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  1. @me_

    I have managed to contact David Benn by email and he sent me the archive. I have uploaded it to unna.org. Should be in incoming shortly.

    #LittleLisp #Newton #pda

  2. I would like to plug the LittleLisp software by David Benn:

    It used to be at :

    users.on.net/~dbenn/LittleLisp ,

    but the web hosting seems to have expired and the page is only available through the Internet Archive:

    web.archive.org/web/2022080721

    #LittleLisp #Newton #Apple

  3. Re-visiting #LittleFiresEverywhere

    Kerry Washington / Reese Witherspoon 2020
    (based on a novel by Celeste Ng 2017)

    Not gonna lie: I loooove this miniseries
    follows "the intertwined fates of the picture-perfect Richardson family and an enigmatic mother and daughter who upend their lives. The story explores the weight of secrets, the nature of art and identity, the ferocious pull of motherhood – and the danger in believing that following the rules can avert disaster”

    does an above average job of presenting a range of different world-views;
    and asks the all important question “just what IS a mother?”

  4. Little Island

    Love the architecture. That’s why I hate living in suburbs because there’s nothing interesting like this 😫 but you have to pay a premium to live in Manhattan……. A huge one…

    #NYC #NewYork #LittleIsland

  5. Pier 57, Crane Barge. © Copyright 2023 G Dan Mitchell.

    A crane barge docked next to Pier 57, Manhattan.

    Manhattan’s Hudson River waterfront fascinates me. It is a busy place with lots of vehicle traffic, but many facilities along the shore have been and are being transformed. Old piers fall into ruin, others are converted to new purposes. New structures extend the city over the water. I made this photograph at one of those new places, the “Little Island.” It seems to grow organically from the water, and it houses a busy little park with enough elevation to provide good views of the surroundings...continues: gdanmitchell.com/2023/12/29/pi

    #littleisland #nyc #manhattan #hudsonriver #travel #photography

  6. Pier 57, Crane Barge. © Copyright 2023 G Dan Mitchell.

    A crane barge docked next to Pier 57, Manhattan.

    Manhattan’s Hudson River waterfront fascinates me. It is a busy place with lots of vehicle traffic, but many facilities along the shore have been and are being transformed. Old piers fall into ruin, others are converted to new purposes. New structures extend the city over the water. I made this photograph at one of those new places, the “Little Island.” It seems to grow organically from the water, and it houses a busy little park with enough elevation to provide good views of the surroundings...continues: gdanmitchell.com/2023/12/29/pi

    #littleisland #nyc #manhattan #hudsonriver #travel #photography

  7. Pier 57, Crane Barge. © Copyright 2023 G Dan Mitchell.

    A crane barge docked next to Pier 57, Manhattan.

    Manhattan’s Hudson River waterfront fascinates me. It is a busy place with lots of vehicle traffic, but many facilities along the shore have been and are being transformed. Old piers fall into ruin, others are converted to new purposes. New structures extend the city over the water. I made this photograph at one of those new places, the “Little Island.” It seems to grow organically from the water, and it houses a busy little park with enough elevation to provide good views of the surroundings...continues: gdanmitchell.com/2023/12/29/pi

    #littleisland #nyc #manhattan #hudsonriver #travel #photography

  8. „Ihr könnt Little Island von meiner Seite The 5th Axis downloaden. Im Anschluss einfach das Executable ausführen und den Anweisungen des Installers folgen. Über euer Feedback freue ich mich sehr!“

    Teilen=❤️

    videospielgeschichten.de/abent

    #littleisland #homebrew #pcgaming

  9. „Ihr könnt Little Island von meiner Seite The 5th Axis downloaden. Im Anschluss einfach das Executable ausführen und den Anweisungen des Installers folgen. Über euer Feedback freue ich mich sehr!“

    Teilen=❤️

    videospielgeschichten.de/abent

    #littleisland #homebrew #pcgaming

  10. „Ihr könnt Little Island von meiner Seite The 5th Axis downloaden. Im Anschluss einfach das Executable ausführen und den Anweisungen des Installers folgen. Über euer Feedback freue ich mich sehr!“

    Teilen=❤️

    videospielgeschichten.de/abent

    #littleisland #homebrew #pcgaming

  11. @DrollTide
    Haha, I recognized this sculpture right away! Visiting #LittleBigHorn made me utterly furious, particularly since most of the monuments were erected to honour the terrorists.
    #Montana
    #Indigenous
    #LittleBigHorn

  12. #LittleMisfortune - це ще один маленький шедевр від студії, яка подарувала нам неймовірну #FranBow. Ігроладу, як такого, тут мінімум - це таки дійсно більше інтерактивна історія на декілька годин. Але чіпляє за живе, як і попередня гра. До речі, є відповідні камео, що дуже приємно. Рекомендую.

  13. Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz


    Author: Dan Dietz
    Title: The Complete Book of 1990s Broadway Musicals
    Other Books Read by the Same Author:

    Publication Info: Rowman & Littlefield (2016)
    Summary/Review:

    The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.

    Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day.  Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.

    The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose.  There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists.  This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new.  Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider WomanPassion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, TitanicRagtime, Fosse, and Parade.  Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love).  Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.

    Rating: ***

    #BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference
  14. Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz


    Author: Dan Dietz
    Title: The Complete Book of 1990s Broadway Musicals
    Other Books Read by the Same Author:

    Publication Info: Rowman & Littlefield (2016)
    Summary/Review:

    The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.

    Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day.  Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.

    The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose.  There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists.  This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new.  Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider WomanPassion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, TitanicRagtime, Fosse, and Parade.  Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love).  Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.

    Rating: ***

    #BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference
  15. Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz


    Author: Dan Dietz
    Title: The Complete Book of 1990s Broadway Musicals
    Other Books Read by the Same Author:

    Publication Info: Rowman & Littlefield (2016)
    Summary/Review:

    The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.

    Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day.  Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.

    The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose.  There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists.  This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new.  Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider WomanPassion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, TitanicRagtime, Fosse, and Parade.  Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love).  Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.

    Rating: ***

    #BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference
  16. Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz


    Author: Dan Dietz
    Title: The Complete Book of 1990s Broadway Musicals
    Other Books Read by the Same Author:

    Publication Info: Rowman & Littlefield (2016)
    Summary/Review:

    The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.

    Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day.  Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.

    The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose.  There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists.  This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new.  Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider WomanPassion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, TitanicRagtime, Fosse, and Parade.  Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love).  Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.

    Rating: ***

    #BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference