#italianfilms — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #italianfilms, aggregated by home.social.
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THE DEVIL AND HOLY WATER (1983)
NSFW
#nsfw #film #cinema #aiart #cinemastodon #movies #eroticart #hollywood #aiimages #filmastodon #erotic #nudity #femalenudity #nsfwart #vintage #xxx #aipornart #aiporn #vintageporn #pissdrinking #italianfilm #italianfilms #italiancinema #peedrinking #piss #kinky #fetish #kink #aiphotography
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THE DEVIL AND HOLY WATER (1983)
NSFW
#nsfw #film #cinema #aiart #cinemastodon #movies #eroticart #hollywood #aiimages #filmastodon #erotic #nudity #femalenudity #nsfwart #vintage #xxx #aipornart #aiporn #vintageporn #pissdrinking #italianfilm #italianfilms #italiancinema #peedrinking #piss #kinky #fetish #kink #aiphotography
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THE DEVIL AND HOLY WATER (1983)
NSFW
#nsfw #film #cinema #aiart #cinemastodon #movies #eroticart #hollywood #aiimages #filmastodon #erotic #nudity #femalenudity #nsfwart #vintage #xxx #aipornart #aiporn #vintageporn #pissdrinking #italianfilm #italianfilms #italiancinema #peedrinking #piss #kinky #fetish #kink #aiphotography
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🎞 A segunda sessão do ciclo "Sombras: Histórias de colonialismo, solidariedade e libertação" é especial: com o tema "Antifascismo e anticolonialismo – solidariedade democrática e intercâmbios revolucionários entre a Itália e Portugal", incluirá filmes, livros e uma conversa moderada por Giulia Strippoli.
ℹ️ https://ihc.fcsh.unl.pt/events/sombras-2025-02/
#Histodons #FilmFestivals #ItalianFilms #ItalianBooks #AntiColonialism #CinemaItaliano #FestivaisDeCinema #AntiColonialismo #AntiFascismo #AntiFascism #Itália
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🎞 A primeira sessão do ciclo "Sombras: Histórias de colonialismo, solidariedade e libertação" (Festa do Cinema Italiano) é amanhã no Cinema São Jorge às 21h:
projecção de um conjunto de curtas-metragens, seguida de conversa entre Alessandra Ferrini, Federico Rudari e Justin Randolph Thompson.
ℹ️ https://ihc.fcsh.unl.pt/events/sombras-2025-01/
#Histodons #FilmFestivals #ItalianFilms #FimsAndHistory #Colonialism #CinemaItaliano #FestivaisDeCinema #Colonialismo #MovimentosDeLibertação #HistóriaECinema
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YESTERDAY, TODAY AND TOMORROW (’63): “Comedy anthology” re-pairing director DeSica and star Sophia Loren. A good demo of Loren’s deep talent, as she plays three very different women with very different relationship woes. Middle story the weakest, the bookends both quite good. Think I liked first story the best- certainly the funniest. Loren is such a dynamic presence, a walking firecracker, it’s amazing how she runs over a talent like Mastroianni here, three times! #60sfilms #italianfilms
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STROMBOLI (’50) has an extremely mixed reputation, then and now. Feels like people have strong views on it, and not always for the best. Put me deeply in the “pro” column. Thought this was something truly special and memorable. I guess I can see why US audiences reacted so viscerally, the glamorous Ingrid in such settings and not that likeable. But that for me was a big piece of its power- and I did sympathize with her. A very compelling watch with a fascinating finale. #italianfilms #neorealism
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STROMBOLI (’50) has an extremely mixed reputation, then and now. Feels like people have strong views on it, and not always for the best. Put me deeply in the “pro” column. Thought this was something truly special and memorable. I guess I can see why US audiences reacted so viscerally, the glamorous Ingrid in such settings and not that likeable. But that for me was a big piece of its power- and I did sympathize with her. A very compelling watch with a fascinating finale. #italianfilms #neorealism
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STROMBOLI (’50) has an extremely mixed reputation, then and now. Feels like people have strong views on it, and not always for the best. Put me deeply in the “pro” column. Thought this was something truly special and memorable. I guess I can see why US audiences reacted so viscerally, the glamorous Ingrid in such settings and not that likeable. But that for me was a big piece of its power- and I did sympathize with her. A very compelling watch with a fascinating finale. #italianfilms #neorealism
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STROMBOLI (’50) has an extremely mixed reputation, then and now. Feels like people have strong views on it, and not always for the best. Put me deeply in the “pro” column. Thought this was something truly special and memorable. I guess I can see why US audiences reacted so viscerally, the glamorous Ingrid in such settings and not that likeable. But that for me was a big piece of its power- and I did sympathize with her. A very compelling watch with a fascinating finale. #italianfilms #neorealism