#centraldistrict — Public Fediverse posts on home.social

Base map from Seattle’s 2021 – 2024 Bicycle Master Plan Implementation Plan. Seattle Bike Blog added red circles and text to show the delayed projects. Numbered projects paused include all or parts of 20, 29, 35, 57, 59, 65, 70. The “Garfield High School to Leschi Elementary School Connection” does not seem to be listed on the 2021-2024 map so I circled the general area near number 47.

SDOT announced that eight neighborhood greenway projects previously scheduled for construction and/or planning have been put on pause because “inflation is affecting our large-scale project budgets more than initially expected,” according to the department. The Central District and Capitol Hill were hit the hardest by the pauses, though there are pauses in all districts other than 7.

We annotated the map above to help visualize the changes. The projects that formerly had solid lines are the biggest disappointment since those were supposed to have been funded through both design and construction by the end of 2024. The projects with dotted lines were only supposed to be funded through design.

The highest-profile project on the list is Phase 2 of the Central Ridge Greenway in the Central District and Capitol Hill. The good news is that the most important and difficult element of this route, a traffic signal at 18th and Madison, was completed as part of the RapidRide G project.

From the RapidRide G design plans.

The projects had been included on SDOT’s 2021-24 Bicycle Master Plan Implementation Plan, a list of deliverable projects that the city created after reviewing the state of rising construction costs amid the peak of the COVID-19 response. The 2021 list also followed Mayor Jenny Durkan’s so-called “reset” of the Move Seattle Levy in 2019 that included a lot of cuts to the bike plan. The latest delays are pauses to projects that had already made it through several rounds of cuts.

Though SDOT did not cite the upcoming public vote on renewing the Seattle Transportation Levy, the department’s statement said, “We will have a clearer funding picture in late November when the City Council finalizes the City’s budget.” The passage or failure of the levy in early November will have a massive impact on those city budget decisions.

This somewhat awkward dance will probably happen throughout this year. SDOT cannot assume that the new levy will pass, so they may make decisions based on the current levy expiring without a replacement. Then if voters do approve a replacement levy, they can add things back and build out the new work plan.

More details on the pauses from SDOT:

During our first-quarter assessment of the 2024 budget, it became evident that inflation is affecting our large-scale project budgets more than initially expected. In response, we are focusing funds to ensure we continue making our transportation system safer, more reliable, and better connected and meeting Levy to Move Seattle commitments. Happily, we will still exceed our goal for Neighborhood Greenway construction this year.
Therefore, we are pausing the following Neighborhood Greenways projects. These projects will resume as budget or grant funding becomes available:
28th Ave NW – Adams Elementary School Neighborhood Greenway
Beacon Hill Elementary Neighborhood Greenway
Central Ridge Neighborhood Greenway – Phase 2
Garfield High School to Leschi Elementary School Connection
Lafayette Elementary & Madison Middle Schools Connection (PDF)
Olympic Hills Elementary School Extension (NE 135th St, from 20th to 27th Avenues NE)
Olympic View Elementary Neighborhood Greenway
Stevens Elementary School Connection
We will have a clearer funding picture in late November when the City Council finalizes the City’s budget and information on project status could be available as soon as the first quarter of 2025. Communication will continue through postcards and project websites. For projects with email lists already established, we will also send information via email.
In the meantime, we hope you have noticed the volume of SDOT projects launching and nearing completion this year, such as the 15th Ave W/NW & Ballard Bridge Paving and Safety Project preparing to break ground in July and RapidRide G Line – Madison St scheduled to start operating in September.
We also have four safety and bike projects starting or nearing completion this summer creating a comfortable space for SE Seattle families to use; and recently posted photos of the extension of the Wing Luke Elementary Neighborhood Greenway northward towards New Holly.

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#SEAbikes #Seattle

#sdot #neighborhoodgreenways #moveseattlelevy #centralridge #centraldistrict #capitolhill

Kevin Bowen (has moved) :xfce: @kevinbowen · 2024-03-09 · 08:03 UTC

My daughter has currently settled in the #Seattle #CentralDistrict

She's 2 blocks south of where I 1st landed here 32 years ago. ~10 blocks north of where she was raised from the ages of 2-8.

When I first got here in 1992, it was considered, by some(jokingly) as "the hood".

It's been a good 15 years since I've visited the 'ol neighborhood until today.

For a long time, I knew those streets & alleys like the back of my hand. Incredible seeing the change.

#seattle #centraldistrict

NW 🌲 Spaces @[email protected] · 2023-09-07 · 23:43 UTC

3 🖼️ Things
#NW #PORTLAND #OR #SEATTLE #WA
#SupportLocal #BlackArt 🎨

~ #BlackArtists of Oregon @ Portland Art Museum, 9/9-3/17/24
https://portlandartmuseum.org/event/black-artists-of-oregon/

FYI: #artistpanel led by exhibit curator Inistar Abioto, 9/9

~ Jaleesa Johnston Domestic Performances in Das Schaufenster Window, currently 24/7
https://www.annamlasowsky.com/dasschaufenster

~ Femme Noir featuring work by 21 #BlackWomenArtists—viewable @ #Blackowned spaces in the #CentralDistrict—through 9/30
https://www.femmenoireseattle.com

#Black #NWspaces

#nw #portland #or #seattle #wa #supportlocal

NW 🌲 Spaces @[email protected] · 2023-09-07 · 23:43 UTC

3 🖼️ Things
#NW #PORTLAND #OR #SEATTLE #WA
#SupportLocal #BlackArt 🎨

~ #BlackArtists of Oregon @ Portland Art Museum, 9/9-3/17/24
https://portlandartmuseum.org/event/black-artists-of-oregon/

FYI: #artistpanel led by exhibit curator Inistar Abioto, 9/9

~ Jaleesa Johnston Domestic Performances in Das Schaufenster Window, currently 24/7
https://www.annamlasowsky.com/dasschaufenster

~ Femme Noir featuring work by 21 #BlackWomenArtists—viewable @ #Blackowned spaces in the #CentralDistrict—through 9/30
https://www.femmenoireseattle.com

#Black #NWspaces

#nw #portland #or #seattle #wa #supportlocal

NW 🌲 Spaces @[email protected] · 2023-09-07 · 23:43 UTC

3 🖼️ Things
#NW #PORTLAND #OR #SEATTLE #WA
#SupportLocal #BlackArt 🎨

~ #BlackArtists of Oregon @ Portland Art Museum, 9/9-3/17/24
https://portlandartmuseum.org/event/black-artists-of-oregon/

FYI: #artistpanel led by exhibit curator Inistar Abioto, 9/9

~ Jaleesa Johnston Domestic Performances in Das Schaufenster Window, currently 24/7
https://www.annamlasowsky.com/dasschaufenster

~ Femme Noir featuring work by 21 #BlackWomenArtists—viewable @ #Blackowned spaces in the #CentralDistrict—through 9/30
https://www.femmenoireseattle.com

#Black #NWspaces

#nwspaces #black #centraldistrict #blackowned #blackwomenartists #artistpanel

Jess Zimbabwe @[email protected] · 2023-07-28 · 19:12 UTC

Bryant Manor, one of our projects, was picked up by @urbanistorg this week!
#affordableHousing
#Seattle
#CentralDistrict
https://www.theurbanist.org/2023/07/24/black-history-and-ambition-meet-at-an-expanding-bryant-manor

#affordablehousing #seattle #centraldistrict

Jess Zimbabwe @[email protected] · 2023-03-13 · 22:23 UTC

Final Studio reviews today for the Nehemiah Studio, where interdisciplinary #design teams of #UniversityOfWashington graduate students in #architecture #urbanPlanning and #landscapeArchitecture designed three alternative schemes to add 200+ units of #affordableHousing to land owned by two Black Churches in the #Seattle #CentralDistrict. The plans involve extensive #publicSpace and #greenStormwaterInfrastructure, in addition to the #housing.

#universityofwashington #architecture #urbanplanning #landscapearchitecture #affordablehousing #seattle

Jim King @[email protected] · 2022-12-17 · 00:08 UTC

@mgrass
Michael as a 1971 UW & Seattle Alum who has lived in #Ballard #Interbay #CapitalHill the #CentralDistrict and the #UniversityDistrict welcome to the great state of WA.

JimK; Humanity over Flag

#universitydistrict #centraldistrict #capitalhill #interbay #ballard

Queer Satanic @[email protected] · 2022-12-14 · 22:54 UTC

> ...the Black population in the Central District (CD) dramatically collapsed between 1990 (64 percent) and 2020 (below 15 percent). Most of the Black churches are now gone, and the Black Americans who could afford to stay in the Seattle area have moved to Renton and Kent, beyond South Seattle. Also gone is a curious Black-owned business that bought gold at all hours of the night. Midtown Square, which is across the street from a new Whole Foods, was designed by the respectable Seattle architectural firm Weinstein A+U, and includes panels by the active and talented Seattle artist Adam Jabari Jefferson.
>
> The panels—which are part of a swirling collection of art devoted to the memory of the old CD, the CD that in the 1960s was 70 percent Black, the CD that gave us Jimi Hendrix and Quincy Jones and Ernestine Anderson—are of Black people. But a lot of Black people are no longer in the area. This art, as good as it is, is not all about the future, which is increasingly white and white collar. It’s about the past. Black people, Black working-class people, were once here, and so were their clubs and shops. That was yesterday. But here today is all of this art and architecture about them. Tombstones for the graveyard of gentrification and property speculation.
...
> Indeed, because of this ever-increasing concentration of capital, you are more likely to find a Black Lives Matter sign in the CD than an actual Black person."

https://www.e-flux.com/notes/508924/the-rise-of-tombstone-public-art-and-architecture-in-seattle
#Seattle #SeattleWA #Gentrification #CharlesMudede #BlackSeattle #CentralDistrict

#seattle #seattlewa #gentrification #charlesmudede #blackseattle #centraldistrict

Queer Satanic @[email protected] · 2022-12-14 · 22:54 UTC

> ...the Black population in the Central District (CD) dramatically collapsed between 1990 (64 percent) and 2020 (below 15 percent). Most of the Black churches are now gone, and the Black Americans who could afford to stay in the Seattle area have moved to Renton and Kent, beyond South Seattle. Also gone is a curious Black-owned business that bought gold at all hours of the night. Midtown Square, which is across the street from a new Whole Foods, was designed by the respectable Seattle architectural firm Weinstein A+U, and includes panels by the active and talented Seattle artist Adam Jabari Jefferson.
>
> The panels—which are part of a swirling collection of art devoted to the memory of the old CD, the CD that in the 1960s was 70 percent Black, the CD that gave us Jimi Hendrix and Quincy Jones and Ernestine Anderson—are of Black people. But a lot of Black people are no longer in the area. This art, as good as it is, is not all about the future, which is increasingly white and white collar. It’s about the past. Black people, Black working-class people, were once here, and so were their clubs and shops. That was yesterday. But here today is all of this art and architecture about them. Tombstones for the graveyard of gentrification and property speculation.
...
> Indeed, because of this ever-increasing concentration of capital, you are more likely to find a Black Lives Matter sign in the CD than an actual Black person."

https://www.e-flux.com/notes/508924/the-rise-of-tombstone-public-art-and-architecture-in-seattle
#Seattle #SeattleWA #Gentrification #CharlesMudede #BlackSeattle #CentralDistrict

#seattle #seattlewa #gentrification #charlesmudede #blackseattle #centraldistrict

Queer Satanic @[email protected] · 2022-12-14 · 22:54 UTC

> ...the Black population in the Central District (CD) dramatically collapsed between 1990 (64 percent) and 2020 (below 15 percent). Most of the Black churches are now gone, and the Black Americans who could afford to stay in the Seattle area have moved to Renton and Kent, beyond South Seattle. Also gone is a curious Black-owned business that bought gold at all hours of the night. Midtown Square, which is across the street from a new Whole Foods, was designed by the respectable Seattle architectural firm Weinstein A+U, and includes panels by the active and talented Seattle artist Adam Jabari Jefferson.
>
> The panels—which are part of a swirling collection of art devoted to the memory of the old CD, the CD that in the 1960s was 70 percent Black, the CD that gave us Jimi Hendrix and Quincy Jones and Ernestine Anderson—are of Black people. But a lot of Black people are no longer in the area. This art, as good as it is, is not all about the future, which is increasingly white and white collar. It’s about the past. Black people, Black working-class people, were once here, and so were their clubs and shops. That was yesterday. But here today is all of this art and architecture about them. Tombstones for the graveyard of gentrification and property speculation.
...
> Indeed, because of this ever-increasing concentration of capital, you are more likely to find a Black Lives Matter sign in the CD than an actual Black person."

https://www.e-flux.com/notes/508924/the-rise-of-tombstone-public-art-and-architecture-in-seattle
#Seattle #SeattleWA #Gentrification #CharlesMudede #BlackSeattle #CentralDistrict

#seattle #seattlewa #gentrification #charlesmudede #blackseattle #centraldistrict

Queer Satanic @[email protected] · 2022-12-14 · 22:54 UTC

> ...the Black population in the Central District (CD) dramatically collapsed between 1990 (64 percent) and 2020 (below 15 percent). Most of the Black churches are now gone, and the Black Americans who could afford to stay in the Seattle area have moved to Renton and Kent, beyond South Seattle. Also gone is a curious Black-owned business that bought gold at all hours of the night. Midtown Square, which is across the street from a new Whole Foods, was designed by the respectable Seattle architectural firm Weinstein A+U, and includes panels by the active and talented Seattle artist Adam Jabari Jefferson.
>
> The panels—which are part of a swirling collection of art devoted to the memory of the old CD, the CD that in the 1960s was 70 percent Black, the CD that gave us Jimi Hendrix and Quincy Jones and Ernestine Anderson—are of Black people. But a lot of Black people are no longer in the area. This art, as good as it is, is not all about the future, which is increasingly white and white collar. It’s about the past. Black people, Black working-class people, were once here, and so were their clubs and shops. That was yesterday. But here today is all of this art and architecture about them. Tombstones for the graveyard of gentrification and property speculation.
...
> Indeed, because of this ever-increasing concentration of capital, you are more likely to find a Black Lives Matter sign in the CD than an actual Black person."

https://www.e-flux.com/notes/508924/the-rise-of-tombstone-public-art-and-architecture-in-seattle
#Seattle #SeattleWA #Gentrification #CharlesMudede #BlackSeattle #CentralDistrict

#centraldistrict #blackseattle #charlesmudede #gentrification #seattlewa #seattle

Queer Satanic @[email protected] · 2022-12-14 · 22:54 UTC

> ...the Black population in the Central District (CD) dramatically collapsed between 1990 (64 percent) and 2020 (below 15 percent). Most of the Black churches are now gone, and the Black Americans who could afford to stay in the Seattle area have moved to Renton and Kent, beyond South Seattle. Also gone is a curious Black-owned business that bought gold at all hours of the night. Midtown Square, which is across the street from a new Whole Foods, was designed by the respectable Seattle architectural firm Weinstein A+U, and includes panels by the active and talented Seattle artist Adam Jabari Jefferson.
>
> The panels—which are part of a swirling collection of art devoted to the memory of the old CD, the CD that in the 1960s was 70 percent Black, the CD that gave us Jimi Hendrix and Quincy Jones and Ernestine Anderson—are of Black people. But a lot of Black people are no longer in the area. This art, as good as it is, is not all about the future, which is increasingly white and white collar. It’s about the past. Black people, Black working-class people, were once here, and so were their clubs and shops. That was yesterday. But here today is all of this art and architecture about them. Tombstones for the graveyard of gentrification and property speculation.
...
> Indeed, because of this ever-increasing concentration of capital, you are more likely to find a Black Lives Matter sign in the CD than an actual Black person."

https://www.e-flux.com/notes/508924/the-rise-of-tombstone-public-art-and-architecture-in-seattle
#Seattle #SeattleWA #Gentrification #CharlesMudede #BlackSeattle #CentralDistrict

#seattle #seattlewa #gentrification #charlesmudede #blackseattle #centraldistrict