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1000 results for “narek”
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Ծառ, որը պայթում է
A tree that explodes#ՎտանգավորԲույս #Ծառ
#DangerousPlant #Tree
#NarekDemirchyan #ՆարեկԴեմիրճյան -
Geleneksel yöntemlerle katkısız üretip kilosunu 600 liradan satıyorlar: Akseki'de her yıl kış hazırlıkları kapsamında yapılan nar ekşisi mesaisi başladı. İlçede ekim ayı başlarında olgunlaşan narlar önce bahçelerden toplanıyor. Sopa yardımıyla dövülerek taneleri kabuğundan ayrılan narlar çuvallara konuluyor. Ardından özel yaptırılan küçük şırahanelerde çuvallar tepeleme… https://www.eshahaber.com.tr/haber/geleneksel-yontemlerle-katkisiz-uretip-kilosunu-600-liradan-satiyorlar-266905.html?utm_source=dlvr.it&utm_medium=mastodon EshaHaber.com.tr #NarEkşisi #GelenekselYöntemler #Akseki #KışHazırlıkları #KadınEmeği
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El Comité de Investigación abrió un proceso penal contra el candidato Narek Karapetyan. Descubrieron que ocultó tener la ciudadanía rusa para poder postularse al Parlamento en Ereván. 😱 #ArmeniaFuerte #CiudadaníaRusa #CódigoPenal #ComitéDeInvestigación #EleccionesParlamentarias #ereván #FraudeElectoral #NarekKarapetyan https://soyarmenio.com/narek-karapetyan-ocultar-ciudadania-rusa/
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https://www.europesays.com/cz/14303/ Nářek nad zrušeným vysíláním. Macinka nakrknul Zdechovského a pirátskou poslankyni #AktuálněCz #ČeskáRepublika #Česko #ČeskýRozhlas #CzechRepublic #Czechia #Demetrashvili #Macinka #VeřejnoprávníMédia #Zdechovský
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@harld Tjeetje, ik heb Odido #klikenklaar dat constant op 5G draait en waar ik nooit een narekening van krijg. Werkt prima (op een enkel menselijk administratief foutje na 😜) Stabieler, sneller en flink goedkoper dan de vaste datalijnen die ik tot nu toe naar mijn huis heb gehad.
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@harld Tjeetje, ik heb Odido #klikenklaar dat constant op 5G draait en waar ik nooit een narekening van krijg. Werkt prima (op een enkel menselijk administratief foutje na 😜) Stabieler, sneller en flink goedkoper dan de vaste datalijnen die ik tot nu toe naar mijn huis heb gehad.
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https://www.europesays.com/sk/18494/ Susedia cítili smrad a počuli nárek mačiek, zásah odhalil hrôzu v byte #mačky #mraznička #News #SK #Slovak #Slovenčina #Správy #Svet #Teplice #týranie #World #WorldNews
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🛡️ ¡Armenia evalúa comprar tecnología de defensa a Estados Unidos! 🛸 Negocian el suministro de drones V-BAT fabricados por la empresa Shield AI. 🦅 #armenia #china #EstadosUnidos #francia #india #irán #japón #JdVance #NarekMkrtchyan #PaísesBajos #PaxSilica #rusia #ShieldAi #ucrania #UniónEuropea #VBat https://soyarmenio.com/armenia-tecnologia-defensa-estados-unidos/
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https://www.europesays.com/si/163605/ Svetovni rekord Kerra na miljo v Londonu, Rudolf narekoval ritem #DiamantnaLiga #JoshKerr #rekord #SI #Slovene #Slovenia #Slovenija #Slovenščina #Šport #Sports
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🇦🇲🇺🇸 ¡Gala histórica en Washington! 🏛️✨ Los armenios celebran el 250 aniversario de Estados Unidos en la OEA 🚀. Presentaron al robot Robin 🤖 y un libro dedicado a los veteranos de la 2da Guerra Mundial 🎖️. La Casa Blanca y el Departamento de Estado estuvieron presentes gracias a la Embajada de Armenia y AGBU! #agbu #ArmeniosEnAmérica_250 #CasaBlanca #DiásporaArmenia #EmbajadaDeArmenia #NarekMkrtchyan #oea #RobotRobin #SegundaGuerraMundial #ugab https://soyarmenio.com/armenios-america-250/
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🚗💨 ¡Armenia cambia las reglas! El curso de manejo ahora será obligatorio 🛑. Si usas la licencia digital pagas la MITAD de impuestos 📉✨. Además, ¡tus placas te llegan por correo con Haypost! #armenia #FormaciónDeConductores #haypost #ImpuestoEstatal #LicenciaDeConducir #MinisterioDelInterior #NarekSargsyan https://soyarmenio.com/armenia-formacion-conductores-obligatorio/
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🐓💰 El gobierno y la granja Shirak meten 250 millones de dólares para producir 100 toneladas de carne al día. 🍗✨ ¡Se van a crear 2.500 nuevos empleos! 👷♂️👷♀️ La idea es que Armenia ya no tenga que importar pollo y hasta empiece a venderle al mundo. 🌍📦 ¡Además ya producen casi medio millón de huevos diarios! 🥚 #armenia #CarneDeAve #empleo #GevorgPapoyan #GranjaAvícola #inversión #NarekNalbandyan #SeguridadAlimentaria #shirak https://soyarmenio.com/inversion-avicola-shirak-armenia-2026/
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https://www.europesays.com/cz/36167/ Fotky: Závod o záchranu keporkaka na německé pláži. Nářek je slyšet do dáli – Seznam Zprávy #BaltskéMoře #Headlines #HlavníUdálosti #Keporkak #Německo #News #Pobřeží #TopNews #TopStories #UdálostiDne #Velryby #Zprávy #zvířata
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𝗞𝗼𝗽𝗲𝗻 𝗭𝗼𝗻𝗱𝗲𝗿 𝗞𝗶𝗷𝗸𝗲𝗻-𝘀𝘁𝗲𝗹 𝘂𝗶𝘁 𝗕𝗲𝗹𝗴𝗶ë 𝗴𝗮𝗳 𝗵𝘂𝗶𝘀 𝘃𝗼𝗹𝗹𝗲𝗱𝗶𝗴𝗲 𝗸𝗹𝗲𝘂𝗿𝗹𝗼𝘇𝗲 𝗺𝗮𝗸𝗲-𝗼𝘃𝗲𝗿
In de Belgische variant van 'Kopen Zonder Kijken', 'Blind gekocht', kregen deelnemers Lena en Narek een volledig ingericht huis gepresenteerd door interieurstylist Daan Alferink (30) en zijn team. Bij de oplevering was het stel allesbehalve enthousiast over de kleuren die...
https://www.rtl.nl/boulevard/entertainment/artikel/5517516/makeover-huis-blind-gekocht-lena-narek
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𝗞𝗼𝗽𝗲𝗻 𝗭𝗼𝗻𝗱𝗲𝗿 𝗞𝗶𝗷𝗸𝗲𝗻-𝘀𝘁𝗲𝗹 𝘂𝗶𝘁 𝗕𝗲𝗹𝗴𝗶ë 𝗴𝗮𝗳 𝗵𝘂𝗶𝘀 𝘃𝗼𝗹𝗹𝗲𝗱𝗶𝗴𝗲 𝗸𝗹𝗲𝘂𝗿𝗹𝗼𝘇𝗲 𝗺𝗮𝗸𝗲-𝗼𝘃𝗲𝗿
In de Belgische variant van 'Kopen Zonder Kijken', 'Blind gekocht', kregen deelnemers Lena en Narek een volledig ingericht huis gepresenteerd door interieurstylist Daan Alferink (30) en zijn team. Bij de oplevering was het stel allesbehalve enthousiast over de kleuren die...
https://www.rtl.nl/boulevard/entertainment/artikel/5517516/makeover-huis-blind-gekocht-lena-narek
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Ladaniva taps into traditional Armenian music and they've been putting out some tasty treats. Our #sotd "Narek" is one of those gems that hit the right spot for us.
Listen at https://thepropagandasite.com/
#NowPlaying #SongoftheDay #tPSSotD #Ladaniva #music #musicdiscovery
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Ladaniva taps into traditional Armenian music and they've been putting out some tasty treats. Our #sotd "Narek" is one of those gems that hit the right spot for us.
Listen at https://thepropagandasite.com/
#NowPlaying #SongoftheDay #tPSSotD #Ladaniva #music #musicdiscovery
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🚨 ¡Impacto en las elecciones de Armenia! Descubren que un importante candidato opositor ocultó sus empresas en Rusia ante la ley. 💼 Los documentos del registro ruso muestran movimientos de última hora para esconder sus nexos con grandes corporaciones de Moscú. 🇷🇺 #ArmeniaFuerte #ArturHovagimyan #ComisiónElectoralCentralDeArmenia #DeudasFiscales #EleccionesParlamentariasArmenia_2026 #LavadoDeDinero #moscú #MospromeksploatsiyaLlc #NarekKarapetyan https://soyarmenio.com/narek-karapetyan-ciudadano-ruso-empresas-rusia/
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🗳️ ¡Récord de audiencia en Armenia! Casi todo el país vio el debate presidencial definitivo a horas de votar. 🇦🇲 Nikol Pashinyan defendió su gestión frente a las duras acusaciones de la oposición por la pérdida de territorios. 🏛️ El opositor Narek Karapetyan fue el blanco de todas las críticas ante las ausencias de Kocharyan y Tsarukyan. 📉 #AramSargsyan #AraratMirzoyan #ArmanBabajanyan #ArmanTatoyan #armenia #ArmeniaBrillante #ArmeniaFuerte https://soyarmenio.com/armenia-elecciones-2026-analisis-debate-electoral/
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🗳️ El oficialismo reunió 32.000 personas en Ereván frente a las 17.500 de Armenia Fuerte a horas de abrirse las urnas de las elecciones. 📉 El norte del país está completamente en disputa: Gyumri y Vanadzor definirán los escaños clave del próximo parlamento. #abovyan #armenia #ArmeniaFuerte #ashtarak #ContratoCivil #echmiadzin #EleccionesParlamentarias #ereván #gyumri #ijevan #kapan #mitines #MovilizaciónPolítica #NarekKarapetyan #NikolPashinyan https://soyarmenio.com/armenia-elecciones-2026-mitines-partidarios/
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🗳️ Elecciones en Armenia: El multimillonario ruso Samvel Karapetyan desafía las leyes y busca reformar la constitución para ser premier. 🇦🇲🚨 Escándalo electoral: El Comité Anticorrupción revela audios que complican a las líderes de Armenia Fuerte por compra de votos en Vayk. 🇷🇺 #armenia #ArmeniaFuerte #AsambleaNacional #BagratSrbazan #chipre #ContratoCivil #elecciones #gazprom #GoharGhumashyan #kaluga #moscú #NarekKarapetyan #NikolPashinyan https://soyarmenio.com/samvel-karapetyan-partido-armenia-fuerte/
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“Brejden, pane, jak se máte?”
“Ále špatně, pane, za nic to nestojí.”
“Nono, a co vám chybí?”
“Ale to víte, starostí je –”
“Copak vy víte o starostech, pane! Já bych chtěl bejt na místě.”
“To byste to chyt! A jak se vede vám?”
“Ale to víte, bídně. A co zdravíčko?”
“No taktak. A rodina zdráva?”
“Ještě to ujde. No tak máucta.”
“Služebník.”To je normální československý rozhovor, který by měl stát hned na první stránce každé praktické cvičebnice jazyka českého. Téměř bez výjimky prvním slovem propuká náš člověk v nářek a stížnosti na svůj osud; obyčejně tím získá jakýsi rozběh, aby mohl v dalším hovoru nadávat obecně na mizerné poměry, na tu lumpárnu a na jiné veřejné záležitosti; ale to už je jiná kapitola.
[...]
Jsme národ naříkačů; obyčejně se setkáváme, jen abychom si navzájem pobědovali, že se nám vede mizerně, ačkoli nás vlastně nijak nezajímá, jak se tomu druhému vede; je to už jen taková formalita, tak jako když Angličané mluví o počasí. Upřímně řečeno, ozývá se v tom spíše snaha jevit se malým a ubohým než skutečná nespokojenost; je v tom taková vnitřní nesvoboda a nedůvěra. Jako naše pozdravy, tak i naše konverzační zvyky ukazují, že snáze se mění státy a ústavy, zákony a řády než lidské mravy; podrželi jsme zvyky malého, ublíženého, reptajícího poddaného, jehož první slovo je nějaká bezmocná stížnost a jemuž beztoho nikdo nevěří. Ostatně ani nečekáme, že nám někdo bude věřit.
Tak tedy: Jak se vám vede?O naříkačích: https://www.youtube.com/watch?v=Y0Q40cc2Vxs
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“Brejden, pane, jak se máte?”
“Ále špatně, pane, za nic to nestojí.”
“Nono, a co vám chybí?”
“Ale to víte, starostí je –”
“Copak vy víte o starostech, pane! Já bych chtěl bejt na místě.”
“To byste to chyt! A jak se vede vám?”
“Ale to víte, bídně. A co zdravíčko?”
“No taktak. A rodina zdráva?”
“Ještě to ujde. No tak máucta.”
“Služebník.”To je normální československý rozhovor, který by měl stát hned na první stránce každé praktické cvičebnice jazyka českého. Téměř bez výjimky prvním slovem propuká náš člověk v nářek a stížnosti na svůj osud; obyčejně tím získá jakýsi rozběh, aby mohl v dalším hovoru nadávat obecně na mizerné poměry, na tu lumpárnu a na jiné veřejné záležitosti; ale to už je jiná kapitola.
[...]
Jsme národ naříkačů; obyčejně se setkáváme, jen abychom si navzájem pobědovali, že se nám vede mizerně, ačkoli nás vlastně nijak nezajímá, jak se tomu druhému vede; je to už jen taková formalita, tak jako když Angličané mluví o počasí. Upřímně řečeno, ozývá se v tom spíše snaha jevit se malým a ubohým než skutečná nespokojenost; je v tom taková vnitřní nesvoboda a nedůvěra. Jako naše pozdravy, tak i naše konverzační zvyky ukazují, že snáze se mění státy a ústavy, zákony a řády než lidské mravy; podrželi jsme zvyky malého, ublíženého, reptajícího poddaného, jehož první slovo je nějaká bezmocná stížnost a jemuž beztoho nikdo nevěří. Ostatně ani nečekáme, že nám někdo bude věřit.
Tak tedy: Jak se vám vede?O naříkačích: https://www.youtube.com/watch?v=Y0Q40cc2Vxs
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🇦🇲 #Armenien am Scheideweg – Welche Rolle kann das Land im #Südkaukasus spielen?
📅 8. September | 18–19:30 | FES Berlin
Mit: Macit Karaahmetoğlu, Nigar Göksel, Dr. Franziska Smolnik, Dr. Narek Sukiasyan.
Mit Simultanübersetzung 🇬🇧/🇩🇪
Gleich anmelden! 📝
👉 https://www.fes.de/veranstaltungen/veranstaltungsdetail/285305
@dgo_berlin -
Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Ildaruni – Divinum Sanguinem Review
By Andy-War-Hall
The mystic, the subliminal, the macabre: the fixings of good black metal and the bread and butter of Armenian pagans Ildaruni. Four years ago, they entered the blackened sphere with their debut Beyond Unseen Gateways, a folk-infused take on black metal that, while promising in several regards, felt bloated and unfocused. Its pagan, medieval-y acoustic passages felt tacked on, lethargic and a bit hokey, and I think Ildaruni agree with my assessment, as this year’s Divinum Sanguinem ditches the lutes and stuff for “a more tenebrous and ferocious black metal path.” At nine songs and 53 minutes, Divinum Sanguinem is yet another considerable offering from Ildaruni. Will this one prove more vital than the last?
This time, Ildaruni ain’t faffing about;1 Divinum Sanguinem is out for blood. Second-wave styling permeates Divinum Sanguinem, but without its typical murk. Utterly furious tremolo riffs and blast beats abound, wrought to vicious effect on songs like “Forged with Glaive and Blood” and “The Ascension of Kosmokrator,” while Narek Avedyan’s burly shrieks command the calamity into a lean, focused undertaking. This is black metal of a riff-centric nature, Immortal-like, but with the odd Bathory military march (“The Ascension of Kosmokrator”) and chant (“Zurvan Akrane”) to instill a greater sense of grandeur into Iladruni’s palette. Riffs are a’plenty, but it’s drummer Arthur Poghosyan who steals the show, just crushing the blasts on every song and layering everything with impressive symbol work. Divinum Sanguinem is a hefty record, but unlike Beyond Unseen Gateways, it isn’t bogged down with momentum-killing diversions. Exemplified on “Divinum Sanguinem”—where all eight minutes of imperial procession feel, bombastic dynamics and eerie bridges feel critical and purposeful—Divinum Sanguinem is lean, mean and blackened as anything.
Ildaruni hold a workman-like commitment to evil. There’s an Emperor-like dark majesty to Divinum Sanguinem, though Ildaruni forgo synths and orchestras for grandiose guitar leads to accomplish this (“The Ascension of Kosmokrator,” “Divinum Sanguinem”). Thrash riffs grace “Zurvan Akrane” beside metalface-inducing chugs on “Forged with Glaive and Blood” and “Arcane Sermon,” and even instances of Qanun (“Scorching Pathways to Samachi”)2 and bagpipe (“Forged with Glaive and Blood”)3 add to the sinister feel of Divinum Sanguinem. Similarly, the various instances of choir (“Of Nomos and Flaming Flint Stone,” “Arcane Sermon” and “Scorching Pathways to Samachi”),4 chant and clean singing (“Divinum Sanguinem”)5 add dimensions to the vocal front of Ildaruni, breaking from the incessant shrieks but not from its malignancy. Pagan folk elements from Iladruni’s previous work remain, but are relegated to folkish distorted guitar leads (and bagpipes) to keep from clashing with the breakneck nature of Divinum Sanguinem. Sometimes ritualistically ominous (“Divinum Sanguinem”) and frequently hostile (“The Ascension of Kosmokrator”), Ildaruni crafted something pointedly dark with Divinum Sanguinem.
But Ildaruni play a limited, well-trodden style, and Divinum Sanguinem is stretched too thin to inspire frequent replay. While Divinum Sanguinem’s songs feature brief moments of differentiation, the near constant tremolos, blast beats and shrieks that encompass the majority of most tracks lose their lustre with use. If a song doesn’t immediately open with trems and blasts, like on “Of Nomos and Flaming Flint Stone” or “Zurvan Akrane,” rest assured that they’ll reemerge before the verse, still competently played but with little melodic variation between them all, losing effect with overexposure. The near-uniformity of Ildaruni’s track lengths adds to this sense of sameness, as songs seem to go through the same or similar motions for similar amounts of time, which doesn’t bode well for memorability. An exception to this trend, “Immersion into Empyrean”— with its mid-paced tempo and open arpeggios—is borderline catchy and provides a stark illustration of how one-note much of the rest of the album is. Ildaruni are all business here, but there’s too much business on Divinum Sanguinem and not enough variety, novelty or abundance of hooks to make getting through it consistently engaging.
Though Divinum Sanguinem is marred by considerable songwriting issues, it still marks considerable improvement for Ildaruni and proves there’s a future for the band. When it works, Divinum Sanguinem is a powerhouse of a record, both atmospheric and immediate. When Ildaruni’s tricks run dry, however, it becomes too easy to let the music slip into the background. Perhaps genre diehards will get more out of the album than I did, but I found myself losing interest too often to offer it high marks. Still, if you’re in the market for black metal that riffs hard, you could do a lot worse than Divinum Sanguinem.
Rating: Mixed
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Black Lion Records
Websites: ildaruni.bandcamp.com | facebook.com/Ildaruni | instagram.com/ildaruni
Releases Worldwide: November 7th, 2025#25 #2025 #armenianMetal #bathory #blackLionRecords #blackMetal #divinumSanguinem #emperor #ildaruni #immortal #nov25 #review #reviews
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Կատուները խախտում են ֆիզիկայի օրենքները
Cats break the laws of physics#cats #reactiontime #predators #physics #naturefacts #animals #կատու #արձագանք #գիշատիչ #ֆիզիկա #բնություն #կենդանիներ