Keine Ahnung was los ist, aber ich sehe fast nur noch KI generierte Inhalte außerhalb des Fediverse. Mindestens das Vorschaubild ist KI, auch wenn vielleicht der Inhalt OK ist. Somit ist es unmöglich zu wissen, was einen erwartet. Super, ganz toll gemacht!
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19 results for “honze_net”
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Wie kaputt ist das bitte? YouTube nach folgendem suchen:
OLDER MEN DON'T REALIZE THIS IS WHY YOUNGER WOMEN SMILE AT THEM
Hunderte Videos, alle mit KI, mehr oder weniger gleich...
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La #honte de la route.
#MotardConnard
Ecoutez le dernier faire tout son #boucan pour rien dans la rue au milieu de la ville.
Les sons sont assourdis par la protection du #telephone mais on les entendait de loin , j'avais juste anticipé leur passage.
Comment tolére t on l'installation de tels pots d'échappement ?
Confiscation du véhicule immédiatement pour le conducteur decerebre ! Valable aussi pour les #bagnoles . #keke #vroomer
#bruit #egoisme #nuisancesonore -
Injury Updates: Honzek, van Riemsdyk, Brazeau – Pro Hockey Rumors https://www.rawchili.com/nhl/685157/ #Calgary #CalgaryFlames #CalgaryFlames #Flames #Hockey #injury #JustinBrazeau #NHL #PittsburghPenguins #SamuelHonzek #TrevorVanRiemsdyk
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.@[email protected] Injury Update: #Flames forward Sam Honzek is out week-to-week with a lower-body injury.
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https://www.europesays.com/sk/203396/ Zranený Samuel Honzek bude Calgary chýbať dlhší čas #CalgaryFlames #NHL #SamuelHonzek #SK #Slovak #Slovakia #Slovenčina #Slovensko #Šport #Sports
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AP Chemistry wasn't so great. I need to hone in and finish reactions and then go back and do some atomic structure basics with them.
We're doing redox this week with a titration and then we'll move into some other material. I'm tired of stoichiometry for now.
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"Hopefully it's the shorter end of the week-to-week scale."
#Flames head coach Ryan Huska talks about Sam Honzek's injury and talks about the team's mindset heading into their two-game road trip.
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Donald #Trump annonce qu'une " #exploration #pétrolière, #gazière et #minière massive" se prépare "dans notre #Groenland"
Ce type n'a honte de rien : pas de figure.
#shameless and #faceless
Dégage du #Groenland !
#Greenland to #Greenlanders , To #Denmark , to #Europe
GET THE #F_CK #OUT OF #GREENLAND
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https://www.europesays.com/sk/204640/ NHL – výsledky streda / Slafkovský , Nemec , Pospíšil , Dvorský , Fehérváry , Černák , Honzek / VIDEO #DaliborDvorský #ErikČernák #Headlines #HlavnéSprávy #JurajSlafkovský #MartinFehérváry #MartinPospíšil #News #NHL #SamuelHonzek #ŠimonNemec #SK #SlováciVNHL #Slovak #Slovakia #Slovenčina #Slovensko #Správy #Titulky #TopStories #video
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Baba Commandant and the Mandingo Band – Sonbonbela
https://amf.didiermary.fr/baba-commandant-mandingo-band-sonbonbela/
"Sonbonbela" is the third album by Mandingo Band, recorded at the end of 2022 with Baba Commandant in Burkina Faso.
The group continue to hone their trademark fusion of Mandingue and afro-beat styles. The Band are a hit machine, sculpting seven new tracks […], Fela inspired groovers dusted out in the Sahel zone, rather than the humidity […]
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Apple launched its first foldable iPhone, the iPhone Duo, this year. The device runs iOS twenty-seven and uses a hinge designed to improve heat dissipation for dual screens.
Source: Gadgets 360
https://www.gadgets360.com/mobiles/news/iphone-duo-hinge-explained-graphite-heat-pipe-thermal-management-apple-report-12182985#rss-gadgets-all -
iPhone : Apple atteint un record alors que le marché mondial des smartphones s’effondre
🗞️ Clubic - 🕐 13/10 08:24
Apple a livré 22 % des smartphones mondiaux au troisième trimestre 2026, contre 18 % un an plus tôt. La firme californienne n’avait jamais atteint ce niveau pour un troisième trimestre. Elle se rapproche ainsi de Samsung, qui reste numéro un avec 23 ... [2270 chars]
🔗 https://www.clubic.com/actualite-633865-iphone-apple-atteint-un-record-alors-que-le-marche-mondial-des-smartphones-s-effondre.html
#actu #news #presse #clubic -
Et illustration : regardez bien à chaque fois, ce que les médias #bourgeois choisissent comme image de Mélenchon, en tant que vignette de vidéo : "le cri et la fureur".
Tout cela est bien sûr prémédité, j'ai même entendu #Mélenchon en parler dernièrement...
Bravo à tous les cadres de #LFI, pour leur courage.Honte à #AFP et aux autres #médias mainstream qui font de même.
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Sur LFI et le #MouvementLycéen
"Ce sont les seuls qui n’ont pas le discours selon lequel on n’est pas capables de réfléchir par nous-mêmes. Et ce sont les seuls qui se déplacent dans les mobilisations lycéennes – comme d’ailleurs dans toutes les autres mobilisations. Ce sont les seuls qui n’ont pas honte et qui ne mâchent pas leurs mots concernant ce que les lycéens revendiquent. Ils n’ont tout simplement pas peur d’être présents." Soumaya Sarré
#faitesmieux
Mouvement lycéen : « Ce n’est que le début de cette révolution de la Gen Z »
https://www.mediapart.fr/journal/france/131026/mouvement-lyceen-ce-n-est-que-le-debut-de-cette-revolution-de-la-gen-z?utm_source=global&utm_medium=social&utm_campaign=SharingApp&xtor=CS3-5 -
Journaling
Journaling can be a wonderfully rewarding practice, done for many different reasons. Some people keep a journal to help them cope with difficult life situations; for others it’s a way to record important moments or reflections on past experiences. As an educator, I always encourage students, regardless of which level they’re at, to keep a journal in (or about) the language they’re learning.A great thing about journaling is that you can do it in many different ways. You get to choose your target audience, decide to write in the 3rd (or any other) person if you want to keep some distance, write full sentences or just jot down bullet points… You may even keep a visual journal – a sketchbook with simple drawings, with or without speech bubbles, comic-book style. You can do whatever you want, using your own creativity.
Personally, I like to combine all of the above. My journal is like a mental scrapbook, a random collection of thoughts, memories, feelings… I’ve been keeping it in several different languages, and my entries are anything from short paragraphs to lists or meaningful quotes from the books I’m reading. Sometimes I’ll just insert a leaf or a pressed flower picked on one of my nature walks, writing down the date next to it. And that’s it, that’s the entry.
Since this is an education blog, let me go back to the topic of language learning journals. If you’re learning a foreign language, journaling is a fantastic way to practice and hone your writing skills. You can keep a traditional, generalist journal, or focus on particular grammar and vocabuary. For instance, if you’re learning narrative tenses, use journaling to write entries describing past events. Or, if you need to practice different ways of talking about the future, write about your future plans and arrangements, reflecting on the best use of different tenses, modal verbs and suitable grammar structures.
You can also keep it as a simple notebook where you note down anything to do with your learning experience: new vocabulary (possibly with your own drawings or cut-outs to illustrate the meaning), things you’re struggling with, questions or dilemmas you’d like to discuss with your teacher, or things you love and would like to explore further.
Whatever you do, I suggest you start by writing down your learning goals on the first page, being as specific as you can. This will help you to stay on track and maintain discipline and consistency. And if you ever lose motivation (which frequently happens, for lots of reasons), go back to that page to remind yourself of why you started the language learning journey in the first place.
If you haven’t tried journaling before, I hope now you will! If you’re looking for more ideas and suggestions, have a look at the list of recommended resources below.
ADDITIONAL RESOURCES
How journaling can help you through hard moments [an NPR podcast]Journaling for language learning [a StoryLearning article]
5 Life Changing Journal Techniques [a YouTube video]
NOTES
I’m a freelance language tutor (English, Latin, Classical Greek), researcher, and a literary scholar currently based in Belgrade, Serbia.
If you wish to receive new content from my blog – as soon as it’s published – please enter your email address in the subscribe box below.
To support my work, you can send me a donation via PayPal. It would be greatly appreciated!
COVER IMAGE CREDITS
Photo by Finde Zukunft on Unsplash.
#education #journaling #languageLearning #writing #writingSkills -
The below text speaks to certain people, not all. I know plenty that would be quite happy with a small screen, but apparently you just could never have a good time with such a thing,because eyeballs are the only way to work with anything. Obviously.
'Remember when phones had tiny screens? The original iPhone's 4.5-inch screen seemed groundbreaking at the time, but by today's standards, that just doesn't cut it. A phone should have at least a 5.6-inch screen, though most nowadays are at least 6.1 inches. This allows you to enjoy a comfortable experience when holding the phone and typing two-handed while still being able to clearly see the content on it. That screen should also be an AMOLED panel with HD resolution and a decent peak brightness of at least 1,000 nits, so it's viewable in direct sunlight.'
Full article: https://www.engadget.com/2281663/android-phone-dont-buy-cheap-without-non-negotiable-features/
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Veilburner – All That Glimmers is Gloam Review By KenstrosityThe Law of Diminishing Recordings™ is a cruel mistress. She cares not for the effort put forth into any given work, nor does she show any sympathy for passion or skill. In all endeavors, she looms in shadows, in corners, and in crevices, waiting for a chance to bring down her victims a peg. And sometimes, she misses. So far, Pennsylvania wonky blackened death duo Veilburner evaded her attacks with a slithering swiftness, scrying her every move and staying two steps ahead. Futuristic, primal, and strange, Veilburner’s occult curios always find some portal to an improbable space where identification is immediate but engagement is preserved. Can ninth tome All That Glimmers is Gloam achieve the same feat?
If you’ve heard any Veilburner since Lurkers in the Capsule of Skull, then you know what to expect here. Wiry riffs that bend but never break, cymbals that clink and clang like wind chimes made of bone and brass, morphing utterances as inhuman as they are enticing, and an occult atmosphere that burns the air with devilish spice await in every chamber of Glimmers’ constructs. Familiar song structures build upon the more accessible patterns heard in Longing for Triumph, Reeking of Tragedy but the pace and aggression more closely resemble the animalistic The Duality of Decapitation and Wisdom or A Sire to the Ghouls of Lunacy. Psychedelia still establishes a strong foothold as always, which scaffolds the intensity of Veilburner’s writing with a sinewy fluidity that belies its unhinged personality.
For the first time, however, there aren’t as many deviations from prior installments as I expected, which in turn gives the impression that maybe Veilburner is running out of steam. That comes as no surprise to me, after watching the duo drop an album nearly every year since Lurkers.1 Opening duo “Here is Thine Sabbath, So Mote It Chasm” and “Oblivion Is Yours to Labyrinth,” along with later cuts like “Phænomena Obscura,” “Of Godslave and Blood Mortar,” and to some extent the title track closer stuff themselves with trademark Veilburner riffs and evil vocals heavily modulated with effects and other production wizardry, but don’t offer a voice unique to this release. Consequently, each of these numbers could be swapped into one or more of Veilburner’s other records and effortlessly blend into the crowd. They simultaneously lack memorability. Even if I make a conscious effort to recall a riff, a solo, a hooky vocal refrain, precious few come into focus. True to the Law of Diminishing Recordings, I also noticed Veilburner’s application of repetition in this release to make their measures sticky isn’t as effective as it once was. In stronger cuts like “Vitriolic Hiss,” the twangy refrain that gives the song its core still lacks a mutagenic quality that would allow it to evolve over the course of six minutes, robbing the moment of depth and engagement.
On the other hand, Veilburner still constitute a creative force highly capable and willing to take risks and do things just a bit differently. Album highlights “Dis’ Obedient Woe” and “Golgothic Holocaust” are perfect examples therein. In the former, a focus on gentleness, low-frequency clean vocals, and a lulling atmosphere uncovers a new element to Veilburner’s sound that I haven’t heard before—and the remarkable effectiveness with which it’s delivered is refreshing. The latter cut, on the other hand, is one of Veilburner’s wildest and most daring excursions. Twisting, writhing burls trade blows with a howling falsetto wail that I’ve never heard from Veilburner before. It’s terrifying and exciting in equal measure. Somehow, both of these unusual offshoots from the expected formula still give off an unmistakable scent that draws me in like a fly to fruit. Veilburner could hone in on these tracks, break down and discern exactly what makes them stand apart from the others, and use that data to build another high water mark in their discography down the line.
For now, All That Glimmers is Gloam is a competent and familiar work from one of the most recognizable and reliable entities in experimental extreme metal. Yet, it might be the weakest installment in their discography simply because most of what you hear they’ve done before, and often better. The exceptions housed inside this work save me from feeling disappointed with the final product. In fact, they stoke a fire of excitement and interest in me that leads me to believe that Veilburner might be on to something special if they capitalize on those riskier choices going forward. A newfound success is in their hands. All Veilburner need to do is firmly grasp it!
Rating: Mixed
#25 #2026 #AllThatGlimmersIsGloam #AmericanMetal #BlackMetal #BlackenedDeathMetal #ExperimentalBlackMetal #ExperimentalDeathMetal #ExperimentalMetal #Oct26 #ProgressiveDeathMetal #PsychedelicDeathMetal #Review #Reviews #TranscendingObscurityRecords #Veilburner
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 16th, 2026 -
“‘Scenius’ stands for the intelligence and the intuition of a whole cultural scene. It is the communal form of the concept of the genius.”*…
The Hope & Anchor in Islington, a notable pub rock venueZachary Hastings Hooper on Mark Wilkerson‘s Pub Rock, an appreciation of a now largely forgotten legacy…
The history of popular music is one of continual evolution, with one generation inspired by and then replaced by the next. Think the Beatles and Rolling Stones usurping their idols Buddy Holly and Muddy Waters. In the U.K., conventional wisdom holds that the pretension and precision of early 1970s prog rock acts like Yes and Genesis were smashed by the intentional amateurism and outrage of later-decade punk rockers such as the Sex Pistols and the Clash. This is perhaps best represented by the image of Johnny Rotten’s “I Hate Pink Floyd” t-shirt.
Pub Rock (Bloomsbury), a new book by Mark Wilkerson, biographer of Pete Townshend and Thunderclap Newman, shines some light on the overlooked genre of pub rock that catalyzed the shift from prog to punk. Wilkerson traces the genre’s birth in London pubs in the early seventies and its gestation of the world-shattering punk and New Wave scenes that followed.
I’m the audience for this book. As a teenager honing his musical tastes in the late eighties, I was introduced, by MTV and college radio, to the sounds of angry young men like Elvis Costello, Nick Lowe, and Graham Parker. Digging into their back catalogs, I discovered that Lowe especially was deeply intertwined with something called pub rock; his old band, Brinsley Schwarz, had been a major player in that scene. At the same time, I realized that Stiff Records—home to Lowe, Costello, and Parker, as well as the Damned and Madness—was run by two pub rock managers [see here]. In a sense, I’ve been waiting for this book for decades. And now that it’s here, I’m happy to dust off some old records while cueing up some new (to me) selections.
Wilkerson characterizes pub rock as “simply music that was played in pubs. A diverse mix was represented there: Roots rock, country, R&B, soul and rock’n’roll—both the good-time variety and the harder-edged stuff.” Unlike the sounds dominating airwaves and filling stadiums, pub rock was unadorned and earnest. It was neither glam nor grandiose.
While sonically similar to more mainstream rock and roll, pub rock had a slyly subversive allure. These seemingly square guys (yes, they are all guys) were about to birth punk. Every budding music snob tries to earn their bona fides with obscure knowledge. So learning that the dude behind “Cruel to Be Kind” had a previous professional life and that “(What’s So Funny ’Bout) Peace Love and Understanding” was a cover gave me an undeserved sense of superiority.
Pub Rock is part of the 33 ⅓ Genre series of primers on musical subgenres. It hews to the imprint’s mission, offering a quick, accessible entry point to a genre with little or no knowledge required, just curiosity. Like any good synopsis of a genre or musical scene, it sends the reader off to their favorite streamer or record store in search of a new listen or three.
In the age of the algorithm, we’re accustomed to being told, “If you like X, you’ll like Y.” However, snapshots like Wilkerson’s go beyond the “what” to tell you why you should add Dr. Feelgood or Brinsley Schwarz to your playlist.
As the book’s title indicates, the scene grew around a series of pubs in London. Groups like the Rolling Stones, the Yardbirds, and the Band strongly influenced the nascent pub rock bands, but as Wilkerson notes, pub rock arose as big-name British acts were increasingly focused on selling out stadiums in America, and economic pressures were closing the venues that sustained the sixties scenes. Pubs, which had historically featured jazz acts, gave new bands opportunities to hone their skills and build followings. Wilkerson posits that intimate venues forced bands to up their game: proximity to Carlsberg-swilling audiences meant that you had to play your instruments and entertain the crowd without hiding behind light shows and heavy amplification.
The pub rock movement yielded a couple of minor hits, notably Ace’s “How Long,” now a staple of yacht rock radio. But many of its key figures became leaders in the punk and New Wave era. Ian Dury from Kilburn and the High Roads became the iconic leader of the Blockheads, while John Mellor from the 101ers became the even more iconic Joe Strummer of the Clash. Ace’s Paul Carrack had chart-topping success with both Squeeze and Mike + the Mechanics. The aforementioned Lowe went on to chart success as a solo artist, producer, and songwriter. Parker and Dave Edmunds enjoyed long careers. And pub rock’s DIY ethos—finding new places to play, hauling your own gear, building audiences from scratch—directly inspired the punk and New Wave scenes that followed.
It’s been said the Velvet Underground and the Ramones only sold a few copies of their debut albums but everyone who bought them started a band. It could be suggested that, similarly, everyone who encountered Eggs Over Easy or Brinsley Schwarz at the Tally Ho did the same. Artists as diverse as the Sex Pistols, Costello, Madness, and the Stranglers trace their roots to pub rock shows…
“Punk’s Pub Crawl,” from @ctrrelpol-washu.bsky.social.
For more, and videos of exemplary pub rock performances, see “Raising the bar: the chaotic story of pub rock.”
And for more listening suggestions, see “A beginner’s guide to pub rock in five essential albums.”
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As we give credit where credit is due, we might recall that it was on this date in 1976 the one of the core pub rock bands, Dr. Feelgood, scored their only No.1 UK album when their live LP Stupidity went to the top of the charts– the first ever live album to go to No.1 in the UK chart in its first week of release.
Hear it here.
#art #BrinsleySchwarz #culture #DrFeelgood #ElvisCostello #GrahamParker #history #music #NickLowe #pubRock #Punk #rock #rockAndRoll #StiffRecords #stupidity