#americanauthor — Public Fediverse posts

I’m home recovering after a bug, post-finishing my doctorate, post-finishing-school-vacation-trip, and in that in‑between space where I’m figuring out how to bring my doctoral thesis into the world as a book while preparing to release the third ecofiction novel in my trilogy.

I’ll share the trilogy more on Instagram soon; but of course I’ll talk about it here too.

While I’m resting, I’ve been thinking about two things:

1. How to share what I’ve learned from writing visionary ecofiction; not as formal tutorials, but as small, generous micro‑snippets of thought.
2. How much I enjoy posting Three Good Things here on Mastodon.

This led me to realize that the micro‑tutorials can become Three Good Things. A small, informal, unstructured series about what I’ve learned so far.

Here we go.

---

Three Good Things I’ve Learned About Writing Visionary Ecofiction

1. It brings community together; even when people disagree.
Across all three novels, I learned so much from people with different perspectives:
• fracking / hydraulic fracturing (Book 1)
• medical marijuana (Book 2)
• high‑speed rail (Book 3).
Ecofiction is a meeting place; not a consensus.

2. Writing is solitary; but you don’t have to be lonely in it.
Anything that helps you contextualize yourself in your larger community is healthy;
walks, cafés, writing groups, reading groups, sharing drafts.
People’s commentary is subjective but sharing your work is grounding.
Place yourself in your wider spheres; it helps.

3. Take joy in the finishing and sharing stages.
There’s real pleasure in thinking about the special parts of your process and how you want to share them.
I love outlining, first drafting, sculpting, revising, hearing the text read back to me, and working with an editor and designer, but also, imagining the visual vignettes that accompany the trilogy. I’m figuring out a visual narrative to share the trilogy on Instagram.
Finishing is its own creative act.

Working in a genre that’s still emerging (visionary ecology or visionary ecofiction) gives me freedom to genre‑bend fearlessly.
Book 1 is a love story (but not a romance).
Book 2 is a mystery (but not a cozy).
Book 3 is an adventure (but not Indiana Jones).
The elasticity is part of the joy.

These are my three good things today, the first in what I hope will become an informal series of micro‑tutorials on writing visionary ecofiction.

What lights are you up? When you write, how do you define yourself within your genre?

Keep writing and share!

PS, the photo was taken at Giverny, Monet’s Garden in France, on my recent trip.

#VisionaryFiction #VisionaryEcoFiction #VancouverAuthor #TransportationFiction #ThreeGoodThings #NewYorkAuthor #NewJerseyAuthor #MetaphysicalFiction #MedicalMarijuanaFiction #LiteraryFiction #IndiePublisher #IndieAuthor #FrackingFiction #EcoFiction #CreativeWriting #CanadianAuthor #CanLit #BritishColumbiaAuthor #Bookstodon #AmericanAuthor

I’m home recovering after a bug, post-finishing my doctorate, post-finishing-school-vacation-trip, and in that in‑between space where I’m figuring out how to bring my doctoral thesis into the world as a book while preparing to release the third ecofiction novel in my trilogy.

I’ll share the trilogy more on Instagram soon; but of course I’ll talk about it here too.

While I’m resting, I’ve been thinking about two things:

1. How to share what I’ve learned from writing visionary ecofiction; not as formal tutorials, but as small, generous micro‑snippets of thought.
2. How much I enjoy posting Three Good Things here on Mastodon.

This led me to realize that the micro‑tutorials can become Three Good Things. A small, informal, unstructured series about what I’ve learned so far.

Here we go.

---

Three Good Things I’ve Learned About Writing Visionary Ecofiction

1. It brings community together; even when people disagree.
Across all three novels, I learned so much from people with different perspectives:
• fracking / hydraulic fracturing (Book 1)
• medical marijuana (Book 2)
• high‑speed rail (Book 3).
Ecofiction is a meeting place; not a consensus.

2. Writing is solitary; but you don’t have to be lonely in it.
Anything that helps you contextualize yourself in your larger community is healthy;
walks, cafés, writing groups, reading groups, sharing drafts.
People’s commentary is subjective but sharing your work is grounding.
Place yourself in your wider spheres; it helps.

3. Take joy in the finishing and sharing stages.
There’s real pleasure in thinking about the special parts of your process and how you want to share them.
I love outlining, first drafting, sculpting, revising, hearing the text read back to me, and working with an editor and designer, but also, imagining the visual vignettes that accompany the trilogy. I’m figuring out a visual narrative to share the trilogy on Instagram.
Finishing is its own creative act.

Working in a genre that’s still emerging (visionary ecology or visionary ecofiction) gives me freedom to genre‑bend fearlessly.
Book 1 is a love story (but not a romance).
Book 2 is a mystery (but not a cozy).
Book 3 is an adventure (but not Indiana Jones).
The elasticity is part of the joy.

These are my three good things today, the first in what I hope will become an informal series of micro‑tutorials on writing visionary ecofiction.

What lights are you up? When you write, how do you define yourself within your genre?

Keep writing and share!

PS, the photo was taken at Giverny, Monet’s Garden in France, on my recent trip.

#VisionaryFiction #VisionaryEcoFiction #VancouverAuthor #TransportationFiction #ThreeGoodThings #NewYorkAuthor #NewJerseyAuthor #MetaphysicalFiction #MedicalMarijuanaFiction #LiteraryFiction #IndiePublisher #IndieAuthor #FrackingFiction #EcoFiction #CreativeWriting #CanadianAuthor #CanLit #BritishColumbiaAuthor #Bookstodon #AmericanAuthor

I’m home recovering after a bug, post-finishing my doctorate, post-finishing-school-vacation-trip, and in that in‑between space where I’m figuring out how to bring my doctoral thesis into the world as a book while preparing to release the third ecofiction novel in my trilogy.

I’ll share the trilogy more on Instagram soon; but of course I’ll talk about it here too.

While I’m resting, I’ve been thinking about two things:

1. How to share what I’ve learned from writing visionary ecofiction; not as formal tutorials, but as small, generous micro‑snippets of thought.
2. How much I enjoy posting Three Good Things here on Mastodon.

This led me to realize that the micro‑tutorials can become Three Good Things. A small, informal, unstructured series about what I’ve learned so far.

Here we go.

---

Three Good Things I’ve Learned About Writing Visionary Ecofiction

1. It brings community together; even when people disagree.
Across all three novels, I learned so much from people with different perspectives:
• fracking / hydraulic fracturing (Book 1)
• medical marijuana (Book 2)
• high‑speed rail (Book 3).
Ecofiction is a meeting place; not a consensus.

2. Writing is solitary; but you don’t have to be lonely in it.
Anything that helps you contextualize yourself in your larger community is healthy;
walks, cafés, writing groups, reading groups, sharing drafts.
People’s commentary is subjective but sharing your work is grounding.
Place yourself in your wider spheres; it helps.

3. Take joy in the finishing and sharing stages.
There’s real pleasure in thinking about the special parts of your process and how you want to share them.
I love outlining, first drafting, sculpting, revising, hearing the text read back to me, and working with an editor and designer, but also, imagining the visual vignettes that accompany the trilogy. I’m figuring out a visual narrative to share the trilogy on Instagram.
Finishing is its own creative act.

Working in a genre that’s still emerging (visionary ecology or visionary ecofiction) gives me freedom to genre‑bend fearlessly.
Book 1 is a love story (but not a romance).
Book 2 is a mystery (but not a cozy).
Book 3 is an adventure (but not Indiana Jones).
The elasticity is part of the joy.

These are my three good things today, the first in what I hope will become an informal series of micro‑tutorials on writing visionary ecofiction.

What lights are you up? When you write, how do you define yourself within your genre?

Keep writing and share!

PS, the photo was taken at Giverny, Monet’s Garden in France, on my recent trip.

#VisionaryFiction #VisionaryEcoFiction #VancouverAuthor #TransportationFiction #ThreeGoodThings #NewYorkAuthor #NewJerseyAuthor #MetaphysicalFiction #MedicalMarijuanaFiction #LiteraryFiction #IndiePublisher #IndieAuthor #FrackingFiction #EcoFiction #CreativeWriting #CanadianAuthor #CanLit #BritishColumbiaAuthor #Bookstodon #AmericanAuthor

I’m home recovering after a bug, post-finishing my doctorate, post-finishing-school-vacation-trip, and in that in‑between space where I’m figuring out how to bring my doctoral thesis into the world as a book while preparing to release the third ecofiction novel in my trilogy.

I’ll share the trilogy more on Instagram soon; but of course I’ll talk about it here too.

While I’m resting, I’ve been thinking about two things:

1. How to share what I’ve learned from writing visionary ecofiction; not as formal tutorials, but as small, generous micro‑snippets of thought.
2. How much I enjoy posting Three Good Things here on Mastodon.

This led me to realize that the micro‑tutorials can become Three Good Things. A small, informal, unstructured series about what I’ve learned so far.

Here we go.

---

Three Good Things I’ve Learned About Writing Visionary Ecofiction

1. It brings community together; even when people disagree.
Across all three novels, I learned so much from people with different perspectives:
• fracking / hydraulic fracturing (Book 1)
• medical marijuana (Book 2)
• high‑speed rail (Book 3).
Ecofiction is a meeting place; not a consensus.

2. Writing is solitary; but you don’t have to be lonely in it.
Anything that helps you contextualize yourself in your larger community is healthy;
walks, cafés, writing groups, reading groups, sharing drafts.
People’s commentary is subjective but sharing your work is grounding.
Place yourself in your wider spheres; it helps.

3. Take joy in the finishing and sharing stages.
There’s real pleasure in thinking about the special parts of your process and how you want to share them.
I love outlining, first drafting, sculpting, revising, hearing the text read back to me, and working with an editor and designer, but also, imagining the visual vignettes that accompany the trilogy. I’m figuring out a visual narrative to share the trilogy on Instagram.
Finishing is its own creative act.

Working in a genre that’s still emerging (visionary ecology or visionary ecofiction) gives me freedom to genre‑bend fearlessly.
Book 1 is a love story (but not a romance).
Book 2 is a mystery (but not a cozy).
Book 3 is an adventure (but not Indiana Jones).
The elasticity is part of the joy.

These are my three good things today, the first in what I hope will become an informal series of micro‑tutorials on writing visionary ecofiction.

What lights are you up? When you write, how do you define yourself within your genre?

Keep writing and share!

PS, the photo was taken at Giverny, Monet’s Garden in France, on my recent trip.

#VisionaryFiction #VisionaryEcoFiction #VancouverAuthor #TransportationFiction #ThreeGoodThings #NewYorkAuthor #NewJerseyAuthor #MetaphysicalFiction #MedicalMarijuanaFiction #LiteraryFiction #IndiePublisher #IndieAuthor #FrackingFiction #EcoFiction #CreativeWriting #CanadianAuthor #CanLit #BritishColumbiaAuthor #Bookstodon #AmericanAuthor

I’m home recovering after a bug, post-finishing my doctorate, post-finishing-school-vacation-trip, and in that in‑between space where I’m figuring out how to bring my doctoral thesis into the world as a book while preparing to release the third ecofiction novel in my trilogy.

I’ll share the trilogy more on Instagram soon; but of course I’ll talk about it here too.

While I’m resting, I’ve been thinking about two things:

1. How to share what I’ve learned from writing visionary ecofiction; not as formal tutorials, but as small, generous micro‑snippets of thought.
2. How much I enjoy posting Three Good Things here on Mastodon.

This led me to realize that the micro‑tutorials can become Three Good Things. A small, informal, unstructured series about what I’ve learned so far.

Here we go.

---

Three Good Things I’ve Learned About Writing Visionary Ecofiction

1. It brings community together; even when people disagree.
Across all three novels, I learned so much from people with different perspectives:
• fracking / hydraulic fracturing (Book 1)
• medical marijuana (Book 2)
• high‑speed rail (Book 3).
Ecofiction is a meeting place; not a consensus.

2. Writing is solitary; but you don’t have to be lonely in it.
Anything that helps you contextualize yourself in your larger community is healthy;
walks, cafés, writing groups, reading groups, sharing drafts.
People’s commentary is subjective but sharing your work is grounding.
Place yourself in your wider spheres; it helps.

3. Take joy in the finishing and sharing stages.
There’s real pleasure in thinking about the special parts of your process and how you want to share them.
I love outlining, first drafting, sculpting, revising, hearing the text read back to me, and working with an editor and designer, but also, imagining the visual vignettes that accompany the trilogy. I’m figuring out a visual narrative to share the trilogy on Instagram.
Finishing is its own creative act.

Working in a genre that’s still emerging (visionary ecology or visionary ecofiction) gives me freedom to genre‑bend fearlessly.
Book 1 is a love story (but not a romance).
Book 2 is a mystery (but not a cozy).
Book 3 is an adventure (but not Indiana Jones).
The elasticity is part of the joy.

These are my three good things today, the first in what I hope will become an informal series of micro‑tutorials on writing visionary ecofiction.

What lights are you up? When you write, how do you define yourself within your genre?

Keep writing and share!

PS, the photo was taken at Giverny, Monet’s Garden in France, on my recent trip.

#VisionaryFiction #VisionaryEcoFiction #VancouverAuthor #TransportationFiction #ThreeGoodThings #NewYorkAuthor #NewJerseyAuthor #MetaphysicalFiction #MedicalMarijuanaFiction #LiteraryFiction #IndiePublisher #IndieAuthor #FrackingFiction #EcoFiction #CreativeWriting #CanadianAuthor #CanLit #BritishColumbiaAuthor #Bookstodon #AmericanAuthor

#PatriciaHighsmith died #OTD in 1995. The #AmericanAuthor was known for her thrillers, many of which were adapted for the screen, incl her 1952 novel The Price of Salt, made into the 2015 film #Carol: famously a #LesbianNovel with a happy ending!

#queerfiction #AdaptationStudies

Trying this again with the right tags this time!!! Newbie problems...

Here is the first page of The Erenwine Agenda, my first published ecofiction novel, sharing for #FlashFicFriday

Amalia Sengupta Erenwine stood in the middle of the gravel lot in Binghamton’s Aqua-Terra County Park, and eyed the mud puddles ahead on the trail. Lace-ups were a good start, but she needed something more heavy-duty on her feet. Betsy stood on the far side of the clearing, head bowed over a printed set of Polson Grohman’s architectural drawings, in a quiet huddle with the environmental center partners and the gas executives from Atlantia Actuaris.

With Betsy across the clearing and a moment to herself, Amalia could breathe it all in and enjoy it for what it was: a spectacular natural environment. The park gave her a boost of energy; just to be in it was enough. She put the camera in her bag opposite her packed lunch, rested the bag on a tipped-up stone slab at the trailhead, and glanced ahead to see dark clouds gather on the horizon beyond the fall colors of upstate New York.

Trying to let go of her inner conflict with the gas company’s investment had drawn it closer, and she found herself facing the reality that her internship in architecture was underwritten by the natural gas industry. Fracking supported her growth as an architect. Her environmentalism turned so awry, so quickly, on her move to New York City.

to read more: https://www.aseiarts.com/landing-theerenwineagenda

on Powell's Books list of New and Classic Eco-Fiction

top 5 Amazon bestseller in Visionary Fiction

shortlisted for best Visionary Fiction, International Book Awards

soon to be reissued under Maia Kumari Bree Chowdhury

and... second in trilogy, Otter Coast, is about to be published - that one is a medical marijuana mystery!

#AmericanAuthor
#Architect
#Binghamton
#CanadianAuthor
#CanLit
#CliFi
#Desi
#EcoFiction
#Ecology
#Energy
#Engineer
#Fiction
#Fracking
#GreenBuilding
#IndieAuthor
#Inspiration
#MarcellusShale
#MixedDesi
#NaturalGas
#NewYork
#OilAndGas
#Pennsylvania
#ShaleGas
#Sustainability
#VisionaryEcoFiction
#VisionaryEcology
#WomenInArchitecture
#WomenInSTEAM
#WomenInSTEAM