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60 results for “eldamir”
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Do anyone actually like the #upscaling functionality in #videogames? Play lower resolutions but #upscale it through features on the graphics card?
All of my experiences lead to: higher resolutions, but grainy, worse looking and with ghosting artifacts + a game-breaking amount of input lag.
No thanks, I'd rather just have shittier graphics and enjoy my game :D
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Do anyone actually like the #upscaling functionality in #videogames? Play lower resolutions but #upscale it through features on the graphics card?
All of my experiences lead to: higher resolutions, but grainy, worse looking and with ghosting artifacts + a game-breaking amount of input lag.
No thanks, I'd rather just have shittier graphics and enjoy my game :D
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Do anyone actually like the #upscaling functionality in #videogames? Play lower resolutions but #upscale it through features on the graphics card?
All of my experiences lead to: higher resolutions, but grainy, worse looking and with ghosting artifacts + a game-breaking amount of input lag.
No thanks, I'd rather just have shittier graphics and enjoy my game :D
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Do anyone actually like the #upscaling functionality in #videogames? Play lower resolutions but #upscale it through features on the graphics card?
All of my experiences lead to: higher resolutions, but grainy, worse looking and with ghosting artifacts + a game-breaking amount of input lag.
No thanks, I'd rather just have shittier graphics and enjoy my game :D
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Do anyone actually like the #upscaling functionality in #videogames? Play lower resolutions but #upscale it through features on the graphics card?
All of my experiences lead to: higher resolutions, but grainy, worse looking and with ghosting artifacts + a game-breaking amount of input lag.
No thanks, I'd rather just have shittier graphics and enjoy my game :D
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So much talk about securing our #software #supply_chain from many of the same people who want to stuff #AI into all products.
Do you not see the conflict? Once AI is in everything, then everything will be controlled by the whims of the AI owners... Sigh
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My #steamdeck just presented #bsod 😭
Send good vibes as I try to getting working again -
I like what #tinacms has to offer in terms of a git-based #CMS, but I loathe #React and #NextJS . They support #hugo as far as I can tell, but their starter template doesn't work. Crashes during startup 😒
#decapcms seems like a reasonable alternative. Plenty of support for many #ssg tools like #11ty, but the editing experience in #decapcms is pretty boring. Doesn't really offer anything for me beyond what I could simply do with text files.
I want a decent editing experience, where I can both author blog posts, but also build my web-site using blocks/components. #Tinacms seems pretty ok all around, but looking at the starter sample, the code is crazy convoluted. There is more wrapper-code and boilerplate than there is actual HTML. Hard to know where to even start.
#cloudcannon has an excellent alternative. If this was free for individuals, I'd jump right on that. But I'm just running a little personal website that makes no revenue, so I don't want to fork out $50 a month for it.
Anyway, #sendhelp
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#BackendDeveloper doesn’t really know CSS. #FrontendDeveloper only knows JavaScript.
Where do we actually find people who know wtf they’re doing?
It’s like hiring a team to write a book. One knows paper, and the other knows pens, but neither have a clue about letters 🤡
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Hey, here's a thought.
Let's start calling it #organic #software when it is written entirely by human hands and no use of #ai .
If the developers are allowed to work from home, that will also make it #freerange 🤣
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Gotta say working with #openxml (#ooxml) is scary. The Open XML Sdk is so low level with no guard rails. Must understand all of the underlying XML to be able to do anything meaningful, so what’s the point? And all the libraries I’ve looked at doesn’t support what I want to do.
At this point, I’m taking a swing at processing the XML by hand with #beautifulsoup4. Seems to do the trick 😅 -
Hi modern #mobileDevelopment folks!
We're looking at removing #firebase as a provider for managing server sent push notifications to apps on #android and #iOS
Ideally, we'd have something we could run on our own servers rather than relying on third parties (we want to limit sub-processors in terms of #gdpr ).
Seems like recommendations online are dated at best...
How would you do this today?
#vapid ??
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Hi modern #mobileDevelopment folks!
We're looking at removing #firebase as a provider for managing server sent push notifications to apps on #android and #iOS
Ideally, we'd have something we could run on our own servers rather than relying on third parties (we want to limit sub-processors in terms of #gdpr ).
Seems like recommendations online are dated at best...
How would you do this today?
#vapid ??
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Hi modern #mobileDevelopment folks!
We're looking at removing #firebase as a provider for managing server sent push notifications to apps on #android and #iOS
Ideally, we'd have something we could run on our own servers rather than relying on third parties (we want to limit sub-processors in terms of #gdpr ).
Seems like recommendations online are dated at best...
How would you do this today?
#vapid ??
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Hi modern #mobileDevelopment folks!
We're looking at removing #firebase as a provider for managing server sent push notifications to apps on #android and #iOS
Ideally, we'd have something we could run on our own servers rather than relying on third parties (we want to limit sub-processors in terms of #gdpr ).
Seems like recommendations online are dated at best...
How would you do this today?
#vapid ??
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"master" branches are now called "main" branches to not be offensive.
#DarkPatterns are now called #DeceptivePatterns to not be offensive.
Now I'm afraid of my website theming... Will I need to have a "light theme" and a "deceptive theme" soon? 🤔
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Nice overview of implementing multi tenancy in a way that is compatible with dependency injection.
Thanks for the overview @khalidabuhakmeh
https://khalidabuhakmeh.com/multi-tenancy-with-aspnet-core-and-finbuckle-multitenant
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If anyone feels inclined to hear me cry about how #javascript #frameworks are the bane of my existence, and how I wish that the #webdev community would rely more on #webstandards rather than #shovelware from #bigtech; have a look at my #blog: https://botched-deployments.com/posts/js-frameworks
Would love to read your comment on my ramblings, whether you agree with me or not ❤️
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Coming from #django, where I had one template partial for rendering forms, I am a bit stumped with #razorpages.
In Django, the template would loop over every field and make rendering decisions based on the type or attributes.
In Razor Pages, I can do something similar with custom attributes and looping over `Model.GetType().GetProperties()`, however, the `asp-for` tag helper that helps with model binding won’t work with a dynamic value. I must statically put `Model.ThisProp` 😭
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Finally took the plunge and published my little blog site: https://botched-deployments.com/ . Thanks to the community for helping me take the plunge. The site is currently ass, but it is there, and can be improved along the way 😊 #blog #deployed
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Pretty cool how simple it is to strap in #viewtransition with #HTMX without any fuzz and completely in the spirit of #progressiveenhancent ❤️
I’ll definitely strap this in and be ready for browser compatibility to get there 😊
https://khalidabuhakmeh.com/view-transitions-api-with-aspnet-core-and-htmx
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Pretty cool how simple it is to strap in #viewtransition with #HTMX without any fuzz and completely in the spirit of #progressiveenhancent ❤️
I’ll definitely strap this in and be ready for browser compatibility to get there 😊
https://khalidabuhakmeh.com/view-transitions-api-with-aspnet-core-and-htmx
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Pretty cool how simple it is to strap in #viewtransition with #HTMX without any fuzz and completely in the spirit of #progressiveenhancent ❤️
I’ll definitely strap this in and be ready for browser compatibility to get there 😊
https://khalidabuhakmeh.com/view-transitions-api-with-aspnet-core-and-htmx
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Pretty cool how simple it is to strap in #viewtransition with #HTMX without any fuzz and completely in the spirit of #progressiveenhancent ❤️
I’ll definitely strap this in and be ready for browser compatibility to get there 😊
https://khalidabuhakmeh.com/view-transitions-api-with-aspnet-core-and-htmx
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https://www.europesays.com/africa/223879/ EACC arrests 11 suspects in Eldama Ravine over alleged Sh85 million NG-CDF misuse #AntiCorruption #DirectorOfPublicProsecutions(DPP) #EACCArrests11SuspectsInEldamaRavineOverAllegedSh85MillionNGCDFMisuse #EldamaRavine #Embezzlement #EthicsAndAntiCorruptionCommission(EACC) #Headlines #Kenya #MonitoringAndEvaluation(M&E) #news #NGCDF #PublicFunds
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https://www.europesays.com/nl/53033/ Kauan – Wayhome | Zware Metalen #2025 #agalloch #alcest #Amusement #anathema #ArtoffactRecords #atmospheric #AtmosphericPostRock #atoma #doom #Dutch #eldamar #empyrium #Entertainment #finland #kauan #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #PostRock #recensie #saturnus #sólstafir #tenhi #ulver #wayhome #ZwareMetalen
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Finnr’s Cane – Finnr’s Cane Review
By Killjoy
Finnr is an Old Norse name that loosely translates to “wanderer” in English. Whether or not this was the inspiration for Finnr’s Cane, it’s an apt moniker for an atmospheric black metal act. Hailing from Sudbury, Ontario, Canada, this studio-only group has three prior albums under its belt, the last of which, Elegy, won the overall approval of Ferrous Beuller in 2018. Until now, Finnr’s Cane was a trio consisting of guitarist/vocalist The Bard,1 drummer The Peasant, and cellist The Slave. At some point, The Slave either escaped or was set free, as she no longer appears in the lineup. And now, Finnr’s Cane seems to signal a new era with the release of self-titled album number four.
In terms of overall atmosphere, Finnr’s Cane is more like gray metal than black metal. Its dreary demeanor hews closer to contemplative post-black than the blackened doom metal of Elegy. If the fellow on the album artwork had been so inclined to place a cooking pot over his campfire to make a stew, he might have tossed in melancholic Cascadian black metal ingredients such as Alda, Skagos, and, of course, Agalloch. For seasoning, he might also add a pinch of older Falls of Rauros’ guitarwork and the winking keyboards of Eldamar. Though the release date of Finnr’s Cane doesn’t quite coincide with the autumn temperatures that I long for, it’s been refreshing to listen to throughout August as it mentally transports me to a colder place.
Unfortunately, much of this setting is drab and desolate beyond the typical genre aesthetics. The vocals usually take the form of flat intonations or dispassionate spoken word, sapping the music of energy and emotive impact. Additionally, the instrumentation, while solid, feels like it’s missing a crucial element. Finnr’s Cane has historically distinguished itself by the usage of a cello in place of a bass guitar, and Ferrous acknowledged The Slave’s subtle yet outsized hand in the successes of Elegy. Now, her absence feels like the removal of a linchpin, rendering Finnr’s Cane more nondescript. Granted, the cello is not gone completely—whether taken over by The Bard or previously recorded by The Slave. Its blazing undertones warm up “Awaken the Sleeping Forest” and “The Everwinter Grey” and afford much-appreciated bright spots in the blizzard.
Nevertheless, when the right mood strikes, the winter storm of Finnr’s Cane can be hypnotic and immersive. “In Shadows” uses eerie keyboard sounds and delicate guitar plucks to great effect. The same thick, plucking guitar tone returns with greater enthusiasm and intricacy in the final two tracks, “The Spell of the Change of Seasons” and “Harvest.” However, other promising moments feel awkwardly tacked onto their respective songs. The outros of “Twilight Glow” and “Harvest” abruptly accelerate in tempo and urgency for a few seconds and then end just as quickly, feeling more like a tease than a natural culmination of what came before. This could be due to the fact that The Bard and The Peasant conceive their music through intuitive improvisation but in any case, Finnr’s Cane is mainly concerned with conveying feeling over coherence.
It saddens me to write that Finnr’s Cane mostly left me cold, and not just in its intended way. Even though I was not yet familiar with Finnr’s Cane’s back catalog, I immediately couldn’t shake the feeling that something was missing. Now having spent time with prior records, I can’t say Finnr’s Cane is wildly different from them, but it seems like an intangible spark was lost sometime between now and Elegy. Maybe it’s just the diminished cello presence but the songwriting also sounds more listless to my ears. I can appreciate many of the disparate components of Finnr’s Cane when I listen in the right state of mind, and other atmoblack fans may derive more enjoyment than I did. For those more willing to become lost in its atmosphere, Finnr’s Cane might just be your companion in the coming months.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nordvis Produktion
Websites: finnrs-cane.bandcamp.com | facebook.com/finnrscaneband
Releases Worldwide: August 29th, 2025#25 #2025 #Agalloch #Alda #AtmosphericBlackMetal #Aug25 #BlackMetal #CanadianMetal #Eldamar #FallsOfRauros #FinnrSCane #FractalGenerator #NordvisProduktion #PostBlackMetal #Review #Reviews #Skagos
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Finnr’s Cane – Finnr’s Cane Review
By Killjoy
Finnr is an Old Norse name that loosely translates to “wanderer” in English. Whether or not this was the inspiration for Finnr’s Cane, it’s an apt moniker for an atmospheric black metal act. Hailing from Sudbury, Ontario, Canada, this studio-only group has three prior albums under its belt, the last of which, Elegy, won the overall approval of Ferrous Beuller in 2018. Until now, Finnr’s Cane was a trio consisting of guitarist/vocalist The Bard,1 drummer The Peasant, and cellist The Slave. At some point, The Slave either escaped or was set free, as she no longer appears in the lineup. And now, Finnr’s Cane seems to signal a new era with the release of self-titled album number four.
In terms of overall atmosphere, Finnr’s Cane is more like gray metal than black metal. Its dreary demeanor hews closer to contemplative post-black than the blackened doom metal of Elegy. If the fellow on the album artwork had been so inclined to place a cooking pot over his campfire to make a stew, he might have tossed in melancholic Cascadian black metal ingredients such as Alda, Skagos, and, of course, Agalloch. For seasoning, he might also add a pinch of older Falls of Rauros’ guitarwork and the winking keyboards of Eldamar. Though the release date of Finnr’s Cane doesn’t quite coincide with the autumn temperatures that I long for, it’s been refreshing to listen to throughout August as it mentally transports me to a colder place.
Unfortunately, much of this setting is drab and desolate beyond the typical genre aesthetics. The vocals usually take the form of flat intonations or dispassionate spoken word, sapping the music of energy and emotive impact. Additionally, the instrumentation, while solid, feels like it’s missing a crucial element. Finnr’s Cane has historically distinguished itself by the usage of a cello in place of a bass guitar, and Ferrous acknowledged The Slave’s subtle yet outsized hand in the successes of Elegy. Now, her absence feels like the removal of a linchpin, rendering Finnr’s Cane more nondescript. Granted, the cello is not gone completely—whether taken over by The Bard or previously recorded by The Slave. Its blazing undertones warm up “Awaken the Sleeping Forest” and “The Everwinter Grey” and afford much-appreciated bright spots in the blizzard.
Nevertheless, when the right mood strikes, the winter storm of Finnr’s Cane can be hypnotic and immersive. “In Shadows” uses eerie keyboard sounds and delicate guitar plucks to great effect. The same thick, plucking guitar tone returns with greater enthusiasm and intricacy in the final two tracks, “The Spell of the Change of Seasons” and “Harvest.” However, other promising moments feel awkwardly tacked onto their respective songs. The outros of “Twilight Glow” and “Harvest” abruptly accelerate in tempo and urgency for a few seconds and then end just as quickly, feeling more like a tease than a natural culmination of what came before. This could be due to the fact that The Bard and The Peasant conceive their music through intuitive improvisation but in any case, Finnr’s Cane is mainly concerned with conveying feeling over coherence.
It saddens me to write that Finnr’s Cane mostly left me cold, and not just in its intended way. Even though I was not yet familiar with Finnr’s Cane’s back catalog, I immediately couldn’t shake the feeling that something was missing. Now having spent time with prior records, I can’t say Finnr’s Cane is wildly different from them, but it seems like an intangible spark was lost sometime between now and Elegy. Maybe it’s just the diminished cello presence but the songwriting also sounds more listless to my ears. I can appreciate many of the disparate components of Finnr’s Cane when I listen in the right state of mind, and other atmoblack fans may derive more enjoyment than I did. For those more willing to become lost in its atmosphere, Finnr’s Cane might just be your companion in the coming months.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nordvis Produktion
Websites: finnrs-cane.bandcamp.com | facebook.com/finnrscaneband
Releases Worldwide: August 29th, 2025#25 #2025 #Agalloch #Alda #AtmosphericBlackMetal #Aug25 #BlackMetal #CanadianMetal #Eldamar #FallsOfRauros #FinnrSCane #FractalGenerator #NordvisProduktion #PostBlackMetal #Review #Reviews #Skagos
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Finnr’s Cane – Finnr’s Cane Review
By Killjoy
Finnr is an Old Norse name that loosely translates to “wanderer” in English. Whether or not this was the inspiration for Finnr’s Cane, it’s an apt moniker for an atmospheric black metal act. Hailing from Sudbury, Ontario, Canada, this studio-only group has three prior albums under its belt, the last of which, Elegy, won the overall approval of Ferrous Beuller in 2018. Until now, Finnr’s Cane was a trio consisting of guitarist/vocalist The Bard,1 drummer The Peasant, and cellist The Slave. At some point, The Slave either escaped or was set free, as she no longer appears in the lineup. And now, Finnr’s Cane seems to signal a new era with the release of self-titled album number four.
In terms of overall atmosphere, Finnr’s Cane is more like gray metal than black metal. Its dreary demeanor hews closer to contemplative post-black than the blackened doom metal of Elegy. If the fellow on the album artwork had been so inclined to place a cooking pot over his campfire to make a stew, he might have tossed in melancholic Cascadian black metal ingredients such as Alda, Skagos, and, of course, Agalloch. For seasoning, he might also add a pinch of older Falls of Rauros’ guitarwork and the winking keyboards of Eldamar. Though the release date of Finnr’s Cane doesn’t quite coincide with the autumn temperatures that I long for, it’s been refreshing to listen to throughout August as it mentally transports me to a colder place.
Unfortunately, much of this setting is drab and desolate beyond the typical genre aesthetics. The vocals usually take the form of flat intonations or dispassionate spoken word, sapping the music of energy and emotive impact. Additionally, the instrumentation, while solid, feels like it’s missing a crucial element. Finnr’s Cane has historically distinguished itself by the usage of a cello in place of a bass guitar, and Ferrous acknowledged The Slave’s subtle yet outsized hand in the successes of Elegy. Now, her absence feels like the removal of a linchpin, rendering Finnr’s Cane more nondescript. Granted, the cello is not gone completely—whether taken over by The Bard or previously recorded by The Slave. Its blazing undertones warm up “Awaken the Sleeping Forest” and “The Everwinter Grey” and afford much-appreciated bright spots in the blizzard.
Nevertheless, when the right mood strikes, the winter storm of Finnr’s Cane can be hypnotic and immersive. “In Shadows” uses eerie keyboard sounds and delicate guitar plucks to great effect. The same thick, plucking guitar tone returns with greater enthusiasm and intricacy in the final two tracks, “The Spell of the Change of Seasons” and “Harvest.” However, other promising moments feel awkwardly tacked onto their respective songs. The outros of “Twilight Glow” and “Harvest” abruptly accelerate in tempo and urgency for a few seconds and then end just as quickly, feeling more like a tease than a natural culmination of what came before. This could be due to the fact that The Bard and The Peasant conceive their music through intuitive improvisation but in any case, Finnr’s Cane is mainly concerned with conveying feeling over coherence.
It saddens me to write that Finnr’s Cane mostly left me cold, and not just in its intended way. Even though I was not yet familiar with Finnr’s Cane’s back catalog, I immediately couldn’t shake the feeling that something was missing. Now having spent time with prior records, I can’t say Finnr’s Cane is wildly different from them, but it seems like an intangible spark was lost sometime between now and Elegy. Maybe it’s just the diminished cello presence but the songwriting also sounds more listless to my ears. I can appreciate many of the disparate components of Finnr’s Cane when I listen in the right state of mind, and other atmoblack fans may derive more enjoyment than I did. For those more willing to become lost in its atmosphere, Finnr’s Cane might just be your companion in the coming months.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nordvis Produktion
Websites: finnrs-cane.bandcamp.com | facebook.com/finnrscaneband
Releases Worldwide: August 29th, 2025#25 #2025 #Agalloch #Alda #AtmosphericBlackMetal #Aug25 #BlackMetal #CanadianMetal #Eldamar #FallsOfRauros #FinnrSCane #FractalGenerator #NordvisProduktion #PostBlackMetal #Review #Reviews #Skagos