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229 results for “benfuddled”
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🤔 Ah, the #nostalgia of #1980s bit-fiddling meets #Sierpiński #triangles in a convoluted, caffeine-induced fever dream! 👾 Who knew that #C #language devotees still cling to these ancient rites, conjuring up #code #optimization hacks that do more to befuddle than optimize? 🧐 Truly, the pinnacle of #programming enlightenment! 😂
https://lcamtuf.substack.com/p/sierpinski-triangle-in-my-bitwise #HackerNews #ngated -
🤔 Ah, the #nostalgia of #1980s bit-fiddling meets #Sierpiński #triangles in a convoluted, caffeine-induced fever dream! 👾 Who knew that #C #language devotees still cling to these ancient rites, conjuring up #code #optimization hacks that do more to befuddle than optimize? 🧐 Truly, the pinnacle of #programming enlightenment! 😂
https://lcamtuf.substack.com/p/sierpinski-triangle-in-my-bitwise #HackerNews #ngated -
This is best video I've seen in a while. Rep. #JaredMoskowitz just called #JamesComer's bluff in humiliating fashion. Moskowitz made a motion to impeach #PresidentBiden during today's bogus #impeachmentHearing knowing that #Comer was completely unprepared to do what he claims is his goal. In response to the motion, Comer sat in stunned silence with a look of absolute befuddlement on his dumb face. Oh, and he refused to second the motion. 🤣
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This is best video I've seen in a while. Rep. #JaredMoskowitz just called #JamesComer's bluff in humiliating fashion. Moskowitz made a motion to impeach #PresidentBiden during today's bogus #impeachmentHearing knowing that #Comer was completely unprepared to do what he claims is his goal. In response to the motion, Comer sat in stunned silence with a look of absolute befuddlement on his dumb face. Oh, and he refused to second the motion. 🤣
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This is best video I've seen in a while. Rep. #JaredMoskowitz just called #JamesComer's bluff in humiliating fashion. Moskowitz made a motion to impeach #PresidentBiden during today's bogus #impeachmentHearing knowing that #Comer was completely unprepared to do what he claims is his goal. In response to the motion, Comer sat in stunned silence with a look of absolute befuddlement on his dumb face. Oh, and he refused to second the motion. 🤣
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This is best video I've seen in a while. Rep. #JaredMoskowitz just called #JamesComer's bluff in humiliating fashion. Moskowitz made a motion to impeach #PresidentBiden during today's bogus #impeachmentHearing knowing that #Comer was completely unprepared to do what he claims is his goal. In response to the motion, Comer sat in stunned silence with a look of absolute befuddlement on his dumb face. Oh, and he refused to second the motion. 🤣
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U.S. #Mafia boss of bosses Giuseppe "Joe the Boss" #Masseria was murdered #OTD in 1931. He was shot to death in a back room at Gerardo Scarpato's Nuova Villa Tammaro restaurant, 2715 West Fifteenth Street, #ConeyIsland.
Read the press coverage:
https://www.writersofwrongs.com/2019/04/joe-boss-murder-befuddles-press.html -
U.S. #Mafia boss of bosses Giuseppe "Joe the Boss" #Masseria was murdered #OTD in 1931. He was shot to death in a back room at Gerardo Scarpato's Nuova Villa Tammaro restaurant, 2715 West Fifteenth Street, #ConeyIsland.
Read the press coverage:
https://www.writersofwrongs.com/2019/04/joe-boss-murder-befuddles-press.html -
U.S. #Mafia boss of bosses Giuseppe "Joe the Boss" #Masseria was murdered #OTD in 1931. He was shot to death in a back room at Gerardo Scarpato's Nuova Villa Tammaro restaurant, 2715 West Fifteenth Street, #ConeyIsland.
Read the press coverage:
https://www.writersofwrongs.com/2019/04/joe-boss-murder-befuddles-press.html -
U.S. #Mafia boss of bosses Giuseppe "Joe the Boss" #Masseria was murdered #OTD in 1931. He was shot to death in a back room at Gerardo Scarpato's Nuova Villa Tammaro restaurant, 2715 West Fifteenth Street, #ConeyIsland.
Read the press coverage:
https://www.writersofwrongs.com/2019/04/joe-boss-murder-befuddles-press.html -
In SOMEONE TO BUILD A NEST IN, by John Wiswell, Shesheshen is an amorphous shape-shifting creature who lives in a swamp, and is able to absorb bones, metal, and other objects inside her to provide a skeleton, and is able to imitate people (especially if she's eaten the person to get the matching bone structure).
She's rudely awakened from her hibernation by a trio of monster hunters, led by the arrogant Catharsis Wulfyre. They're dispatched with some slight difficulty, but all of the Wulfyres are coming: the mini-Catharsis Epigram, the creepy Ode, the domineering and all-powerful Baroness, and the lovable but downtrodden Homily.
This was like a darker and fairly gory Terry Pratchett novel, and managing that tone in a tension-filled storyline is a remarkable feat. Shesheshen is a fun narrator & monster, able to reshape her body & control the organs inside it, and matter-of-fact about doing so. Her befuddlement at human society is one note that struck me as Pratchettian; a more minor one is the nobleman who gets weirdly turned on when he's threatened by Shesheshen. The Wulfyres are utterly hateful, except for Homily, and it's balm when they get their several comeuppances.
(2/5)
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What pre-1985 science fiction are you reading? + Update No. XX
- A selection of read volumes from my shelves
What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).
Before John W. Campbell, Jr. (1910-1971) attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).
Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1934), which featured a grim realism and character development (74).
Lasser also seems like a fascinating individual. He wrote the The Conquest of Space (1931), the first “non-fiction English-language book to deal with spaceflight,” was a member Socialist Party, and was elected head of the Workers Alliance of America (a merger of the Socialist Unemployed Leagues and the Communist Unemployment Councils). He also was banned from federal employment by name in legislation passed by the U.S. Congress due to his political connections. President Jimmy Carter sent him a personal letter of apology when he was finally officially cleared as a subversive in 1980!
The Photograph (with links to reviews and brief thoughts)
- Poul Anderson’s The People of the Wind (1973). I mysteriously adored this one back in 2010… Sometimes my oldest reviews befuddle. I praised Anderson’s refusal to create “monumentally homogeneous societies” yet despaired at its moments of silly and dull battle sequences.
- Doris Piserchia’s A Billion Days of Earth (1976). The best of Piserchia’s novels I’ve read so far. She was an original voice.
- Philip José Farmer’s Night of Light (1966)– a fix-up of “Night of Light” (1957). I remember enjoying this Father Carmody tale despite my inability to write a review. As many know, it influenced Jimi Hendrix’s song “Purple Haze” (1967).
- Robert Silverberg’s collection Needle in a Timestack (1966) contains one of my favorite early Silverberg tales–“The Pain Peddles” (1963).
What am I writing about?
Since my last installment, I’ve posted a review of Star Science Fiction Stories No. 3, ed. Frederik Pohl (1955) which contained three standout stories: Philip K. Dick’s “Foster, You’re Dead” (1955), Richard Matheson’s “Dance of the Dead” (1955), and Jack Williamson’s “Guinevere for Everybody” (1955). I did not know Williamson was capable of such things. In addition, I posted short reviews of two middling (but interesting) novels: Margot Bennett’s The Long Way Back (1954) and Mack Reynolds’ The Earth War (1964).
I compiled a rare Adventures in Science Fiction art post in order to commemorate Rodger B. MacGowan’s passing. Few know his early science-fictional work in Vertex magazine.
Continuing my general interest in science fiction on themes of sexuality and identity, I surveyed an account of the first gay and lesbian-themed SF panel at a Worldcon.
What am I reading?
Makes secret/sad noises. I’m fighting exhaustion on all fronts. I’m struggling to complete projects or stay focused. The only way I get through these spells is to refuse to make plans. This is all for fun! That said, my history reading continues to focus on the working-class experience. See Tobias Higbie’s fascinating book in the previous photo.
A Curated List of SF Birthdays from the Last Two Weeks
March 3rd: Artist Ric Binkley (1921-1968)
March 5th: Author Mike Resnick (1942-2020).
March 5th: Artist Attila Hejja (1955-2007). The master of the blues!
March 6th: Author William F. Nolan (1928-2021). Best known for Logan’s Run (1967).
March 7th: Author Leonard Daventry (1915-1987). Wrote A Man of Double Deed (1965)–which I described as a “dark and grungy tale of polyamory, telepathy, and apocalyptical violence.”
- Tadanoi Yokoo’s cover for the 1979 edition
March 7th: Kobo Abe (1924-1993). Secret Rendezvous (1977, trans. 1979) is one of my favorite SF novels of the 70s. And it received a thematically and visually perfect cover by Tadanoi Yokoo (above).
March 7th: Author Elizabeth Moon (1945-).
March 7th: Author and editor Stanley Schmidt (1944-).
March 9th: Author William F. Temple (1914-1989). Another prolific magazine author whom I’ve not read…
March 9th: Author Manly Banister (1914-1986).
March 9th: Author Pat Murphy (1955-). She left a lovely comment on my review of The Shadow Hunter (1982) recently. I need to fast track my post on her first three published short stories.
- Carlos Ochagavia’s cover for the 1979 edition of John Morressy’s Frostworld and Dreamfire (1977)
March 10th: Artist Carlos Ochagavia (1913-2006). I’ve featured his work here.
March 11th: Author F. M. Busby (1921-2005). Despite missteps like Cage a Man (1973), Busby was capable of some effective introspection — notable “If This is Winnetka, You Must Be Judy” (1974).
March 11th: Author Douglas Adams (1952-2001).
March 12th: Author Harry Harrison (1925-2012). 2025 if finally the year I get to Make Room! Make Room! (1966). Say it with me!
- Diane and Leo Dillon’s cover for Suzette Haden Elgin’s Furthest (1971)
March 13th: Artist Diane Dillon (1933-). One half of the illustrious art partnership of the 60s/70s/80s! Diane created fantastic cover art with her husband Leo. I’m particularly partial to their cover for Suzette Haden Elgin’s Furthest (1971) (above).
March 13th: Author William F. Wu (1951-). With his short stories of the late 70s, Wu is one of the earlier Asian-American SF authors. I need to read his work.
March 14th: Author Mildred Clingerman (1918-1997). Another hole in my SF knowledge… I own her collection A Cupful of Space (1961).
March 16th: Artist Chris Foss (1946-). As I say every year as the fans circle… He’s iconic. He spawned a lot of clones. People love him. He’s not for me.
March 16th: Author P. C. Hodgell (1951-). God Stalk (1982) is supposed to be bizarre.
March 16th: Artist James Warhola (1955-). Best known for his cover for the 1st edition of Gibson’s Neuromancer (1984).
March 17th: James Morrow (1947-).
March 17th: William Gibson (1948-). Very much an author of my youth — I devoured Neuromancer (1984), Virtual Light (1993), Idoru (1996), All Tomorrow’s Parties (1999), Count Zero (1986), the stories in Burning Chrome (1986), and Mona Lisa Overdrive (1988). I haven’t returned to his work in almost two decades.
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1960s #1970s #avantGarde #bookReviews #books #dorisPiserchia #fantasy #fiction #paperbacks #PhilipJoséFarmer #poulAnderson #RobertSilverberg #sciFi #scienceFiction #technology -
What pre-1985 science fiction are you reading? + Update No. XX
- A selection of read volumes from my shelves
What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).
Before John W. Campbell, Jr. attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).
Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1974), which featured a grim realism and character development (74).
Lasser also seems like a fascinating individual. He wrote the The Conquest of Space (1931), the first “non-fiction English-language book to deal with spaceflight,” was a member Socialist Party, and was elected head of the Workers Alliance of America (a merger of the Socialist Unemployed Leagues and the Communist Unemployment Councils). He also was banned from federal employment by name in legislation passed by the U.S. Congress due to his political connections. President Jimmy Carter sent him a personal letter of apology when he was finally officially cleared as a subversive in 1980!
The Photograph (with links to reviews and brief thoughts)
- Poul Anderson’s The People of the Wind (1973). I mysteriously adored this one back in 2010… Sometimes my oldest reviews befuddle. I praised Anderson’s refusal to create “monumentally homogeneous societies” yet despaired at its moments of silly and dull battle sequences.
- Doris Piserchia’s A Billion Days of Earth (1976). The best of Piserchia’s novels I’ve read so far. She was an original voice.
- Philip José Farmer’s Night of Light (1966)– a fix-up of “Night of Light” (1957). I remember enjoying this Father Carmody tale despite my inability to write a review. As many know, it influenced Jimi Hendrix’s song “Purple Haze” (1967).
- Robert Silverberg’s collection Needle in a Timestack (1966) contains one of my favorite early Silverberg tales–“The Pain Peddles” (1963).
What am I writing about?
Since my last installment, I’ve posted reviews of Star Science Fiction Stories No. 3, ed. Frederik Pohl (1955) which contained three standout stories: Philip K. Dick’s “Foster, You’re Dead” (1955), Richard Matheson’s “Dance of the Dead” (1955), and Jack Williamson’s “Guinevere for Everybody” (1955). I did not know Williamson was capable of such things. I posted short reviews of two middling (but interesting) novels: Margot Bennett’s The Long Way Back (1954) and Mack Reynolds’ The Earth War (1964).
I compiled a rare Adventures in Science Fiction art post in order to commemorate Rodger B. MacGowan’s passing. Few know his early science-fictional work in Vertex magazine.
Continuing my general interest in science fiction on themes of sexuality and identity, I surveyed an account of the first gay and lesbian-themed SF panel at a Worldcon.
What am I reading?
Makes secret noises. I’m fighting exhaustion on all fronts. I’m struggling to complete projects or stay focused. The only way I get through these spells is to refuse to make plans. This is all for fun! That said, my history reading continues to focus on the working-class experience. See Tobias Higbie’s fascinating book in the previous photo.
A Curated List of SF Birthdays from the Last Two Weeks
March 3rd: Artist Ric Binkley (1921-1968)
March 5th: Author Mike Resnick (1942-2020).
March 5th: Artist Attila Hejja (1955-2007). The master of the blues!
March 6th: Author William F. Nolan (1928-2021). Best known for Logan’s Run (1967).
March 7th: Author Leonard Daventry (1915-1987). Wrote A Man of Double Deed (1965)–which I described as a “dark and grungy tale of polyamory, telepathy, and apocalyptical violence.”
- Tadanoi Yokoo’s cover for the 1979 edition
March 7th: Kobo Abe (1924-1993). Secret Rendezvous (1977, trans. 1979) is one of my favorite SF novels of the 70s. And it received a thematically and visually perfect cover by Tadanoi Yokoo (above).
March 7th: Author Elizabeth Moon (1945-).
March 7th: Author and editor Stanley Schmidt (1944-).
March 9th: Author William F. Temple (1914-1989). Another prolific magazine author whom I’ve not read…
March 9th: Author Manly Banister (1914-1986).
March 9th: Author Pat Murphy (1955-). She left a lovely comment on my review of The Shadow Hunter (1982) recently. I need to fast track my post on her first three published short stories.
- Carlos Ochagavia’s cover for the 1979 edition of John Morressy’s Frostworld and Dreamfire (1977)
March 10th: Artist Carlos Ochagavia (1913-2006). I’ve featured his work here.
March 11th: Author F. M. Busby (1921-2005). Despite missteps like Cage a Man (1973), Busby was capable of some effective introspection — notable “If This is Winnetka, You Must Be Judy” (1974).
March 11th: Author Douglas Adams (1952-2001).
March 12th: Author Harry Harrison (1925-2012). 2025 if finally the year I get to Make Room! Make Room! (1966). Say it with me!
- Diane and Leo Dillon’s cover for Suzette Haden Elgin’s Furthest (1971)
March 13th: Artist Diane Dillon (1933-). One half of the illustrious art partnership of the 60s/70s/80s! Diane created fantastic cover art with her husband Leo. I’m particularly partial to their cover for Suzette Haden Elgin’s Furthest (1971) (above).
March 13th: Author William F. Wu (1951-). With his short stories of the late 70s, Wu is one of the earlier Asian-American SF authors. I need to read his work.
March 14th: Author Mildred Clingerman (1918-1997). Another hole in my SF knowledge… I own her collection A Cupful of Space (1961).
March 16th: Artist Chris Foss (1946-). As I say every year as the fans circle… He’s iconic. He spawned a lot of clones. People love him. He’s not for me.
March 16th: Author P. C. Hodgell (1951-). God Stalk (1982) is supposed to be bizarre.
March 16th: Artist James Warhola (1955-). Best known for his cover for the 1st edition of Gibson’s Neuromancer (1984).
March 17th: James Morrow (1947-).
March 17th: William Gibson (1948-). Very much an author of my youth — I devoured Neuromancer (1984), Virtual Light (1993), Idoru (1996), All Tomorrow’s Parties (1999), Count Zero (1986), the stories in Burning Chrome (1986), and Mona Lisa Overdrive (1988). I haven’t returned to his work in almost two decades.
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1960s #1970s #avantGarde #bookReviews #books #dorisPiserchia #fantasy #fiction #paperbacks #PhilipJoséFarmer #poulAnderson #RobertSilverberg #sciFi #scienceFiction #technology
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What pre-1985 science fiction are you reading? + Update No. XX
- A selection of read volumes from my shelves
What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).
Before John W. Campbell, Jr. attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).
Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1974), which featured a grim realism and character development (74).
Lasser also seems like a fascinating individual. He wrote the The Conquest of Space (1931), the first “non-fiction English-language book to deal with spaceflight,” was a member Socialist Party, and was elected head of the Workers Alliance of America (a merger of the Socialist Unemployed Leagues and the Communist Unemployment Councils). He also was banned from federal employment by name in legislation passed by the U.S. Congress due to his political connections. President Jimmy Carter sent him a personal letter of apology when he was finally officially cleared as a subversive in 1980!
The Photograph (with links to reviews and brief thoughts)
- Poul Anderson’s The People of the Wind (1973). I mysteriously adored this one back in 2010… Sometimes my oldest reviews befuddle. I praised Anderson’s refusal to create “monumentally homogeneous societies” yet despaired at its moments of silly and dull battle sequences.
- Doris Piserchia’s A Billion Days of Earth (1976). The best of Piserchia’s novels I’ve read so far. She was an original voice.
- Philip José Farmer’s Night of Light (1966)– a fix-up of “Night of Light” (1957). I remember enjoying this Father Carmody tale despite my inability to write a review. As many know, it influenced Jimi Hendrix’s song “Purple Haze” (1967).
- Robert Silverberg’s collection Needle in a Timestack (1966) contains one of my favorite early Silverberg tales–“The Pain Peddles” (1963).
What am I writing about?
Since my last installment, I’ve posted reviews of Star Science Fiction Stories No. 3, ed. Frederik Pohl (1955) which contained three standout stories: Philip K. Dick’s “Foster, You’re Dead” (1955), Richard Matheson’s “Dance of the Dead” (1955), and Jack Williamson’s “Guinevere for Everybody” (1955). I did not know Williamson was capable of such things. I posted short reviews of two middling (but interesting) novels: Margot Bennett’s The Long Way Back (1954) and Mack Reynolds’ The Earth War (1964).
I compiled a rare Adventures in Science Fiction art post in order to commemorate Rodger B. MacGowan’s passing. Few know his early science-fictional work in Vertex magazine.
Continuing my general interest in science fiction on themes of sexuality and identity, I surveyed an account of the first gay and lesbian-themed SF panel at a Worldcon.
What am I reading?
Makes secret noises. I’m fighting exhaustion on all fronts. I’m struggling to complete projects or stay focused. The only way I get through these spells is to refuse to make plans. This is all for fun! That said, my history reading continues to focus on the working-class experience. See Tobias Higbie’s fascinating book in the previous photo.
A Curated List of SF Birthdays from the Last Two Weeks
March 3rd: Artist Ric Binkley (1921-1968)
March 5th: Author Mike Resnick (1942-2020).
March 5th: Artist Attila Hejja (1955-2007). The master of the blues!
March 6th: Author William F. Nolan (1928-2021). Best known for Logan’s Run (1967).
March 7th: Author Leonard Daventry (1915-1987). Wrote A Man of Double Deed (1965)–which I described as a “dark and grungy tale of polyamory, telepathy, and apocalyptical violence.”
- Tadanoi Yokoo’s cover for the 1979 edition
March 7th: Kobo Abe (1924-1993). Secret Rendezvous (1977, trans. 1979) is one of my favorite SF novels of the 70s. And it received a thematically and visually perfect cover by Tadanoi Yokoo (above).
March 7th: Author Elizabeth Moon (1945-).
March 7th: Author and editor Stanley Schmidt (1944-).
March 9th: Author William F. Temple (1914-1989). Another prolific magazine author whom I’ve not read…
March 9th: Author Manly Banister (1914-1986).
March 9th: Author Pat Murphy (1955-). She left a lovely comment on my review of The Shadow Hunter (1982) recently. I need to fast track my post on her first three published short stories.
- Carlos Ochagavia’s cover for the 1979 edition of John Morressy’s Frostworld and Dreamfire (1977)
March 10th: Artist Carlos Ochagavia (1913-2006). I’ve featured his work here.
March 11th: Author F. M. Busby (1921-2005). Despite missteps like Cage a Man (1973), Busby was capable of some effective introspection — notable “If This is Winnetka, You Must Be Judy” (1974).
March 11th: Author Douglas Adams (1952-2001).
March 12th: Author Harry Harrison (1925-2012). 2025 if finally the year I get to Make Room! Make Room! (1966). Say it with me!
- Diane and Leo Dillon’s cover for Suzette Haden Elgin’s Furthest (1971)
March 13th: Artist Diane Dillon (1933-). One half of the illustrious art partnership of the 60s/70s/80s! Diane created fantastic cover art with her husband Leo. I’m particularly partial to their cover for Suzette Haden Elgin’s Furthest (1971) (above).
March 13th: Author William F. Wu (1951-). With his short stories of the late 70s, Wu is one of the earlier Asian-American SF authors. I need to read his work.
March 14th: Author Mildred Clingerman (1918-1997). Another hole in my SF knowledge… I own her collection A Cupful of Space (1961).
March 16th: Artist Chris Foss (1946-). As I say every year as the fans circle… He’s iconic. He spawned a lot of clones. People love him. He’s not for me.
March 16th: Author P. C. Hodgell (1951-). God Stalk (1982) is supposed to be bizarre.
March 16th: Artist James Warhola (1955-). Best known for his cover for the 1st edition of Gibson’s Neuromancer (1984).
March 17th: James Morrow (1947-).
March 17th: William Gibson (1948-). Very much an author of my youth — I devoured Neuromancer (1984), Virtual Light (1993), Idoru (1996), All Tomorrow’s Parties (1999), Count Zero (1986), the stories in Burning Chrome (1986), and Mona Lisa Overdrive (1988). I haven’t returned to his work in almost two decades.
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1960s #1970s #avantGarde #bookReviews #books #dorisPiserchia #fantasy #fiction #paperbacks #PhilipJoséFarmer #poulAnderson #RobertSilverberg #sciFi #scienceFiction #technology
-
What pre-1985 science fiction are you reading? + Update No. XX
- A selection of read volumes from my shelves
What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).
Before John W. Campbell, Jr. (1910-1971) attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).
Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1934), which featured a grim realism and character development (74).
Lasser also seems like a fascinating individual. He wrote the The Conquest of Space (1931), the first “non-fiction English-language book to deal with spaceflight,” was a member Socialist Party, and was elected head of the Workers Alliance of America (a merger of the Socialist Unemployed Leagues and the Communist Unemployment Councils). He also was banned from federal employment by name in legislation passed by the U.S. Congress due to his political connections. President Jimmy Carter sent him a personal letter of apology when he was finally officially cleared as a subversive in 1980!
The Photograph (with links to reviews and brief thoughts)
- Poul Anderson’s The People of the Wind (1973). I mysteriously adored this one back in 2010… Sometimes my oldest reviews befuddle. I praised Anderson’s refusal to create “monumentally homogeneous societies” yet despaired at its moments of silly and dull battle sequences.
- Doris Piserchia’s A Billion Days of Earth (1976). The best of Piserchia’s novels I’ve read so far. She was an original voice.
- Philip José Farmer’s Night of Light (1966)– a fix-up of “Night of Light” (1957). I remember enjoying this Father Carmody tale despite my inability to write a review. As many know, it influenced Jimi Hendrix’s song “Purple Haze” (1967).
- Robert Silverberg’s collection Needle in a Timestack (1966) contains one of my favorite early Silverberg tales–“The Pain Peddles” (1963).
What am I writing about?
Since my last installment, I’ve posted a review of Star Science Fiction Stories No. 3, ed. Frederik Pohl (1955) which contained three standout stories: Philip K. Dick’s “Foster, You’re Dead” (1955), Richard Matheson’s “Dance of the Dead” (1955), and Jack Williamson’s “Guinevere for Everybody” (1955). I did not know Williamson was capable of such things. In addition, I posted short reviews of two middling (but interesting) novels: Margot Bennett’s The Long Way Back (1954) and Mack Reynolds’ The Earth War (1964).
I compiled a rare Adventures in Science Fiction art post in order to commemorate Rodger B. MacGowan’s passing. Few know his early science-fictional work in Vertex magazine.
Continuing my general interest in science fiction on themes of sexuality and identity, I surveyed an account of the first gay and lesbian-themed SF panel at a Worldcon.
What am I reading?
Makes secret/sad noises. I’m fighting exhaustion on all fronts. I’m struggling to complete projects or stay focused. The only way I get through these spells is to refuse to make plans. This is all for fun! That said, my history reading continues to focus on the working-class experience. See Tobias Higbie’s fascinating book in the previous photo.
A Curated List of SF Birthdays from the Last Two Weeks
March 3rd: Artist Ric Binkley (1921-1968)
March 5th: Author Mike Resnick (1942-2020).
March 5th: Artist Attila Hejja (1955-2007). The master of the blues!
March 6th: Author William F. Nolan (1928-2021). Best known for Logan’s Run (1967).
March 7th: Author Leonard Daventry (1915-1987). Wrote A Man of Double Deed (1965)–which I described as a “dark and grungy tale of polyamory, telepathy, and apocalyptical violence.”
- Tadanoi Yokoo’s cover for the 1979 edition
March 7th: Kobo Abe (1924-1993). Secret Rendezvous (1977, trans. 1979) is one of my favorite SF novels of the 70s. And it received a thematically and visually perfect cover by Tadanoi Yokoo (above).
March 7th: Author Elizabeth Moon (1945-).
March 7th: Author and editor Stanley Schmidt (1944-).
March 9th: Author William F. Temple (1914-1989). Another prolific magazine author whom I’ve not read…
March 9th: Author Manly Banister (1914-1986).
March 9th: Author Pat Murphy (1955-). She left a lovely comment on my review of The Shadow Hunter (1982) recently. I need to fast track my post on her first three published short stories.
- Carlos Ochagavia’s cover for the 1979 edition of John Morressy’s Frostworld and Dreamfire (1977)
March 10th: Artist Carlos Ochagavia (1913-2006). I’ve featured his work here.
March 11th: Author F. M. Busby (1921-2005). Despite missteps like Cage a Man (1973), Busby was capable of some effective introspection — notable “If This is Winnetka, You Must Be Judy” (1974).
March 11th: Author Douglas Adams (1952-2001).
March 12th: Author Harry Harrison (1925-2012). 2025 if finally the year I get to Make Room! Make Room! (1966). Say it with me!
- Diane and Leo Dillon’s cover for Suzette Haden Elgin’s Furthest (1971)
March 13th: Artist Diane Dillon (1933-). One half of the illustrious art partnership of the 60s/70s/80s! Diane created fantastic cover art with her husband Leo. I’m particularly partial to their cover for Suzette Haden Elgin’s Furthest (1971) (above).
March 13th: Author William F. Wu (1951-). With his short stories of the late 70s, Wu is one of the earlier Asian-American SF authors. I need to read his work.
March 14th: Author Mildred Clingerman (1918-1997). Another hole in my SF knowledge… I own her collection A Cupful of Space (1961).
March 16th: Artist Chris Foss (1946-). As I say every year as the fans circle… He’s iconic. He spawned a lot of clones. People love him. He’s not for me.
March 16th: Author P. C. Hodgell (1951-). God Stalk (1982) is supposed to be bizarre.
March 16th: Artist James Warhola (1955-). Best known for his cover for the 1st edition of Gibson’s Neuromancer (1984).
March 17th: James Morrow (1947-).
March 17th: William Gibson (1948-). Very much an author of my youth — I devoured Neuromancer (1984), Virtual Light (1993), Idoru (1996), All Tomorrow’s Parties (1999), Count Zero (1986), the stories in Burning Chrome (1986), and Mona Lisa Overdrive (1988). I haven’t returned to his work in almost two decades.
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1960s #1970s #avantGarde #bookReviews #books #dorisPiserchia #fantasy #fiction #paperbacks #PhilipJoséFarmer #poulAnderson #RobertSilverberg #sciFi #scienceFiction #technology -
What pre-1985 science fiction are you reading? + Update No. XX
- A selection of read volumes from my shelves
What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).
Before John W. Campbell, Jr. attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).
Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1974), which featured a grim realism and character development (74).
Lasser also seems like a fascinating individual. He wrote the The Conquest of Space (1931), the first “non-fiction English-language book to deal with spaceflight,” was a member Socialist Party, and was elected head of the Workers Alliance of America (a merger of the Socialist Unemployed Leagues and the Communist Unemployment Councils). He also was banned from federal employment by name in legislation passed by the U.S. Congress due to his political connections. President Jimmy Carter sent him a personal letter of apology when he was finally officially cleared as a subversive in 1980!
The Photograph (with links to reviews and brief thoughts)
- Poul Anderson’s The People of the Wind (1973). I mysteriously adored this one back in 2010… Sometimes my oldest reviews befuddle. I praised Anderson’s refusal to create “monumentally homogeneous societies” yet despaired at its moments of silly and dull battle sequences.
- Doris Piserchia’s A Billion Days of Earth (1976). The best of Piserchia’s novels I’ve read so far. She was an original voice.
- Philip José Farmer’s Night of Light (1966)– a fix-up of “Night of Light” (1957). I remember enjoying this Father Carmody tale despite my inability to write a review. As many know, it influenced Jimi Hendrix’s song “Purple Haze” (1967).
- Robert Silverberg’s collection Needle in a Timestack (1966) contains one of my favorite early Silverberg tales–“The Pain Peddles” (1963).
What am I writing about?
Since my last installment, I’ve posted reviews of Star Science Fiction Stories No. 3, ed. Frederik Pohl (1955) which contained three standout stories: Philip K. Dick’s “Foster, You’re Dead” (1955), Richard Matheson’s “Dance of the Dead” (1955), and Jack Williamson’s “Guinevere for Everybody” (1955). I did not know Williamson was capable of such things. I posted short reviews of two middling (but interesting) novels: Margot Bennett’s The Long Way Back (1954) and Mack Reynolds’ The Earth War (1964).
I compiled a rare Adventures in Science Fiction art post in order to commemorate Rodger B. MacGowan’s passing. Few know his early science-fictional work in Vertex magazine.
Continuing my general interest in science fiction on themes of sexuality and identity, I surveyed an account of the first gay and lesbian-themed SF panel at a Worldcon.
What am I reading?
Makes secret noises. I’m fighting exhaustion on all fronts. I’m struggling to complete projects or stay focused. The only way I get through these spells is to refuse to make plans. This is all for fun! That said, my history reading continues to focus on the working-class experience. See Tobias Higbie’s fascinating book in the previous photo.
A Curated List of SF Birthdays from the Last Two Weeks
March 3rd: Artist Ric Binkley (1921-1968)
March 5th: Author Mike Resnick (1942-2020).
March 5th: Artist Attila Hejja (1955-2007). The master of the blues!
March 6th: Author William F. Nolan (1928-2021). Best known for Logan’s Run (1967).
March 7th: Author Leonard Daventry (1915-1987). Wrote A Man of Double Deed (1965)–which I described as a “dark and grungy tale of polyamory, telepathy, and apocalyptical violence.”
- Tadanoi Yokoo’s cover for the 1979 edition
March 7th: Kobo Abe (1924-1993). Secret Rendezvous (1977, trans. 1979) is one of my favorite SF novels of the 70s. And it received a thematically and visually perfect cover by Tadanoi Yokoo (above).
March 7th: Author Elizabeth Moon (1945-).
March 7th: Author and editor Stanley Schmidt (1944-).
March 9th: Author William F. Temple (1914-1989). Another prolific magazine author whom I’ve not read…
March 9th: Author Manly Banister (1914-1986).
March 9th: Author Pat Murphy (1955-). She left a lovely comment on my review of The Shadow Hunter (1982) recently. I need to fast track my post on her first three published short stories.
- Carlos Ochagavia’s cover for the 1979 edition of John Morressy’s Frostworld and Dreamfire (1977)
March 10th: Artist Carlos Ochagavia (1913-2006). I’ve featured his work here.
March 11th: Author F. M. Busby (1921-2005). Despite missteps like Cage a Man (1973), Busby was capable of some effective introspection — notable “If This is Winnetka, You Must Be Judy” (1974).
March 11th: Author Douglas Adams (1952-2001).
March 12th: Author Harry Harrison (1925-2012). 2025 if finally the year I get to Make Room! Make Room! (1966). Say it with me!
- Diane and Leo Dillon’s cover for Suzette Haden Elgin’s Furthest (1971)
March 13th: Artist Diane Dillon (1933-). One half of the illustrious art partnership of the 60s/70s/80s! Diane created fantastic cover art with her husband Leo. I’m particularly partial to their cover for Suzette Haden Elgin’s Furthest (1971) (above).
March 13th: Author William F. Wu (1951-). With his short stories of the late 70s, Wu is one of the earlier Asian-American SF authors. I need to read his work.
March 14th: Author Mildred Clingerman (1918-1997). Another hole in my SF knowledge… I own her collection A Cupful of Space (1961).
March 16th: Artist Chris Foss (1946-). As I say every year as the fans circle… He’s iconic. He spawned a lot of clones. People love him. He’s not for me.
March 16th: Author P. C. Hodgell (1951-). God Stalk (1982) is supposed to be bizarre.
March 16th: Artist James Warhola (1955-). Best known for his cover for the 1st edition of Gibson’s Neuromancer (1984).
March 17th: James Morrow (1947-).
March 17th: William Gibson (1948-). Very much an author of my youth — I devoured Neuromancer (1984), Virtual Light (1993), Idoru (1996), All Tomorrow’s Parties (1999), Count Zero (1986), the stories in Burning Chrome (1986), and Mona Lisa Overdrive (1988). I haven’t returned to his work in almost two decades.
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1960s #1970s #avantGarde #bookReviews #books #dorisPiserchia #fantasy #fiction #paperbacks #PhilipJoséFarmer #poulAnderson #RobertSilverberg #sciFi #scienceFiction #technology
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David Byrne - Who is the Sky?
Origin: NYC
#TastingNotes: Beck, Jonathan Coulton, Rufus WainwrightI've long since abandoned any hope of understanding David Byrne. He is, as they say in the mid-west, a Damn Weirdo: iconclast, unapologetically himself, and endlessly restless. While it has been several years between proper album releases, he's been very busy indeed with stage adaptations of American Utopia and who knows what else. Anyway here he is again with a new collection of songs as weird as he is.
Who is the Sky? begins with Everybody Laughs, a list song about what unites us all as humans reminiscent of Like Humans Do. It's hopeful, quirky, and infectious, and probably the least weird thing here. The rest of the record features songs such as: a love song to his NYC apartment; a parable suspiciously similar to Kafka's Before the Door of the Law (but with a happy ending); being called a square by the Buddha over the buffet table at a party; a send-up of the avant-garde, and magical-realist trouble with too-effective skin moisturizer. Throughout you'll find his typical observational musings on contemporary life and culture, though with age has come less wisdom and more befuddlement.
The production is stellar, as always, and the music is bright and approachable, leaning heavily into the latin rhythms he finds so enticing. Ghost Train Orchestra are on most tracks, lending excellent noises and clever arrangements. The vibe is exuberance.
Byrne's solo output has always been odd, but even for fans I can imagine this record might cross the line from the merely amusing to the insufferable. I think it's great. It makes me laugh and sing along, and challenges me to respond to the world with less cynicism and more bemusement. It may not always hit the heights of his very best (Grown Backwards, with its operatic conceits, will always be a favourite), but it's certainly one of my favourite records this year.
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By Kenstrosity
Long time readers understand that I like damn near any kind of metal. If it’s got heavily distorted guitars and big, bloodied hooks, I’m on board. My eclecticism inside the metalverse affords me a rare kind of versatility when it comes to review duties, too. Anything that falls into my lap has a chance to get a proper sponge bath. However, sometimes a band does a bunch of stuff that I normally enjoy and yet, my enthusiasm falters. Most of the time, that’s a simple conflict. I just don’t like the songs, even if I like the format. That, dear readers, is precisely the case for German “wedon’tgiveafuckmetal”1 outfit Soulbound and their fourth LP, obsYdian.
Does anybody remember Powerman 5000? I do. They had some straight-up bangers in their time, like “When Worlds Collide” and “Bombshell.” Sadly, their legacy is one of pure novelty and nostalgia. Undeterred by such circumstances, Soulbound cut their sound from the same cloth, interweaving pop metal elements reminiscent of Amaranthe; creepy gothic industrial rock similar to some of Marilyn Manson’s work; and stompy riffs and a genuinely vicious scream pulled straight from the Static-X playbook. With obsYdian, Soulbound integrated a new, updated thread of synthwave influence into their Eurovision-ready bops, which happens to be a major draw for this reviewer in 2024. And yet, obsYdian still grinds my gears.
Frustration floods my system every time I spin obsYdian. From the start of its overlong instrumental intro to a bizarre two-part closer, Soulbound make questionable choices that keep me listening almost entirely out of morbid curiosity. Starting off with a powerful dose of cringe, opener “Burn” serenades my inner angsty teen with shouts of “BURN, MOTHERFUCKER” against a backdrop of base chuggery. In fact, “motherfucker” features an egregious number of times for a band claiming to give no fucks to begin with. Other missteps include “Lioness,” which I hypothesize speaks on struggling with mental illness, heartbreak, or uncontrolled drug use. Any one of those holds potential for a great theme, but “Lioness” kicks off on a confusing note—a howling wolf—and further befuddles with chorus lyrics that muddle the message beyond easy deduction. Outside of those memorably unfortunate moments in the first half, the bulk of obsYdian fails to make any impression one way or the other. Inoffensive tracks like “Insane” and “Isolate” fight hard for my attention with superficially hooky licks and aggressive bounce. Yet, I remain wholly unmoved. Finally, I reach a real head-scratcher with obsYdian’s bewildering closing duo. “Remain (Part 1),” an ill-fated, three-minute, sappy sadboi ballad, wasn’t the best choice for a late album tuck-in to start with, but Soulbound paired it with a truly puzzling consort: “Remain (Part 2).” After “(Part 1)” ends, “(Part 2)” reprises the main theme of “(Part 1),” at half-time, with orchestral bombast, ad nauseam for a whopping seven minutes of mind-numbing buzzkillery. What the hell is even that?
In all fairness, Soulbound do know their way around a sharp hook once they find one. Top selections like the synthwave worshipping “Forever in the Dark,” the anthemic “Saint Sinner,” and the dance party-ready “Paralyzed” might be cheesy and somewhat oversimplified, but they get my head bobbing and I can’t help but hum each one absentmindedly while out and about. On the sonic front, Soulbound’s shift into synthwave territory suits their particular use of melody wonderfully, especially compared to the more industrial crunch of past records. I hope they capitalize on that further going forward. However, the increased volume of moody ballads like “Heartless” in the back half significantly brings the album’s energy down—enough to discourage replays. My suggestion would be to either revisit and develop those ballads into incontrovertibly captivating showstoppers, or cut them entirely in exchange for one or two more infectious bops like “Forever in the Dark” and “Paralyzed” instead.
Soulbound adopted a sonic palette and a poppy songwriting approach that should’ve wholly resonated with me. It checks a lot of my more superficial boxes. However, I’ve been listening to this kind of music for decades now, and demand more hype and substance than what obsYdian offered. Ultimately, I’m hard-pressed to recommend all but a scant three songs to this readership, and even those come with caveats. That said, you’ll hear no judgment from me should you like Soulbound more than I. It’s just not for me.
Rating: Bad.
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Metalville
Website: facebook.com/MusicSoulbound
Releases Worldwide: July 26th, 2024#15 #2024 #Amaranthe #ElectronicMetal #GermanMetal #GothicMetal #IndustrialMetal #Jul24 #MarilynManson #Metalville #obsYdian #PopMetal #Powerman5000 #Review #Reviews #Soulbound #StaticX #Synthwave
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By Kenstrosity
Long time readers understand that I like damn near any kind of metal. If it’s got heavily distorted guitars and big, bloodied hooks, I’m on board. My eclecticism inside the metalverse affords me a rare kind of versatility when it comes to review duties, too. Anything that falls into my lap has a chance to get a proper sponge bath. However, sometimes a band does a bunch of stuff that I normally enjoy and yet, my enthusiasm falters. Most of the time, that’s a simple conflict. I just don’t like the songs, even if I like the format. That, dear readers, is precisely the case for German “wedon’tgiveafuckmetal”1 outfit Soulbound and their fourth LP, obsYdian.
Does anybody remember Powerman 5000? I do. They had some straight-up bangers in their time, like “When Worlds Collide” and “Bombshell.” Sadly, their legacy is one of pure novelty and nostalgia. Undeterred by such circumstances, Soulbound cut their sound from the same cloth, interweaving pop metal elements reminiscent of Amaranthe; creepy gothic industrial rock similar to some of Marilyn Manson’s work; and stompy riffs and a genuinely vicious scream pulled straight from the Static-X playbook. With obsYdian, Soulbound integrated a new, updated thread of synthwave influence into their Eurovision-ready bops, which happens to be a major draw for this reviewer in 2024. And yet, obsYdian still grinds my gears.
Frustration floods my system every time I spin obsYdian. From the start of its overlong instrumental intro to a bizarre two-part closer, Soulbound make questionable choices that keep me listening almost entirely out of morbid curiosity. Starting off with a powerful dose of cringe, opener “Burn” serenades my inner angsty teen with shouts of “BURN, MOTHERFUCKER” against a backdrop of base chuggery. In fact, “motherfucker” features an egregious number of times for a band claiming to give no fucks to begin with. Other missteps include “Lioness,” which I hypothesize speaks on struggling with mental illness, heartbreak, or uncontrolled drug use. Any one of those holds potential for a great theme, but “Lioness” kicks off on a confusing note—a howling wolf—and further befuddles with chorus lyrics that muddle the message beyond easy deduction. Outside of those memorably unfortunate moments in the first half, the bulk of obsYdian fails to make any impression one way or the other. Inoffensive tracks like “Insane” and “Isolate” fight hard for my attention with superficially hooky licks and aggressive bounce. Yet, I remain wholly unmoved. Finally, I reach a real head-scratcher with obsYdian’s bewildering closing duo. “Remain (Part 1),” an ill-fated, three-minute, sappy sadboi ballad, wasn’t the best choice for a late album tuck-in to start with, but Soulbound paired it with a truly puzzling consort: “Remain (Part 2).” After “(Part 1)” ends, “(Part 2)” reprises the main theme of “(Part 1),” at half-time, with orchestral bombast, ad nauseam for a whopping seven minutes of mind-numbing buzzkillery. What the hell is even that?
In all fairness, Soulbound do know their way around a sharp hook once they find one. Top selections like the synthwave worshipping “Forever in the Dark,” the anthemic “Saint Sinner,” and the dance party-ready “Paralyzed” might be cheesy and somewhat oversimplified, but they get my head bobbing and I can’t help but hum each one absentmindedly while out and about. On the sonic front, Soulbound’s shift into synthwave territory suits their particular use of melody wonderfully, especially compared to the more industrial crunch of past records. I hope they capitalize on that further going forward. However, the increased volume of moody ballads like “Heartless” in the back half significantly brings the album’s energy down—enough to discourage replays. My suggestion would be to either revisit and develop those ballads into incontrovertibly captivating showstoppers, or cut them entirely in exchange for one or two more infectious bops like “Forever in the Dark” and “Paralyzed” instead.
Soulbound adopted a sonic palette and a poppy songwriting approach that should’ve wholly resonated with me. It checks a lot of my more superficial boxes. However, I’ve been listening to this kind of music for decades now, and demand more hype and substance than what obsYdian offered. Ultimately, I’m hard-pressed to recommend all but a scant three songs to this readership, and even those come with caveats. That said, you’ll hear no judgment from me should you like Soulbound more than I. It’s just not for me.
Rating: Bad.
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Metalville
Website: facebook.com/MusicSoulbound
Releases Worldwide: July 26th, 2024#15 #2024 #Amaranthe #ElectronicMetal #GermanMetal #GothicMetal #IndustrialMetal #Jul24 #MarilynManson #Metalville #obsYdian #PopMetal #Powerman5000 #Review #Reviews #Soulbound #StaticX #Synthwave