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1000 results for “narek”
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Ծառ, որը պայթում է
A tree that explodes#ՎտանգավորԲույս #Ծառ
#DangerousPlant #Tree
#NarekDemirchyan #ՆարեկԴեմիրճյան -
Ծառ, որը պայթում է
A tree that explodes#ՎտանգավորԲույս #Ծառ
#DangerousPlant #Tree
#NarekDemirchyan #ՆարեկԴեմիրճյան -
Nareko Michigami Egypt mentioned?? #東方Project #Touhou20 #art
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After an unforeseen delay (sorry!), Gugal 0.8.4, featuring improved SearX support, is now available on GitLab, and will soon be available on F-Droid.
Download now: https://gitlab.com/narektor/gugal/-/releases/0.8.4
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Gugal 0.8.2 has been re-uploaded. You can find the new release here: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
The re-uploaded version also contains accessibility actions for search history.
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Gugal 0.8.2 has been re-uploaded. You can find the new release here: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
The re-uploaded version also contains accessibility actions for search history.
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Gugal 0.8.2 has been re-uploaded. You can find the new release here: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
The re-uploaded version also contains accessibility actions for search history.
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Gugal 0.8.2 has been re-uploaded. You can find the new release here: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
The re-uploaded version also contains accessibility actions for search history.
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Gugal 0.8.2 has been re-uploaded. You can find the new release here: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
The re-uploaded version also contains accessibility actions for search history.
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After a long hiatus, Gugal 0.8.2 is finally out, with a fix for an issue where searx instances without HTTPS support wouldn't work.
It also brings a number of minor improvements. Finally, Gugal is now available in Italian and Spanish.
The F-Droid version is expected to be updated soon, and the direct version is now available: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
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After a long hiatus, Gugal 0.8.2 is finally out, with a fix for an issue where searx instances without HTTPS support wouldn't work.
It also brings a number of minor improvements. Finally, Gugal is now available in Italian and Spanish.
The F-Droid version is expected to be updated soon, and the direct version is now available: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
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After a long hiatus, Gugal 0.8.2 is finally out, with a fix for an issue where searx instances without HTTPS support wouldn't work.
It also brings a number of minor improvements. Finally, Gugal is now available in Italian and Spanish.
The F-Droid version is expected to be updated soon, and the direct version is now available: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
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After a long hiatus, Gugal 0.8.2 is finally out, with a fix for an issue where searx instances without HTTPS support wouldn't work.
It also brings a number of minor improvements. Finally, Gugal is now available in Italian and Spanish.
The F-Droid version is expected to be updated soon, and the direct version is now available: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
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After a long hiatus, Gugal 0.8.2 is finally out, with a fix for an issue where searx instances without HTTPS support wouldn't work.
It also brings a number of minor improvements. Finally, Gugal is now available in Italian and Spanish.
The F-Droid version is expected to be updated soon, and the direct version is now available: https://gitlab.com/narektor/gugal/-/releases/0.8.2-n
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Since it looks like there is interest in support for Stract in Gugal I posted an issue to its GitLab repository: https://gitlab.com/narektor/gugal/issues/33
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Gugal 0.8.1 has been released on GitLab, with a fix for News (preview) settings as well as other minor parts of the app. The update should arrive on F-Droid soon.
Download it here: https://gitlab.com/narektor/gugal/-/releases/0.8.1
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Just released #gugal 0.7.1. This is a minor release improving launcher support.
https://gitlab.com/narektor/gugal/-/releases/0.7.1
I expect to release the first 0.8 preview builds soon.
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https://www.europesays.com/cz/14303/ Nářek nad zrušeným vysíláním. Macinka nakrknul Zdechovského a pirátskou poslankyni #AktuálněCz #ČeskáRepublika #Česko #ČeskýRozhlas #CzechRepublic #Czechia #Demetrashvili #Macinka #VeřejnoprávníMédia #Zdechovský
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Right now, #Tsintsadze #Maier, an Ali-Zadeh's world premiere #Narekatsi #Khachaturian #Komitas and #Say from #Amsterdam https://buff.ly/3Cccctb #wch
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In 25 minutes, #Tsintsadze #Maier, an Ali-Zadeh's world premiere #Narekatsi #Khachaturian #Komitas and #Say from #Amsterdam https://buff.ly/3Cccctb #wch
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Today, #Tsintsadze #Maier, an Ali-Zadeh's world premiere #Narekatsi #Khachaturian #Komitas and #Say from #Amsterdam https://buff.ly/3Cccctb #wch
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🇦🇲🇺🇸 ¡Gala histórica en Washington! 🏛️✨ Los armenios celebran el 250 aniversario de Estados Unidos en la OEA 🚀. Presentaron al robot Robin 🤖 y un libro dedicado a los veteranos de la 2da Guerra Mundial 🎖️. La Casa Blanca y el Departamento de Estado estuvieron presentes gracias a la Embajada de Armenia y AGBU! #agbu #ArmeniosEnAmérica_250 #CasaBlanca #DiásporaArmenia #EmbajadaDeArmenia #NarekMkrtchyan #oea #RobotRobin #SegundaGuerraMundial #ugab https://soyarmenio.com/armenios-america-250/
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🚗💨 ¡Armenia cambia las reglas! El curso de manejo ahora será obligatorio 🛑. Si usas la licencia digital pagas la MITAD de impuestos 📉✨. Además, ¡tus placas te llegan por correo con Haypost! #armenia #FormaciónDeConductores #haypost #ImpuestoEstatal #LicenciaDeConducir #MinisterioDelInterior #NarekSargsyan https://soyarmenio.com/armenia-formacion-conductores-obligatorio/
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𝗞𝗼𝗽𝗲𝗻 𝗭𝗼𝗻𝗱𝗲𝗿 𝗞𝗶𝗷𝗸𝗲𝗻-𝘀𝘁𝗲𝗹 𝘂𝗶𝘁 𝗕𝗲𝗹𝗴𝗶ë 𝗴𝗮𝗳 𝗵𝘂𝗶𝘀 𝘃𝗼𝗹𝗹𝗲𝗱𝗶𝗴𝗲 𝗸𝗹𝗲𝘂𝗿𝗹𝗼𝘇𝗲 𝗺𝗮𝗸𝗲-𝗼𝘃𝗲𝗿
In de Belgische variant van 'Kopen Zonder Kijken', 'Blind gekocht', kregen deelnemers Lena en Narek een volledig ingericht huis gepresenteerd door interieurstylist Daan Alferink (30) en zijn team. Bij de oplevering was het stel allesbehalve enthousiast over de kleuren die...
https://www.rtl.nl/boulevard/entertainment/artikel/5517516/makeover-huis-blind-gekocht-lena-narek
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🐓💰 El gobierno y la granja Shirak meten 250 millones de dólares para producir 100 toneladas de carne al día. 🍗✨ ¡Se van a crear 2.500 nuevos empleos! 👷♂️👷♀️ La idea es que Armenia ya no tenga que importar pollo y hasta empiece a venderle al mundo. 🌍📦 ¡Además ya producen casi medio millón de huevos diarios! 🥚 #armenia #CarneDeAve #empleo #GevorgPapoyan #GranjaAvícola #inversión #NarekNalbandyan #SeguridadAlimentaria #shirak https://soyarmenio.com/inversion-avicola-shirak-armenia-2026/
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Ladaniva taps into traditional Armenian music and they've been putting out some tasty treats. Our #sotd "Narek" is one of those gems that hit the right spot for us.
Listen at https://thepropagandasite.com/
#NowPlaying #SongoftheDay #tPSSotD #Ladaniva #music #musicdiscovery
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https://www.europesays.com/cz/36167/ Fotky: Závod o záchranu keporkaka na německé pláži. Nářek je slyšet do dáli – Seznam Zprávy #BaltskéMoře #Headlines #HlavníUdálosti #Keporkak #Německo #News #Pobřeží #TopNews #TopStories #UdálostiDne #Velryby #Zprávy #zvířata
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews