#guitartone — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #guitartone, aggregated by home.social.
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https://www.gotorola.com/255078/ 【無料AI vs 実機】Neural Amp Modeler（NAM）は本物アンプをどこまで再現できる？ #AIAmp #AIModelling #AIアンプ #AIモデリング #AmpCapture #AmpSimulator #Entertainment #FreeAI #guitar #GuitarComparison #GuitarGear #GuitarTone #MetalRiff #NAM #NeuralAmpModeler #ProGuitarist #RealAmp #SoundComparison #アンプシミュレーター #エンタメ #ガチ比較 #ギター #ギター機材 #ギター比較 #キャプチャー #プロギタリスト #メタルリフ #佐々木久美 #実機アンプ #無料AI #音作り
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https://www.gotorola.com/255078/ 【無料AI vs 実機】Neural Amp Modeler（NAM）は本物アンプをどこまで再現できる？ #AIAmp #AIModelling #AIアンプ #AIモデリング #AmpCapture #AmpSimulator #Entertainment #FreeAI #guitar #GuitarComparison #GuitarGear #GuitarTone #MetalRiff #NAM #NeuralAmpModeler #ProGuitarist #RealAmp #SoundComparison #アンプシミュレーター #エンタメ #ガチ比較 #ギター #ギター機材 #ギター比較 #キャプチャー #プロギタリスト #メタルリフ #佐々木久美 #実機アンプ #無料AI #音作り
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https://www.gotorola.com/255078/ 【無料AI vs 実機】Neural Amp Modeler（NAM）は本物アンプをどこまで再現できる？ #AIAmp #AIModelling #AIアンプ #AIモデリング #AmpCapture #AmpSimulator #Entertainment #FreeAI #guitar #GuitarComparison #GuitarGear #GuitarTone #MetalRiff #NAM #NeuralAmpModeler #ProGuitarist #RealAmp #SoundComparison #アンプシミュレーター #エンタメ #ガチ比較 #ギター #ギター機材 #ギター比較 #キャプチャー #プロギタリスト #メタルリフ #佐々木久美 #実機アンプ #無料AI #音作り
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https://www.gotorola.com/255078/ 【無料AI vs 実機】Neural Amp Modeler（NAM）は本物アンプをどこまで再現できる？ #AIAmp #AIModelling #AIアンプ #AIモデリング #AmpCapture #AmpSimulator #Entertainment #FreeAI #guitar #GuitarComparison #GuitarGear #GuitarTone #MetalRiff #NAM #NeuralAmpModeler #ProGuitarist #RealAmp #SoundComparison #アンプシミュレーター #エンタメ #ガチ比較 #ギター #ギター機材 #ギター比較 #キャプチャー #プロギタリスト #メタルリフ #佐々木久美 #実機アンプ #無料AI #音作り
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https://www.gotorola.com/255078/ 【無料AI vs 実機】Neural Amp Modeler（NAM）は本物アンプをどこまで再現できる？ #AIAmp #AIModelling #AIアンプ #AIモデリング #AmpCapture #AmpSimulator #Entertainment #FreeAI #guitar #GuitarComparison #GuitarGear #GuitarTone #MetalRiff #NAM #NeuralAmpModeler #ProGuitarist #RealAmp #SoundComparison #アンプシミュレーター #エンタメ #ガチ比較 #ギター #ギター機材 #ギター比較 #キャプチャー #プロギタリスト #メタルリフ #佐々木久美 #実機アンプ #無料AI #音作り
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https://metsn.tumblr.com/post/775040316000567296
METSÄÄN - OURBOROS AUTOPOIESIS - extreme EFX chain feedback looper
A feedback looper that squeezes the extreme out of your EFX-chain. Perfect for 'Tone scouts', sound-designers and those who like harsh noises. An extended version of the Death by Audio - Total Sonic Annihilation 2 pedal, the METSÄÄN version has a 3 stage MODE selector that switched between 'vanilla'/ORIGINAL and boosted HIGHS or LOWS, which exponentially enhances the sonic possibilities of the original pedal and allows for dynamic frequency shifts in a harsh noise live performance, for example. But this pedal is not just god for harsh noises, but also for subtle tone experimentation, imagine a sound modulator like a delay or tremolo modulating itself in a loop. wonderful textures and abstract saturation might occur. Sometimes, you might get not much out of it and with other set-ups a plethora of unexpected sonic gems. With some EFX chain set-ups an input signal is not needed, as you can generate no-input noise scapes. A experimental sound artist's treasure trove/ pandorra's box. This feedback looper enables you to send the output of your EFX-chain back into it's input, in NORMAL mode, you control the the amount with only the FEEDBACK (Note: this pot works counterclockwise) pot, but in the ACTIVE (indicated by a ultraviolet LED) mode you get hands-on control of GAIN, FEEDBACK, PHASE, FREQUENCY MODE and of course final OUTPUT LEVEL (to tame the potentially destructively loud signal.). The 4x 6.3mm mono sockets on the back side of the pedal are from left to right (when pointing away from you): OUTPUT, RETURN, SEND, INPUT. When the TRUE BYPASS (indicated with a green LED) is engaged, your signal still goes through your EFX-chain in the loop. The Power input is for 'boss-style', center negative 2.1mm DC plugs, that are pretty standard for EFX-pedals it needs 9V DC (PSU not included). Build into a standard die-cast aluminum enclosure individually painted in the the burned out industry camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
DEMO VIDEO follows. Stay detuned.
#metsään #metsäänmachines #ourborosautopoiesis
#thismachinekillsfascists #harshnoise #guitartone #tone #efxpedal #pedalboard #pedalworship #experimentalmusic #noisesynthesizer -
https://metsn.tumblr.com/post/775040316000567296
METSÄÄN - OURBOROS AUTOPOIESIS - extreme EFX chain feedback looper
A feedback looper that squeezes the extreme out of your EFX-chain. Perfect for 'Tone scouts', sound-designers and those who like harsh noises. An extended version of the Death by Audio - Total Sonic Annihilation 2 pedal, the METSÄÄN version has a 3 stage MODE selector that switched between 'vanilla'/ORIGINAL and boosted HIGHS or LOWS, which exponentially enhances the sonic possibilities of the original pedal and allows for dynamic frequency shifts in a harsh noise live performance, for example. But this pedal is not just god for harsh noises, but also for subtle tone experimentation, imagine a sound modulator like a delay or tremolo modulating itself in a loop. wonderful textures and abstract saturation might occur. Sometimes, you might get not much out of it and with other set-ups a plethora of unexpected sonic gems. With some EFX chain set-ups an input signal is not needed, as you can generate no-input noise scapes. A experimental sound artist's treasure trove/ pandorra's box. This feedback looper enables you to send the output of your EFX-chain back into it's input, in NORMAL mode, you control the the amount with only the FEEDBACK (Note: this pot works counterclockwise) pot, but in the ACTIVE (indicated by a ultraviolet LED) mode you get hands-on control of GAIN, FEEDBACK, PHASE, FREQUENCY MODE and of course final OUTPUT LEVEL (to tame the potentially destructively loud signal.). The 4x 6.3mm mono sockets on the back side of the pedal are from left to right (when pointing away from you): OUTPUT, RETURN, SEND, INPUT. When the TRUE BYPASS (indicated with a green LED) is engaged, your signal still goes through your EFX-chain in the loop. The Power input is for 'boss-style', center negative 2.1mm DC plugs, that are pretty standard for EFX-pedals it needs 9V DC (PSU not included). Build into a standard die-cast aluminum enclosure individually painted in the the burned out industry camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
DEMO VIDEO follows. Stay detuned.
#metsään #metsäänmachines #ourborosautopoiesis
#thismachinekillsfascists #harshnoise #guitartone #tone #efxpedal #pedalboard #pedalworship #experimentalmusic #noisesynthesizer -
https://metsn.tumblr.com/post/775040316000567296
METSÄÄN - OURBOROS AUTOPOIESIS - extreme EFX chain feedback looper
A feedback looper that squeezes the extreme out of your EFX-chain. Perfect for 'Tone scouts', sound-designers and those who like harsh noises. An extended version of the Death by Audio - Total Sonic Annihilation 2 pedal, the METSÄÄN version has a 3 stage MODE selector that switched between 'vanilla'/ORIGINAL and boosted HIGHS or LOWS, which exponentially enhances the sonic possibilities of the original pedal and allows for dynamic frequency shifts in a harsh noise live performance, for example. But this pedal is not just god for harsh noises, but also for subtle tone experimentation, imagine a sound modulator like a delay or tremolo modulating itself in a loop. wonderful textures and abstract saturation might occur. Sometimes, you might get not much out of it and with other set-ups a plethora of unexpected sonic gems. With some EFX chain set-ups an input signal is not needed, as you can generate no-input noise scapes. A experimental sound artist's treasure trove/ pandorra's box. This feedback looper enables you to send the output of your EFX-chain back into it's input, in NORMAL mode, you control the the amount with only the FEEDBACK (Note: this pot works counterclockwise) pot, but in the ACTIVE (indicated by a ultraviolet LED) mode you get hands-on control of GAIN, FEEDBACK, PHASE, FREQUENCY MODE and of course final OUTPUT LEVEL (to tame the potentially destructively loud signal.). The 4x 6.3mm mono sockets on the back side of the pedal are from left to right (when pointing away from you): OUTPUT, RETURN, SEND, INPUT. When the TRUE BYPASS (indicated with a green LED) is engaged, your signal still goes through your EFX-chain in the loop. The Power input is for 'boss-style', center negative 2.1mm DC plugs, that are pretty standard for EFX-pedals it needs 9V DC (PSU not included). Build into a standard die-cast aluminum enclosure individually painted in the the burned out industry camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
DEMO VIDEO follows. Stay detuned.
#metsään #metsäänmachines #ourborosautopoiesis
#thismachinekillsfascists #harshnoise #guitartone #tone #efxpedal #pedalboard #pedalworship #experimentalmusic #noisesynthesizer -
https://metsn.tumblr.com/post/775040316000567296
METSÄÄN - OURBOROS AUTOPOIESIS - extreme EFX chain feedback looper
A feedback looper that squeezes the extreme out of your EFX-chain. Perfect for 'Tone scouts', sound-designers and those who like harsh noises. An extended version of the Death by Audio - Total Sonic Annihilation 2 pedal, the METSÄÄN version has a 3 stage MODE selector that switched between 'vanilla'/ORIGINAL and boosted HIGHS or LOWS, which exponentially enhances the sonic possibilities of the original pedal and allows for dynamic frequency shifts in a harsh noise live performance, for example. But this pedal is not just god for harsh noises, but also for subtle tone experimentation, imagine a sound modulator like a delay or tremolo modulating itself in a loop. wonderful textures and abstract saturation might occur. Sometimes, you might get not much out of it and with other set-ups a plethora of unexpected sonic gems. With some EFX chain set-ups an input signal is not needed, as you can generate no-input noise scapes. A experimental sound artist's treasure trove/ pandorra's box. This feedback looper enables you to send the output of your EFX-chain back into it's input, in NORMAL mode, you control the the amount with only the FEEDBACK (Note: this pot works counterclockwise) pot, but in the ACTIVE (indicated by a ultraviolet LED) mode you get hands-on control of GAIN, FEEDBACK, PHASE, FREQUENCY MODE and of course final OUTPUT LEVEL (to tame the potentially destructively loud signal.). The 4x 6.3mm mono sockets on the back side of the pedal are from left to right (when pointing away from you): OUTPUT, RETURN, SEND, INPUT. When the TRUE BYPASS (indicated with a green LED) is engaged, your signal still goes through your EFX-chain in the loop. The Power input is for 'boss-style', center negative 2.1mm DC plugs, that are pretty standard for EFX-pedals it needs 9V DC (PSU not included). Build into a standard die-cast aluminum enclosure individually painted in the the burned out industry camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
DEMO VIDEO follows. Stay detuned.
#metsään #metsäänmachines #ourborosautopoiesis
#thismachinekillsfascists #harshnoise #guitartone #tone #efxpedal #pedalboard #pedalworship #experimentalmusic #noisesynthesizer -
https://metsn.tumblr.com/post/775040316000567296
METSÄÄN - OURBOROS AUTOPOIESIS - extreme EFX chain feedback looper
A feedback looper that squeezes the extreme out of your EFX-chain. Perfect for 'Tone scouts', sound-designers and those who like harsh noises. An extended version of the Death by Audio - Total Sonic Annihilation 2 pedal, the METSÄÄN version has a 3 stage MODE selector that switched between 'vanilla'/ORIGINAL and boosted HIGHS or LOWS, which exponentially enhances the sonic possibilities of the original pedal and allows for dynamic frequency shifts in a harsh noise live performance, for example. But this pedal is not just god for harsh noises, but also for subtle tone experimentation, imagine a sound modulator like a delay or tremolo modulating itself in a loop. wonderful textures and abstract saturation might occur. Sometimes, you might get not much out of it and with other set-ups a plethora of unexpected sonic gems. With some EFX chain set-ups an input signal is not needed, as you can generate no-input noise scapes. A experimental sound artist's treasure trove/ pandorra's box. This feedback looper enables you to send the output of your EFX-chain back into it's input, in NORMAL mode, you control the the amount with only the FEEDBACK (Note: this pot works counterclockwise) pot, but in the ACTIVE (indicated by a ultraviolet LED) mode you get hands-on control of GAIN, FEEDBACK, PHASE, FREQUENCY MODE and of course final OUTPUT LEVEL (to tame the potentially destructively loud signal.). The 4x 6.3mm mono sockets on the back side of the pedal are from left to right (when pointing away from you): OUTPUT, RETURN, SEND, INPUT. When the TRUE BYPASS (indicated with a green LED) is engaged, your signal still goes through your EFX-chain in the loop. The Power input is for 'boss-style', center negative 2.1mm DC plugs, that are pretty standard for EFX-pedals it needs 9V DC (PSU not included). Build into a standard die-cast aluminum enclosure individually painted in the the burned out industry camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
DEMO VIDEO follows. Stay detuned.
#metsään #metsäänmachines #ourborosautopoiesis
#thismachinekillsfascists #harshnoise #guitartone #tone #efxpedal #pedalboard #pedalworship #experimentalmusic #noisesynthesizer -
#TheMetalDogArticleList
#UltimateGuitar
Steve Stevens Recalls How Brian May Inspired His Guitar Tone on 'Rebel Yell,' Explains How He Came Up With the Intro
'I didn't know how to capture my guitar in a big enough way.' -
#TheMetalDogArticleList
#UltimateGuitar
Steve Stevens Recalls How Brian May Inspired His Guitar Tone on 'Rebel Yell,' Explains How He Came Up With the Intro
'I didn't know how to capture my guitar in a big enough way.' -
#TheMetalDogArticleList
#MetalInjection
BILLY CORGAN Shares The Advice TONY IOMMI Gave Him About Guitar Tone
"At the time I didn't get it."https://metalinjection.net/news/billy-corgan-shares-the-advice-tony-iommi-gave-him-about-guitar-tone
#BillyCorgan #TonyIommi #GuitarTone #MusicAdvice #Guitarists #Musicians #Songwriting #RockAndRoll
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#TheMetalDogArticleList
#BraveWords
EXTREME Guitarist NUNO BETTENCOURT Weighs In On "Gear Versus Player" Debate - "No Matter What You Do, You're Stuck With Your Own Tone"
Ultimate Guitar recently caught up with guitarist Nuno Bettencourt. Currently promoting Extreme's new album, SIX, Bettencourt discussed a variety of topics. In this first part of the interview,...#NunoBettencourt #GuitarTone #GearVsPlayer #Musicianship #ExtremesGuitarist #MusicalCreativity
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#TheMetalDogArticleList
#guitarworld
Walter Trout: "You don't need pedals. If you get a kickass amp, why would you put it through a $100 pedal?"
Walter Trout explains and demonstrates why he doesn't use pedals: it's all in his volume control...https://www.guitarworld.com/features/walter-trout-you-dont-need-pedals
#WalterTrout #GuitarWorld #GuitarTone #GuitarEquipment #PlayGoodNote #NoNeedPedals #DontCompromise #GuitarLesson #Music
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#TheMetalDogArticleList
#KillerGuitarRigs
7 Best Solid State Guitar Amps (2023) - Killer Guitar Rigs
We run down our 7 choices for the best solid state guitar amps on the market today - and there's some killer pedal platforms among them!https://killerguitarrigs.com/best-solid-state-guitar-amps/
#BestSolidStateGuitarAmps #TopGuitarAmps #SolidStateAmplifiers #GuitarGear #MusicEquipment #GuitarAmplification #AmplifierReviews #GuitarTone #GuitarPlayer #MusicianEquipment
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#TheMetalDogArticleList
#guitarworld
Mark Tremonti recalls his experiences playing a Kemper onstage with Alter Bridge – and explains why he didn’t stick with it
The Kemper Profiler only lasted half a tour before Tremonti decided to switch back to his tried-and-trusted PRS MT 100https://www.guitarworld.com/news/mark-tremonti-kemper
#MarkTremonti #Kemper #GuitarWorld #GearNews #GuitarTone #MusicProduction
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#TheMetalDogArticleList
#guitarworld
Mark Tremonti recalls his experiences playing a Kemper onstage with Alter Bridge – and explains why he didn’t stick with it
The Kemper Profiler only lasted half a tour before Tremonti decided to switch back to his tried-and-trusted PRS MT 100https://www.guitarworld.com/news/mark-tremonti-kemper
#MarkTremonti #Kemper #GuitarWorld #GearNews #GuitarTone #MusicProduction
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#TheMetalDogArticleList
#guitarworld
Mark Tremonti recalls his experiences playing a Kemper onstage with Alter Bridge – and explains why he didn’t stick with it
The Kemper Profiler only lasted half a tour before Tremonti decided to switch back to his tried-and-trusted PRS MT 100https://www.guitarworld.com/news/mark-tremonti-kemper
#MarkTremonti #Kemper #GuitarWorld #GearNews #GuitarTone #MusicProduction
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#TheMetalDogArticleList
#guitarworld
Mark Tremonti recalls his experiences playing a Kemper onstage with Alter Bridge – and explains why he didn’t stick with it
The Kemper Profiler only lasted half a tour before Tremonti decided to switch back to his tried-and-trusted PRS MT 100https://www.guitarworld.com/news/mark-tremonti-kemper
#MarkTremonti #Kemper #GuitarWorld #GearNews #GuitarTone #MusicProduction
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#TheMetalDogArticleList
#guitarworld
Mark Tremonti recalls his experiences playing a Kemper onstage with Alter Bridge – and explains why he didn’t stick with it
The Kemper Profiler only lasted half a tour before Tremonti decided to switch back to his tried-and-trusted PRS MT 100https://www.guitarworld.com/news/mark-tremonti-kemper
#MarkTremonti #Kemper #GuitarWorld #GearNews #GuitarTone #MusicProduction