, Kaĩsar hath wept;
    Ambition should be made of sterner stuff.
    Yet Brwtus says he was ambitious,
    And Brwtus is an honorable man.
    You all did see that on the Drunken Feast
    I thrice presented him epaulets,
    Which he did thrice refuse. Was this ambition?
    Yet Brwtus says he was ambitious,
    And sure he is an honorable man.
    I speak not to disprove what Brwtus spoke,
    But here I am to speak what I do know.
    You all did love him once, not without cause.
    What cause withholds you, then, to mourn for him?—
    O judgment, thou art fled to vile beastkin,
    And men have lost their reason!—Bear with me;
    My heart is in the coffin there with Kaĩsar,
    And I must pause till it come back to me.

    #FFXIV #Shakespeare #JuliusCaesar #Allag #BardRP #JulỹsKaĩsar #Eorzea #AllaganEmpire #CreativeWriting #FFXIVWrite

  23. What would you say if I told you I was rewriting William Shakespeare's Julius Caesar into a diegetic #FFXIV play named Julŷs Kaĩsar and set in the early middle Allagan Empire?

    Because I may be doing just that. 😝💙

    Beware the plexus of Thaliak!

    #Shakespeare#JuliusCaesar#Allag#WritingCommunity#JulỹsKaĩsar #BewareThePlexusOfThaliak#Adaptation #CreativeWriting #Diegetic #FinalFantasyXIV #AllaganEmpire#Thaliak #FanFiction #WorldBuilding

  24. What would you say if I told you I was rewriting William Shakespeare's Julius Caesar into a diegetic #FFXIV play named Julŷs Kaĩsar and set in the early middle Allagan Empire?

    Because I may be doing just that. 😝💙

    Beware the plexus of Thaliak!

    #Shakespeare#JuliusCaesar#Allag#WritingCommunity#JulỹsKaĩsar #BewareThePlexusOfThaliak#Adaptation #CreativeWriting #Diegetic #FinalFantasyXIV #AllaganEmpire#Thaliak #FanFiction #WorldBuilding

  25. What would you say if I told you I was rewriting William Shakespeare's Julius Caesar into a diegetic #FFXIV play named Julŷs Kaĩsar and set in the early middle Allagan Empire?

    Because I may be doing just that. 😝💙

    Beware the plexus of Thaliak!

    #Shakespeare#JuliusCaesar#Allag#WritingCommunity#JulỹsKaĩsar #BewareThePlexusOfThaliak#Adaptation #CreativeWriting #Diegetic #FinalFantasyXIV #AllaganEmpire#Thaliak #FanFiction #WorldBuilding

  26. What would you say if I told you I was rewriting William Shakespeare's Julius Caesar into a diegetic #FFXIV play named Julŷs Kaĩsar and set in the early middle Allagan Empire?

    Because I may be doing just that. 😝💙

    Beware the plexus of Thaliak!

    #Shakespeare#JuliusCaesar#Allag#WritingCommunity#JulỹsKaĩsar #BewareThePlexusOfThaliak#Adaptation #CreativeWriting #Diegetic #FinalFantasyXIV #AllaganEmpire#Thaliak #FanFiction #WorldBuilding