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1000 results for “wyn”
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Schwierig, eine whistleblowerin mundtot zu machen, nachdem ihr Buch ein bestseller ist. 😃
https://www.zeit.de/digital/2025-03/careless-people-sarah-wynn-williams-buch-facebook-meta
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There, another tower blocks gone in #glasgow
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Put this book on your reading list today!
Hours before an arbitrator ruled in Meta's favor, barring Sarah Wynn-Williams from promoting her explosive new tell-all about the company, she sat down for an interview with Business Insider. "Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism," released Tuesday, is a scathing memoir detailing #WynnWilliams' time at #Facebook, now #Meta, where she worked in global public policy…
The book seemed to materialize out of nowhere, announced less than a week before its release. And yet, it had all the makings of a bombshell.
#carelesspeopple #zuckerberg
https://www.businessinsider.com/former-meta-executive-sarah-wynn-williams-interview-careless-people-book-2025-3 -
Put this book on your reading list today!
Hours before an arbitrator ruled in Meta's favor, barring Sarah Wynn-Williams from promoting her explosive new tell-all about the company, she sat down for an interview with Business Insider. "Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism," released Tuesday, is a scathing memoir detailing #WynnWilliams' time at #Facebook, now #Meta, where she worked in global public policy…
The book seemed to materialize out of nowhere, announced less than a week before its release. And yet, it had all the makings of a bombshell.
#carelesspeopple #zuckerberg
https://www.businessinsider.com/former-meta-executive-sarah-wynn-williams-interview-careless-people-book-2025-3 -
Put this book on your reading list today!
Hours before an arbitrator ruled in Meta's favor, barring Sarah Wynn-Williams from promoting her explosive new tell-all about the company, she sat down for an interview with Business Insider. "Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism," released Tuesday, is a scathing memoir detailing #WynnWilliams' time at #Facebook, now #Meta, where she worked in global public policy…
The book seemed to materialize out of nowhere, announced less than a week before its release. And yet, it had all the makings of a bombshell.
#carelesspeopple #zuckerberg
https://www.businessinsider.com/former-meta-executive-sarah-wynn-williams-interview-careless-people-book-2025-3 -
Put this book on your reading list today!
Hours before an arbitrator ruled in Meta's favor, barring Sarah Wynn-Williams from promoting her explosive new tell-all about the company, she sat down for an interview with Business Insider. "Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism," released Tuesday, is a scathing memoir detailing #WynnWilliams' time at #Facebook, now #Meta, where she worked in global public policy…
The book seemed to materialize out of nowhere, announced less than a week before its release. And yet, it had all the makings of a bombshell.
#carelesspeopple #zuckerberg
https://www.businessinsider.com/former-meta-executive-sarah-wynn-williams-interview-careless-people-book-2025-3 -
Wynton Marsalis (b. 1961)
https://en.wikipedia.org/wiki/Wynton_Mars"Blues Symphony"
Detroit Symphony Orchestra/Jader Bignamini
(Pentatone 2025)
https://open.spotify.com/album/0fTJMgJD49Spi9tdn7z2Qe?si=z16-wpgrR3yS-oi09OTyVQ#NowListening #ClassicalMusic #ContemporaryClassical #music #musique #JazzMusic #symphony #AmericanComposers
#WyntonMarsalis -
📰 "W Mysłowicach powstał najnowocześniejszy blok komunalny w Polsce. Jest nazywany Demonstratorem Technologii. I ma zalety. Choćby takie, że jest bardzo tani w użytkowaniu (czynsz i rachunki to zaledwie kilkaset złotych miesięcznie, a ma być mniej). Ale też wady, ponieważ niekiedy okazuje się być nieco zbyt „smart” dla swoich mieszkańców. O najnowocześniejszym bloku w Polsce rozmawialiśmy z Małgorzatą Książek-Grelewicz – dyrektorką Miejskiego Zakładu Gospodarki Komunalnej w Mysłowicach, który zarządza budynkiem."
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Wÿntër Ärvń – Sous l’Orage Noir – L’Astre et la Chute Review
By Twelve
Wÿntër Ärvn is a really cool project. It takes its inspiration from black metal of the ’90s and channels it into an almost fully acoustic and almost fully instrumental framework, building on many familiar feelings from that space—bitterness, inner struggles, anger, the usual stuff—in a pleasant, rather than jarring way. The French one-man project writes on acoustic guitars and builds on it such instruments as the cello, shakuhachi, and, yes, clarinet—but no electric guitars in sight. It’s a powerful concept and worked very well on Abysses, to the delight of the venerable Emya. Following up is always tricky, but a new album is here to continue the journey; how does Sous l’Orage Noir – L’Astre et la Chute stand up?
I should admit straightaway that I didn’t love Abysses. On paper, it’s right up my alley—gorgeous dark and neo folk music with a beating heart from black metal- but I found that its lack of immediacy meant it didn’t work so well for me as it did for Emya (and a lot of you). Sous l’Orage Noir – L’Astre et la Chute—Under the Black Storm – The Star and the Fall—challenged my preconceived biases fast with “Un Voile sur l’Azur,” a calming, peaceful tune that utilizes bagpipes and whistles from Geoffroy Dell’Aria (Les Bâtards du Nord, Épaves) to stunning effect. Similarly, “Remembrances” is a gorgeous song in a similar vein, with compelling acoustic guitar and a beautiful hurdy-gurdy lead that has placed it among my most-listened-to songs over the past few weeks. It is evocative—mesmerizing, even—with an appropriately strong sense of melancholy and nostalgia that hangs over Sous l’Orage Noir in the best possible way.
As alluded to above, there is a strong diversity of instruments across Sous l’Orage Noir, thanks in part to a variety of guest musicians. Raphaël Verguin (In Cauda Venenum, Psygnosis) provides cello for “Ad Vesperam,” Vittorio Sabelli (Dawn of a Dark Age) performs clarinet for “Vingt Ans de Brouillard” and “L’Astre et la Chute,” and there’s even a harp from Laurène Telennaria (Orkhys). Similarly, not all tracks are instrumental, with singing and a few growls (Judith De Lotharingie of Ofdrykkja and Wÿntër Ärvń himself, respectively) making rare appearances throughout. Many of these elements were present in Abysses, of course, but I love the way the songwriting, production, and album direction support them. The way Sabelli’s clarinet emerges as if from the titular fog in “Vingt Ans de Brouillard” is so memorable, as is the way “Appelé à l’Abîme” builds and builds before Telennaria’s singing descends as if from a great distance. Wÿntër Ärvń demonstrates excellent songwriting on Sous l’Orage Noir, like the best of October Falls, while taking influence from across the French metal scene.
There are only two things I don’t love about Sous l’Orage Noir (a great thing to be able to say for a dark folk album). The first is that I’m not convinced the growls work with the music. While I understand the relation to black metal, I think Wÿntër Ärvń’s is too removed from the original style—his hoarse, rough growling is a stark contrast to a song as lovely as “Ad Vesperam,” and breaks my immersion a bit. It’s not even a bad choice—the backdrop of chants and percussion supports it really well, but the song itself is almost peaceful up to that point. The second is that I don’t think the back half of the album does enough to distinguish itself from the first four or five tracks, making Sous l’Orage Noir feel a bit front-loaded. I don’t love the melody in “L’Astre et la Chute, for example;” it feels passive, while “Sous L’Orage Noir” leans a bit too much on repetition. Neither are bad songs, but they don’t do much to keep up the momentum from the openers.
On the other hand, these are the same qualities that make it so easy to load Wÿntër Ärvń, close your eyes, and get carried away by the music. There is a phenomenal sense of flow to Sous l’Orage Noir – L’Astre et la Chute that complements its style so well. Whether you’re a fan of metal or folk, there’s something to love here. In my mind, Sous l’Orage Noir is a step up from Abysses, and has made me a real fan of Wÿntër Ärvń— I can’t wait to see where the music flows from here.
Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Antiq Records
Website: facebook.com/wynterarvnneofolk
Releases Worldwide: March 7th, 2025#2025 #35 #AntiqRecords #DawnOfADarkAge #Épaves #FrenchMetal #InCaudaVenenum #LesBâtardsDuNord #Mar25 #Neofolk #OctoberFalls #Ofdrykkja #Orkhys #Psygnosis #Review #Reviews #SousLOrageNoirLAstreEtLaChute #WÿntërÄrvń
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Wÿntër Ärvń – Sous l’Orage Noir – L’Astre et la Chute Review
By Twelve
Wÿntër Ärvn is a really cool project. It takes its inspiration from black metal of the ’90s and channels it into an almost fully acoustic and almost fully instrumental framework, building on many familiar feelings from that space—bitterness, inner struggles, anger, the usual stuff—in a pleasant, rather than jarring way. The French one-man project writes on acoustic guitars and builds on it such instruments as the cello, shakuhachi, and, yes, clarinet—but no electric guitars in sight. It’s a powerful concept and worked very well on Abysses, to the delight of the venerable Emya. Following up is always tricky, but a new album is here to continue the journey; how does Sous l’Orage Noir – L’Astre et la Chute stand up?
I should admit straightaway that I didn’t love Abysses. On paper, it’s right up my alley—gorgeous dark and neo folk music with a beating heart from black metal- but I found that its lack of immediacy meant it didn’t work so well for me as it did for Emya (and a lot of you). Sous l’Orage Noir – L’Astre et la Chute—Under the Black Storm – The Star and the Fall—challenged my preconceived biases fast with “Un Voile sur l’Azur,” a calming, peaceful tune that utilizes bagpipes and whistles from Geoffroy Dell’Aria (Les Bâtards du Nord, Épaves) to stunning effect. Similarly, “Remembrances” is a gorgeous song in a similar vein, with compelling acoustic guitar and a beautiful hurdy-gurdy lead that has placed it among my most-listened-to songs over the past few weeks. It is evocative—mesmerizing, even—with an appropriately strong sense of melancholy and nostalgia that hangs over Sous l’Orage Noir in the best possible way.
As alluded to above, there is a strong diversity of instruments across Sous l’Orage Noir, thanks in part to a variety of guest musicians. Raphaël Verguin (In Cauda Venenum, Psygnosis) provides cello for “Ad Vesperam,” Vittorio Sabelli (Dawn of a Dark Age) performs clarinet for “Vingt Ans de Brouillard” and “L’Astre et la Chute,” and there’s even a harp from Laurène Telennaria (Orkhys). Similarly, not all tracks are instrumental, with singing and a few growls (Judith De Lotharingie of Ofdrykkja and Wÿntër Ärvń himself, respectively) making rare appearances throughout. Many of these elements were present in Abysses, of course, but I love the way the songwriting, production, and album direction support them. The way Sabelli’s clarinet emerges as if from the titular fog in “Vingt Ans de Brouillard” is so memorable, as is the way “Appelé à l’Abîme” builds and builds before Telennaria’s singing descends as if from a great distance. Wÿntër Ärvń demonstrates excellent songwriting on Sous l’Orage Noir, like the best of October Falls, while taking influence from across the French metal scene.
There are only two things I don’t love about Sous l’Orage Noir (a great thing to be able to say for a dark folk album). The first is that I’m not convinced the growls work with the music. While I understand the relation to black metal, I think Wÿntër Ärvń’s is too removed from the original style—his hoarse, rough growling is a stark contrast to a song as lovely as “Ad Vesperam,” and breaks my immersion a bit. It’s not even a bad choice—the backdrop of chants and percussion supports it really well, but the song itself is almost peaceful up to that point. The second is that I don’t think the back half of the album does enough to distinguish itself from the first four or five tracks, making Sous l’Orage Noir feel a bit front-loaded. I don’t love the melody in “L’Astre et la Chute, for example;” it feels passive, while “Sous L’Orage Noir” leans a bit too much on repetition. Neither are bad songs, but they don’t do much to keep up the momentum from the openers.
On the other hand, these are the same qualities that make it so easy to load Wÿntër Ärvń, close your eyes, and get carried away by the music. There is a phenomenal sense of flow to Sous l’Orage Noir – L’Astre et la Chute that complements its style so well. Whether you’re a fan of metal or folk, there’s something to love here. In my mind, Sous l’Orage Noir is a step up from Abysses, and has made me a real fan of Wÿntër Ärvń— I can’t wait to see where the music flows from here.
Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Antiq Records
Website: facebook.com/wynterarvnneofolk
Releases Worldwide: March 7th, 2025#2025 #35 #AntiqRecords #DawnOfADarkAge #Épaves #FrenchMetal #InCaudaVenenum #LesBâtardsDuNord #Mar25 #Neofolk #OctoberFalls #Ofdrykkja #Orkhys #Psygnosis #Review #Reviews #SousLOrageNoirLAstreEtLaChute #WÿntërÄrvń
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Wÿntër Ärvń – Sous l’Orage Noir – L’Astre et la Chute Review
By Twelve
Wÿntër Ärvn is a really cool project. It takes its inspiration from black metal of the ’90s and channels it into an almost fully acoustic and almost fully instrumental framework, building on many familiar feelings from that space—bitterness, inner struggles, anger, the usual stuff—in a pleasant, rather than jarring way. The French one-man project writes on acoustic guitars and builds on it such instruments as the cello, shakuhachi, and, yes, clarinet—but no electric guitars in sight. It’s a powerful concept and worked very well on Abysses, to the delight of the venerable Emya. Following up is always tricky, but a new album is here to continue the journey; how does Sous l’Orage Noir – L’Astre et la Chute stand up?
I should admit straightaway that I didn’t love Abysses. On paper, it’s right up my alley—gorgeous dark and neo folk music with a beating heart from black metal- but I found that its lack of immediacy meant it didn’t work so well for me as it did for Emya (and a lot of you). Sous l’Orage Noir – L’Astre et la Chute—Under the Black Storm – The Star and the Fall—challenged my preconceived biases fast with “Un Voile sur l’Azur,” a calming, peaceful tune that utilizes bagpipes and whistles from Geoffroy Dell’Aria (Les Bâtards du Nord, Épaves) to stunning effect. Similarly, “Remembrances” is a gorgeous song in a similar vein, with compelling acoustic guitar and a beautiful hurdy-gurdy lead that has placed it among my most-listened-to songs over the past few weeks. It is evocative—mesmerizing, even—with an appropriately strong sense of melancholy and nostalgia that hangs over Sous l’Orage Noir in the best possible way.
As alluded to above, there is a strong diversity of instruments across Sous l’Orage Noir, thanks in part to a variety of guest musicians. Raphaël Verguin (In Cauda Venenum, Psygnosis) provides cello for “Ad Vesperam,” Vittorio Sabelli (Dawn of a Dark Age) performs clarinet for “Vingt Ans de Brouillard” and “L’Astre et la Chute,” and there’s even a harp from Laurène Telennaria (Orkhys). Similarly, not all tracks are instrumental, with singing and a few growls (Judith De Lotharingie of Ofdrykkja and Wÿntër Ärvń himself, respectively) making rare appearances throughout. Many of these elements were present in Abysses, of course, but I love the way the songwriting, production, and album direction support them. The way Sabelli’s clarinet emerges as if from the titular fog in “Vingt Ans de Brouillard” is so memorable, as is the way “Appelé à l’Abîme” builds and builds before Telennaria’s singing descends as if from a great distance. Wÿntër Ärvń demonstrates excellent songwriting on Sous l’Orage Noir, like the best of October Falls, while taking influence from across the French metal scene.
There are only two things I don’t love about Sous l’Orage Noir (a great thing to be able to say for a dark folk album). The first is that I’m not convinced the growls work with the music. While I understand the relation to black metal, I think Wÿntër Ärvń’s is too removed from the original style—his hoarse, rough growling is a stark contrast to a song as lovely as “Ad Vesperam,” and breaks my immersion a bit. It’s not even a bad choice—the backdrop of chants and percussion supports it really well, but the song itself is almost peaceful up to that point. The second is that I don’t think the back half of the album does enough to distinguish itself from the first four or five tracks, making Sous l’Orage Noir feel a bit front-loaded. I don’t love the melody in “L’Astre et la Chute, for example;” it feels passive, while “Sous L’Orage Noir” leans a bit too much on repetition. Neither are bad songs, but they don’t do much to keep up the momentum from the openers.
On the other hand, these are the same qualities that make it so easy to load Wÿntër Ärvń, close your eyes, and get carried away by the music. There is a phenomenal sense of flow to Sous l’Orage Noir – L’Astre et la Chute that complements its style so well. Whether you’re a fan of metal or folk, there’s something to love here. In my mind, Sous l’Orage Noir is a step up from Abysses, and has made me a real fan of Wÿntër Ärvń— I can’t wait to see where the music flows from here.
Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Antiq Records
Website: facebook.com/wynterarvnneofolk
Releases Worldwide: March 7th, 2025#2025 #35 #AntiqRecords #DawnOfADarkAge #Épaves #FrenchMetal #InCaudaVenenum #LesBâtardsDuNord #Mar25 #Neofolk #OctoberFalls #Ofdrykkja #Orkhys #Psygnosis #Review #Reviews #SousLOrageNoirLAstreEtLaChute #WÿntërÄrvń
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Wÿntër Ärvń – Sous l’Orage Noir – L’Astre et la Chute Review
By Twelve
Wÿntër Ärvn is a really cool project. It takes its inspiration from black metal of the ’90s and channels it into an almost fully acoustic and almost fully instrumental framework, building on many familiar feelings from that space—bitterness, inner struggles, anger, the usual stuff—in a pleasant, rather than jarring way. The French one-man project writes on acoustic guitars and builds on it such instruments as the cello, shakuhachi, and, yes, clarinet—but no electric guitars in sight. It’s a powerful concept and worked very well on Abysses, to the delight of the venerable Emya. Following up is always tricky, but a new album is here to continue the journey; how does Sous l’Orage Noir – L’Astre et la Chute stand up?
I should admit straightaway that I didn’t love Abysses. On paper, it’s right up my alley—gorgeous dark and neo folk music with a beating heart from black metal- but I found that its lack of immediacy meant it didn’t work so well for me as it did for Emya (and a lot of you). Sous l’Orage Noir – L’Astre et la Chute—Under the Black Storm – The Star and the Fall—challenged my preconceived biases fast with “Un Voile sur l’Azur,” a calming, peaceful tune that utilizes bagpipes and whistles from Geoffroy Dell’Aria (Les Bâtards du Nord, Épaves) to stunning effect. Similarly, “Remembrances” is a gorgeous song in a similar vein, with compelling acoustic guitar and a beautiful hurdy-gurdy lead that has placed it among my most-listened-to songs over the past few weeks. It is evocative—mesmerizing, even—with an appropriately strong sense of melancholy and nostalgia that hangs over Sous l’Orage Noir in the best possible way.
As alluded to above, there is a strong diversity of instruments across Sous l’Orage Noir, thanks in part to a variety of guest musicians. Raphaël Verguin (In Cauda Venenum, Psygnosis) provides cello for “Ad Vesperam,” Vittorio Sabelli (Dawn of a Dark Age) performs clarinet for “Vingt Ans de Brouillard” and “L’Astre et la Chute,” and there’s even a harp from Laurène Telennaria (Orkhys). Similarly, not all tracks are instrumental, with singing and a few growls (Judith De Lotharingie of Ofdrykkja and Wÿntër Ärvń himself, respectively) making rare appearances throughout. Many of these elements were present in Abysses, of course, but I love the way the songwriting, production, and album direction support them. The way Sabelli’s clarinet emerges as if from the titular fog in “Vingt Ans de Brouillard” is so memorable, as is the way “Appelé à l’Abîme” builds and builds before Telennaria’s singing descends as if from a great distance. Wÿntër Ärvń demonstrates excellent songwriting on Sous l’Orage Noir, like the best of October Falls, while taking influence from across the French metal scene.
There are only two things I don’t love about Sous l’Orage Noir (a great thing to be able to say for a dark folk album). The first is that I’m not convinced the growls work with the music. While I understand the relation to black metal, I think Wÿntër Ärvń’s is too removed from the original style—his hoarse, rough growling is a stark contrast to a song as lovely as “Ad Vesperam,” and breaks my immersion a bit. It’s not even a bad choice—the backdrop of chants and percussion supports it really well, but the song itself is almost peaceful up to that point. The second is that I don’t think the back half of the album does enough to distinguish itself from the first four or five tracks, making Sous l’Orage Noir feel a bit front-loaded. I don’t love the melody in “L’Astre et la Chute, for example;” it feels passive, while “Sous L’Orage Noir” leans a bit too much on repetition. Neither are bad songs, but they don’t do much to keep up the momentum from the openers.
On the other hand, these are the same qualities that make it so easy to load Wÿntër Ärvń, close your eyes, and get carried away by the music. There is a phenomenal sense of flow to Sous l’Orage Noir – L’Astre et la Chute that complements its style so well. Whether you’re a fan of metal or folk, there’s something to love here. In my mind, Sous l’Orage Noir is a step up from Abysses, and has made me a real fan of Wÿntër Ärvń— I can’t wait to see where the music flows from here.
Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Antiq Records
Website: facebook.com/wynterarvnneofolk
Releases Worldwide: March 7th, 2025#2025 #35 #AntiqRecords #DawnOfADarkAge #Épaves #FrenchMetal #InCaudaVenenum #LesBâtardsDuNord #Mar25 #Neofolk #OctoberFalls #Ofdrykkja #Orkhys #Psygnosis #Review #Reviews #SousLOrageNoirLAstreEtLaChute #WÿntërÄrvń
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Wyniki ankiety! Już wiemy, co nam się wydaje, że jest powodem, że nowi użytkownicy Mastodona wkrótce po rejestracji rezygnują? (poza faktem, że nie znajdują tam swoich znajomych albo ludzi, których znają z mediów).
Oto one. 📊
Wygląda na to, że mamy jasny kierunek potrzebnych działań na rzecz zwiększania liczby użytkowników Mastodona. Proponuję wspólny namysł nad tym, co warto zrobić i kto miałby to zrobić. Wszelkie pomysły mile widziane. Tak samo jak Wasze analizy wyników tej ankiety. Piszcie!
#Mastodon #MastodonPL #Fedi #Fediwersum #FediPL #FediPomoc #polskieFedi #polskiMastodon
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Wyniki ankiety! Już wiemy, co nam się wydaje, że jest powodem, że nowi użytkownicy Mastodona wkrótce po rejestracji rezygnują? (poza faktem, że nie znajdują tam swoich znajomych albo ludzi, których znają z mediów).
Oto one. 📊
Wygląda na to, że mamy jasny kierunek potrzebnych działań na rzecz zwiększania liczby użytkowników Mastodona. Proponuję wspólny namysł nad tym, co warto zrobić i kto miałby to zrobić. Wszelkie pomysły mile widziane. Tak samo jak Wasze analizy wyników tej ankiety. Piszcie!
#Mastodon #MastodonPL #Fedi #Fediwersum #FediPL #FediPomoc #polskieFedi #polskiMastodon
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Wyniki ankiety! Już wiemy, co nam się wydaje, że jest powodem, że nowi użytkownicy Mastodona wkrótce po rejestracji rezygnują? (poza faktem, że nie znajdują tam swoich znajomych albo ludzi, których znają z mediów).
Oto one. 📊
Wygląda na to, że mamy jasny kierunek potrzebnych działań na rzecz zwiększania liczby użytkowników Mastodona. Proponuję wspólny namysł nad tym, co warto zrobić i kto miałby to zrobić. Wszelkie pomysły mile widziane. Tak samo jak Wasze analizy wyników tej ankiety. Piszcie!
#Mastodon #MastodonPL #Fedi #Fediwersum #FediPL #FediPomoc #polskieFedi #polskiMastodon
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Wyniki ankiety! Już wiemy, co nam się wydaje, że jest powodem, że nowi użytkownicy Mastodona wkrótce po rejestracji rezygnują? (poza faktem, że nie znajdują tam swoich znajomych albo ludzi, których znają z mediów).
Oto one. 📊
Wygląda na to, że mamy jasny kierunek potrzebnych działań na rzecz zwiększania liczby użytkowników Mastodona. Proponuję wspólny namysł nad tym, co warto zrobić i kto miałby to zrobić. Wszelkie pomysły mile widziane. Tak samo jak Wasze analizy wyników tej ankiety. Piszcie!
#Mastodon #MastodonPL #Fedi #Fediwersum #FediPL #FediPomoc #polskieFedi #polskiMastodon
-
Wyniki ankiety! Już wiemy, co nam się wydaje, że jest powodem, że nowi użytkownicy Mastodona wkrótce po rejestracji rezygnują? (poza faktem, że nie znajdują tam swoich znajomych albo ludzi, których znają z mediów).
Oto one. 📊
Wygląda na to, że mamy jasny kierunek potrzebnych działań na rzecz zwiększania liczby użytkowników Mastodona. Proponuję wspólny namysł nad tym, co warto zrobić i kto miałby to zrobić. Wszelkie pomysły mile widziane. Tak samo jak Wasze analizy wyników tej ankiety. Piszcie!
#Mastodon #MastodonPL #Fedi #Fediwersum #FediPL #FediPomoc #polskieFedi #polskiMastodon
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(Percy) WYNDHAM LEWIS (18 de Novembro de 1882 — 7 de Março de 1957), pintor, romancista, ensaísta e crítico literário e de arte inglês, co-fundador do movimento artístico Vorticism e editor da revista Blast.
Froanna, a mulher do artista, de Wyndham Lewis.
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The title Wynonna Earp: Vengeance alone had me expecting — nay, dreading the Enola Holmes version of Tombstone. Little did I know I was in for something much worse: a modern-day, queer-adjacent, gender-flipped Jonah Hex.
#WynonnaEarpVengeance #MovieReview #Action #Fantasy #Comedy #Film
https://ninetypercentcrapmoviereviews.wordpress.com/2025/03/01/wynonna-earp-vengeance/ -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Wyndham Lewis💫
#art #wyndhamlewis #vorticism #mastoart -
Oh Wyndham dear, your win was so grand
At the 2023 US Open you took the stand
Your focus and skill
No one could outfill
As you soared to victory, it was clear you'd planned#wyndhamclark #usopen #golf #victory #ode #poetry
https://www.cnn.com/2023/06/18/golf/wyndham-clark-2023-us-open-winner-spt-intl/index.html
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Wyngraf's #ValentinesDay2023 special edition is available for pre-order on the 'Zon for the modest price of 99c!
It features two queer stories, by Catherine Yeates and by yours truly. 🏳️🌈
I blogged about it here: https://juliebozza.com/news-a-new-story-for-valentines-day/ -
Wyngraf's #ValentinesDay2023 special edition is available for pre-order on the 'Zon for the modest price of 99c!
It features two queer stories, by Catherine Yeates and by yours truly. 🏳️🌈
I blogged about it here: https://juliebozza.com/news-a-new-story-for-valentines-day/