Search
15 results for “darkufo”
-
Song of the Day - No 154
Depeche Mode - Everything Counts
WIKI
Is a 1983 song by the English electronic band Depeche Mode from the album Construction Time AgainThe single introduced a transition in lyrical content for the group. "Everything Counts" specifically addresses the issue of corporate greed and corruption in Britain, as the chorus sings of "grabbing hands" that "grab all they can".
https://www.youtube.com/watch?v=1t-gK-9EIq4
#SOTD #SongOfTheDay #music #DepecheMode #synthpop #industrialpop
-
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
-
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
-
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
-
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
-
🧐:
“The Dark Forest Hypothesis Is Absurd” [2024], Noah Smith (https://www.noahpinion.blog/p/the-dark-forest-hypothesis-is-absurd or https://archive.is/oEAs7).
On HN: https://news.ycombinator.com/item?id=39109104
#DarkForestHypothesis #CixinLiu #ThreeBodyProblem #Space #SciFi #ScienceFiction #Fiction #Sociology #DarkForest #GameTheory
-
Secret Archives of the Vatican – Singles 2020
#World #darkfolk #fantasymusic #globalbeats #numedieval #postdubstep #Croydon
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://secretarchivesofthevatican.bandcamp.com/album/singles-2020 -
Nytt Land – Aba Khan Review By Spicie ForrestI’d like to share my favorite fact about Nytt Land, the Siberian dark folk project from husband and wife, Anatoly and Natalia Pakhalenko.1 During my research for this review, I came across an old interview with Anatoly. He was discussing instrumental diversity on their then-upcoming release, ODAL. Of all the instruments Anatoly plays, the talharpa, an ancient Nordic bowed lyre, is his favorite. Do you know why it’s his favorite? BECAUSE HIS WIFE MADE IT FOR HIM. MADE IT. WITH HER OWN TWO HANDS.2 I can’t even imagine the incalculable value of such a gift. And I’m only half kidding when I say that fact alone makes Aba Khan—and anything else they release—worth a spin.
Nytt Land often releases albums strictly preserving the ancient traditions of their homeland, like 2025’s Songs of the Shaman, but Aba Khan follows a different path. Picking up the threads first woven on 2021’s Ritual and continued on 2023’s Torem, Aba Khan captures the energy of the shamanic rites of Nytt Land’s native Siberia. Nytt Land doesn’t perform any one specific rite on Aba Khan, but rather, Nytt Land channels their significance, their substance. As such, this isn’t a direct transcription or translation, but a respectful, contemporary interpretation that places listeners in the midst of ancestral proceedings. Produced with immersion in mind, the soundstage is dynamic and beautifully utilized. You can almost smell the clean air and feel the warmth of the bonfire as practitioners’ shifting vocals and well-placed instruments surround you, each given plenty of room to breathe and shine. To get the full effect, headphones are highly recommended here.
Production and mixing would mean little here, were it not for Nytt Land’s excellent performances. Natalia is the centerpiece, providing striking lead vocals and bringing to life the chanting, throat singing chorus of this ceremony (“Aba Khan,” “Taiga”). She and fellow drummer Aleksandr Rosliakov provide the raw, thunderous backbone for the album, stoking ritual fervor and reverence alike (“The Oath,” “Tygir Tayii (Heavenly Sacrifice)”).3 All other instruments are handled by Anatoly. Flutes, both bone and wood, alternate between heraldic (“Totem,” “Mansi”) and musical (“Taiga,” “Mansi”) duties, while strings—like the talharpa—guide Aba Khan through its eight movements. A high base quality means standout moments are few here, but the instrumental bridge of “Taiga,” which features mouth harp, flute, and talharpa all playing different melodies on top of a deep stringed foundation, is noteworthy, as is the absolutely massive, constant thrum of “Prayer.” It’s like listening to a god breathe.
According to the promo sheet, Aba Khan comprises a collection of shamanic vignettes, but it nevertheless possesses a loose narrative flow from one track to the next. This is largely driven by Natalia’s singing. Aba Khan is written entirely in indigenous Serbian languages and Old Norse, but Natalia defies the language barrier through measured swaying (“Taiga,” “Totem”), raw vulnerability (“The Oath,” “Prayer”) and ritualistic staccatos (“Tygir Tayii (Heavenly Sacrifice)”) to sketch the shape and purpose of each movement. I’m normally pretty unforgiving on intros, but “Aba Khan” serves more as an invocation or invitation before the ceremony begins in earnest with “Taiga.” Aside from mid-album snag “Uitag,” which dwells overlong in ambient repetition, Nytt Land moves with purpose through each movement. Aba Khan closes in a whirlwind, shifting from the tension of ceremonial action (“The Oath”) to that of anticipation (“Prayer”), before releasing it in spiraling celebration and catharsis (“Tygir Tayii”).
I don’t think anyone would argue the value of preservation efforts, but I might argue that Aba Khan does something even more important. Whether at a museum or on recordings like Songs of the Shaman, a clinical detachment separates us from feeling the gravity of these traditions as an insider would. Aba Khan annihilates that barrier. Using every tool at their disposal, Nytt Land communicates the emotions, atmosphere, and spirit of Siberia’s shamanic traditions through music, a universal language. This isn’t meant to be known in the mind. It’s meant to be felt in the heart. On Aba Khan, Nytt Land invites you to walk in their millennia-old shoes to a time and place where spirits rule, shamans protect the people, and old gods whisper.4
Rating: 3.5/5.0
#2026 #35 #AbaKhan #DarkFolk #Feb26 #Folk #NotMetal #NyttLand #ProphecyProductions #Review #Reviews #SiberianMusic
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: February 20th, 2026 -
Secret Archives of the Vatican – Halls of Stone
#Dwarves #NorseFolk #Tolkien #Vikings #World #darkfolk #elves #fantasymusic #globalbeats #norsemythology #numedieval #postdubstep #Croydon
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://secretarchivesofthevatican.bandcamp.com/album/halls-of-stone -
New #review today: "#TheWinterResidence is the latest collaboration between British multi-instrumentalist #MikeSeed and #RLoftiss of #TheGrayFieldRecordings. Their debut album, How the Night Falls, presents eleven tracks in just under forty minutes, traversing territory somewhere between #DarkFolk, #wyrdfolk, hauntological folk, and experimental #folktronica. Ethereal vocals drift through indistinct electronic textures, #FieldRecordings, and spectral atmospheres that often seem to exist at the edge of perception." #ExposeOnline #ElectronicMusic #ExperimentalMusic http://expose.org/index.php/articles/display/the-winter-residence-how-the-night-falls-6.html
-
Free download codes:
Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
-
Panopticon – Laurentian Blue Review
By Mystikus Hugebeard
With the mammoth1 Panopticon ranking and the electrifying Månegarm review behind us, we can now look towards the album that the ranking was made in anticipation of: Laurentian Blue. What we weren’t quite expecting was that Laurentian Blue would be an unusual album to follow the ranking. After ten albums of post-black metal, this is the first standalone Panopticon work of purely dark, folksy Americana.2 It goes without saying that Americana has ever been a key component to the Panopticon soundscape, so do not mistake “unusual” for “unwelcome.” After all, Laurentian Blue is unquestionably a Panopticon album, for it embodies the same soul of Panopticon’s music that Thus Spoke eloquently illuminated in her introduction to the ranking: “an immense sense of drama, emotional intensity, and an unpretentious, honest heart.”
Not only is Laurentian Blue a dark folk/americana album, it is unapologetic about it. Laurentian Blue is confidently written and deliberate in its minimalism. The instrumentation is kept strictly to the bare necessities: Lunn picks and strums away at his guitar as he sings with the warmth of a crackling fire, with sparse, harmonizing violins as accompaniment. The consecutive exceptions come in the twang of “An Argument with God” (which is also the only song with any percussion) and the bluegrass “Irony and Causality,” which serve as welcome jolts to the pacing, but the bulk of Laurentian Blue is the sort of somber Americana in “Ever North” and “This Mortal Coil’s Rusted.” It reminds one of the Appalachia iteration of Osi and the Jupiter, with a stronger country lilt heard most clearly in “Down Along the Border.” While the guitarwork in Laurentian Blue is enjoyable, whether it takes the form of wistful melodies (“The Poetry in Roadkill”) or steely strumming (“Ever North,”) the focus cannot help but rest on Lunn’s voice and lyrical work.
As always, Lunn is a commanding songwriter fluent in the emotions he wants a song to convey. Nary a note or a word wasted, cutting straight to the heart of what he wants to express. Laurentian Blue is resolute in its deeply depressive lyricism, which becomes inescapable due to the music’s minimalist nature.3 Lines like “And if I needed you to watch me slip away // I’ll find you on the other side some day” (“Down Along the Border”) and “the lie that I forced myself to believe // that I never wasted a breath…” (“Ever North”) carry a catharsis that engulfs you, further strengthened by the preternaturally well-timed violins. Sparse though they may be, they’re beautifully implemented, often swelling at just the right moment like in the chorus of “The Poetry of Roadkill.” With focus this unhindered, lyrics that fail to connect are a greater danger to a song’s impact. The Hemingway-esque bluntness of “And morality ain’t dogmatic // but instead practical // and an individual // type of thing” is compelling, but it lacks the poetry present in the rest of the album, and the accompanying music doesn’t sustain the six-minute runtime.
Through the poetic lyrical work and musical minimalism, Laurentian Blue is emotionally consistent, yet therein lies what also makes it a more challenging album. Lunn’s voice is kept adamantly deadpan throughout, indifferently asking you to engage with Laurentian Blue according to its own terms rather than manipulating your emotions. This can create a disconnect; as the violins swell and the notes ascend when Lunn sings the first “Look for me // ever north,” (“Ever North”), I selfishly feel unfulfilled when the notes dispassionately descend in the second. Other times, his singing style makes for some compelling friction. “Irony and Causality” is easily the most energetic song, and is a fascinating backdrop for the deadpan delivery of “Nothing matters when you die // you can only hope time flies // and someone will visit your grave.” Maintaining such a somber tone across the album is a deliberate choice, one that works through Lunn’s songwriting finesse. But it’s a sadness that’s more aptly felt when you’re already predisposed to such feelings.
Laurentian Blue will not be for everyone. It’s a singular emotional work that doesn’t guide your feelings, but rather presents its own emotions with understated grace and indifference. But it’s only natural that the appeal of a work this personal will ultimately come down to personal preference. Regardless of one’s taste for Americana and dark folk, Laurentian Blue is nevertheless a well-written collection of songs by a well-proven songwriter with a strong connection and understanding of the genre. You might need to be in the right mood for Laurentian Blue, but if that mood should find you, then Laurentian Blue will be a knowing, empathetic embrace.
Rating: Very Good
DR: 12 | Format Reviewed: 320 kbps
Label: Bindrune Recordings
Websites: facebook | bandcamp
Releases Worldwide: August 15th, 2025#2025 #35 #AmericanMetal #Americana #Aug25 #BindruneRecordings #Country #DarkFolk #LaurentianBlue #Panopticon #Review #Reviews
-
Hey, a tuneful weekend! Two shows coming up today and tomorrow, check them out here https://theweakandthestrong.bearblog.dev/ and maybe see you...there! 🖤
#TheWeakAndTheStrong #DeLantaern #Andledon #Zevenaar #DenAndel #Music #Muziek #alternative #darkfolk #folknoise #live
-
🔴 I'm LIVE from 3 – 8 p.m. EDT TODAY @ --> https://twitch.tv/maerchen1313 <-- with 5+ hours of 21st-Century synth, darkwave + dark electro music. Don't miss it!
#radio #art #musicchannel #supportartists #gaming #synth #darkwave #darkelectro #music #gothic #emo #goth #EBM #industrial #synthpop #futurepop #VTuber #ENVtuber #indiedev #Twitch #gamenews #twitchstreamer #gothgirl #postpunk #DJ #Vshojo #hololiveEN #DarkForceFest #Synthpop #EBM #industrialmusic #LGBTQ #cosplay #tv #3dprinting #oc #wow #DJ
-
PAS D'ÉTÉ À 50 DEGRÉS
Samedi 19 septembre
Gros rassemblement pour des politiques climatiques dignes de ce nom!!!! #lausanne #genèveOn se mobilise et on mobilise autour de nous! (Non mais!) :BlobhajSadReach:
#climatejustice #rassemblement #resistance #extinctionrébellion