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  1. Imprinted Image: Why aren’t there more fan comics?

    Comics Link Roundup April 24

    John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?

    In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.

    I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.

    Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.

    What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!

    Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.

    I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.

    https://youtu.be/C1938iMGzOc

    Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.

    Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.

    Divining Comics is sponsored by readers like you

    I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.

    Support Divining Comics on Patreon

    Comics Challenge YouTube

    I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.

    Comic Challenge Extra Issues Edition 2026Download

    I decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!

    https://youtu.be/Rvi1bzgWPGU

    https://youtu.be/prUm5nPHhdQ

    I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.

    It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!

    Link Roundup

    News:

    Disney Layoffs
    Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.

    Awards
    Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.

    Jeopardy
    Comics writer Tini Howard was on Jeopardy!

    Comics, Adapted (Into New Comics)
    SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.

    Social Media Sucks
    Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.

    Writing:

    SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.

    Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.

    Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?

    Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.

    Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
    Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.

    Other News Roundups:

    SKTCHD’s Comics Disassembled: 4/17.
    Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
    The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.

    Very Limited Data Bestseller Lists from the past few weeks:

    Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
    Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.

    Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
    Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
    Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.

    BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.

    Image puts out their Top 10 selling comics for March.

    Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.

    DC expands its market share over Marvel in 2026 Q1.

    My favorite video and podcasts:

    Podcasts:

    OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.

    LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.

    MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.

    YouTube:

    MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.

    COMICTROPES had a video on Spider-Man’s marriage.

    COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)

    SKTCHD published a video conversation with Chip Zdarsky.

    What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.

    Divining Comics is brought to you by generous support from the “Best Friends of Divining Comics,” Alex Seubert.

    Divining Comics is also brought to you by the support of the “Friends of Divining Comics,” Comic Book Herald.

    If you would like to add your name to the list of friends, best friends, or best friends forever, support this work for less than the cost of one cup of coffee a month at patreon.com/diviningcomics. You can also leave a one-time tip/buy my zines at ko-fi.com/spikestonehand. Follow me on YouTube, Twitter, Instagram, and Bluesky and share my posts there.

    #art #books #ComicBooks #comics #criticism #dcComics #fiction #graphicNovels #ImprintedImage #links #marvel #marvelComics #reviews #Writing
  2. Imprinted Image: Comics Link Roundup April 24

    Why aren’t there more fan comics?

    John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?

    In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.

    I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.

    Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.

    What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!

    Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.

    I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.

    https://youtu.be/C1938iMGzOc

    Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.

    Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.

    Divining Comics is sponsored by readers like you

    I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.

    Support Divining Comics on Patreon

    Comics Challenge YouTube

    I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.

    Comic Challenge Extra Issues Edition 2026Download

    I decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!

    https://youtu.be/Rvi1bzgWPGU

    https://youtu.be/prUm5nPHhdQ

    I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.

    It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!

    Link Roundup

    News:

    Disney Layoffs
    Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.

    Awards
    Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.

    Jeopardy
    Comics writer Tini Howard was on Jeopardy!

    Comics, Adapted (Into New Comics)
    SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.

    Social Media Sucks
    Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.

    Writing:

    SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.

    Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.

    Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?

    Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.

    Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
    Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.

    Other News Roundups:

    SKTCHD’s Comics Disassembled: 4/17.
    Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
    The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.

    Very Limited Data Bestseller Lists from the past few weeks:

    Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
    Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.

    Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
    Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
    Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.

    BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.

    Image puts out their Top 10 selling comics for March.

    Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.

    DC expands its market share over Marvel in 2026 Q1.

    My favorite video and podcasts:

    Podcasts:

    OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.

    LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.

    MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.

    YouTube:

    MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.

    COMICTROPES had a video on Spider-Man’s marriage.

    COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)

    SKTCHD published a video conversation with Chip Zdarsky.

    What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.

    Divining Comics is brought to you by generous support from the “Best Friends of Divining Comics,” Alex Seubert.

    Divining Comics is also brought to you by the support of the “Friends of Divining Comics,” Comic Book Herald.

    If you would like to add your name to the list of friends, best friends, or best friends forever, support this work for less than the cost of one cup of coffee a month at patreon.com/diviningcomics. You can also leave a one-time tip/buy my zines at ko-fi.com/spikestonehand. Follow me on YouTube, Twitter, Instagram, and Bluesky and share my posts there.

    #art #books #ComicBooks #comics #criticism #dcComics #fiction #graphicNovels #ImprintedImage #links #marvel #marvelComics #reviews #Writing
  3. Imprinted Image: Why aren’t there more fan comics?

    Comics Link Roundup April 24

    John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?

    In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.

    I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.

    Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.

    What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!

    Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.

    I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.

    https://youtu.be/C1938iMGzOc

    Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.

    Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.

    Divining Comics is sponsored by readers like you

    I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.

    Support Divining Comics on Patreon

    Comics Challenge YouTube

    I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.

    Comic Challenge Extra Issues Edition 2026Download

    I decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!

    https://youtu.be/Rvi1bzgWPGU

    https://youtu.be/prUm5nPHhdQ

    I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.

    It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!

    Link Roundup

    News:

    Disney Layoffs
    Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.

    Awards
    Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.

    Jeopardy
    Comics writer Tini Howard was on Jeopardy!

    Comics, Adapted (Into New Comics)
    SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.

    Social Media Sucks
    Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.

    Writing:

    SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.

    Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.

    Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?

    Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.

    Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
    Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.

    Other News Roundups:

    SKTCHD’s Comics Disassembled: 4/17.
    Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
    The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.

    Very Limited Data Bestseller Lists from the past few weeks:

    Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
    Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.

    Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
    Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
    Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.

    BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.

    Image puts out their Top 10 selling comics for March.

    Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.

    DC expands its market share over Marvel in 2026 Q1.

    My favorite video and podcasts:

    Podcasts:

    OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.

    LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.

    MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.

    YouTube:

    MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.

    COMICTROPES had a video on Spider-Man’s marriage.

    COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)

    SKTCHD published a video conversation with Chip Zdarsky.

    What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.

    Divining Comics is brought to you by generous support from the “Best Friends of Divining Comics,” Alex Seubert.

    Divining Comics is also brought to you by the support of the “Friends of Divining Comics,” Comic Book Herald.

    If you would like to add your name to the list of friends, best friends, or best friends forever, support this work for less than the cost of one cup of coffee a month at patreon.com/diviningcomics. You can also leave a one-time tip/buy my zines at ko-fi.com/spikestonehand. Follow me on YouTube, Twitter, Instagram, and Bluesky and share my posts there.

    #art #books #ComicBooks #comics #criticism #dcComics #fiction #graphicNovels #ImprintedImage #links #marvel #marvelComics #reviews #Writing
  4. This Guardian article theguardian.com/technology/202 suffers from the same trap of anthropomorphism as the original I read: oldbytes.space/@fluidlogic/116

    agent gone rogue

    These tools have no concept of what a job is. They don't go rogue, they produce plausible text. Now complete idiots have wired them to command lines (the old school but still powerful way for humans to interact with computers) and APIs (programmatic mechanisms for interacting with a computer) and they produce plausible interactions. Some of which involve deleting databases.

    The culprit was Cursor, an AI agent 

    The culprit was the idiot who wired the agent into their production system.

    [Jeremy Crane posted on X how] the AI coding agent caused his business to unravel.

    Jeremy Crane caused his own business to unravel.

    The agent appeared to plead guilty in its own response

    At last, an "appeared to". These tools are all appearance and no substance.

    Crane’s takeaway was that “the agent didn’t just fail safety. It explained, in writing, exactly which safety rules it ignored.”

    Wrong takeaway, my friend. The takeaway is that it generated more plausible text in response to your misguided attempt to discover its 'reasoning'. There is no reasoning. Just plausible text. The correct takeaway is that you should be charged in a court of law for negligence and wilful incompetence by the board of your company, and immediately fired.

    And of course there's not a word in the article about any of the core problems I raise. Because journalists are just as bamboozled by this technology as the poor saps who implement agents in their business, thanks to the lying and deceit of the AI boosters.

    #FuckAI #LlmAgents

  5. This Guardian article theguardian.com/technology/202 suffers from the same trap of anthropomorphism as the original I read: oldbytes.space/@fluidlogic/116

    agent gone rogue

    These tools have no concept of what a job is. They don't go rogue, they produce plausible text. Now complete idiots have wired them to command lines (the old school but still powerful way for humans to interact with computers) and APIs (programmatic mechanisms for interacting with a computer) and they produce plausible interactions. Some of which involve deleting databases.

    The culprit was Cursor, an AI agent 

    The culprit was the idiot who wired the agent into their production system.

    [Jeremy Crane posted on X how] the AI coding agent caused his business to unravel.

    Jeremy Crane caused his own business to unravel.

    The agent appeared to plead guilty in its own response

    At last, an "appeared to". These tools are all appearance and no substance.

    Crane’s takeaway was that “the agent didn’t just fail safety. It explained, in writing, exactly which safety rules it ignored.”

    Wrong takeaway, my friend. The takeaway is that it generated more plausible text in response to your misguided attempt to discover its 'reasoning'. There is no reasoning. Just plausible text. The correct takeaway is that you should be charged in a court of law for negligence and wilful incompetence by the board of your company, and immediately fired.

    And of course there's not a word in the article about any of the core problems I raise. Because journalists are just as bamboozled by this technology as the poor saps who implement agents in their business, thanks to the lying and deceit of the AI boosters.

    #FuckAI #LlmAgents

  6. This Guardian article theguardian.com/technology/202 suffers from the same trap of anthropomorphism as the original I read: oldbytes.space/@fluidlogic/116

    agent gone rogue

    These tools have no concept of what a job is. They don't go rogue, they produce plausible text. Now complete idiots have wired them to command lines (the old school but still powerful way for humans to interact with computers) and APIs (programmatic mechanisms for interacting with a computer) and they produce plausible interactions. Some of which involve deleting databases.

    The culprit was Cursor, an AI agent 

    The culprit was the idiot who wired the agent into their production system.

    [Jeremy Crane posted on X how] the AI coding agent caused his business to unravel.

    Jeremy Crane caused his own business to unravel.

    The agent appeared to plead guilty in its own response

    At last, an "appeared to". These tools are all appearance and no substance.

    Crane’s takeaway was that “the agent didn’t just fail safety. It explained, in writing, exactly which safety rules it ignored.”

    Wrong takeaway, my friend. The takeaway is that it generated more plausible text in response to your misguided attempt to discover its 'reasoning'. There is no reasoning. Just plausible text. The correct takeaway is that you should be charged in a court of law for negligence and wilful incompetence by the board of your company, and immediately fired.

    And of course there's not a word in the article about any of the core problems I raise. Because journalists are just as bamboozled by this technology as the poor saps who implement agents in their business, thanks to the lying and deceit of the AI boosters.

    #FuckAI #LlmAgents

  7. This Guardian article theguardian.com/technology/202 suffers from the same trap of anthropomorphism as the original I read: oldbytes.space/@fluidlogic/116

    agent gone rogue

    These tools have no concept of what a job is. They don't go rogue, they produce plausible text. Now complete idiots have wired them to command lines (the old school but still powerful way for humans to interact with computers) and APIs (programmatic mechanisms for interacting with a computer) and they produce plausible interactions. Some of which involve deleting databases.

    The culprit was Cursor, an AI agent 

    The culprit was the idiot who wired the agent into their production system.

    [Jeremy Crane posted on X how] the AI coding agent caused his business to unravel.

    Jeremy Crane caused his own business to unravel.

    The agent appeared to plead guilty in its own response

    At last, an "appeared to". These tools are all appearance and no substance.

    Crane’s takeaway was that “the agent didn’t just fail safety. It explained, in writing, exactly which safety rules it ignored.”

    Wrong takeaway, my friend. The takeaway is that it generated more plausible text in response to your misguided attempt to discover its 'reasoning'. There is no reasoning. Just plausible text. The correct takeaway is that you should be charged in a court of law for negligence and wilful incompetence by the board of your company, and immediately fired.

    And of course there's not a word in the article about any of the core problems I raise. Because journalists are just as bamboozled by this technology as the poor saps who implement agents in their business, thanks to the lying and deceit of the AI boosters.

    #FuckAI #LlmAgents

  8. HB 754/SB 676 sponsor Rep. Jeremy Faison (R) calls gender-affirming care ‘as dumb as frontal lobotomies’.

    American's should be very upset that their State Legislatures are making laws that their constituents aren't being allowed to vote on.

    #transgenderrights #transkids #transgenderveterans

    nashvillescene.com/news/pithin

  9. A terrific range of #archaeology projects funded by the Heritage Science Data Service, with some interesting Virtual Research Environment developments as well as data resources ...

    hsds.ac.uk/deposit-data/smallg

    #digitalarchaeology #digitalhumanities

  10. A terrific range of #archaeology projects funded by the Heritage Science Data Service, with some interesting Virtual Research Environment developments as well as data resources ...

    hsds.ac.uk/deposit-data/smallg

    #digitalarchaeology #digitalhumanities

  11. A terrific range of #archaeology projects funded by the Heritage Science Data Service, with some interesting Virtual Research Environment developments as well as data resources ...

    hsds.ac.uk/deposit-data/smallg

    #digitalarchaeology #digitalhumanities

  12. A terrific range of #archaeology projects funded by the Heritage Science Data Service, with some interesting Virtual Research Environment developments as well as data resources ...

    hsds.ac.uk/deposit-data/smallg

    #digitalarchaeology #digitalhumanities

  13. This analysis seems very relevant for us here in Indiana as our clueless governor and Republican super majority trying to push data centers on our communities. They are promising jobs and revenue while ignoring all the credible data about negative effects and the mirage of the positive.

    kypolicy.org/who-will-pay-for-

    H/t
    mastodon.green/@gerrymcgovern/

    #HoosierMast #Indiana #DataCenters #Facts #policy

  14. .@blacktraffic Great question!

    Here are some reasons why #RainbowTables are obsolete for #password #cracking:

    In any given password database, 92-98% of the passwords are going to be created by highly predictable humans (as opposed to being randomly generated.) Because of this, modern password cracking is heavily optimized for exploiting the human element of password creation, concentrating on probabilistc methods that achieve the largest plaintext yield in the least amount of time. As such, modern password cracking tools and techniques have evolved to become highly dynamic, requiring agility, flexibility, and scalability.

    This is evident when looking at how #Hashcat has evolved over the last decade. Hashcat used to be heavily optimized for raw speed, but today it is optimized for maximum flexibilty (plus, lite, and cpu merged into a single code base, dropped the 15-character limit, introduced pure kernels, brain, and slow candidate mode, etc.) This need for dynamicity is also why we largely still use GPUs today, rather than having moved on to devices with potentially higher throughput, such as FPGAs or even ASICs.

    With this in mind, it's rather easy to see that rainbow tables are the antithesis of modern password cracking. Rainbow tables are static, rigid, and not at all scalable. They directly compete with unordered incremental brute force, which in the context of modern password cracking, is largely viewed a last resort and generally only useful for finding randonly-generated passwords (although, can also be useful in identifying new patterns that rules and hybrid attacks failed to crack.) They also do not scale. If you have a handful of hashes, rainbow tables will likely be faster than brute forcing on GPU. But if you are working with even a modestly large hash set, rainbow tables will be slower than just performing brute force on GPU, even if you are using GPU rainbow tables.

    Overall, rainbow tables are an optimization for an edge case: cracking a small amount of hashes of an algorithm for which we have tables, within the length and character sets for which we have tables, that fall within that 2-8% of hashes that we cannot crack with probabilistic methods. And even then, most people who are #security conscious enough to use use random passwords aren't going to make them only 8 or 9 characters long, so the percentage of those passwords that will actually be found in your tables will be much lower.

    The questions you have to ask yourself: is that worth the disk space and the bandwidth to download and store rainbow tables, and do you really care about that 2-8%, keeping in mind that only a small percentage of that is going to fall within the tables you have? If the answer is "yes", then continue to use rainbow tables. However, the for the vast majority of us, the answer for the past 11 years has been a resounding "no." And that's why rainbow tables are, by and large, a relic of a bygone era.

    With that said, rainbow tables do still have some utility outside of #passwords. For instance, cracking DES or A5/1 #encryption. There's also the cousin of rainbow tables, lossy hash tables (LHTs), which have some utility as well for things like old Microsoft Office and Adobe Acrobat encryption keys.

    #infosec #hacking

  15. Happy #WorldPasswordDay!

    I've cracked billions of #passwords from tens of thousands of #data #breaches in the past 12+ years, and because of this, I likely know at least one #password for 90% of people on the Internet. And I'm not alone! While I primarily crack breached passwords for research purposes and the thrill of the sport, others are selling your breached passwords to criminals who leverage them in #AccountTakeover and #CredentialStuffing attacks.

    How can you keep your accounts safe?

    - Use a #PasswordManager! I recommend @bitwarden and @1password

    - Use a #Diceware style #passphrase - four or more words selected at random - for passwords you have to commit to memory, like your master password!

    - Enable MFA for important online accounts, including cloud-based password managers!

    - Harden your master password by tweaking your password manager's KDF settings! For #Bitwarden, use Argon2id with 64MB memory, 3 iterations, 4 parallelism. For #1Password and other PBKDF2 based password managers, set the iteration count to at least 600,000.

    - Use unique, randomly generated passwords for all your accounts! Use your password manager to generate random 14-16 character passwords for everything. Modern password cracking is heavily optimized for human-generated passwords, because humans are highly predictable. Randomness defeats this and forces attackers to resort to incremental brute force! There's no trick you can do to make a secure, uncrackable password on your own - your meat glob will only betray you.

    - Use an ad blocker like #uBlock Origin to keep you safe from password-stealing #malware and other browser based threats!

    - Don't fall for #phishing attacks and other social engineering attacks! Browser-based password managers help defend against phishing attacks because they'll never autofill your passwords on fake login pages. Think before you click, and never give your passwords to anyone, not even if they offer you chocolate or weed.

    - #Enterprises: require ad blockers, invest in an enterprise password management solution, audit password manager logs to ensure employes aren't sharing passwords outside the org, implement a Fine Grained Password Policy that requires a minimum of 20 characters to encourage the use of long passphrases, implement a password filter to block commonly used password patterns and compromised passwords, disable #NTLM authentication and disable RC4 for #Kerberos, disable legacy broadcast protocols like LLMNR and NBT-NS, require mandatory #SMB signing, use Group Managed Service Accounts instead of shared passwords, monitor public data breaches for employee credentials, and crack your own passwords to audit the effectiveness of your password policy and user training!

  16. Pull it out a paper sleeve:

    Single Video Theory

    Released: 04 Aug. 1998
    DVD includes interviews, band evolution and soundchecks. Shot in 16mm over 3 days in 1997. Directed by Mark Pellington ('Jeremy'). Mixed by Brendan O'Brien) 1998
    #PearlJam #PJ #Music #Vinyl

  17. Pull it out a paper sleeve:

    Single Video Theory

    Released: 04 Aug. 1998
    DVD includes interviews, band evolution and soundchecks. Shot in 16mm over 3 days in 1997. Directed by Mark Pellington ('Jeremy'). Mixed by Brendan O'Brien) 1998
    #PearlJam #PJ #Music #Vinyl

  18. Pull it out a paper sleeve:

    Single Video Theory

    Released: 04 Aug. 1998
    DVD includes interviews, band evolution and soundchecks. Shot in 16mm over 3 days in 1997. Directed by Mark Pellington ('Jeremy'). Mixed by Brendan O'Brien) 1998
    #PearlJam #PJ #Music #Vinyl

  19. I bet this West Treating bloke is the sort of person who would come sixth in a West Treating lookalike contest.